#( pietro && zagreus )

[irresistiibles]

@wvsteria asked: SERVICE :  for one muse to cover the cost of something for the other. zagreus & pietro

"his drink is on me." zagreus said, sliding in next to pietro by the bar and offering his card out to the bartender before the man could comment or argue on the matter. "you covered me last time after all." he said, turning to flash a grin. "so i figure it's only fair."

[wvsteria]

pietro maximoff & zagreus ;; @irresistiibles​

pietro liked to start off his weekends at bars and clubs. looking for a bit of fun anywhere he went. and it seemed like the city was definitely in need of letting off steam at this point. as he sat in his spot he noticed someone sitting not too far off from him, nodding his head with a smile on his face. he’d debated talking to them but was waiting for the right opening. maybe he’d order him a drink. 

[plum-pudding-and-honey]

MONTHLY RANGE : Eight & Charley

Storm Warning - 3.5/5 : the plot is not the best thing I've ever seen but it's still a good introduction story for Eight on audio and to be fair it just made me want to drop everything and hop after him. I like Charley's background but I really just can't stand her. I don't hate her, she's interesting and I totally understand that people love her but I've never really warmed up to her. I also have a problem with the "classic" format : 4 episodes of 20-30 minutes which, sure, allows the writers to give the story and the characters more development, but which I find particularly long. I just find it very hard to focus for two hours, unless the story is very compelling

Sword of Orion - 3/5 : (god this is loooong) The atmosphere was interesting, so was Deeva (although I thought her being an android was quite obvious but wtv). The other side characters were all quite boring though and I couldn't bring myself to care about them. The android/human war was also an interesting point, it's a shame it didn't get developed more than that

The Stones of Venice - 1.5/5 : Oh my God do I hate this. Two hours which felt more like six hours of whining and complaining and "Estella, my beloved, forgive me here" and in the end, I'm not even sure whether I want to kill the Duke or myself. Just... zero empathy for this guy and Estella. Pietro was a bit more interesting although fish gondoliers who have evolved to survive the sinking of the city? Really? No. (Not just because evolution doesn't happen over a hundred years. Try a million.) Churchwell was equally annoying (I mean, as a librarian, I'm all for art preservation but have some decency here man) and the cult, well I've got no opinion whatsoever on them, that's how useless they are in all of this. The only thing that kinda made this thing worthwhile was this bit of conversation between the Doctor, Charley and that gondolier guy about the Duke waiting a hundred years for Estella and how Charley points out how long it is waiting for someone to return and how Eight DID wait a hundred years before seeing Fitz again and I'm not okay about this (and this was released shortly after Escape Velocity was published so I'm definitely gonna take this as a Fitz reference fight me on this)

Minuet in Hell - 3/5 : The Doctor being imprisoned and amnesiac for 3/4 of the episode was very looong. I liked the interactions with Gideon Crane but since the viewer already knows which one is the real Doctor, I really didn't see the point of making this last for so long. Also it robbed us of more Eight/Brig time and that's a shame. And those American accents are just horrible, I couldn't understand most of what Dale and the Senator were saying. The vilains and the Psi (psy?) machine were kinda interesting (although they also sounded pretty annoying) but in two hours and a half, they really could have been developed a bit more. Same goes for Becky Lee and her supernatural hunter gig that was way underused. The Brigadier is a huge asset, let's be honest. And the EDAs are canon in the BF universe, so that's that. (yes there was a Fitz reference in The Stones of Venice, I will not shut up)

Invaders from Mars - 2/5 : I love the idea behind this episode : the panic caused by Orson Welles' reading of the War of the Worlds, a false invasion in fact hiding a real invasion. It could have been great. But it's not. First, those accents and voices, again NO. For a medium that relies only on sounds, it's  really a big issue here (I mean how are you supposed to take the alien invaders seriously with those voices???). Mark Gatiss loves the Ice Warriors and we've seen with the Empress of Mars that he can write decent episodes with them so why didn't he use them here? It could have been so creepy (which, for a Halloween episode, would have been neat). Instead he gives us a cheap version of invaders, a nazi guy, Russians and an atomic bomb, and mobsters. And it's too much, it's too confusing, it's too many characters. It's a mess. The Doctor is adorable playing private detective but then he accidentally reveals his plan to the bad guys (I mean...) and the aliens are killed by the Russian guy everybody thought to be dead and his atomic bomb : no, that's bullshit. Also, bury your gays : totally gratuitous and unnecessary (what was even the point?). Yeah, huge disappointment.

