#((yzma voice: and I SMASH HIM WITH A HAMMER))

[the-rewatch-rewind]

New episode! Script below the break

Hello and welcome back to the Rewatch Rewind, where I talk about the top 40 movies I watched the most in 20 years. My name is Jane, and today I will be discussing number 39 on my list, Disney’s 2000 animated comedy The Emperor’s New Groove, directed by Mark Dindal, story by Chris Williams and Mark Dindal and screenplay by David Reynolds, featuring the voice talents of David Spade, John Goodman, Eartha Kitt, and Patrick Warburton.

I find this movie highly entertaining even though – or perhaps because – it has one of the strangest premises ever. It tells the story of the selfish and spoiled Emperor Kuzco (David Spade), whose spiteful and power-hungry advisor Yzma (Eartha Kitt)’s assassination attempt goes awry when her bumbling assistant Kronk (Patrick Warburton) accidentally turns Kuzco into a llama instead of poisoning him. Kronk is meant to finish the job, but loses track of the llama, who ends up on the cart of peasant Pacha (John Goodman), whose village Kuzco intends to destroy in order to make room for a summer palace. Despite this, Pacha sets off to help Kuzco turn back into a human, and to prove that there is some selfless good in the emperor.

I know I saw Emperor’s New Groove in theaters when it came out, but I don’t remember that experience particularly well, other than the scene at the end when they’re climbing on the side of the palace making me very nervous – I’ve always been scared of heights. Then we got it on vhs in one of those big puffy cases – remember those? – so I had definitely seen it multiple times before I started keeping track. Then I watched it once in 2003, twice in 2004, once in 2005, twice in 2006, once in 2008, once in 2009, once in 2011, twice in 2013, once in 2017, and once in each year from 2019 through 2021. For those who weren’t counting, that’s 15 times total.

First of all, this needs to be said: Yzma and Kronk are the best villain team in Disney history, perhaps even in movie history. They are hilarious yet unmistakably dangerous. Of course, most of the humor comes from Kronk’s ineptitude, but let’s not forget Yzma’s ridiculously convoluted original plan to turn Kuzco into a flea – a harmless little flea, and then put that flea in a box, and then put that box inside of another box, and then mail that box to herself, and when it arrives, smash it with a hammer! – it’s brilliant, brilliant, brilliant, I tell you! Yzma and Kronk don’t exactly work well together, but they understand each other, and it’s so fun to watch their dynamic. Kronk is too kind-hearted to be a very effective villain, but he is devoted to helping Yzma as best he can, until she turns on him and insults his spinach puffs. So if I had to point to one reason why I’ve watched this movie so many times, it’s gotta be the villain team. Eartha Kitt and Patrick Warburton are both fabulous and perfectly cast here. And really, the entire voice cast is excellent. David Spade is great at sounding like a whiny spoiled brat, and John Goodman’s voice is perfect for Pacha. There’s also a fun cameo from John Fiedler, whose voice I immediately recognized as the voice of Piglet in Winnie the Pooh, among many other things. However, I do think, since they went to the trouble of at least sort of setting the film in South America, that it would have been great if they’d cast even one South American voice actor. But if they were determined to have such blatant and frankly inexcusable lack of appropriate representation, at least they got the best possible non-South American voice cast.

Partly because of the excellent voicework and partly because of the writing, this movie is just, very funny. There are so many silly little touches that work together to make it an entertaining watch, from the random extra lever to Kronk being able to speak squirrel – and then there’s all the self-referential humor. Most of the story is narrated by Kuzco, so the 4th wall is kind of shaky from the beginning, and it’s completely broken by the time Kronk pulls out a map illustrating the biggest plot hole. And possibly my favorite moment in the whole movie is in the middle of the climax when it cuts to a palace guard saying, “For the last time, we did not order a giant trampoline!” and the trampoline guy replying with, “You know, pal, you could have told me that before I set it up” and then it just so happens that there needed to be a trampoline right there at that moment. For some reason that kind of humor really tickles me. I wonder if a lot of these jokes arose out of necessity because the story went through so many changes – apparently originally it was supposed to be a musical Incan re-telling of The Prince and the Pauper, with songs by Sting? I truly cannot even begin to picture what that would have been like. The movie we ended up with was sort of cobbled together at the last minute after it was clear the story had to be changed and a co-director quit when Disney wouldn’t postpone the release date. This is just speculation on my part, I haven’t seen anyone confirming this, but it kind of feels like instead of pretending they had a fully-formed story they just leaned into the parts that didn’t make sense and turned them into jokes, and somehow made it work way better than it had any right to. Or maybe they just realized it would be funny to intentionally write plot holes into the story. Either way, I love it.

