#15-19 ALL) 8&039; Bed

[timelesstimesgoneby]

EPISODE VOLUME DISC ONE 1934 001 WOMAN HATERS 002 PUNCH DRUNKS 003 MEN IN BLACK 004 THREE LITTLE PIGSKINS 1935 005 HORSES' COLLARS (JANUARY 10) 006 RESTLESS KNIGHTS (FEBRUARY 20) 007 POP GOES THE EASEL (MARCH 29) 008 UNCIVIL WARRIORS (APRIL 26) 009 PARDON MY SCOTCH (AUGUST 1) 010 HOI POLLOI (AUGUST 29) 011 THREE LITTLE BEERS (NOVEMBER 28) DISC TWO 1936 012 ANTS IN THE PANTRY (FEBRUARY 6) 013 MOVIE MANIACS (FEBRUARY 20) 014 HALF SHOT SHOOTERS (APRIL 30) 015 DISORDER IN THE COURT (MAY 30) 016 A PAIN IN THE PULLMAN (JUNE 27) 017 FALSE ALARMS (AUGUST 16) 018 WHOOPS, I'M AN INDIAN! (SEPTEMBER 11) 019 SLIPPERY SILKS (DECEMBER 27) VOLUME TWO: 1937–1939 DISC ONE 1937 020 GRIPS, GRUNTS AND GROANS (JANUARY 15) 021 DIZZY DOCTORS (MARCH 19) 022 3 DUMB CLUCKS (APRIL 17) 023 BACK TO THE WOODS (MAY 14) 024 GOOFS AND SADDLES (JULY 2) 025 CASH AND CARRY (SEPTEMBER 3) 026 PLAYING THE PONIES (OCTOBER 15) 027 THE SITTER DOWNERS (NOVEMBER 26) 1938 028 TERMITES OF 1938 (JANUARY 7) 029 WEE WEE MONSIEUR (FEBRUARY 18) 030 TASSELS IN THE AIR (APRIL 1) 031 HEALTHY, WEALTHY AND DUMB (MAY 20) 032 VIOLENT IS THE WORD FOR CURLY (JULY 2) DISC TWO 033 THREE MISSING LINKS (JULY 29) 034 MUTTS TO YOU (OCTOBER 11) 035 FLAT FOOT STOOGES (DECEMBER 5) 1939 036 THREE LITTLE SEW AND SEWS (JANUARY 6) 037 WE WANT OUR MUMMY (FEBRUARY 24) 038 A DUCKING THEY DID GO (APRIL 7) 039 YES, WE HAVE NO BONANZA (MAY 19) 040 SAVED BY THE BELLE (JUNE 30) 041 CALLING ALL CURS (AUGUST 25) 042 OILY TO BED, OILY TO RISE (OCTOBER 6) 043 THREE SAPPY PEOPLE (DECEMBER 1) VOLUME THREE: 1940–1942 DISC ONE 1940 044 YOU NAZTY SPY! (JANUARY 19) 045 ROCKIN' THRU THE ROCKIES (MARCH 8) 046 A PLUMBING WE WILL GO (APRIL 19) 047 NUTTY BUT NICE (JUNE 14) 048 HOW HIGH IS UP? (JULY 26) 049 FROM NURSE TO WORSE (AUGUST 23) 050 NO CENSUS, NO FEELING (OCTOBER 4) 051 COOKOO CAVALIERS (NOVEMBER 15) 052 BOOBS IN ARMS (DECEMBER 27) 1941 053 SO LONG MR. CHUMPS (FEBRUARY 7) 054 DUTIFUL BUT DUMB (MARCH 21) 055 ALL THE WORLD'S A STOOGE (MAY 16) 056 I'LL NEVER HEIL AGAIN (JULY 11) DISC TWO 057 AN ACHE IN EVERY STAKE (AUGUST 22) 058 IN THE SWEET PIE AND PIE (OCTOBER 16) 059 SOME MORE OF SAMOA (DECEMBER 4) 1942 060 LOCO BOY MAKES GOOD (JANUARY 8) 061 CACTUS