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#*some sort of '''unique insight into lewis' mind''' because it comes from one of his former teammates
janeykath318 · 11 months
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Steve’s Christmas Miracle (Shieldshock)
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“Man, Steve, you’ve got to get yourself a little holiday cheer man. This place looks like the barracks,” Sam commented, shaking his head at the lack of decor in Steve’s cabin. “I’m free to help with tree duty, if need be.”
Steve shook his head, morosely sipping a beer.
“Thanks, but no thanks, Sam. I’m not feeling it this year. I can’t do festive. Thanks for the offer, though.”
Sam frowned, a little worried about how dead Steve’s expression was. Ever since the defeat of Thanos fourteen months ago, Steve had lived like a hermit and had been very withdrawn.
“Okay. Just so you know, the offer to come to Louisiana for Christmas is still on the table. You’re sure you’re alright, Steve?”
“Yeah, I’m fine. Just need the solitude this year.”
Sam didn’t fully believe him, but he didn’t push. He understood what Steve was going through. He only hoped the man wouldn’t go too far inside his shell.
“Okay, but you call me if you need anything. Take care, Steve.”
He squeezed his friend’s shoulder and quietly left, dialing Bucky on his way out the door. He’d have Bucky do another check in on Steve before the trip.
Steve sank back into his sofa and shut his eyes. He didn’t know how he’d ever be able to celebrate again. They’d won, but at a high cost. The image of Pepper weeping by Tony’s body flashed in his mind along with Clint’s grief stricken face returning from Vormir. He didn’t know how much more pain he could take.
“Agent Lewis?”
“Yes, Captain?”
“Michael has an assignment for you. In his office.”
“Yes, Sir.”
Darcy nodded solemnly at her heavenly superior, but she was inwardly squealing at the thrill of finally having another assignment. It was the time of year when humans needed their help the most and she looked forward to helping bring hope to hurting souls. She’d spent her earthly life volunteering in shelters and soup kitchens during the holidays, and now she got to spend it helping reignite the joy of the season.
“Agent Lewis, you will be working with agents Carter and Romanoff on our next subject, one Steven Grant Rogers.”
Darcy’s eyes widened, but she kept her mouth shut. Even she knew better than to interrupt Michael.
“Here are the files for you: Past, present, and future,” Michael handed each one a folder. Darcy noted that hers said PRESENT. Hmm, this could be interesting. “I chose you three because you all knew or interacted with Steve during your time on earth and would have unique insight into his character. Steve’s heart is still soft, unlike many of our clients, but years of hardship have left him cynical and wounded and deeply depressed. Your mission is to point him towards help and healing and remind him of life’s joy’s. It is critical that he not continue to cut himself off in his grief and drive away his friends. He may not be a Captain America anymore, but he needs to see that there is very much a place in the world for Steve Rogers. Do you understand?”
They all nodded solemnly, Peggy and Natasha giving each other knowing looks.
“Good. Mission starts on Christmas Eve. I expect you will be prepared and follow the rules.”
He stared a little longer at Agent Romanoff and Darcy hid a smile. Natasha was still new to the job of heavenly messenger and tended to meddle more than what was strictly allowed.
After they were dismissed, the three members of team Save Steve gathered in their cozy angelic staff lounge to go over their files and talk strategy.
“So, how did you know Steve?” Peggy asked Darcy, after Natasha had brought them up to date on her last memories of Steve and his mental state.
“That’s the thing. I really didn’t,” Darcy sighed. “I remember him as this skinny kid who was a regular at the diner I waitressed at. He’d always smile this beautiful smile at me, but he never said a word and let his friend do all the talking. He seemed nice, though. I feel like we might have had an encounter of some sort, but it was really close to when I died and all my memories of that day are still blocked. It’s kinda frustrating. I honestly think Michael might have found someone else who knew him better.”
