#FLASH 本日から発売中🍃✨
#FLASH released today🍃✨
デビューから”10周年”という事で
色んなお話をさせて頂きました😌💭
As it’s the “10th anniversary” since my debut
I talked about a lot of things😌💭
ぜひみてね!!!
Please check it out!!!
Before and while Tristamp was airing, Kenji Muto made some amazing Twitter posts giving us lore and production tidbits along the way. And while I don't speak Japanese (so I'm going to have to use Google Translate for this, so take everything you read here with a grain of salt because it may be skewed by mistranslation), there was some fantastic art and really cool concepts shared, and I want to archive anything Trigun-related. If I miss anything, let me know!) It starts a little slow with stuff we already know, but there are some interesting tidbits! If anyone who knows Japanese wants to correct anything, please feel free! Now, without further ado...
Part 1 [here]
Part 2
?
12:23 AM · Jul 4, 2022
Twitter始めました。
TRIGUN STAMPEDE監督の武藤です。
I started Twitter.
This is Muto, director of TRIGUN STAMPEDE.
This is my first time directing a feature-length series. We have created a magnificent worldview based on the beautiful concept art and character designs by Koji Tajima. New information should be released one after another. looking forward to. #TRIGUN
I thought that Mr. Hanamori's expression of ``dependence and attachment'' on the official website was accurate. Shonen Nai is the character that took the most time to formulate his behavioral principles. The mysterious patterns that appear on the clothes are also designed by Koji Tajima. What kind of meaning does it really contain?
The photo shows an additional souvenir from Los Angeles.
#TRIGUN
For some reason, most of the official concept art released is from the boyhood version. In the original manga, Nai plays an organ-like or piano-like instrument. How do you feel when you play, and who do you have in mind when you play?
Come to think of it, when will that concept art be released?
When will it be lifted?
#TRIGUN
When I arrived at work, there was a TRIGUN STAMPEDE poster on the wall. By the way, the poster next to me is of the TV anime BEASTARS, directed by Shinichi Matsumi, which I have been supporting since its debut.
The second poster is also in the works.
#TRIGUN
A three-dimensional model of the mothership made for the performance. It's exquisitely twisted and not designed with left and right symmetry, so it's difficult to draw it from three sides.
Rem Saverem is the fifth ship.
The third ship survived the crash.
I come to work on Sunday and am currently working in the sound booth.
#TRIGUN
By explaining things to the other person, your mind will be organized.
It is important to translate feelings into logic and verbalize them.
I would like to continue doing interview interviews for magazines, as they are very stimulating.
However, I am not good at handling unexpected questions and improvisation.
#TRIGUN
It's finally unveiled. The second poster made with cell-look CG takes more time than it looks. The talented staff, whose names cannot yet be made public, have been working behind the scenes. If you look closely, there are hidden hints about the main story, so please enjoy it like a treasure hunt.
The second trailer has also been released.
#TRIGUN
Dubbing is also in progress.
The sense of realism, the sound effects, the mixing, and the wonderful accompaniment music. I wanted to listen to it in the acoustic environment of a movie theater, but it was decided that an advance screening would be held.
In Katsumata-san's words, I think it means "the feeling of groove is irresistible!" The power of sound is terrifying.
#TRIGUN
I'm not good at repeating the same content over and over again, so I try to vary the themes and content from magazine to magazine as much as possible. When viewed from multiple angles, the work appears three-dimensional.
We are sure to continue to publish interview articles full of behind-the-scenes information in the future.
The third poster will be completed soon.
#TRIGUN
Thank you to the kind customers who patiently listened to the unfamiliar talk. I was saved by the gentle and warm applause. Are you unable to carry a conversation while making people laugh like an actor? The Stampede team members advised us, ``It depends on the number of places.''
We have to work hard on the next stage in order to make it to the number of places.
#TRIGUN
Lately, I've been overwhelmed by the enthusiasm of the advertising team.
People in positions that are different from the field staff and with whom I had no previous contact. It's because of these unsung heroes that my work spreads.
When you go out for drinks with them, you can get a feel for their personalities. Group warfare, group work, group art. It's a project with a lot to learn.