Another thing that sets this movie apart for me is that it has no romance – well, almost. Pacha and his wife – who is voiced by Wendie Malick and whose name is apparently Chicha although they never say it in the movie – clearly love each other very romantically, and I’m actually glad their relationship is portrayed this way. It’s a refreshing departure from the tired trope of married couples who are sick of each other. This is promoting a healthy marriage and we love to see it. But the main storyline has nothing to do with falling in love. Most of the characters in this movie can easily be interpreted as aroace, which maybe isn’t the best representation because most of the characters are also objectively horrible people, especially at the beginning. Nevertheless I think this story successfully avoids perpetuating negative aroace stereotypes. Towards the beginning of the movie, there’s a brief scene where Kuzco is supposed to choose a bride from a line of women, and he’s not interested in any of them. In any other Disney movie, finding someone for Kuzco to marry would have then become an important part of the story – think about Aladdin or Cinderella – but in Emperor’s New Groove it is never mentioned again, and Kuzco goes through the entire rest of the movie without anyone even implying that he should be looking for love. So often in movies, when a jerk is against marriage at the beginning, part of their transformation into a better person is finding a spouse, indicating that not wanting to get married was part of what was wrong with them. Emperor’s New Groove allows Kuzco to become a better, more caring human being without forcing him into a romance. At the end of the movie, Kuzco has become friends with Pacha and his family, but he doesn’t have a partner, and there’s no hint that anyone thinks he needs one, which leads to the conclusion that his aversion to marriage was not part of what needed to change. I’m sure I didn’t consciously notice this as a child, but I think it was important for me to see. Most children’s films end with the protagonist getting married, or about to get married. The fact that this goofy talking llama movie almost feels revolutionary simply for allowing its main character to remain happily single speaks to just how pervasive the assumption that everyone wants and needs a long-term monogamous romantic relationship, an assumption known as amatonormativity, has become in our society. For people like me whose brains are not wired to experience that kind of attraction or to seek that kind of relationship, it’s incredibly confusing and alienating to see that portrayed not just as the default, but as the universal human experience. So every story that portrays not ending up in a romantic relationship as something other than a punishment is noteworthy. Even for people who do want that kind of relationship, it’s important to emphasize that becoming a good person is not synonymous with gaining a partner, despite what so many other films indicate. Don’t be a nice guy just so someone will date you; be a nice guy because that will make you and everyone around you happier.

I would like to point out that while Pacha is ultimately successful in his attempts to bring out the good in Kuzco, the message is not that people should pursue and put up with unhealthy friendships in the hope that toxic people will change. Kuzco is a sheltered 18-year-old, and this is really his coming of age story, which makes it even more noteworthy that it doesn’t include falling in love, since that’s usually portrayed as perhaps the most important milestone toward becoming an adult (in G-rated movies, at least). Pacha is really more of a mentor than a friend, especially at first, and he does leave Kuzco at one point, and only teams up with him again when Kuzco admits that he was wrong – a sign of maturity that I would argue is more important and universal than the ability to feel romantic attraction. Their friendship at the end feels satisfying and earned, and I think the fact that this aspect of the story is so solid is really what allows the movie to get away with the “we don’t know how to resolve this so we’ll turn it into a joke” parts I mentioned earlier. Zany as they are, the characters and their relationships and journeys feel surprisingly grounded and real, so it doesn’t really matter that there’s no way Yzma and Kronk could have gotten to the secret lab before Kuzco and Pacha. This movie takes a few important things very seriously and laughs at the rest, and I think that’s a big part of why I love it so much.

Looking back, the viewing of Emperor’s New Groove that stands out to me the most is the one from 2008 when I was a senior in high school. My two best friends and I were going to a school dance, and we met at my house to hang out beforehand to eat fondue and watch a movie. I don’t remember why but for some reason we decided on Emperor’s New Groove, and soon after we started watching, one of my friends turned to me and asked, completely seriously, if this was based on a true story. Now, granted, we weren’t very far into it at that point, but from the very beginning, the movie makes it clear that it’s about a person who is turned into a llama. So of course we had to make fun of him for asking if it was based on a true story, and of course I still remember that every time I watch or think about this movie.

