#Psycho Analysis

[wonderfulworldofmichaelford]

Psycho Analysis: Gerald Robotnik

(WARNING! This analysis contains SPOILERS!)

You may not know this, but Jim Carrey is actually really good at playing villains. Like, it’s a pretty obscure fact about his career. So obscure that despite him playing at least three of the funniest villains I’d ever seen growing up, I completely forgot about them when I did the Psycho Analysis for Ivo Robotnik back when the original Sonic film dropped.

But now I know better. The Grinch, Count Olaf, the Riddler… Carrey is a master of playing cartoonish creeps. And Ivo Robotnik has proved to be the best and most fun of all his villainous roles, evolving beyond the simple yet fun egomaniac scientist of the first film into something that hews far closer to what Sonic fans might expect from the world’s sexiest fat man AKA Dr. Eggman. In fact, Robotnik might be my favorite villain role of his, and one of my favorite villains of all time.

Now what if we doubled that?

Sonic the Hedgehog 3 went bigger and better than its predecessors, and considering it was introducing the most popular character in the Sonic franchise who isn’t the Blue Blur himself—Shadow—it kind of had to. And that meant giving us not one, but two Jim Carrey performances. In this movie, the typically posthumous Gerald Robotnik is alive and well and out to enact some revenge. It’s a pretty bold and different approach to the beloved story of this Sonic adventure… so how does it work out?

Motivation/Goals: Gerald Robotnik is motivated by revenge, much like in the games, though this time he’s around to pursue it himself. After what G.U.N. did to Maria, he wanted to completely dismantle and destroy them. But the thing is, his decades of stewing in his hate and rage made him a little cuckoo, and now his hate extends to not just G.U.N., but the entirety of the human race… as well as himself.

Performance: Jim Carrey had already perfected Ivo over two films, but I think there may have been a little worry he’d make Gerald too similar and ignore what made fans love him in the game. Of course, we needn’t have worried; not only is Gerald a distinct character from his grandson, he still manages to be a truly despicable human being, perhaps more vile than he’s ever been before. He’s still as wacky and ridiculous as Ivo, but unlike with Eggman he manages to drop the silly at just the right moments to make Gerald a genuinely threatening monster.

Final Fate: No firing squad for Gerald this time; no, his ending here is much more undignified, but also incredibly well-deserved and satisfying. After callously trying to send his grandson into the vacuum of space, Ivo surprises the old man with a super-charged Sonic quill into his ass which sends him flying through the air into the chaos energy. He then proceeds to be disintegrate with a little pop like a bug in a zapper.

Now, this may seem incredibly cartoonish and even ridiculous as a way to defeat such a villain… But read the rest of this analysis to see just how disturbingly vile Gerald ends up being. I think this truly absurd and cartoonish death is exactly what the movie needed to do to rerail things and keep it from going way too dark. And, if you think about it, his death is still colossally fucked up, particularly because Tails seems a little too chipper about committing murder.

Evilness: For most of the movie, he seems like he’ll end up being like… a 6 or 7/10, like clearly a bad guy but one with an understandable motive that you can root for. G.U.N. do not come out of this film smelling like roses, and when you see the full extent of what they did to Shadow it’s hard not to root against them.

But then comes the third act. He reveals he wants to kill everyone and himself, he reveals he doesn’t give a shit what Maria would want because he’s so utterly consumed with misanthropy, and he drops the coldest line ever to reject his grandson… Yeah this guy is a 10/10. Maybe even a 10.5/10. He is genuinely fucking callous and vile and monstrous.

Best Scene: Without a doubt it’s the scene where he and Ivo dance through the lasers.

This scene is great for multiple reasons. The most obvious reason is that t’s an amazing example of the movies effects and how well it showcases the dual Jim Carrey performance. Like, this must’ve been a bitch and a half to make look convincing, especially with Ivo picking Gerald up and swinging him around. It’s amazingly well done, the choreography is great, and “Galvanize” by the Chemical Brothers kicks ass.

But it also works as a further highlighting of the character of Ivo, how he’s still desperately cramming in family fun now that he feels he has someone who cares about him… and it also makes the later reveal about Gerald sting all the more.

Best Quote: Remember that line in Frozen where Hans coldly reveals he’s a villain to Anna? Remember how it’s a stupid twist that doesn’t make sense, yet the line is one of the rawest in all of Disney’s canon? Imagine that except the twist actually works and is effective. That’s what Gerald gets:

“Oh, Ivo… You’re no Maria.”