#TRIGUN
There seem to be many TRIGUN STAMPEDE signboards on Shinjuku Ad Street and elsewhere. It seems like the advertising team is planning some interesting things in the future, but I'm really looking forward to it. Behind the scenes, there are people working hard behind the scenes. In this way, the work will continue to expand. Bravo.
https://youtu.be/oolZJKslJcU
#TRIGUN
[Boo, dead Youtube link ):< If anyone knows what it was, let me know and I'll insert that info here]
Before I knew it, I received a TRIGUN STAMPEDE New Year's card that someone had made for me. Stampede simply sits looking at the camera. This photo shows the attitude of the on-site staff as they approach the work with sincerity.
2022 is the last spurt of dubbing (final mix) at the end of the story. #TRIGUN
When I look at cold brew coffee at a coffee shop, I think of TRIGUN STAMPEDE. Although the appearance may change, the ingredients and aroma of the beans are still present. The beans called Naito Sensei are roasted, ground, and carefully extracted drop by drop.
Pour into a super modern coffee cup and enjoy.
We look forward to your continued support in 2023. #TRIGUN
Captain Chuck Lee is a lovable villain who has achieved an unusual promotion from just a mob to a side character.
As I draw the storyboards, the characters start moving on their own.
He starts speaking lines that aren't in the scenario, or gets violent.
Tomokazu Sugita's mysterious performance shines.
#TRIGUN
In the early days, while drinking with Mr. Naito,
“I want to value the feel of touch.”
“I want to value a sense of existence.”
That's what I was talking about all the time.
The atmosphere and lifestyle of the planet are beautifully reproduced.
A tag team from the days of Land of the Lustrous,
Yuji Kaneko's art world.
#TRIGUN
Born and raised in the third city of July.
With the help of his parents, he entered the military police academy through the back door.
The golden gun was a gift from his parents for entering school.
Their world expands beyond the screen, and there are also stories about them that are not depicted in the main story.
Look forward to Chuck Lee's reappearance.
#TRIGUN
#杉田智和
There is no good or bad in the bond between parent and child.
The second episode takes on the challenge of a straight, simple theme.
Also pay attention to the pop (?) cute (?) villains.
Thank you for your support today from 23:00!
#TRIGUN
#トライガン
When I was revising the storyboard for episode 2,
Suddenly I heard a voice...
"Gofsef"
"Huh? Did you just talk?"
“Gofsef…(nods)”
“I see, you want to call me Gofsef, right?”
“Gofsef. (smiling)”
"Gofsef! (smiling)"
Draw the storyboard while interacting with the characters.
#TRIGUN
#トライガン
I met Mr. Oxytakehiko for the first time in several years.
Every time, I realized that he had called me all the way to Tokyo.
Next I want to go to Osaka, I should go.
I want to hold a STAMPEDE event in Osaka too.
I want to eat all I can in Osaka.
#TRIGUN
The taciturn and timid young man eventually adapts to the harsh environment,
Obtain "power" as a cyborg.
The name of the young man who has joined the ranks of violent criminals is Gofsef.
When you imagine the untold background,
The world will expand further.
#TRIGUN
Parent-child bond?
Breaking down that common sense.
Blood is thicker than water, episode 3.
Broadcast today at 23:00 on TV Tokyo and other channels.
Please take a look!
#TRIGUN
#トライガン
The character of Nai is
A rough sketch tells the story.
"The World of Yasuhiro Naito" exhibition held in Shibuya.
He always smiles kindly.
Let yourself be possessed and start drawing.
#TRIGUN
The race of "humans" is lumped together.
See things macroscopically.
Think from a bird's-eye view and act without hesitation.
When I draw storyboards, he lives inside me.
The problem is that once you get into it, it takes a while to get out.
#TRIGUN
#トライガン
But it's okay.
I'm sure he will be strong enough to survive.
Accepting reality in a harsh environment,
Obtaining a distorted prosthetic arm,
Imagine him growing into a young man.
Maybe he's using Wams.
The story world leaves the creator and expands further.