“There are no mistakes,” Peggy said firmly. “You must have had more of an impact on Steve than you thought. At that time in his life, a friendly face would have meant a lot, even though he was too shy to talk to you. He didn’t have many friends and unfortunately, most strangers were bullies.”
Darcy grimaced. “Ugh. Poor Steve. This file was tough reading. How do you think he’ll react to us, Agent Romanoff?”
“Steve isn’t phased by much anymore,” Natasha answered. “But he’ll likely think he’s dreaming. He’ll be cooperative, unlike a certain person I will not name.”
She scowled and Peggy and Darcy chuckled. Natasha had just handled a particularly stubborn old codger, who’d been a lot like the infamous Scrooge. She’d proven successful, but not without a struggle.
“This sounds like it’s going to be an interesting mission,” Darcy predicted. “I’m going to have to trust that Michael put me in this for a good reason.”
“That’s the spirit,” Peggy approved. “This is my last mission with the agency and it’s a very important one. Let’s give Steve a Christmas he won’t forget!”
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menstitsillness · 2 years
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nico rosberg needs to shut the fuck up
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timeagainreviews · 5 years
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The surprising similarities of Doctor Who and Twin Peaks
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Earlier today, a friend of mine asked me why I chose to do a blog about both Doctor Who and Twin Peaks. He thought it was a very odd pairing. While explaining to him some of my various reasons, I realised that it would actually make a rather interesting article to talk about the similarities between both shows. Believe it or not, there are several. My hope is to possibly garner new interest in either show for Whovians and Peakies alike.
I know a lot of you are here for the Doctor Who content, but I would like to think that a sliver of you are also interested in the Twin Peaks content. That being said, this article will contain some minor spoilers for both Twin Peaks and Doctor Who. Though I will try and maintain the central mystery without giving too much away. I’ve toyed with the idea of writing articles about Twin Peaks outside of episode recaps, but I’ve always shied away for fear of spoilers. Consider yourself warned!
A tale of two pilots
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I’ve gone over this in previous blogs that both Twin Peaks and Doctor Who have two separate pilot episodes, albeit for totally different reasons. In the case of Doctor Who, the second pilot was filmed after it was decided that the first one failed to capture the correct tone for the Doctor. Because of this, a reshoot was done, softening the First Doctor’s irascible temper to something more relatable. His cantankerousness was dialled back to rebelliousness, and our protagonist began to feel less like the villain.
In the case of Twin Peaks, the second version of its pilot episode was filmed for the sake of European markets. Having had a rather profitable year, the network ABC was willing to take a gamble on a dark horse in the form of a little project from Mark Frost and David Lynch. However, they only ordered the one episode upfront. Figuring it may never see more than a pilot, an extended version of the episode was filmed to include a conclusion of the story for European markets. While this version of the pilot was not aired in the states, it is widely available on DVD release.
This may seem like a tenuous connection at best. But both of the unused pilots can be viewed as a means to further understand their respective shows. Seeing the Doctor act like a jerk gives a bit of insight into just how far is too far. People may complain that the First Doctor is a cranky old man, but seeing the original pilot of "An Unearthly Child," really illustrates the delicate nature of that balance. Similarly, watching the masterful work of David Lynch’s perfect introduction of Twin Peaks wrap itself up in a clunky, tacked on extra thirty minutes feels just as hollow. People may complain that Twin Peaks leaves too much to mystery, but seeing it end in a shootout makes you appreciate the ambiguity of later episodes. Both pilots prove that sometimes less is more.
Time Off
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Both TV shows were cancelled and subsequently brought back to air years later. After 26 seasons of travelling in time and space, Doctor Who had been booted by the head of BBC. After only two seasons Twin Peaks was cancelled by ABC, far before its time. Later, both series attempted a sort of reboot, or revival in the form of movies, both of which were panned by critics. At this point, the only places either show really existed were within the hearts of fans. You may have seen the occasional convention, magazine, or book, but it would appear that both beloved series were dead in the water.