MAKES PERFECT (FEBRUARY 26) 062 WHAT'S THE MATADOR? (APRIL 23) 063 MATRI-PHONY (JULY 2) 064 THREE SMART SAPS (JULY 30) 065 EVEN AS IOU (SEPTEMBER 18) 066 SOCK-A-BYE BABY (NOVEMBER 13) VOLUME FOUR: 1943–1945 DISC ONE 1943 067 THEY STOOGE TO CONGA (JANUARY 1) 068 DIZZY DETECTIVES (FEBRUARY 5) 069 SPOOK LOUDER (APRIL 2) 070 BACK FROM THE FRONT (MAY 28) 071 THREE LITTLE TWIRPS (JULY 9) 072 HIGHER THAN A KITE (JULY 30) 073 I CAN HARDLY WAIT (AUGUST 13) 074 DIZZY PILOTS (SEPTEMBER 24) 075 PHONY EXPRESS (NOVEMBER 18) 076 A GEM OF A JAM (DECEMBER 30) DISC TWO 1944 077 CRASH GOES THE HASH (FEBRUARY 4) 078 BUSY BUDDIES (MARCH 18) 079 THE YOKE'S ON ME (MAY 26) 080 IDLE ROOMERS (JULY 15) 081 GENTS WITHOUT CENTS (SEPTEMBER 22) 082 NO DOUGH BOYS (NOVEMBER 24) 1945 083 THREE PESTS IN A MESS (JANUARY 19) 084 BOOBY DUPES (MARCH 17) 085 IDIOTS DELUXE (JULY 20) 086 IF A BODY MEETS A BODY (AUGUST 30) 087 MICRO-PHONIES (NOVEMBER 15) VOLUME FIVE: 1946–1948 DISC ONE 1946 088 BEER BARREL POLECATS (JANUARY 10) 089 A BIRD IN THE HEAD (FEBRUARY 28) 090 UNCIVIL WAR BIRDS (MARCH 29) 091 THE THREE TROUBLEDOERS (APRIL 25) 092 MONKEY BUSINESSMEN (JUNE 20) 093 THREE LOAN WOLVES (JULY 4) 094 G.I. WANNA HOME (SEPTEMBER 5) 095 RHYTHM AND WEEP (OCTOBER 3) 096 THREE LITTLE PIRATES (DECEMBER 5) 1947 097 HALF-WITS HOLIDAY (JANUARY 9) (CURLY HOWARD'S FINAL STARRING ROLE) 098 FRIGHT NIGHT (MARCH 6) (SHEMP HOWARD'S FIRST STARRING ROLE) 099 OUT WEST (APRIL 24) 100 HOLD THAT LION! (JULY 17) (CURLY HOWARD'S FINAL CAMEO ROLE AND FIRST AND ONLY EPISODE THE FOUR STOOGES WERE SHOWN.) DISC TWO 101 BRIDELESS GROOM (SEPTEMBER 11) 102 SING A SONG OF SIX PANTS (OCTOBER 30) 103 ALL GUMMED UP (DECEMBER 18) 1948 104 SHIVERING SHERLOCKS (JANUARY 8) 105 PARDON MY CLUTCH (FEBRUARY 26) 106 SQUAREHEADS OF THE ROUND TABLE (MARCH 4) 107 FIDDLERS THREE (MAY 6) 108 THE HOT SCOTS (JULY 8) 109 HEAVENLY DAZE (SEPTEMBER 2) 110 I'M A MONKEY'S UNCLE (OCTOBER 7) 111 MUMMY'S DUMMIES (NOVEMBER 4) 112 CRIME ON THEIR HANDS (DECEMBER 9) VOLUME SIX: 1949–1951 DISC ONE 1949 113 THE GHOST TALKS (FEBRUARY 3) 114 WHO DONE IT? (MARCH 3) 115 HOKUS POKUS (MAY 5) 116 FUELIN' AROUND (JULY 7) 117 MALICE IN THE PALACE (SEPTEMBER 1) 118 VAGABOND LOAFERS (OCTOBER 6) 119 DUNKED IN THE DEEP (NOVEMBER 