This single line completely recontextualizes everything Gerald has done up until this point. Every single bit of fun and goofiness now comes off as deliberate manipulation of Ivo to help in his schemes. It also highlights just how single-minded and insane he’s become in his pursuit of revenge; here he has a living member of his family, someone who could fill the void Maria left, but he coldly rebuffs them because he is too consumed by his own hate and rage.

Final Thoughts & Score: I fucking love Gerald.

Jim Carrey really went above and beyond here (and considering they sent him the script in gold and let him play with himself on camera, why wouldn’t he?). He manages to make Gerald hilarious and goofy but also perfectly captures his grief, rage, and hatred when the third act hits. And that third act is genuinely impressive even when he gets into a scientifically-enhanced slap fight with his renegade grandson; just his eerily calm statement of his desire to commit murder-suicide with the entirety of the Earth, his callous brushing off of both his grandson and Maria’s desires, his flippant shrugging off of the worth of Shadow’s life when the hedgehog betrays him… It’s honestly shocking just how nasty Jim Carrey manages to be without completely dropping the inherent goofiness he brings to his roles. In fact, his goofiness just makes it more chilling when he drops the act and gets going.

Frankly it’s surprising just how much nuance there is in such a goofy role, how much can be read in to his actions. Like they really didn’t have to put so much work into the silly villain in the second sequel of a video game movie franchise, they could have easily half-assed Gerald or even just had him be posthumous to save themselves a lot of work. But they didn’t do that, they brought him in, managed to flesh him out and give him depth while still keeping him true to the core of the character, and they knocked him out of the park. Of course, Carrey’s amazing dual performance where he goes out of the way to interact with himself is a big plus too. The sheer spectacle is at least 50% of what makes Gerald so fun to watch.

All in all, Gerald is one of the greatest live-action family film antagonists ever seen, and he’s a big part as to why Sonic the Hedgehog 3 is so great. And best of all he continues to show that the human characters related to Eggman are the best in the franchise. Easily a 9.5/10 for me, with the .5 less than his grandson only because we get far less time with him since, you know, he fucking dies at the ends of this one and isn’t going to develop more. But the fact they manage to make him so well-rounded in just a single movie is worth a lot.

[sylvariths]

The ending of YOU was, in my opinion, one of the most brilliant and haunting conclusions to a TV show—and it honestly blows my mind how many people still don’t understand it, or worse, continue to romanticize Joe Goldberg.

People forget—or choose to ignore—that Joe is mentally unstable and a textbook unreliable narrator. His internal monologue, that calm, poetic voiceover, isn’t insight—it’s manipulation. He’s constantly justifying his violence, his obsession, and his crimes, not only to himself but to us, the audience. And the scariest part? It works. Too many people fall for it.

Joe was never actually in love with any of the women he chased. He was in love with the power he had over them—the thrill of watching, planning, manipulating. He didn’t want an equal, someone who could see through him. That’s why he couldn’t stand Love Quinn, even though she was arguably his perfect match. She knew him too well. She was chaos that matched his own. And that terrified him. What he really wanted was someone naive, someone he could control while convincing both of them he was the hero of the story.

Then comes the final twist: Joe in prison, getting flooded with letters from adoring fans, mostly women, who romanticize him the same way the audience has all along. And in that moment, the show turns the camera on us. It’s no longer just about Joe’s delusion—it’s about ours. Society romanticizes obsessive, violent men and labels it love. We forgive red flags when they come in pretty packaging and whisper sweet lines over vintage books.

That final line—“Maybe the problem isn’t me. Maybe it’s you.”—isn’t just Joe being Joe. It’s the writers pointing straight at the audience, holding up a mirror. And for those who still don’t see it? Well, maybe that line was meant for them.

[raptorladylover6969]

LAST CALL FOR ANY TOPICS YALL WANT IN MY HANDLER PSYCHO ANALYSIS ESSAY

[vin-at-thehub]

Yall I so desperately need someone to psycho analyze me so I can get confirmation on my self analysis. Please be fucking brutal, I definitely can take it + need the wake up call.