#TRIGUN
[Note that this was shared around episode three and the freckles this guy has--a lot of people theorize this is about Tonis]
I had dinner with Koji Tajima for the first time in several years.
Ordered mantis shrimp, crab, and shrimp.
"what is this?"
“Shakowams! ”
"this is?"
“Caniwams! ”
"this…"
“Ebiwams! ! ”
Feeling like a junior high school student,
A time like a class reunion.
Episode 4 will be aired today from 23:00.
#TRIGUN
A familiar silhouette.
Although it was too heavy to use for motion capture, this imitation was very useful as a pose reference. I imagine it's probably heavier in reality when I direct it.
The exterior is lost technology, and the interior is a synthetic weapon called a machine gun.
"Punishment" means "punishment".
#TRIGUN
#トライガン
Hitorie 2024 Lisani Interview for the On The Frontline/SENSE-LESS WONDER [ReREC] Release
INTERVIEW & TEXT BY 森 朋之(Mori Tomoyuki)
――デビュー10周年を記念したシングルの表題曲「オン・ザ・フロントライン」は、TVアニメ『無職転生Ⅱ ~異世界行ったら本気だす~』 第2クールOPテーマ。まずは『無職転生Ⅱ』の好きなキャラクターについて教えてもらえますか?
The A side song for your single “On the Frontline”, is featured as the opening song for the second season of the anime “Mushoku Tensei”. Could you tell me about which characters you like from the show?
シノダ ナナホシさんです。キャラデザから境遇から性格から何から何まで僕はナナホシさんが好きです。少しでも彼女に良いことがあればいいなと思っています。
Shinoda: Nanahoshi-san for me. I like her all the way down from her character design up to her lore and personality, every last little detail. I want at least something, any nice thing to happen to her.
イガラシ ロキシー・ミグルディアが好きです。突出した才能を備えているがゆえの不器用さと、驕らずに自分を変えていく部分に感銘を受けました。
ygarshy: I like Roxy Migurdia. The way that her outstanding talent is exactly what makes her so clumsy, and the fact that she doesn’t let it get to her head and instead attempts to change herself, it all left an impression on me.
ゆーまお ザノバ・シーローンが好きです。人形に対しての情熱と愛が彼を狂わせてイカれてしまった人間なのかと思いきや、忠誠心からか身内にはとても思いやりのある優しいギャップがとても良いです。ジュリとの今後の関係値がどう深まっていくのか気になります。
Yumao: I like Zanoba Shirone. It may have seemed as if his love and passion for his puppets drew him mad and pushed him off the edge but, the fact that it originally came from a place of kindness and love, he was just too loyal for his own good, is so interesting to me. I’m so curious to see how his relationship with Julie plays out in the future.
――なるほど。「オン・ザ・フロントライン」はエッジの効いたサウンドと美しいメロディが共存した楽曲。制作時の方向性、こだわった部分は?
I see. “On the Frontline” is a song wherein which violent instrumentals coexist with a gorgeous melody. Was there any specific part you were fussy with, in terms of direction, when writing the song?
シノダ この時はエレキギターのカッコよさを伝える使命感に駆られていた為、1サビ後の間奏のフレーズが爆発力ある音で録れたことに非常に満足しています。
Shinoda: I felt it was almost my duty to show the world just how cool electric guitar can be, and that’s exactly what drove me to make the guitar solo after the first chorus so explosive. I’m incredibly satisfied with how the recording turned out.
イガラシ ベースに関しては、伸びやかな歌のメロディーを引き立てることとリズムの力強さを損なわないことの両立をイメージしました。
ygarshy: In regards to the bass, I focused on emboldening the melody of the calm vocals, but in a way that wouldn’t impede on the strength of the rhythm. I had to find a way to balance both.
ゆーまお 破壊的で攻撃的なサウンドを埋め込みたくて、ギターの注文は結構こだわっていました。途中に組み込まれている変拍子も、自分が影響を受けたオルタナティブロックバンドの破壊的で推進力を感じるビートを取り入れました。
Yumao: I wanted the music to be chock full of destructive and aggressive energy, so I was meticulous in following whatever the guitar needed. The change in rhythm in the middle of the song was inspired by the alternative rock bands I like, as I fashioned the beat to have that same propulsive, explosive force that they tend to have.