The Chimes of Midnight - 6/5 : cHriStmAs wOuLdN't bE cHriStmAs wiThOuT oNe oF mY pLuM puDdiNgS (tfbgvfgtv) Finally something GOOD. Eight is at his best sassfull self, the different parts are well articulated, it's funny and creepy at the same time and the paradox surrounding Charley is well exploited. Robert Shearman even succeeded in making me care about Charley. Edith is touching, even the other characters are, and that ending is really nicely done and coherent. I also really like how Eight is depicted here, especially in his relationship to Charley (and his companions in general). He really cares about her and yet he doesn't tell her the truth, he's been lying to her ever since Storm Warning because he selfishly hopes that if he doesn't speak about it, it's all gonna go away, just like he will do later with Lucie and her auntie Pat and that's Eight in all his glory : he loves his companions but he's got this kind of superiority complex that makes him think he knows better than them and which makes him treat them like shit more often than not (and ok, Charley gets a lot of crap from him). They are all aware of that, as we are, and yet they still love him and we still love him and I don't even know why.

Seasons of Fear - 3.5/5 : The format was interesting, the change of scenery for each episode really helped to not lose interest in the story. I also liked Grayle, he's an interesting villain but the immortality thing could have been handled a bit better in my opinion, especially the losing your loved ones part. I actually liked Charley there and her varied suggestions to get rid of Grayle. The mystery around her thickens and I did not remember that ending! The Nimons were a bit unexpected but ok I guess. But I found the conclusion very disappointing, too easy.

Embrace the Darkness - 4/5 : I love the atmosphere of this one, especially the beginning : the "something touches you in the dark and you realise it's not your friend" trope is classic but the audio only aspect of the thing gives it something more (especially of you listen to it in the dark). Like the previous one, I liked the pace (it didn't feel like this thing would never end which is something worth mentioning). The fact that there aren't too many characters also helps a lot. And I can't help myself to compare it with Sword of Orion : the settings are similar, it's a huis-clos, and they're both written by Nick Briggs. I find Embrace the Darkness much better, the characters are actually likeable (and they all don't die at the end, quite the opposite) and interesting. The Cimmerians were also nicely done and I really liked how different senses are brought into focus here, how the viewer is brought closer to the characters because they can't see. Hearing becomes central then but taste and touch are also prominent (I especially liked the way the Cimmerians share their history with the Doctor and Charley). The Doctor is well-written (I love his "conversations" with Rosum) and this tendency to self pity himself every time he makes a mistake is very Eight (Orbis). 

The Time of the Daleks -  2.5/5 : The first part was good. And then it got so confusing, I actually lost the plot several times because my mind kept drifting away. There are way too many comings and goings through those portals, too many side characters that weren't interesting in the least. Learman's motivations as a villain are ridiculous (she wants to kill Shakespeare to be the only one who remembers him because everyone else is too stupid to understand his works... yeah, right).

Neverland -  4.5/5 : Zagreus sits inside your head, Zagreus lives among the dead, Zagreus sees you in your bed and eats you when you're sleeping (sorry I had to put it). So … yeah, that was breath-taking. That was an amazing conclusion for Charley's arc, the neverpeople are pretty cool and Romana and Rassillon are a nice little treat. The plot is coherent and the two hours and a half passed very quickly which is always worth mentioning. About Eight and Charley, now. As I said, I'm not a fan of Charley : I find her too perfect (and I just can't stand how she speaks, I know it's kinda shallow but when her voice is the only thing you get out of her, that becomes kind of a big deal) and I really don't ship her with Eight (although I recognise that they might be romantically involved, a lot like Ten and Rose, I simply choose to not see it). That being said, I liked how she stood up to the Doctor at the beginning, how she called him out on his bullshit ("Happy Birthday, Charley! Happy Birthday, he says. Only it isn't my birthday. It isn't my birthday because I'm not supposed to have any more birthdays") and used the TARDIS against him. I also liked her comparison with Peter Pan because, yeah, that's the Doctor, she gets it. I understand why she asked him to shoot her at the end but I don't think she was fair asking him to do it because she knows, everybody knows, that he won't do it. He won't do it for someone he despises, so Charley? Nope. And yeah, her dying was the obvious solution, I get that,  but that's the epitome of everything I don't like about her. Charley Pollard, always making the right decision even if it means sacrificing herself, Charley Pollard always nice and caring and clever and adventurous, and in a way she reminds me of Rose (although Rose was a jerk to Mickey) and I hate Rose. As for the Doctor... Finally he gets the consequences of his actions and yet you can't help but feel sorry for him. Because like Charley said he’s sweet and he truly thinks what he’s doing is good. And that cliff-hanger! I AM BECOME ZAGREUS! YES BABY. In conclusion, it’s a great episode, regardless of my feelings towards Charley