[skill7spark04]

a psychoanalysis of Curly Mouthwashing:

Part 1 of Analyzing Mouthwashing Characters: The Captain. He takes responsibility for Jimmy's actions. this is what leads him to not hold jimmy accountable, I believe. he blames himself. he's already depressed and at the end of his ladder, wishing he was somewhere else, being someone who enjoyed the climb but didn't like the result. and now he's scared to start over somewhere else.

he blames himself for the crash I believe too. even if he knows it's jimmy's fault, he let jimmy make blatant threats and say "he'll fix it" before going into the cockpit.

and with those factors, I believe he certainly takes responsibility for jimmy, but doesn't do anything about it because he's so caught up in trying to fix and redeem everyone and everything and blaming himself to actually do anything. paralyzed from stress and choices that shouldn't even be choices, but obvious answers.

he's trying to be a good person by giving jimmy the benefit of the doubt, and taking responsibility for his part in not protecting Anya, which I believe he feels responsible for due to his responsibility as captain to care for the crew. probably feels like he LET anya get assaulted. and that it was his fault.

the feet in cement metaphor really shines through, huh? standing at the edge. at the top of a ladder.

and ultimately, nothing changed with him being a disabled mess. he still just laid around. doing. nothing.

I don't hate curly. I admire him, actually. but I, as a person, have certain thresholds that seperate my perception on what seperates man and monster. and jimmy crosses that threshold on several standards. a good way to put it is that Curly is responsible, but can't hold anyone accountable. he's terrible with accountability. too focused on the big picture to hold people to scrutiny when it matters.

[ilovemyselfandiwannalive]

Go into the chamber

Let complex emotions bubble and explode

See the phantom

Come out

Analyse

[mellohd]

Sitting here psycho analyzing Overtime over lunch, I also have like 6/7 pages of notes. THIS IS SO FUNNN I NEED TO DO THIS MOREE

After I take notes on Bleeding Edge I’m gonna do a more in depth character analysis of everyone I deem important! My brain is just rapid firing theories rn

PLEASE PLEASE SOMEONE ASK ABOUT MY THEORIES 😭😭😭

Again if you have any theories, interesting facts or screenshots etc please dm me, put it in my asks or comments! I’m making a video essay/wiki article over Overtime as a passion project hahaha

[moonriseoverkyoto]

I love studying psych but some days I just wanna believe humanity can be good :(

[andaaz-e-aafat]

Evrytime I watch a serial killer show or a movie, or read a book about psychopaths, or listen to podcast about some unhinged killer. All I do is psycho-analyse them, and think, "Why did they do this? What was their motive? What was their natural habit? Why did they get caught? What was their trauma that led them to become like this? What method did they use? What mistakes did they make? What were they feeling when they did it? Were they blank or fully conscious when they committed the crime?" and so on.

And it makes me wonder, does this make me a good detective? Or a psychopath?

[wonderfulworldofmichaelford]

Psycho Analysis: Freaky Fred

(WARNING! This analysis is... NAUGHTY!)

Hello dear reader, this is Fred.

You hear the words that are in his head.

To Courage the dog he is a threat,

because he’s very… naughty.

In Courage the Cowardly Dog, you see,

Fred appeared and definitely

left a mark on you and me

by being very... naughty.

So let's take a look at this creepy man,

and hopefully you'll understand

why this guy has garnered tons of fans

despite him being... naughty.

Motivation/Goals:

Fred’s a man of simple needs.

He wants to cut hair, indeed!

And his efforts would likely succeed

if he weren’t so… naughty.

He has a compulsion, you know.

He sees hair and it’s time to go!

And so he spends the\is episode of the show

being very naughty.

Performance: Paul Schoeffler is the man, you know!

He voiced Le Quack, Katz and Big Toe!

The Cajun Fox, Zalost, the Snowman, oh,

he played characters who were… naughty.

He was quite good at what he had to do,

even playing Dr. Vindaloo!

And he played our boy Fred, it’s true,

with a performance that was… quite naughty.

Final Fate: After shaving Courage’s hair,

the orderlies escort him out of there.

One could argue the ending’s unfair.

Fred was only… a little naughty.

Evilness: Is Fred evil? Who can say?

I certainly don’t see him that way.

Really, at the end of the day,

the worst you can call him is… naughty.

He shaves off hair against people’s will

because it gives him perverted thrills.

He doesn’t maim or harm or kill,

he’s genuinely just naughty.