The other anecdote Emperor’s New Groove always makes me think of is when my family was on a road trip and we got into a discussion about this movie, specifically the scene when Kuzco and Yzma almost run into each other at a restaurant. Kronk ends up taking over for the chef, and both Kuzco and Yzma are trying to order from him at the same time, and they both want potatoes but one wants cheese and the other doesn’t, and it’s confusing everyone, until finally both of them say, “On second thought, make my potatoes a salad.” We spent way too long debating about whether that meant they wanted a green salad instead of potatoes or they wanted potato salad. I had always assumed potato salad, but I think everyone else had always assumed just a regular salad, which is probably definitely the way it makes more sense. Although sometimes green salads have cheese on them and potato salads usually don’t, so I think it’s perfectly logical to assume that potato salad would resolve the cheese argument, even if “make my potatoes a salad” is a weird way of asking for potato salad.

When my brother and I went through all the Disney animated features in 2020, after watching a movie we each separately put it in one of 5 tiers, with 1 being the best and 5 being the worst. Then we decided what tier it belonged in on the combined list by taking the average of our two tiers. I put Emperor’s New Groove in Tier 1 and he put it in Tier 2 (although he asked me to emphasize that he does love this movie dearly), so it ended up tied in Tier 1.5 with The Hunchback of Notre Dame, which he put in 1 and I put in 2. Those two movies are incredibly different, but somehow it felt right to have them at the same level, since they’re both unusual Disney movies that are surprisingly well done. I’ve only seen Hunchback 5 times since I started keeping track, so it makes sense that Emperor’s New Groove was the one of those I ranked higher. The other Disney animated films that I’ll be talking about on this podcast were all put in Tier 1 by both of us, so stay tuned for even better Disney movies in the future. But don’t worry, there will also be plenty of non-Disney films on here, so there will probably be something for you if Disney isn’t your jam.

Thank you for listening to me chat about another of my most rewatched movies, and thank you for your positive responses to this podcast so far. Remember to rate and if you want, leave a review on Apple Podcasts. Emperor’s New Groove is very short – it clocks in at a mere 78 minutes – which is why I ranked it the lowest of the six movies I watched 15 times. The next movie I’ll be talking about is 18 minutes longer and is neither animated nor produced by Disney, so be sure to subscribe or follow on your podcast platform of choice if you want to hear something a bit different. As always, I will leave you with a quote from that next movie: “Exercise gives you endorphins. Endorphins make you happy. Happy people just don’t shoot their husbands. They just don’t.”

[wonderfulworldofmichaelford]

Psycho Analysis: Yzma

I feel like there’s no sense in introducing this one. You know her. I’ve seen all the gif sets, the quotes, the images, the memes… it’s safe to say most every person on the internet is intimately acquainted with The Emperor’s New Groove’s geriatric villainess, Yzma. So, let’s just cut to the chase and talk about why Yzma is a fantastic villain, shall we?

Motivation/Goals: Yzma’s goal is pretty simple and yet also infinitely understandable. She wants to take over the kingdom from Kuzco because, after years of being treated like garbage by the snotty little emperor she likely helped raise, he’s just firing her because she’s old and ugly. Like, it is TRUE, but it’s still incredibly tacky and rude. It’s not hard to empathize with her at least a little bit as she goes to poison the snotty, miserable emperor, though it really does become harder to side with her as the movie goes on and she continues to berate her poor manservant Kronk.

Performance: The legendary Eartha Kitt of Adam West’s Batman and My Life as a Teenage Robot fame gave Yzma exactly the voice she needed to instantly ingrain herself in your memory forever. Kitt was absolutely not afraid to ham it up, and combined with the character design and animation, it makes Yzma a delightfully over-the-top figure that is easy to love to hate. Even better, she has insanely good chemistry with Patrick Warburton as Kronk, and the two play off each other extremely well, leading to Yzma being part of a good 95% of the movie’s funniest scenes. It helps that, while she is definitely very funny, she is more often the straight man reacting to the insanity her compatriot brings to the table, a dark mirror to Kuzco and Pacha’s relationship… well, comparatively dark. These two are a couple of goobers after all. What I think really helps is that, despite being the straight man in a general sense, Yzma is still probably one of the most insane villains in Disney’s filmography, as in literally unhinged, so she is as able to generate laughs as anyone else.

Final Fate: Yzma’s attempts to kill Kuzco backfire spectacularly, and instead of succeeding in any way, shape, or form, she ends up turning herself into a cute little kitty. It’s a marked improvement, honestly. How she changed back to normal for the TV series, who can say? By all accounts it doesn’t make sense. Just don’t think too hard about it, it’s a comedy after all.

