#( Eleanor is more prone to anger than Cassie though sometimes )

[sharp-teeth-and-archived]

WHAT  FLAVOR  IS  YOUR  SOUL  ?

* 𝐂𝐀𝐒𝐒𝐈𝐄 𝐑𝐎𝐎𝐒𝐄𝐕𝐄𝐋𝐓

ROSEMARY

ah, the old soul, nice to meet again. the time of ages is etched into your bones, you see clearly. you've watched the heartache in this realm and sworn to solve it. but kindness without limits is self destruction. oh little leaf, strong and wise, you seek to bring peace with your presence. I'd be wrong to say you fail at this effort, but you mustn't set yourself on fire to keep others warm. you wish to please everyone, to protect them all. but if you shield the saplings from the sunlight they will never grow, and you one day will wither. protect yourself too. you know there are no happy heroes, so don't be one. be a friend. your loved ones will not forsake you for not being perseus slaying all their demons. you have your own monsters, why not meet them first before you conquer anyone else's nightmares. oh true-hearted paladin you are brave, and you are good enough. you know that right? be true to yourself, one cannot do anything saintly if they did not tend to their own wounds first.

* 𝐋𝐘𝐃𝐈𝐀 𝐁𝐀𝐑𝐍𝐄𝐓𝐓

MINT

oh spry little dryad, spinning sprite, you drift through life as light as lion down. you are the chimes of churchbells and the laughter of faeries. gossamer and spidersilk shine from your ribs. life is fleeting, you more than anyone should know that. something we love today may never see tomorrow's sun. you pride yourself on skipping through moments, soft and merry. but you do not let your soul be tethered. is it for freedom or fear, sweetheart, that you do not let yourself be tamed? you are as fresh as and wild as bluebirds in snow, you smile at your problems before dashing away. hoping they will never catch up to you. but even nike can't run forever. you have been hurt before. but that is life. you wish to never feel that way again, but regretfully I must tell you that is nothing short of impossible. life is but part sorrow part sun, you cannot have teacups until they are burned by the kiln. oh I see the scars child, they shimmer down your chest, I see the pain in your eyes. but I also see the stardust. keep smiling, but allow tears also. you do not have to be solely wonder, fear, you are allowed to be bitter. so bite, and scream, and laugh, and love. that is what makes life worth living.

* 𝐄𝐋𝐄𝐀𝐍𝐎𝐑 𝐌𝐎𝐑𝐑𝐈𝐒

LAVENDER

oh moon child, restless sleeper, tell me what it's like to dream? you float along the margins of reality, picking up the pieces of fallen memories to sculpt into your own realm. you are searching, but your tongue is quiet, quiet, quiet. open your mouth and sing my dear, silence only does you good for so long. and here you planted roots in the darkness, where not even the moon can reach your leaves. there is such a thing as being too practical, for you sail your ship on perpetually calm waters, and never have you spotted land. your mind has wings, uncage them! allow yourself to dream, you are not too far gone. there is no such thing! trust in yourself dear.

TAGGED: @coyotesteeth​​ ( thank you! )

TAGGING: I don’t want to bug anyone atm, so steal it from me and say I tagged you!

[xxangel-ryan]

WDPA Challenge 01;; trope moodboard

Angel Ryan ;;

Street Urchin - arya stark (game of thrones

A kid, usually an orphan, who has lived on the streets for most of his short life. Survival is a matter of stealing whatever they need, doing odd jobs, and/or stuff you'd probably rather not think about. He may actually have a home or family, but the situation there may be so bad that living on the streets is preferable, or they're out stealing for their family's sake.

The vast majority of them usually grow up into street gangs or worse, but the ones we usually deal with have a run-in with the hero of the story.

Little Miss Badass - Cassie Holmes (push)

She has skills that far exceed what you'd expect from her appearance. Maybe it's because she is a bit strange, mature for her age, or doesn't look like her age at all.