3) 1950 120 PUNCHY COWPUNCHERS (JANUARY 5) 121 HUGS AND MUGS (FEBRUARY 2) 122 DOPEY DICKS (MARCH 2) 123 LOVE AT FIRST BITE (MAY 4) 124 SELF-MADE MAIDS (JULY 6) DISC TWO 125 THREE HAMS ON RYE (SEPTEMBER 7) 126 STUDIO STOOPS (OCTOBER 5) 127 SLAPHAPPY SLEUTHS (NOVEMBER 9) 128 A SNITCH IN TIME (DECEMBER 7) 1951 129 THREE ARABIAN NUTS (JANUARY 4) 130 BABY SITTERS JITTERS (FEBRUARY 1) 131 DON'T THROW THAT KNIFE (MAY 3) 132 SCRAMBLED BRAINS (JUNE 7) 133 MERRY MAVERICKS (SEPTEMBER 6) 134 THE TOOTH WILL OUT (OCTOBER 4) 135 HULA-LA-LA (NOVEMBER 1) 136 PEST MAN WINS (DECEMBER 6) VOLUME SEVEN: 1952–1954 DISC ONE 1952 137 A MISSED FORTUNE (JANUARY 3) 138 LISTEN, JUDGE (MARCH 6) 139 CORNY CASANOVAS (MAY 1) 140 HE COOKED HIS GOOSE (JULY 3) 141 GENTS IN A JAM (JULY 4) 142 THREE DARK HORSES (OCTOBER 16) 143 CUCKOO ON A CHOO CHOO (DECEMBER 4) 1953 144 UP IN DAISY'S PENTHOUSE (FEBRUARY 5) 145 BOOTY AND THE BEAST (MARCH 5) 146 LOOSE LOOT (APRIL 2) 147 TRICKY DICKS (MAY 7) DISC TWO 148 SPOOKS! (JUNE 15) (FIRST 3-D SHORT, FIRST FLAT WIDESCREEN SHORT) 149 PARDON MY BACKFIRE (AUGUST 15) (SECOND AND LAST 3-D SHORT) 150 RIP, SEW AND STITCH (SEPTEMBER 3) 151 BUBBLE TROUBLE (OCTOBER 8) 152 GOOF ON THE ROOF (DECEMBER 3) 1954 153 INCOME TAX SAPPY (FEBRUARY 4) 154 MUSTY MUSKETEERS (MAY 13) 155 PALS AND GALS (JUNE 3) 156 KNUTZY KNIGHTS (SEPTEMBER 2) 157 SHOT IN THE FRONTIER (OCTOBER 7) 158 SCOTCHED IN SCOTLAND (NOVEMBER 4) VOLUME EIGHT: 1955–1959 DISC ONE 1955 159 FLING IN THE RING (JANUARY 6) 160 OF CASH AND HASH (FEBRUARY 3) 161 GYPPED IN THE PENTHOUSE (MARCH 10) 162 BEDLAM IN PARADISE (APRIL 14) 163 STONE AGE ROMEOS (JUNE 2) 164 WHAM-BAM-SLAM! (SEPTEMBER 1) 165 HOT ICE (OCTOBER 6) 166 BLUNDER BOYS (NOVEMBER 3) 1956 167 HUSBANDS BEWARE (JANUARY 5) 168 CREEPS (FEBRUARY 2) 169 FLAGPOLE JITTERS (APRIL 5) DISC TWO 170 FOR CRIMIN' OUT LOUD (MAY 3) 171 RUMPUS IN THE HAREM (JUNE 21) 172 HOT STUFF (SEPTEMBER 6) 173 SCHEMING SCHEMERS (OCTOBER 4) 174 COMMOTION ON THE OCEAN (NOVEMBER 8) (SHEMP HOWARD'S FINAL STARRING ROLE) 1957 175 HOOFS AND GOOFS (JANUARY 31) (JOE BESSER'S FIRST STARRING ROLE) 176 MUSCLE UP A LITTLE CLOSER (FEBRUARY 28) 177 A MERRY MIX UP (MARCH 28) 178 SPACE SHIP SAPPY (APRIL 18) 179 GUNS A POPPIN (JUNE 13) 180 HORSING AROUND (SEPTEMBER 12) DISC THREE 181 RUSTY ROMEOS (OCTOBER 17) 182 OUTER SPACE JITTERS (DECEMBER 5) 1958 183 QUIZ WHIZZ (FEBRUARY 13) 184 FIFI BLOWS HER TOP (APRIL 10) 185 PIES AND GUYS (JUNE 12) 186 SWEET AND HOT (SEPTEMBER 4) 187 FLYING SAUCER DAFFY (OCTOBER 9) 188 OIL'S WELL THAT ENDS WELL (DECEMBER 4) 1959 189 TRIPLE CROSSED (FEBRUARY 2) 190 SAPPY BULL FIGHTERS (JUNE 4) RARE TREASURES FROM THE COLUMBIA PICTURES VAULT DISC ONE FEATURE FILMS STARRING THE THREE STOOGES ROCKIN' IN THE ROCKIES (1945) HAVE ROCKET, WILL TRAVEL (1959) COLUMBIA CARTOONS FEATURING THE THREE STOOGES BON BON PARADE (1935) MERRY MUTINEERS (1936) A HOLLYWOOD DETOUR (1942) DISC TWO COLUMBIA FILMS SHORTS FEATURING/STARRING SHEMP HOWARD HOME ON THE RAGE (1938) (ANDY CLYDE SERIES) GLOVE SLINGERS (1939) (GLOVE SLINGERS SERIES) MONEY SQUAWKS (1939) (ANDY CLYDE SERIES) BOOBS IN THE WOODS (1940) (ANDY CLYDE SERIES) PLEASED TO MITT YOU (1940) (GLOVE SLINGERS SERIES) PICK A PECK OF PLUMBERS (1944) (PARTIAL REMAKE OF A PLUMBING WE WILL GO) OPEN SEASON FOR SAPS (1944) (REMAKE OF CHARLEY CHASE'S INITIAL COLUMBIA SHORT THE GRAND HOOTER) OFF AGAIN, ON AGAIN (1945) (REMAKE OF CHARLEY CHASE'S TIME OUT FOR TROUBLE) WHERE THE PEST BEGINS (1945) A HIT WITH A MISS (1945) (REMAKE OF PUNCH DRUNKS) MR. NOISY (1946) (REMAKE OF CHARLEY CHASE'S THE HECKLER) JIGGERS, MY WIFE (1946) SOCIETY MUGS (1946) (REMAKE OF TERMITES OF 1938) BRIDE AND GLOOM (1947) (REMAKE OF CHARLEY CHASE'S THE AWFUL GOOF) DISC THREE COLUMBIA FILMS SHORTS STARRING JOE BESSER WAITING IN THE LURCH (1949) DIZZY YARDBIRD (1950) FRAIDY CAT (1951) (REMAKE OF DIZZY DETECTIVES) AIM, FIRE, SCOOT (1952) (REMAKE OF BOOBS IN ARMS) CAUGHT ON THE BOUNCE (1952) SPIES AND GUYS (1953) THE FIRE CHASER (1954) (REMAKE OF WAITING IN THE LURCH) G.I. DOOD IT (1955) (REMAKE OF DIZZY YARDBIRD) HOOK A CROOK (1955) (REMAKE OF FRAIDY CAT AND DIZZY DETECTIVES) ARMY DAZE (1956) (REMAKE OF AIM, FIRE, SCOOT AND BOOBS IN ARMS) COLUMBIA FILMS SHORTS STARRING JOE DERITA SLAPPILY MARRIED (1946) (REMAKE OF ANDY CLYDE'S A MAID MADE MAD) THE GOOD BAD EGG (1947) (REMAKE OF ANDY CLYDE'S KNEE ACTION) WEDLOCK DEADLOCK (1947) (REMAKE OF MONTE COLLINS'S UNRELATED RELATIONS) JITTER BUGHOUSE (1948) (REMAKE OF THE RADIO ROGUES' DO YOUR STUFF)