Best Scene: Considering how the entire climax of the film is an absolute cavalcade of comedy, we could go with that. Or we could go with her attempts to poison Kuzco at dinner. Or we could go with her interactions with Pacha’s family. The “problem” with Yzma that every scene with her is so great that it’s hard to single out any single one moment as outstanding, because all of them are pretty much on the same level. She’s remarkably consistent with how great she is.

Best Quote: It’s really hard for me to pick just one line (which is something I tend to say a lot, but I mostly talk about good villains on here, so cut me some slack), but I think the combination of the delivery and just how great Kitt’s voice was really helps make her brainstorming ways to kill Kuzco a legendary moment:

“Ah, how should I do it? Oh, I know. I'll turn him into a flea. A harmless little flea. And then I'll put that flea in a box, and then I'll put that box inside of another box, and then I'll mail that box to myself! And when it arrives, AH HA HA HA! I'LL SMASH IT WITH A HAMMER!!! It's brilliant, brilliant, BRILLIANT, I tell you! Genius, I say!”

The laugh is really what sells it, honestly.

Final Thoughts & Score: Yzma is probably the single greatest Disney villain who doesn’t totally follow the Renaissance villain format post-Renaissance, with only Turbo really being a contender for the crown. What I mean is this: the Renaissance set a serious precedent for animated movie villains going forward. They had to be hammy, have huge personalities, and get their own song. Ratigan was something of a prototype, and then Ursula went and set the standard. Sure, there were exceptions in the Renaissance – Hades is great but got no song, and Ratcliffe is… Ratcliffe, and he has a song – but for the most part the best Disney villains had a clear style. Ursula, Gaston, Frollo, Scar, all of them are some of Disney’s best and all of them stick to these rules.

Yzma came early in the post-Renaissance era so it would make sense for her to fit the bill entirely while they were still experimenting with new styles, but because of the tumultuous production of The Emperor’s New Groove, she ended up keeping the ham while having her villain song cut. And yes, this is a damn shame, since Eartha Kitt was a fantastic singer and the song’s not half bad, but I think the movie as a whole and Yzma herself work better without music. She’s just so funny with how she reacts to and interacts with things throughout the movie, I just don’t think she really NEEDS music to really push her over the top in terms of quality. Like, let me put it this way: I think, without “Be Prepared,” Scar would probably not be quite as impressive. I think with a villain song, Jafar would have been even cooler. Yzma? She’s pretty much perfect the way she is.

I debated a long time on what score to give her, but I frankly think she does deserve a 10/10. I almost gave her a 9 on the basis that she didn’t have a song, but her overall performance combined with my realization she didn’t need her song to be great made me decide to reward her with the highest marks. However, there is one criticism I have that I think stands: she would not nearly be s funny if not for the presence of her faithful lackey. So let’s talk about him, shall we?

Psycho Analysis: Kronk

I put this one to a vote, and it turns out that a lot of people consider Kronk a villain. I guess if we’re being technical he is an antagonist, but a villain? Kronk is pretty much the least evil villain out there. Still, it’s pretty impossible to deny that he’s not exactly a good guy when he’s complicit in an assassination attempt. Kronk’s a bit of a morally gray figure for much of the film.

He’s also, without a doubt, the funniest character in the film.

Motivation/Goals: See Yzma above. He’s just her lackey, so he doesn’t have much in terms of goals of his own. He does, however, have a conscience, as well as numerous skills including some serious culinary skills, including knowledge of fry cook lingo.

Performance: This is one of the roles that really put Patrick Warburton on the map, alongside Joe Swanson in Family Guy. And if I’m being honest, this is the definitive Patrick Warburton role in animation. Kronk is just an absolute delight to watch, since he’s basically the lovable idiot character perfected. He’s a ditz, but he does have a lot of skill in some interesting niche areas, he’s not truly good or evil and has a moral code, he’s very quotable and funny in a pretty natural way… Kronk has got it all! And it’s all thanks to Warburton injecting that Patrick Warbuton-ness we’ve all come to love from his performances. 

Final Fate: Of course Kronk gets redeemed in the end. The dude is the biggest softie on the planet. Maybe Yzma should have thought twice before insulting his spinach puffs.