――〈失っちゃいけない想いだけをなぞった/そして僕は行くのだろう〉という歌詞が印象的でした。この歌詞を書いていたときに、シノダさんが意識していたのはどんなことですか?
The lyrics “I traced only my feelings worth fighting for/And so do I forge on” especially left an impression on me. What was going through your head when you wrote them?
シノダ 生きていく上で大切なものを失うということは、往々にして起こり得ることなのだと感じることがここ数年多くて。そういったことも受け止め続ける覚悟を決めながら生きていかなければいけないんだよな、みたいなことを考えながら書いていたように思います。
Shinoda: Over the past few years I’ve had to face the reality that in life you will lose the things that you love, it’s commonplace. So I was thinking about how we need to be ready to cope with that so long as keep going on living.
――そして「センスレス・ワンダー[ReRec]」は、メジャー1stシングル「センスレス・ワンダー」を新たにレコーディングした音源。現在のみなさんにとって、「センスレス・ワンダー」とはどんな曲でしょうか?
For Senseless Wonder [ReRec], you recorded the song from your first major single anew. What does Senseless Wonder as a song mean to you now, after all this time?
シノダ 我ながらカッコいいギターリフを考えたな、と10年前の自分を褒めてあげたい曲です。
Shinoda: “Damn you really came up with a cool guitar riff” is what I would tell myself from10 years ago.
イガラシ 自分たちをここまで連れてきてくれた曲です。
ygarshy: This song has served to bring us to where we are today.
ゆーまお 青さの現れ、と思っています。とてつもなく早いBPMと情報量が詰め込まれている音数、歌詞、どれもあの時の年齢、思考でしか出てこない曲だなと思います。
Yumao: I feel it was really the flower of our youth. The unbelievably high BPM, the information overload, all somehow stuffed within the measure and the lyrics, everything. It’s the kind of thing that was only possible at that age, and mindset we were in back then.
――「センスレス・ワンダー」を初めて3人で演奏したときのことを教えてもらえますか? また、今回レコーディングにするにあたって大事にしていたことは?
Could you tell me about the first time you performed Senseless Wonder as a trio? Or what was essential to you when recording the new version?
シノダ 最初はどうしても音が足りないので、それでもとにかくこれでやっていくしかないなと、きっとやっていくうちにカッコよくなっていく筈だと当時は思っていました。そうやって再構築してやって来た「センスレス・ワンダー」をなるべくそのまま録音したい、という気持ちで今回の録音に挑みました。
Shinoda: We were lacking manpower and just notes and noise in general initially, but we had no choice except to keep on pushing and find a solution as to how to make it cool as we went.
イガラシ イントロでwowakaが弾いていたカッティングをベースで演奏する必要があって、ギター特有のストロークのパターンを高速で演奏することに注力しました。
ygarshy: I needed to recreate the clip of wowaka’s guitar playing but on bass, so it was a challenge play the guitar’s unique stroke patterns at the high speed needed.
ゆーまお とにかく音が足りない。イントロのリズムギターを誰が弾くのかとか、サウンドの厚みが減ったのではないかとか、減ってたって良いじゃないかとか、色々話していました。
Yumao: We were just flat out lacking notes. The question of who would play the rhythm guitar part in the intro, the fact that the music lost so many layers, the fact that maybe it was fine even though it wasn’t as rich as it was before…. We discussed a lot.
――「Selfy charm」は煌びやかさな音像とバンドサウンドが融合。このアレンジに至った経緯を教えてもらえますか?
“Selfy charm” combines hard J-rock with glittery musical imagery.
シノダ ギターに関しては基本的にイガラシ君の意のままにアレンジした、といった感じです。とにかくメチャメチャ綺麗な音で録れたので満足しています。
Shinoda: For the guitar, I primarily abided by whatever ygarshy-kun asked me to do. So I’m so happy with how crisp and clean the music came out.
