Говорящие духи
Подобные случаи имели место во все времена и эпохи. Так, в 1135 году в доме старосты Николя в городке Ле-Ман (Франция) слышались непонятный шум, стуки, ломались стены, передвигались с места на место предметы… После того как дом освятили, две ночи подряд в нем раздавался девичий голос. Невидимая девушка называла себя Гранье. Она сообщила, что никому не причинит вреда, но хозяевам…
in the beginning of the 15th century, klaus and anisiia met isalda, a young and promising witch, who caught anisiia’s attention. the child’s family were witches of a conservative, ‘preserve the balance of nature’ mentality. the girl, however, possessed a brightness, a curiosity, that could not be quenched by the serious attitudes of her parents and elder siblings. anisiia took to teaching the girl, despite the disapproval of her parents. more than once, she mentioned spiriting the child away when inevitably they were forced to leave.
once, twice, thrice, klaus told her ‘no’. over time, however, his irritation with her distraction grew, and eventually, klaus insisted it was time to leave. anisiia demurred, then blatantly refused. mikael was yet distant, and the potential her young protege showed… she did as she desired, in the end, enforcing her desires with an ultimatum: the girl would come with them, or once more they might go their separate ways.
over the span of a year, klaus’ frustrations grew. his tolerance for the blossoming witch decreased, for ever did he feel her as an interloper and a challenger for anisiia's attention. when he could take it no longer, he insisted that Anisiia part ways with the girl: she was sixteen now, full-grown and capable of surviving on her own. she no longer needed her surrogate mentor. following the resulting argument, anisiia moved to follow through on her prior threat and to leave with the girl. klaus could not stomach it: the young woman, it seemed, was more important than him. klaus resolved to set anisiia back in her place, to enact some small revenge for her defiance, for the suggestion that she might leave, for the implication that this witch was more important than him.
as his revenge, klaus chose to force upon isalda the fate he knew anisiia herself would most fear: to snatch the girl from life and imprison her within an immortality which must rob her of her power. anisiia’s rage was such that in the fight that ensued, they demolished the entire city in which they currently resided. there was little choice, then, but to leave. they departed separately, and isalda refused to forgive anisiia for permitting klaus to live after what he had done to her. within three months, she too turned on anisiia.
klaus and isalda have crossed paths six times since, over the centuries. she remains bright, quick-witted, possessed of a curiosity that belies her aloofness. the first time, she mockingly threatened to kill him, one of these days. though she has repeated the threat since, she has made no move to act upon it. it was not, she decided after a few decades, such a curse to have an immortal life.
in the sixteenth century, she came into possession of an isolated german castle where she has held court since, surrounding herself with protectors both compelled and loyal, human and vampire. vaults of bloodwine, parties of hedonistic delight. the reality can almost match the stories that abound in the nearest villages. and over all presides their mercurial and cruel lady.
Първа самостоятелна изложба на младия художник Артемий Овчинников „Характерни черти и черти на характера”
Първа самостоятелна изложба на младия художник Артемий Овчинников „Характерни черти и черти на характера”
Първа самостоятелна изложба на младия художник Артемий Овчинников „Характерни черти и черти на характера”.
Изложбата ще бъде открита на 14 ноември (понеделник) от 18,30 часа в Руския културно-информационен център на ул. „Шипка” 34 в София.
„Изложбата представя серия от картини в стила Портрет. Нарисуваните личности дават възможност на зрителя да открие тънкости от техния характер, през…
Ни одну страницу жизни моей Держу я в своих чернильных руках.Ими написала я сотни горьких путей, Так же написала радость, победу и крах.
Грустно смотреть на этот короткий путь. И вот я здесь. Стол, чернила и черти.Еще минуту назад можно было свернуть, Но я опоздала. Черти твердят мне о смерти.
Эти два проклятых посланника ада, Поселились на моих слабых плечах, Пьют со мной и забирают радость, Устроили пир и нагоняют безудержный страх.
Где же ты? Где же мой ангел хранитель? Пишу я с чертом, своею черной рукой. Со мной раньше писал небесный спаситель, Но его сокрушила я грешной строкой.
Когда? Когда я написала неверные строчки? А быть может, их совсем еще нет?! И это все, лишь мои заморочки?! И это все, лишь полуночный бред?!
Во множестве европейских легенд и народном фольклоре можно найти маленьких и злобных существ, которых обычно называли бесами или чертями, а если существо очень маленькое – то чертенком.
В ��нглийском языке этих существ зовут импами (imps), что восходит к названию молодого побега дерева, но чаще всего про бесов или чертят рассказывали в германских легендах.
Существует множество разнообразных…
Качество наверное опять черти треклятые съедят... I noticed late that I had messed up something with the letters, I was too lazy to correct it, so be it.