Best Scene: Kronk has a similar problem to Yzma, where every single scene he’s in is incredibly perfect, but unlike Yzma, there is one scene that really narrows things down and gives you the perfect summation of Kronk as a character: the scene where he is attempting to dispose of Kuzco’s body, does his own theme music, argues with his shoulder angel and shoulder devil, and then ends up saving Kuzco, thus allowing the rest of the plot to happen.

Best Quote: Unlike Yzma, there is no way I could possibly narrow down Kronk’s best quote. Whichever one is your favorite, you’re right. That’s the best one. Everything out of his mouth is gold.

Final Thoughts & Score: Kronk is a very interesting lesson when it comes to Psycho Analysis because, while he is certainly antagonistic, and certainly is a great character, he’s not a great villain, which is what these reviews are for. Like, he is easily the best part of the movie, he is hilarious, his chemistry with Yzma is undeniable, and this is Warburton’s definitive vocal performance in animation… but it doesn’t make Kronk a good villain so much as it makes him a good character. Like there’s no way I can give him below an 8/10, because again, still an antagonistic role, but he can’t score much higher because his personality is just so legitimately NICE that calling him a villain seems really weird (which is why I put it to a vote in the first place).

I really can’t stress enough how much I love Kronk; he’s like in my top 10 favorite Disney characters. But when it comes to villains, I really don’t think he’d make the cut, because even when he is doing something bad it comes off more as misguided loyalty to Yzma than an actual desire to do bad. It’s really telling that it’s the most petty of things that makes him drop Yzma like a hot potato: Kronk was never really a villain, he was a good guy who made poor life choices and had a toxic friend influence. He didn’t really have a character arc where he became a better person like Kuzco did, although Kronk’s ultimate turn to the side of good does somewhat mirror Kuzco’s; he simply realized that the friend in his life he devoted his time to was an awful person and decided to leave her behind, and when all is said and done, that just leaves a big, buff nice guy who likes to cook. And that makes Kronk a truly great, funny, and lovable character.

It just doesn’t make him a great villain.

[inevitable-anna]

Escape The Night S4X02 Spoilers.

Hello, I thought that I would do another one of these posts because the new episode comes out today and I really enjoy making them (when I don’t accidentally delete them). Warning spoilers below!

[[MORE]]

I love the Collector's voice, it sounds really nice.

I’m liking the new intro. Ro having a dragon toast her dumpling(?) is great!

"The mummy's mind is a blur of hate and revenge" Ohh, that's really not good!

Mortimer! Don't confront the Sorceress, who you saw murder a guard, about the evil things you saw her do! BECAUSE SHE HAS NO PROBLEM WITH STABBING PEOPLE!! Ya dum dum!

"You've such a sweet face. I'd like to do sick things to you.” Dammmnnn! I wasn't actually expecting her to say something like that!

"I need someone a little more fierce for my plans" For some weird reason, the 'fierce' bit reminds me of Ro's promo with the lion? I don’t know why?

Okay, I actually really jumped when the Pharaoh came running in!

"I'm not gonna be Captain Save-a-ho."

Bretman is stepping up! Go Bretman!

"I'm following them! I'm following them!" The way Ro follows the paw prints is so cute and funny!

Ohhh, who is this shady lady?

Gabbie: "Is this the Collector?"

Everyone: "No!"

Ohh, she's the Pharaoh's wife and queen, huh? Then we solved the mystery, she's the one who killed him!

"So, we gotta split up, which is always a great decision in every horror movie that's ever be made." I love Alex bringing up horror movie logic.

"So, I unfortunately, had to break a crystal for the better good of the group." SMASH IT WITH A HAMMER!! Sorry, I was channeling my inner Yzma for a second there!

"Mummy's return"? Well, didn't the whole group read the prayer/incantation to release him?

Rosanna and Destorm mimicking the picture is so funny because Ro is so short!

Destorm high-fiving Ro after mimicking the picture is so sweet! I still hope that they become friends!

Tim saying "Ugh! More puzzles? What's up with all these supernatural people and their love of puzzles, man?" Is hilarious!

Tana just got snatched 'like a wig off a drag queen!'

"I eat and I speak" if the images are, mostly, body related, would it be a mouth? Yep, a mouth!

I love Bretman! He's great!

Ro getting the rocks and saying 'here you go, Destorm' (in the confessional thing) only to look up and see the Pharaoh gives me major Velma vibes from 'Scooby Doo' when she loses her glasses and looks up to see the monster in front of her.

Ro got captured! :(

Destorm scaring Bretman by yelling "that's how you do it" is great.

Bretman is seriously stepping up! He's doing great!