イガラシ 2年前、Summer flight tourで全国をまわっていた時期にデモを制作しました。夏の夜の浮遊感、熱を攪拌しながら夜道を彷徨う様なイメージで音を重ねた記憶があります。
ygarshy: I had written the draft for the song back during our nationwide Summer Flight Tour two years ago. I remember I had in mind that floaty, airy atmosphere of summer nights; drifting along sunless streets whilst the heat whisked around, that kind of thing.
――歌詞のテーマは美醜だとか。見た目に対する意識はますます強まっている印象もありますが、このテーマを選んだ理由は?
The theme of the song is appearances, the pretty and the ugly. I get the sense that you’re beginning to worry about the way you look more and more, but, what exactly was the reason you settled on this theme?
シノダ 僕が重度のSNS依存症なので、基本的にずっと画面をスクロールさせているんですけど、ふとした瞬間にタイムラインに発生する綺麗な女性の写真にスクロールを反射的に止めさせられることがあって。その“止めさせられ”が最早強制力の域に達してるんじゃないかと思うことが多く、この女性はどれだけの苦悩やコンプレックスを抱え、それらと戦い続け、努力を重ね、いかにして人のスクロールを止める強制力を得るに至ったのかみたいなことを勝手に想像したときがありました。生半可な努力では無いはずなので。その勝手な想像が何か曲にハマりそうだったので、歌詞にしてみました。
Shinoda: I’m a heavy social media addict, you can practically always find me scrolling on my screen. So sometimes when photos of beautiful women suddenly show up on my timeline, they reflexively make me halt my scrolling. I often end up feeling like that “makes me halt” part practically reaches the level of forceful compulsion with how powerful it is. These women must be burdened with their own anxieties, things they hate about themselves, struggles they’re constantly battling. All those efforts are what won them their extramundane power to force us to stop our scrolling. Or so, I find myself imagining. There’s no way they put half-assed effort into what they do after all. That wild imagination of mine was went into the song.
――そして「さくらのいつか」はwowakaさんを思って書かれた曲だとか。このテーマで曲を作ろうと決めた理由、そこに込めた思いを教えてもらえますか?
Then, you said that “Sakura no Itsuka” was written about wowaka. What made you decide to write about this subject?
シノダ このテーマで曲を作ろうとしたわけではなく、この曲は〆切のギリッギリに出来た曲なんですけど、ちょうど桜が咲いていた時期だった所為か、ごくごく自然にこの曲が書けてしまい。書けてしまったということはこれも何かの巡り合わせなのだろう、ということで収録するに至った次第です。
Shinoda: I actually didn’t consciously decide to do so. I finished the song in the nick of time before the deadline too. The cherry blossoms just so happened to be in season at the time, and that’s why this song kind of naturally came to me. It was a crazy twist of fate, even more so that it ended up on the album.
――今回のシングル4曲はすべてライブで披露されています。ライブでの手ごたえはどうでしたか?
All 4 songs from the single are now being performed live at concerts. What has the response been like?
シノダ 「さくらのいつか」に関しては、初めて演奏した時に会場全体を悲しみの坩堝にぶち込んでしまったような感触があり、この曲この先演奏するのやめた方がいいのかな、と一瞬悩むほどでした。
Shinoda: I felt like the entire crowd was flung into one big melting pot of sorrow the first time we performed “Sakura no Itsuka”, and for a moment back there I was worried that maybe we shouldn’t ever perform this song again.
イガラシ 初めて演奏したときから「Selfy charm」で盛り上がってくれて嬉しく思っています。あまりこのテンポの楽曲を作曲したことがなかったので、ひとつ今後への経験になりました。
ygarshy: The crowd has been enchanted by “Selfy charm” ever since the first time we unveiled it live. I’ve never really written a song with this tempo before so it’s been a good learning experience for me.
ゆーまお 「Selfy Charm」を演奏してる時、みんなが楽しそうにノリノリで聞いているのでとても嬉しいです。
Yumao: Whenever we do “Selfy charm” live, everyone bops along so cheerfully that it makes even me happy.