Zagreus -  4/5 : Let's be honest, the first time I listened to it, I hated it with all my guts (and I also fell asleep at some point in the middle), so I wasn't really looking forward to giving it another chance. But I'm glad I did. This time I really took the time to listen to it properly and knowing roughly where this was going, I loved it? I mean ok, this thing is more than three hours (not gonna lie, this was really difficult for me) and it's completely bonkers and WTF but there IS a certain coherence to the thing that I hadn't picked on the first time I listened to it. So, let's start with the obvious : Zagreus/the Doctor/Paul McGann giving us the performance of his life. He's GREAT and if I didn't already love him I would certainly after this. He's creepy and disturbing as Zagreus (he slapped Charley!!) and his voice when he's the Doctor, when he begs Charley to kill him ... yeah, I was dying inside there. By the way, I liked the parallel with Neverland and Charley begging the Doctor to kill her, except that she actually does it. The Brigadier/TARDIS was equally brilliant. I got a lot of the Doctor's Wife vibes here - except that the TARDIS is evil and HATES the companions, and her conversation with the Doctor, her fit of jealousy was brilliantly done. I also loved the bits with Five, Six and Seven (except it's not really them but it actually is) and they were hilarious when they're working together towards the end (Tweedledee, Tweedledum and Tweedle-ego). It was a nice hommage to Alice in Wonderland, coherent until the end (and let's be honest the bit with Schrodinger's cat only it's the Doctor who is in the box? Brilliant. Again.) And as an anniversary episode, it worked for me. I probably didn't get all the references but I picked up a few of them and it was nice to include the BF cast, even if it wasn't in their usual roles.

Overall opinion : This is not as bad as I remembered. I postponed relistening to these for a long time because I remembered it way worse than it actually is (in my defence, I listened to those episode some 8 years ago when my English wasn't so fluent). I still don't like the classic format because most of the episodes feel reaaaaally long and I'm not a fan of Charley. I did like her arc though, it was interesting to  explore the fixed in time events and the consequences of the Doctor kicking the laws of time in the nuts, way before Ten. The resolution of this arc was also brilliant in my opinion with the anti-time and the Time Lords/Rassillon mythology. The quality is fluctuant : the Stones of Venice, Invaders from Mars and the Time of the Daleks being the bottom of the barrel while the Chimes of Midnight, Embrace the Darkness and Neverland/Zagreus are amazing. And Eight changes so much through his life : he's so hopeful and sweet and utterly optimistic, a drastic difference from the Time War series (which I just finished before listening to this) where, although his core qualities are still there, deep down, he's lost so much and been through so much crap from everyone. I don't know if any other Doctor went through that much (War Doctor excluded) tbh. His relationship to his companions is also quite unique I think, maybe I'll write something about that one day. Now for the Divergent Universe arc, which I don't remember fondly either. Let's see if I change my mind as well.

[josephrivera-jojoocblog]

So apparently in the rohan live action has characters heaven’s door pages uniquely styled to the character’s personalities and i thought it’d be cool to post what our oc’s pages look like, I’ll go first!

Joseph’s look like DC 70′s comic books

Quinn’s are on Graph paper

Zagreus’s pages open vertically and resemble a detective’s notepad

Isaac’s is an electrical bill 

Mar-twins are legal documents

Lattes are cloth pages with stitched letters

Pietro’s are stationary

Leo’s are blueprints

[irresistiibles]

@wvsteria / continued from here as part of my reluctant switch to beta

"it was definitely just a lucky guess, but better to try than just sit at the bar alone." zagreus said with a chuckle. he knew some people had hang ups with approaching strangers, and he understood, but it didn't change the fact that he'd never been the type to worry about it. "you could have ordered me anything and i probably would have taken it. i'm easy to please." zagreus replied, leaning into the bar a little so he was tilted towards the man. "but a gin and tonic would be great."