So I suppose a 1.5/10’s the score.

I can’t really justify much more.

He’s not cruel or deadly to the core,

he’s a weird guy who’s naughty.

Best Quote: The opening lines of his sole appearance of course,

which he delivers with no remorse

as he outlines his action’s course

and explains that he is… NAUGHTY:

“Hello, new friend. My name is Fred.

The words you hear are in my head.

I say, I said my name is Fred,

and I've been... very naughty.”

Final Thoughts & Score: Alright, time to drop the rhyming act so I can actually really talk about Fred. And boy, is he ever interesting to talk about! Courage is really a cavalcade of amazing one-shot antagonists, but Fred is easily one of the best and most memorable.

A huge part of that is probably down to his single appearance being narrated from his point of view. He’s the rare Courage villain that gives us explicit insight to his thought process and why he does what he does, and what he does is… extremely strange and even suggestive. His compulsion is so strange and how he narrates it and refers to his actions really build him up to feel worse and creepier than he actually is. He’s not trying to hurt Courage in any way, he’s just trying to exercise his bizarre fetish like a G-rated Yoshikage Kira. There's a lot of ways you could read into this compulsion, but t really does make him stand out as a character due to how unique it is and how it's implemented into the story.

I think what also helps is Schoeffler giving one of his best performances on the show. Like yes, Katz and Le Quack are great, and Vindaloo is a funny meme man, but Fred is just a truly iconic character with such a bombastic and sophisticated narration that I really think he’s a contender for the best character the man played. On top of that we have a fantastic design, with his crazy hair and way-too-wide grin; literally every aspect of this guy is perfect.

But at the end of it all, you have to remember that Fred isn’t actually evil, no matter how much he seems to insist he is. At worst, he’s an anti-villain, and even then it’s in name only; the dude is just a freaky weirdo who looks like Betelgeuse and has a strange fetish he can’t help but act out on, and at worst his actions are annoying and inconvenient as opposed to horribly destructive or deadly. Like, oh no, your hair’s gone! It’ll grow back, whatever. He may be Sweeney Todd for kids, but this barber ain’t a demon; he’s just a fucking weirdo. And I love him for it.

A 9.5/10 is the score he gets,

A memorable antagonist, one of the best.

His narration will never leave your head,

and isn’t that just…

NAUGHTY?

[thecolourrainbow]

five-five

as soon as sex is off the table for this new orleans professor, his temper flares. i am out of your league. i can not believe that he brought up sex fast bc it’s disrespectful. just leave me alone, aka i prefer a book to your conversation still.

[zolo1917]

BASED !

[mapstomyhouse]

“It is interesting, though, that a strong psychological tendency is now manifesting itself to restrict and defy the force of love in erotic relations, and this is because such relations do involve to every individual some measure of compulsion and dependence. One type of the present younger generation will not acknowledge any feelings of love, even for a sexual partner or a child, trying to base every human tie on reason alone, so greatly dependence feared by them” - Melanie Klein Love Hate and Reparation (1964)

[da-janela-lateral]

Writing the "Teruki's C-PTSD made his powers develop unhealthy defense mechanisms" post awakened my lingering ESP worldbuilding brainworms, so now I need to note down my other ideas on how the existence of psychic powers may affect public health.

As espers get more and more relevant post-World Domination Arc, brain and mind field professionals are forced to face issues with literally no research about. Therapists struggle to treat clients with traumas that are inseparable from the supernatural world (Claw members, survivors and families of victims; psychic disaster survivors; child espers; people whose powers affects their daily lives, etc.). Psychiatrists have to consider if a person's meds will affect their powers. A new branch of neurology appears to study how neurological diseases and ESP affect each other.

This lack of training in health workers represents one of the many factors that make espers such a mentally vulnerable group. Even when they get help, the inefficiency of most treatments and the risk of forced hospitalization make lots of them give up after a few months.

On the other hand, as a boom in parapsychological research happens (due to increasing government concerns + investments), espers get the opportunity of getting free sessions in exchange of helping teachers and students understand the role of ESP better. In other cases, the subjects are simply paid, while there are also registers of volunteers using their powers just because they feel that would be useful to society.

Healing powers are controversial. Some scientists claim there is too little research and specialized espers to make it a feasible treatment, besides the method possibly increasing the chance of tumor development and/or a harsh immunological response. For this reason, healing abilities are mostly employed in cell and tissue studies.