――ヒトリエは今年デビュー10周年。いろいろな出来事がありましたが、今現在のヒトリエをどう捉えていますか?
Hitorie: Hitorie hit their debut’s 10th year anniversary just this year. I can see you’ve been through many ups and downs along the way but, how do you feel about the current day Hitorie you’ve grown into?
シノダ よくやってるな、と思います。
Shinoda: We’re really trucking right along, I think.
イガラシ 演奏の手応えは増してきています。継続と発展を目指します。
ygarshy: People are appreciating our performances more and more. So my goal is to first preserve then develop this state further.
ゆーまお 10周年にしてようやく、ヒトリエって結構強いバンドかもしれないって思ってきてます。
Yumao: After 10 years I’ve finally come to the realization that Hitorie actually is a pretty powerful force to be reckoned with.
――wowakaさんを失ってしまった後もバンドを継続できたこと、今も素晴らしい音楽をやり続けられていることの理由は何だと思いますか?
After losing wowaka-san you chose to still keep the band alive, and continue to write wonderful music, the same as before. What was the reasoning behind this decision?
シノダ wowakaの作ったバンドだからだと思います。
Shinoda: Because Hitorie was made by wowaka.
イガラシ 現在進行形でかっこいいバンドの名曲として彼の音楽を聞き続けてもらえるように活動したいと思い続けています。
ygarshy: My motivation to continue on working is because I want the world to keep on listening to his music, be it via the hit tracks from a spunky band in the present progressive tense.
ゆーまお 彼の時は止まってしまいましたが、これから先も恥じないメンバーである事を証明するための意地ですね。
Yumao: Time may have stopped for him but, we’re adamant about proving that we are his bandmates, and we want to make him proud.
――9月15日には「HITORI-ESCAPE 2024 10-NEN-SAI~日比谷超絶野音~」を開催。今年の夏以降の活動ビジョンについて教えてください。
On September 15th you plan to throw HITORI-ESCAPE 10-NEN-SAI at Hibiya Outdoor Stage. Could you tell me about what your vision for the band will be post summer?
シノダ きっと楽しい未来が待ってると思います。
Shinoda: All I know is that some kind of exciting future is probably waiting for us.
イガラシ 野音は節目の大きなライブですが、そのあともいい音楽と演奏を届けられるように止まらず活動していきます。
ygarshy: The Hibiya Non show is a major turning point, seeing as of how big of a show it is, but, once it’s over we still need to keep making good music and putting on good shows, no slowing down.
ゆーまお 日比谷野音が終わっても、まだまだ今年やる事が残っています。楽しみにしていてください。
Yumao: We sill have lots of things in store this year, even after Hibiya Non, so please keep your eyes peeled.
Miyuu, Mew and Ayaka posted on Instagram! :DDDDD Ayaka made the same post on her ameblo too! I had a feeling it's going to happen because Ayaka mentioned she was travling into Tokyo for a day since she's moved to Sendai now, but she made it sounds like it was only for work, but I'm so glad my hunch was correct and the ladies arranged to meet up!!!!! I could cry reading their posts! 😭
A celebration of various things 💖
20 years already.
I feel so blessed we were all a Senshi
Once again
Thank you for being part of my life
Thank you for always being by my side
And for all the years to come ...
KOMATSU AYAKA
安座間の結婚のお祝いと今月誕生日の里香&沢井のお誕生日のお祝いをしました🎂💕
なんだかお祝いが続いていて嬉しい🥰
戦士のお祝い事があると私も色んな方からお祝いしてもらえるので、私まで幸せな気持ちになれるんです☺️❤️笑
昨日も、お話しましたが私たちが出会った作品でもある実写版【美少女戦士セーラームーン】の放送開始から20年🌙
この作品に出会えたおかげで、かけがえのない大切な仲間に出会えました💖💙❤️💚🧡
20年経った今でもこうして大好きなみんなと集まれて、笑って過ごせることが本当に幸せです💕
いつもバイバイしてからも話し足りなくて
ずっと連絡を取り合う私たち😝
20年経ったけど『変わらないねうちら(笑)』なんて話しながら、変わらないで一緒に居てくれるみんなに『ありがとう♡』と思った私なのでした☺️🧡
景ちゃんデビュー20周年&
写真集発売おめでとう✨
安座間結婚おめでとう💐
里香、沢井、まだちょっと早いけど
お誕生日おめでとう🎂
I wanna be with you.