However, it is that very flame kept lit by the fans that gave each series its respective cult status. After years of fans wondering if their favourite shows would get the revivals they so deserved, it would seem their prayers were finally answered. Oddly enough, neither show was a complete reboot, with each acting as a continuation of their original storylines. While each revival has its share of detractors, purists who prefer the original show, overall they were both considered very successful. Much of this is owed to the fact that the creators opted not to be slavishly devoted to the source material, but to instead make something new that still managed to respect the past. Instead of purely playing into nostalgia, they make a case for their own existence by being something new.
Some not so familiar faces
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One of Doctor Who’s greatest strengths is that it was able to inject longevity into the show by introducing the concept of regeneration. While most shows die when their actors leave the show, Doctor Who was able to write replacing the actors into the narrative by making it a biological function of the main character. Like Mary’s claim of a virgin birth, its an idea so unique that you can only get away with it the one time. Anyone who replaces their actors in such a way would just be copying Doctor Who, right?
Enter Twin Peaks. Aside from outright replacing actors, as in the case of Donna Hayward in “Twin Peaks: Fire Walk with Me,” David Lynch has taken a rather novel approach to replace actors who have either died or refused to return. Take, for instance, the actor Michael J. Anderson who played “The Man from Another Place,” (or the Arm) in both the series and the movie. After a payment dispute, Anderson claimed that he was “irreplaceable.” And when you consider just how deep his character goes into the mythos of Twin Peaks, it’s hard to disagree. That is, unless you’re David Lynch.
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Lynch’s solution to losing Anderson was to simply replace him with a central nervous system/tree with a brain like a wadded piece of chewing gum for a head. And you know what? It actually worked. Referring to it as a sort of “evolution,” the audience needed only to take a moment to bask in the brilliance, and then move on. The same method was used to replace David Bowie with a machine that resembled a tea kettle, or the villainous Bob with a floating black orb containing his face. No actor? No problem.
The surprising fact is that the mythology of both shows was able to sustain what would normally be considered insane narrative choices. As opposed to jumping the shark, these changes actually deepened the mythos of either show. From their conception, both Doctor Who and Twin Peaks are so unique that they have been able to write, and rewrite their own rules.
Relative dimensions in space
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Whether it’s a blue police box that is bigger on the inside or a convenience store that disappears like a TARDIS, neither show seems all that interested in obeying the laws of physics. Physical space is a minor obstacle to be manoeuvred around with an almost godlike technology bordering on magic. We see creatures using otherwise mundane objects to completely sidestep reality. Pictures hanging on walls are portals into entire worlds. Stuccoed buildings act as gateways opening up to boxes floating in space. Portals open deep in the woods to take us into terrifying dimensions that boggle the mind.
Interestingly enough, both shows approach these elements seemingly from opposite ends of the spectrum. With Twin Peaks, what has been hinted at possibly being aliens, may actually be something more spiritual. With Doctor Who, something that is hinted at as spiritual is usually aliens. Regardless, in both instances, matter is simply a plaything of beings far more advanced than we mere mortals.
Time and time again
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Wibbly wobbly timey wimey stuff isn’t just a thing that affects the Doctor. The heroes of Twin Peaks also experience their fair share of time displacement. Whether it’s a hole punched into the universe by an atomic bomb that imprints the 1940′s onto a dimension visited by Lewis and Clark, or a trip in the TARDIS to the time of Lewis and Clark, both storylines are tangled in a web of timelines threatening the fate of everyone involved.
As we learn with the Doctor, so too do we learn in the case of Dale Cooper that toying with timelines is not an exact science. Distortions happen. Things change. People tend to disappear. Once you cross that threshold, it could all be different. Even with the greatest of plans, our heroes in the fight between good and evil may find themselves in a never-ending battle. At the end of the day, even the best of intentions can be undone by a simple time loop.