The character may be quite cute and is often smart enough to use that to her advantage, quickly manipulating anyonestupid enough to fall for her act. Her actual personality will usually be very clever and cynical, though. She may also be more innocent or good-natured, but no less charming so that she generally gets her way. Often extends to what she is wearing, if she cares at all.

If put into serious danger she can often show an absurd amount of power and will easily deal with any annoying perverts in the most casually devastating way possible.

Inferiority Superiority Complex - eleanor shellstrop (the good place)

Sometimes, it turns out a character who seems to think the world of themselves actually doesn't; their high-and-mighty attitude hides crippling insecurity. They're often eager, even desperate, to prove themselves, and they won't take it well if their attempt fails. Often, the reason for their insecurity is because they have such a high opinion of themselves that they can't deal with any kind of perceived failure or rejection, bringing the whole thing into a large and angry circle.

Commonly they'll try to feel more secure by putting others down.

deadpan snarker - katniss everdeen (the hunger games)

A character prone to gnomic, sarcastic, sometimes bitter, occasionally whimsical asides. They can vary wildly from rare, funny one-liners to complete obnoxiousness.

The Deadpan Snarker note exists to deflate pomposity, point out the unlikelihood of certain plans, and deliver funny lines. Typically the most cynical supporting character. In most cases, it is implied that the snarker would make a good leader, strategist, or consultant given their ability to instantly see the flaws in a constructed plan. More often than not, their innate snarkiness is the only thing preventing the other characters from comprehending this for themselves. In other cases, the Deadpan Snarker resorts to sarcasm because they're the Only Sane Man.

Sometimes the Deadpan Snarker is shown to be incapable of avoiding sarcasm, due to his insecurity about expressing any genuine thought or feeling, and his fear of withdrawing from the cynical position and protection. This may turn him into a Stepford Snarker.

Broken Bird - kat stratford (10 things i hate about you)

These characters (often female) are coping with a Cynicism Catalyst, a Despair Event Horizon, or a Dark and Troubled Past by becoming as cynical, stoic, and/or badass as possible.

Her deep experience and emotional detachment almost always give the impression of competence, though she doesn't always live up to her own hype. Varying between Cool Big Sis, Emotionless Girl, Little Miss Snarker, and Snark Knight, she marks herself as more experienced and worldly than the other characters, even if the Competence Zone means she herself is barely out of her teens.

In fact, she can sometimes fill a mentor role for less experienced and more idealistic characters, all the while loudly expressing her irritation with said arrangement, so no one gets the impression she's softening up.

Dark and Troubled Past -  elena gilbert (vampire diaries)

Something terrible happened to a character; some tragic event in their past that shaped a fundamental level of their personality. Long after the event is over, it still has a powerful influence on the character's life.

Hustler - jo harvelle (supernatural)

One use of the term is for a con artist who tricks others into competing against him for money. The Hustler will join a game as an enthusiastic but unskilled player, building up the other players into believing they are superior. Once that's done, the Hustler (or an accomplice) will then suggest playing for high stakes; when the money is on, the Hustler demonstrates his true skills and takes his overconfident opponents to the cleaners.

Good is not Soft - black widow (marvel)

The character isn't necessarily an Anti-Hero, Vigilante Man or may not even be portrayed as Good Is Not Nice. He could be a genuinely friendly, sociable, caring person, always looking out for his friends and family and trying to do the right thing. Such a character would have to be compassionate to his enemies, right?

Actually, no. Unlike the Good Is Not Nice character, someone who falls under this trope actually is an amicable and affable person. It's just that this niceness doesn't extend to giving free passes to the truly vile and horrific among their enemies. They are the reason why the villain should Beware the Nice Ones, especially since they aren't gonna wait to be angered or snap before the inevitable beatdown/killing begins. The Good Is Not Soft character will find them, will stop them and (if they're lucky) will kill them before they can hit that Berserk Button. Then they'll (usually) go home to enjoy dinner and settle in for a good night's sleep.