15:10 GABBIE REFERENCED THE MEME!!!!

Oh! Put the glowy stick of lies on the Pharaoh's wife!

I love how they decided to test the Sorceress with the glowy stick of lies and the way she moves her arms, as if she's saying 'try me, b*tch'

Called it!

Why do they have to kill her? Can't they just prick her finger or something?

Wasn't actually expecting the Sorceress to go stab crazy on the Pharaoh's wife!

Gabbie: "Thanks, Sorceress" Justine: "Thank you" Sorceress: "Don't mention it." I love how Justine and Gabbie thank the Sorceress for murdering the Pharaoh’s wife.

The way the Sorceress waves at the group while covered in blood is great!

"So far, the weakest link to me, is everyone but me" Destorm! Rude!

Ro pleading her case as "I'm the team player, and I'm not coming for anybody. I'm just here to support everybody... and I really wanna get home. I have a fur baby at home. She doesn't have anyone else." I love her so much!

"I voted for Rose because I knew nobody would. And I wanted to just ruffle some feathers." Destorm! YOU ARE RUINING THE FRIENDSHIP THAT YOU AND RO COULD HAVE HAD!! I liked you up until now! Don't ruin it! And you got Rosanna's name wrong!

Poor Tana! Poor Justine!

WHAT THE HELL JOEY?!!? "Tana and Justine are in the challenge, I'm like, 'All right. Justine, we'll see you in a minute." THAT IS SO MEAN!!

If I remember correctly, the reason the group buried Justine alive was because she failed to save Andrea in her first challenge, so why is everyone so sure that Justine is going to win?

Tana: "she's gonna beat me.” Gabbie: "for sure, but we loved having you here." HOLY MUSICAL BATMAN!! WHY DOES NO ONE BELIEVE IN TANA!!!

Thank you, Ro! "I feel sad for Tana, seeing her doubt herself because she's really capable." Okay, at least one person believes in Tana!

"Justine, we love you. Tana, we love you, too" okay, at least, that was sweet.

"Flesh eating beetles" ...woah, those sound absolutely lovely!

Go on, Tana! You can do it! I believe you!

Go Justine! I believe in you too! You’re both so close!

Oh no!... Oh no!

"Mummy, stop! Bring me the jewelled key!" TANA JUST SAVED JUSTINE FROM THE PHARAOH! That's some really quick thinking! Good job, Tana!

"Okay, we'll get there" oh! Tana is so sweet! She just went and hugged Justine to comfort her!

NO! THAT'S NOT FAIR! THAT’S NOT FAIR!!

"I don't blame, Tana, and I know she didn't wanna do it, but I was like, 'Girl, this is not how it works.' This is... this is it. Like, you have to do this, or we both die." Oh no, poor Justine! This is heartbreaking!

"I hate this bittersweet feeling. Mummy, I just wanna go home." Oh, this is so freaking sad! That last sentence breaks my heart! I'm actually tearing up!

Justine trying to fight/stab the mummy is badass and sad! At least she was able to try and fight this time.

Justine deserves better!

Tana deserves better!

R.I.P Justine Ezarik.

First death - buried alive.

Second death-neck snapped by Pharaoh.

At least now the Collector doesn't have to worry about paying Justine the residuals she asked about? (I'm sorry! Trying to lighten the mood)

What! Why is the midnight clock at 12 already?!

"Okay, I need to breath." Oh no, Ro's panicking :( please someone hug her!

Yes! Tana is pulling her weight! You shouldn't have underestimated her!

So... Justine is in hell now. She deserved better!

Ro asking "Joey, where did she go?" Is so sad. Ro's face at 25:44 is heartbreaking! She has just found out that Justine is dead and that Justine is imprisoned in hell forever and you can see the pain and shock on her face. Looking at her, at this moment, actually hurts my heart because she looks so sad! Please please please, let Ro escape this season!!

"Just put it in the slot" "Hey... that's what she said" thank goodness for Tim and his sense of humour!

A coin? Oh! Is it a doubloon, you know, the pirate coins?

That fog outside the window doesn't look like a good thing! Is it pirates?

IT’S NOT PIRATES! DEFINITELY NOT PIRATES!! STRANGE BIRDMAN ALERT!

STRANGE BIRDMAN GOT ALEX!! I REPEAT! STRANGE BIRDMAN GOT ALEX!!

I’m really excited for the episode today! Please let me know if you have any questions or thoughts about this post or the new episode, I would love to hear them!

Have a great day! :D