They both changed television forever
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From their very first episodes, both Twin Peaks and Doctor Who aimed to be something different. I’ve said in the past that Doctor Who operates on a level of surrealism rarely seen in science fiction. In a similar manner, Twin Peaks injects a heaping dose of the surreal into both the soap opera and police procedural genres. Because of this, they each come off as incredibly unique stories that stand apart from everything else. Many imitators have come and gone in the years since, but very few have achieved the same degree of success.
These aren’t just lighting in a bottle moments either. The unique nature of either show acts as a response to what came before it. These are deliberate choices to make something different. Sydney Newman’s edict of “no bug-eyed monsters,” while widely ignored, actually speaks to a greater desire to make something of substance. Much in the same way, Twin Peaks exists as a comment on the shallow nature of murder mysteries of the day. Instead of focusing on the murderer, it focused on the victim and how such a crime can destroy a small town.
In their own ways, Twin Peaks and Doctor Who aimed for something deeper. Audiences weren’t just asked to experience terror. Violence was not just a thing to ramp up the tension. Along with the darkness, came a lot of light. The relationships between people were just as important as those between good and evil. Pure joy is a thing to be celebrated, and not scoffed at through pessimistic edgelording. The full spectrum of human emotion is not ignored to service a “clever,” plotline. Even though both shows occasionally lost sight of this principle, they were always at their best when, at their cores, they celebrated life. It is as the Second Doctor said- "There are some corners of the universe which have bred the most terrible things. Things that act against everything we believe in. They must be fought.”
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jam2289 · 4 years
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An Email About Writing, and a Reply
A friend sent me an email recently asking some pertinent questions about writing.
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Here is part of the email from Sharon.
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Have you ever coached a fantasy writer? How silly do you consider this genre?
I have this dream to finish my story before I die and that’s not looking as good as it used to! Years go by really fast as it turns out.
What’s a good first step for this process? Or, do you have a series of essays on how to get off your butt and just write?
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Those are good questions, and hard to answer questions. Here is my response.
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I quite like fantasy.
My writing coaching has just been on the skill rather than on projects, so I've mostly played with tiny little stories that we make up at the time.
There is no correct process for writing, and no correct writing time frames. Patrick Rothfuss worked on his first book for 14 years before it came out. Stephen King took 30 years to finish the Dark Tower series. J. K. Rowling had all seven books planned in detail before she began the first. Her planning took 5 years by itself. C. S. Lewis just did it one book at a time. George R. R. Martin has a general idea of where he's going, but no detail.
Writing only requires writing. So it's whatever works for you. I only really make progress when I'm doing articles for the blog where I'm going to publicly post them soon. I just happen to like that. If you can block out a certain time to write, do that. If you can set a goal of writing a certain number of words a day, do that. None of that works for me, my conscientiousness scores are just too low to handle it. But, writing in little bursts of inspiration has worked for many people as well.
It's whatever gets you going. If you feel like writing detailed plans and that will get you putting things on paper or screen, then do that. If there's a scene you're excited about, then write that. Gabaldon writes her books completely out of order just based on what she feels like doing at the time, and then arranges the scenes later. Robert Louis Stevenson made a list of chapters and then wrote Treasure Island chapter by chapter, and read each to his family by the fire that same night. When he wrote Jekyll and Hyde his wife awoke him in the middle of an inspiring nightmare and he wrote it in three days. When she didn't like it he burnt it and rewrote the entire thing again, all while being on doctor prescribed bedrest.
As for fantasy being silly, it is no more silly than any other genre. A western can be silly or serious. Fantasies are communicating personal and collective archetypes, patterns of interpreting and acting within the world, just as all narratives are. The Emperor Has No Clothes is an important work detailing deception, self-deception, authority, social structures, the value of innocence, fraud, and more. The Chronicles of Narnia is a Protestant religious work, and The Lord of the Rings a Catholic one. Harry Potter has an almost unlimited number of important subjects, not the least of which is the exploration of the good and evil that divides us all within ourselves, how the evil within being incorporated into us protects us from the evil without, and how by dying unto self we may be reborn. So, fantasy is not so silly. It allows us to have fun while confronting subjects of the utmost importance, and maintaining enough distance to allow us a less reactive perspective on emotionally engaging topics.