Years after Sakurai chose a "peaceful" convenience store employee life, he is suddenly called by one of the most prestigious universities in the region. Turns out his power-nullifying curse design became a huge rumor there and they want to know how to adapt it to hospital rooms: this way, esper patients won't cause any danger if their powers go haywire. The possibility of a patent arises. An avalanche of calls come from everywhere. Sakurai just wants to do his shift without a headache.

Nurses now are trained to deal with spirits and possessed patients through specialized classes. They are taught how to make and manage talismans, identify possessions and even neutralize aggressive possessions.

Even so, true psychics are still very valuable whenever things get serious.

[bullseyelover]

i’ve been thinking about dex’s story in born again.

how, in universe, the world saw dex after the events of josies, and after his trial. how quick everyone was to believe he just snapped and went on a revenge fueled rampage at josies. and the sad thing is, that makes sense in the worst possible way. because the world is always going to be more comfortable writing someone like dex off as just another mentally ill guy who lost control. that’s the story people are used to. it’s easier, simpler, and it doesn’t require any deep thought or empathy. it doesn’t ask them to look at who failed him, who used him, who broke him down. it doesn’t ask them to understand the difference between someone being dangerous and someone being made into a weapon. and most people just don’t care enough to look closer.

and what gets me is how many people refuse to hold both truths about dex at the same time. that he’s a victim and a perpetrator. that he did horrific things and was still deeply, painfully used. i hate how often people online will reduce it to “oh you just like him because he’s hot” when you try to talk about him with nuance. like no. dex is complex. he’s the wound and the knife. he is someone who’s suffered, been manipulated, abandoned, used like a tool, but that doesn’t erase what he’s done. it doesn’t mean people weren’t hurt, or that his violence didn’t matter. you can see his pain and still hold him accountable. you can understand where it came from and still be horrified by the outcome. none of that is contradictory. it’s just real. he’s a character full of contradictions, and that’s part of what makes him so compelling. reducing him to one thing, victim, villain, psycho, it just flattens him into a version of himself that isn’t true.

and even in the show, it’s like no one really wants to see the whole truth of who dex is. it’s easier for them to believe “crazy guy goes violent” than to admit that someone vulnerable was groomed and turned into a weapon by someone with more power. for example in episode 8 where matt slams dex’s head into the table, and when the guard walks in, matt lies and says dex did it to himself. and the guard doesn’t even hesitate to believe it. he just immediately goes, “you crazy asshole.” he doesn’t even question it. because that’s already the version of dex they’ve decided is true. they don’t need proof, they don’t need context. they hear “he hurt himself” and go “of course he did.” and that’s what’s so brutal about it. even matt bought into that narrative at first. even though he knew dex had worked for fisk after the events of season three. and he listened to dex’s tapes. he believed that dex was a man who woke up one day on impulse and decided to kill foggy eight years after the events of season three. because he believed dex to be a violent and disturbed psychopath. because that’s the story society already believes. many people believe that mentally ill people are inherently dangerous. quiet violence is scarier than loud chaos. so people don’t ask questions. they just assume the worst. so dex being quiet and restrained in his rage in the trial scene just confirmed what they already thought about him. and that kind of widespread erasure makes dex’s story even more tragic. not just what happened to him, but how no one really sees it. not fully.

and that invisibility messes with him too. dex already struggles with identity. he barely knows who he is when no one’s giving him a script to follow. so when the whole world reduces him to nothing but a monster, a rampage shooter, it probably confirms the worst things he already fears about himself. even if he knows deep down it’s not the whole truth, it gets in his head. like maybe they’re right. maybe he really is just broken and dangerous and beyond saving. that he is an animal and nothing more. and that’s what hurts him. because he tried. he tried to be good. he tried to follow the rules. for so many years because he genuinely wanted to be a better version of himself. he tried to be useful, to matter, to be someone. and in the end, none of it mattered. no one remembers that he tried. they only see the end result. they only see the damage.