My best friend♡
#戦士 #戦友 #仲間 #戦士会 #安座間美優 #泉里香 #北川景子 #沢井美優 #小松彩夏 #誕生日 #誕生日会 #結婚 #お祝い#幸せ #絆 #美少女戦士セーラームーン #セーラームーン
We celebrated Azama's marriage and Rika's & Sawai's birthday this month 🎂💕
I'm happy that these celebrations keep continuing 🥰
Whenever there is a celebration for a Senshi, I also get many messages of congratulations from all kinds of people, so it doubly makes me happy too ☺️❤️ lol
As I mentioned yesterday, it has been 20 years since the work where we all met, the live-action of "Pretty Guardian Sailor Moon" began airing 🌙
It is thanks to this work, I got to meet my irreplaceable and most precious friends 💖💙❤️💚🧡
Even though 20 years have passed, I'm really happy that I can still get together and laugh with everyone I love like this 💕
Every time after we say bye-bye we still feel we haven't talked enough with each other, so we keep in touch all the time
I told everyone that even though it's been 20 years "we've not changed all all (lol)", and then I shared my deeply felt "thank you♡" to everyone for having been with me without change all these times ☺️🧡
Congratulations to Kei-chan's debut's 20th anniversary
& the release of her new photo book✨
Congratulations to Azama on her marriage💐
Rika and Sawai, even though it's a bit early,
Happy birthday 🎂
I wanna be with you.
My best friend♡
AZAMA MEW
💗❤️💙🧡💚
昨日は、沢井と里香のお誕生日のお祝い&私の結婚もお祝いしてくれました🥰
そしてなんといっても!10月4日は、
実写版「美少女戦士セーラームーン」放送開始
20周年でした🌙
その日がデビューの景子も20周年❤️
ということで、いろいろおめでとうの日でした🥳
歳だけは立派に着実に重ねているけど、
中身と関係性は10代から変わらない大切な仲間です。
そして20年経っても私達を応援してくださっている方々が
本当に多くて…感謝です♡
これからもよろしくお願い致します!
#実写版美少女戦士セーラームーン#20周年#戦士#sailormoon
Yesterday, we celebrated Sawai and Rika's birthdays & my marriage🥰
And what a special day! October 4th,
Was the broadcast of the live-action Pretty Guardian Sailor Moon's
20th anniversary🌙
That day was also the 20th anniversary of Keiko's debut ❤️
So it was a day of celebrations for many happy occasions 🥳
Though we are all steadily and admirably getting older,
But through the connection inside us, we are still the same precious friends we have been since our teenage years.
And there are so many people who are still supporting us even after 20 years….I am so thankful for all of you ♡
I thank you for your continued support moving forward!
Did you know I came to Japan as an exchange student? 👩🎓
If it hadn’t been for The University of Tokyo, I may have never become a professional singer, never had a major record deal, never have entered the world of game & anime music.
Strange turn of fate huh?!
What a joy and honour it was to be invited back to uni!
The University of Tokyo launched a new program “GlobE”, a center for Global Education which aims to support UTokyo students to gain more global experiences.
It was a very meaningful moment to be able to talk to the current students and my former professors. Studying at this institution literally changed the course of my life in the most unexpected way. As I say in the interview, Japan was a beautiful ‘accident’. There was also surprise performance at the end of the ceremony.
本日から活動復帰させて頂きます。
I will be returning to my activities from today.
これからはより一層 自分らしく
芸能活動を楽しめるよう色々模索しながら生きてみようと思いますので
From now on, I will try to live my life more like myself
While seeking various ways to enjoy my entertainment activities
良ければ 大西桃香 の応援をよろしくお願い致します。
I hope you will support Momoka Onishi.
デビュー10周年! ただいま🌸
10th anniversary of my debut! I’m back🌸