Finally, writing does require a leap of faith. That's why it's an adventure in itself.
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Letter writing is a lost art. But I like it. I'm reading the letters exchanged between John Adams and Thomas Jefferson right now, along with the letters between John Adams and Abigail Adams. They offer some of the best insights into history, and into people, that I know of. And, fictional letter writing as in Johan Wolfgang von Goethe's "The Sorrows of Young Werther" and Ovid's "Heroides" give you a different feel than that of other literary works. (Technically that's its own field of study called epistolary writing.)
Emails are not letters. But sometimes they start to feel like that, and it feels good. Here is a slightly edited reply from Sharon.
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Wow Jeff this is such a great email, you should post this to your blog as is!  It’s very motivating just reading about how other authors work. I usually imagine them as tirelessly holed up in book laden studies writing away for endless days.
I know it took Tolkien about 20 years to finish LOTR etc. and I often think maybe that is why it is so good.
The thing that has gotten me writing finally is that I just tell myself no one will ever see this...
Constructive criticism I take VERY well but someone saying “wow this is just a piece of garbage” I’d have a hard time with.
And everyone knows that “no filter” is sort of the new norm.
Thanks social media.
I guess I will just jump in and do whatever and see where it goes.
How are you enjoying isolation?
Feels pretty normal to me, I kind of live in a pumpkin anyway!
Have you written a book yet? Or mostly essays?
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She has a lot of good points in this email. I've had the same concerns.
I wrote an article about other writer's writing processes a couple of years ago called "The Write Process", and it did help give me a well-rounded perspective on the reality of writing. There are many interesting ones that could be added to the list, like Michael Crichton writing scenes on 3x5 cards until he had a shoebox full, but just knowing that a dozen famous writers all disagree on almost every aspect of writing is quite helpful mentally and emotionally. Here's that article: http://www.jeffreyalexandermartin.com/2018/01/the-write-process.html
Then there's the whole can of worms on being on both ends of creating and criticizing. One important realization is that critics and creators aren't writing to each other or for each other, they are writing for a public, otherwise it would be in private correspondence. I wrote about that idea more in "Critics and Creators": http://www.jeffreyalexandermartin.com/2019/02/critics-and-creators.html
My last response reflects some of those ideas.
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Lol. I was thinking the same thing about making that an article.
I agree that it's very motivating to see how other authors do it, and to realize that they all completely disagree. For instance, Shonda Rhimes is a prolific television writer known for Grey's Anatomy. She says that if you write every day you're a writer, if you don't you're not. Her favorite writer is Aaron Sorkin. He wrote The West Wing and various movies. He says that 90 percent of a writer's time is not writing. When he's writing a movie he usually thinks about it for about 18 months and then writes it in 6. So, by her definition Shonda Rhimes' favorite writer isn't a writer.
If keeping your writing close to the chest works for you, do that. Social media is crazy. I've even gotten some death threats for my political article on Antifa. I've had a number of insults for my writings on grief, where I'm developing an original theory. But, I've also had a lot of good compliments and people sharing my work. I'm certain that by this time my article on suicide has saved a few lives because of the circles that it's been shared in.
Isolation isn't too big of a deal for me. I teach English online and spend most of the rest of my time reading, writing, watching, and meditating.
I've written over 300 articles. Which would come to over 2,000 pages in a book, but no book yet. I'll probably make some article collections this year.
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In addition to the over 300 articles I also have notes for more than 200 additional articles. I'll never run out of things to write, I'm guessing that the more I write the more I'll fall behind in comparison to the ideas that I have yet to write. I've been urged to write books about my adventure traveling out west mountain climbing, and my couple month road trip, and my near-death misadventure in Africa. Those would all be interesting, but I lived them, so it's not that adventurous for me to write about them. I do have some major works that I want to tackle in this lifetime though.