and that weight, the failure, the guilt, the grief of never being seen clearly, that’s something he has to carry alone. it’s what makes his story so heavy to sit with. and none of this is to say that dex isn’t still responsible for what he’s done. evidently he knew what he was doing. even if he was manipulated into it. he made choices, and those choices hurt people. he’s not innocent. he’s not good. he’s a villain. that’s who he is, that’s who he’s becoming, and he’s also someone with borderline personality disorder. someone who was manipulated, used, pushed to the edge, and weaponized. those things can all exist at once. he’s not either a tragic victim or an evil monster. he’s both. and when people act like empathizing with him or understanding where he came from is the same as excusing what he did, it’s just dishonest. like no one’s out here saying “my poor baby” and pretending he didn’t kill people. it’s just acknowledging that there’s more to him than what most are willing to see. that doesn’t absolve him. it just complicates him. and if that makes people uncomfortable, maybe they should ask why it’s so much easier to believe someone like dex is just a psycho killer than to accept that he’s human. flawed, dangerous, and human.

if people are saying that about comic bullseye, then yeah, it makes sense. that version of him is literally written to be an unstable psychopath who kills people for fun. he’s meant to be scary and empty and cruel, and that’s it. that’s what makes his character so fun to read. the needless violence, the grin on his face while he commits it. but dex isn’t only that. dex is bullseye, but he’s a version with so much more nuance and humanity. he is capable of everything that comic bullseye is capable of. but he has more contradictions, more depth. he’s not just evil for the sake of it. he’s broken and angry and used and spiraling, and all of that is still his responsibility, but it’s layered. he’s not just a killer. he’s a person. comic bullseye is the foundation, but dex was built on top of that. same character, same legacy, just finally given complexity. he has all the traits of his comic self, but there’s pain behind it now. there’s grief, there’s loneliness, there’s a desperate want to be seen and loved. he’s bullseye in every way, but now he’s also human and real.

[eshithepetty]

So. It's been said before that Mob has this compulsive thing where he looks at his hand when he's thinking about his powers. But I've wanted for a While now to compile exactly when and how much he does this, so!! Here's exactly a post for that ^^

Starting with the very 1st episode of Season 1, here he looks at his hand while Reigen's spiel about him not using his powers to use against others plays in his head. At this point in the story, we don't really understand the full gravity of these words, and what they mean to Mob - really, they sound more like the obvious usual advice that a psychic mentor would give. But from Mob's percentage rising (tho most people won't know what the percentage means at this point in the story), as well as him generally sitting on this advice, we can tell that a nerve has been struck.

Then comes season 1 episode 3. This is technically the same exact shot, but I still decided to include it both because it's still technically a different instance, and also, because of the new information we learn in this episode, we can look at this shot with a different context. Namely, that we now know what Mob's percentage means, and that his powers are connected to his emotions, which is why he stifles both in fear of hurting people as Reigen warned him of. It turns from impersonal advice to a Very personal and real concern. Though the biggest reason for why he fears his powers is still unknown at this point... (though we are made aware of the other reason - fear of social ostracization).

Ough... here comes season 1 episode 5. The shot of him looking at his hand, the one that makes it abundantly clear exactly what he is imagining and thinking back to when he does this. He's remembering the literal blood on his hands... fuck me.

Then are these shots from the same episode. The hands are covered by a towel, so this one is less obvious, but by his sight line and the conversation that he just had with Ritsu - about the incident, and what he did to him - it's obvious that's where his eyes are set. And now compared to episode 3, we know exactly why he hates and fears his powers so much. Why he thinks these hands are dangerous...

Season 1 episode 10, another repeat shot - this time from the psychically induced flashback he suffers at the hands of Muto. I still think the 100% rejection scene is so underrated - imagine being forced to relive the most traumatic event of your life, especially considering he usually avoids thinking about it.. god, the way he just screams and sobs is so upsetting.. though I do wonder what exactly Muto saw when Mob reversed the illusion on him.

This one's from season 1 episode 11, and it's a lot more innocuous than the rest - he's just checking that his psychic powers indeed don't work in this cursed room. But it's still him looking at his hand and thinking about his powers, so I decided to include it. (though I will say, there is a fanfic opportunity somewhere in here about combining the fact that, apparently, there exist curses that can surpress psychic powers, and Mob's desire to do just that... maybe one day I will get to it)