Out of all of the projects that I have started and have in mind there are two that would compromise major life works. One is a philosophical work creating a new structure connecting epistemology, ethics and morality, and political economics in a better way. The other is a literary work to compliment "Prometheus Bound" by Aeschylus. I do not know if I can accomplish either of those in this lifetime, they both still feel a little out of my reach in terms of mental insight and writing skill. But, there are other projects that have been growing which are unique and could contribute quite a lot to society, such as my original theory of grief, a new literary analysis method, work showing the emergent nature of morality in art, the historical pattern of abolition, my unique experiences and insights into meditation, and some of my current work in applied politics. So, my work has just begun.
Whenever we set out on a new venture doubts and concerns spring to the fore. Those are the things that make us stronger in overcoming them. And throughout history, letters have contributed to the overcoming of many such obstacles. Just maybe, it's helped in this case too.
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To read more from Jeff go to JeffThinks.com or JeffreyAlexanderMartin.com
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Construction_Bookkeeping_And_Accounting_Expectation_Vs_Reality
This Podcast Is Episode Number 0303, And It Will Be About Construction Bookkeeping And Accounting - Expectation Vs Reality
Construction Bookkeeping is something you need to understand first, then learn. Over the years, hundreds of people have told us how easy QuickBooks is to use and how hard QuickBooks For Contractors is to use, and that is so true.
Here is what I see repeated many times among construction companies: You usually hire an “office admin with experience in QuickBooks," ask your spouse or significant other to do it for you, or you try your best and do it yourself. Some would take the time to hire an in-house bookkeeper – not knowing what they need is a Construction Bookkeeper/Accountant.
There is a world of difference between Construction Accounting and Regular Accounting.
Construction Bookkeeping And Accounting - Expectation Vs Reality
Posted by Randal DeHart on Fri, Feb 22, 2019
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Construction Bookkeeping is something you need to understand first, then learn. Over the years, hundreds of people have told us how easy QuickBooks is to use and how hard QuickBooks For Contractors is to use, and that is so true.
Here is what I see repeated many times among construction companies: You usually hire an “office admin with experience in QuickBooks," ask your spouse or significant other to do it for you, or you try your best and do it yourself. Some would take the time to hire an in-house bookkeeper – not knowing what they need is a Construction Bookkeeper/Accountant.
There is a world of difference between Construction Accounting and Regular Accounting.
                              Expectation: Bookkeeping only takes 10 minutes a day.
Reality: Just sorting out the receipts, scanning, and filing is already 10 minutes. The piles of paperwork will always grow high and wide.
Expectation: Simple data entry – it’s fun because putting in checks, bills, and invoices are easy!
Reality: The fun ends when confusion begins. “Does this receipt belong to this job?”, “Should I put this under Cost Of            Goods Sold?”, “How do I reconcile this?”
Expectation: I’ll just call the Payroll software for support.
Reality: Yes, you can. Reach out to your software provider for any technical issues you’re having. The problem is there are times when an employee turns their time-card late and expects to get paid on time, someone asks for advance pay, or you’re having some subcontractor issues.
Expectation: I can run my financials and Job Cost Reports in QuickBooks (or the software I'm currently using)
Reality: Inaccurate reports will damage your business. The day to day input should be properly allocated. A $5000 worth      of transactions placed in the wrong category will result in unreliable data leading to costly bidding mistakes.
Expectation: My bookkeeper can provide me with Key Performance Indicators Report (KPIs) every day since it will only take 5 minutes.
Reality: What is KPI? Yes, to some of you, that could be the reality. KPIs is a summary of how the business is doing financially and taken seriously can lead to some serious cash flow coming into your business and staying there.If you            review these five reports at 5 P.M. for 5 minutes, you can gain tremendous insight into your business. 