Now we jump to season 2! Episode 3. God, this is still one of the most intriguing scenes of this show to me... here, along with the fear of potentially having to hurt his clients, Mob is thinking a lot of things - among them, for the first time considering not only that he can hurt innocent people with these hands, but also innocent spirits. And the fact that he had been exorcising spirits, essentially killing these beings that are as close to him as living humans are, for years... I just love this episode. And as one commenter on Youtube pointed out, in season 2 episode 1, he made a promise to himself to consider his feelings more - and his feelings are innately tied to his powers. Thus, opening his eyes to his feelings also made him open his mind to the ethics of how he is using his powers, and whether following Reigen along on all these jobs without thought is truly what he should be doing. This is a big part of why I fully support him deciding to not work for Reigen post-finale - he needs to figure out how he feels about his powers without using them as tools to get profit (well. Not so much profit for him, and there's certainly value he gained from this job besides that - such as being able to at least use and express his powers somewhat, along with the relationship he gained with Reigen - but point still stands. It's healthy for him to be able to think these things through without that). Plus, I personally like to imagine he grows more sympathetic to spirits as he grows up and isn't anymore too keen on him destroying them being his job. But ramble aside...

Here comes mogami arc! Season 2 episode 5. As the subtitles say, in contrast to all other times he's been agonising over being too powerful, here, he's regretful over not being strong enough (plus, I like how Mogami has basically redefined what strength means for Mob in this fabricated world. Where in the real one, strength for Mob means sticking it to your morals and being able to resolve things peacefully, here it's... kinda the opposite..). Also, what's interesting here is that he still looks to his hand here, despite having all his memories of his powers and the incident erased from his mind. I guess it's just that deep-seated...

Same episode. This one is kind of debatable, but he certainly looks like he's rising his hand to look at it. Thus, I'm including it. Plus, it has thematic relevance to the incident. As he is saying here, in this world, he truly hasn't done anything malicious or dangerous that could warrant people treating him as the enemy, yet here they are. I could imagine, that, somewhere in the back of his mind, he is feeling like he's forgetting something...

Season 2 episode 10. Here he just woke up and immediately whooped ass with his powers. Also more innocuous, he's just confused, but still looking at his hand, so. Here it remains.

Season 2 episode 12 - this one's also kind of a oddball, since for once, he's not really thinking about his powers, but rather Serizawa's, and what they reveal about the man's feelings- but I thought it was close enough at him looking at his hand. Besides, I think it's sweet that this is one of the first times he uses his powers to empathise, to connect with someone (we see him do so again while trying to take in Toichiro's powers, as well as in the Alien arc, notably), so I'm including it for its thematic relevance.

Now onto season 3 episode 1! There's a really good post explaining this one (as well as the ghost family scene instance) here, but to summarise, here, Mob is thinking back to his powers and instances of him hurting people - making mistakes - and how he never learns. Never changes. Not enough... just like with the 100% sadness scene, it's just so sad that he thinks this one instance of his powers getting the best of him has ruined him for life. That he can't afford to make mistakes... buddy, you're 14 years old. A child. Making mistakes is part of growing up, part of being human :( But I'm guesing he doesn't always see himself as fully human does he ...

And then. Season 3 episode 10. Ough... This is just all his worst fears becoming reality. He's hurt Hanazawa, again. He's hurting his loved ones, again. He's monstrous and dangerous, again... All these years of repression have just led him back to square one and below - to bloodied hands once more. But this was inevitable. He couldn't have continued looking at those hands and fearing them.. he needed to face himself. Look that trauma in the eyes. And say: that's not all I am. I did that, those hands are mine, I am capable of hurting, but it's not all I am. I am capable of changing.... and he does!! Reverting once doesn't erase all the good he has achieved and all the growth he has experienced. But fact remains, that before you heal the wound you heal the wound, you need to clean it first. And it will hurt... but he gets there. He gets there.

So to finish on a lighter note! The ending of season 3!! This one makes me so happy, because, as opposed to all these other scenes where he's looking to his hand with turmoil and anguish in his heart, here, it's the opposite! He's smiling!! He's confident!! He's becoming surer of himself every day!!! He no longer sees his powers as a curse!!!! It's a promise, that eventually, he manages to deal with all the trauma and achieve a happy ending. It's just his hand, and his hands can hold instead of harm. It's just so sweet. I love him and his character development so, so much.... <3

In conclusion: he looks at his hand a total of 14 times - 12, if we exclude repeat shots. And I just think it's fascinating, how we can follow his development throughout these instances. So I hope that this was interesting for you to read as well, and that you all have good days out there <3 Toodles :)