Expectation: I already have an administrative assistant who runs the office and has QuickBooks (or other accounting software) experience. Hiring a construction bookkeeper/accountant will cost more money.
Reality: Contractors should have two primary accountants. One is the Tax Accountant, and the other is your Construction      Accountant. Construction Accountants make numbers work in a way that it makes sense to you - the good (money in),          the bad (money out), and the ugly (more unpaid bills are left than the cash in the bank)
How much is your Construction Company worth?
Long ago near Green Lake in Seattle, Washington, I went shopping for a bike helmet and asked the clerk for a "cheap helmet" because in my mind all bike helmet was the same and I was not about to be ripped off. He had a profoundly simple answer: "If you have a $10 head buy a $10 Helmet." He said it in a deadpan face, no expression and he acted as if he could not care less about what helmet I purchased.
I remembered something my Step-Father used to say "Buy the best you can afford and cry once, rather than buying the cheapest and crying about it not doing what it was intended to do forever." He was a simple man without a lot of formal education and yet one of the wisest men I have ever known.
I purchased the most expensive helmet I could afford, and it saved me from experiencing several injuries over the next few years.
Over the years I have put into practice a lot of the words of wisdom my Step-Father offered, and I can say with 100% assurance that his advice about buying the best you can afford has helped me make a lot of money because every time I buy the best, it has been the cheapest in the long run and generated a lot of dividends. 
Bottom line, you should hire the best bookkeeping and accounting service (who specializes in construction) that you can afford regardless of whether or not it is us because we may not be the best choice for your contracting company. Know that your expectations could sometimes be far from what is happening in reality. Eliminating these frustrations and making informed decisions are pathways to financial success in your construction business.
About The Author:
Randal DeHart, PMP, QPA is the co-founder of Business Consulting And Accounting in Lynnwood, Washington. He is the leading expert in outsourced construction bookkeeping and accounting services for small construction companies across the USA. He is experienced as a Contractor, Project Management Professional, Construction Accountant, Intuit ProAdvisor, QuickBooks For Contractors Expert and Xero Accounting Specialist. This combination of experience and skill sets provides a unique perspective which allows him to see the world through the eyes of a contractor, Project Manager, Accountant, and construction accountant. This quadruple understanding is what sets him apart from other Intuit ProAdvisors and Xero accountants to the benefit of all of the construction contractors he serves across the USA. Visit http://www.fasteasyaccounting.com/randal-dehart/ to learn more.
Our Co-Founder Randal DeHart - Is a Certified PMP (Project Management Professional) with several years of construction project management experience. His expertise is construction accounting systems engineering and process development. His exhaustive study of several leading experts including the work of Dr. W. Edward Deming, Michael Gerber, Walter A. Shewhart, James Lewis and dozens of others was the foundation upon which our Construction Bookkeeping System is based and continues to evolve and improve. Check out our Contractor Success Map Podcast on iTunes and Follow Randal on Google+ 
The Information Shown Below Is From Fast Easy Accounting
OUTSOURCED ACCOUNTING FOR  THE BUSY CONTRACTOR IN A MOBILE ENVIRONMENT
Download the Contractors APP today from the App Store or Android Store
Access Code: FEAHEROS
Click here to download the App on Android:
Click here to download the App on iOS:
Simply scan the QR code or search for ‘MyAccountants’ in the App Store and enter the Access code: FEAHEROS to utilize the powerful App features and capabilities, and benefit from having our Construction Accounting App at your fingertips, 24/7."
PS: Even if you are not a Construction Contractor you will find a plenty of benefits in the app so we invite you to download it too! It's Free so why not?
Contractors_Success_MAP, Contractors_Success_Marketing_Accounting_Production, Contractor_Bookkeeping_Services, QuickBooks_For_Contractors, QuickBooks_For_Contractors,
Check out this episode about Contractors Marketing - Accounting - Production (M.A.P.)!
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