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[newssplashy]

The Rape Culture: What exactly is going on in our universities and colleges?

There's a rape culture in our schools and no one is talking.

The average Nigerian student entering tertiary institution whether University or College, is most likely going to be between 15 and 19 years old. 

Their self-esteem will most likely be shaky. Their world views and philosophies unshaped. They want to feel valued and accepted. It is also at this age that sexual curiosity spikes.

Combine all of these, and vulnerability rears its head. People in this bracket are perhaps the most likely to get raped, especially women. 

Let’s start with Tola.

Tola is a smart young lady. Settling into University life wasn’t as difficult as she thought, classes are coming and going. She’s making new friends, interesting friends. There’s one she likes. Like really really likes. He wears really nice shirts, and speaks really well. Most of all, he listens. He listens to all her stories. Wonder who made it easy for Tola to navigate the Jambite registration process? Him. 

His name is Steve. 

So one day, she’s bored, and asks him if he’s downloaded any new movies. Of course he has. Of course he has the newest episodes of the best shows. So empty USB flash in hand, she heads to his house. 

Finding his tiny student-size apartment is not so hard, not like it’s her first time going to collect movies, or charge her phone. 

Today, Steve doesn’t look so well. He’s cuddled up under his blanket. He tells her he has a fever. By the time he says this, she doesn’t even care about the movies she came to get. Today, she’s going to care for her friend. 

He shows her where he kept some painkillers. It’s at the bottom of a shelf. When she turns around, Steve is no longer on the bed. He’s now standing in front of her, at just a breath away. Bare chested. 

“I really like you,” he says. 

She’s shocked. And confused. 

“What are you doing?” she asks. He draws closer. She says stop. She says it again. But he’s all over her like a beast on prey. 

10 minutes later, he’s panting. She’s crying. 

“Why” she asks, “why did you do this to me?”

“What? I thought you liked it.”

This is what rape looks like in Nigerian student communities (and outside), and Tola is not alone.

In a survey of 349 women, 1 in 8 of them said they were raped while in school (University/Polytechnic/College of Education).

The numbers are probably higher, considering that many victims themselves don’t have a clear understanding of what is rape and what isn’t. This begs the question;

What is rape? 

Rape is a form of sexual assault where a person has forced sexual intercourse with a victim without their consent.  According to the Violence against Persons' Prohibition (VAPP) Act, the definition of rape has expanded to: "Rape is non-consensual penetration of a person's vagina, anus, mouth or body parts with an object or penis or other body part". Also worthy of note is that the legal definition differs from state to state.

But what about sexual assault?

While rape is a form of sexual assault, it is much broader. Sexual assault in the simplest terms, is the non-consensual contact that does not include penetration. Examples of sexual assault are: attempted rape, unwanted kissing, unwanted fondling, and unwanted touching of the genitalia, buttocks and breasts.

So whether it is Yaba Market boys pulling the hands of passing girls, and touching them, in the name of getting them to buy whatever cloth it is they are selling. Whether it is a lecturer groping a girl in his office. Whether it is fondling her without her consent. Whether it is a guy pressing groping a girl in a concert. This is sexual assault.

Why is rape common in tertiary schools?

Let’s go back to Steve. Steve is a regular guy. But the guys tease Steve for being soft. The other day, one of his guys teased that he liked boys. Why? Because Steve has no body count — number of girls he’s slept with. 

The guys also know about Tola. They believe he’s slacking because he hasn’t even kissed her. He likes her, they know this, and they assume she has to like him too. 

So when they ask him how far, and he says he’s finally slept with her, he’s the man. When he even says she wasn’t interested at first, and that he finally got her to have sex anyway, they say he’s the chairman. 

Perhaps, the biggest cause of rape in Nigerian schools stems from the attitude of men towards rape and the disregard for consent. It is the sense of entitlement that makes a man feel he deserves it, and he’ll get what he deserves by any means necessary. 

“What was she wearing?”

Another major contributing factor to rape is the tendency for society to blame the victim, instead of seeking justice, and punishing the rapist. 

A society that blames a rape victim, for any reason at all, gives the next rapist an excuse and even motivation to commit the irreversible crime.

How can we change this?

Back to Tola. Never in her life has she felt more alone.

She blames herself for ending up in that situation. She hates that she can’t tell anyone about it. She tells her friend about what happened, and her friend is not only surprised, she’s confused. The first thing she asks throws Tola off balance completely;

“But didn’t you say you liked him?”

We need to understand that this is a matter of control. There’s a stark difference between giving, and being taken from without consent. This is what rape is a about, taking without consent. 

Now, Tola hates that she told her friend. She fears telling her parents even worse. They’d probably call her a disgrace or a disappointment. So she swallows all the pain, and drowns in her own grief. 

You know the worst part? She’s in the same faculty with Steve. So she sees him every other day, and he acts like everything is fine. 

Rape is a crime, like armed robbery and murder. And until we treat it like a crime where the criminal is held responsible without putting the victim on trial, it’s not going anywhere.

Oluwaseun Ayodeji Osowobi, Founder of S.T.E.R (Stand To End Rape), also recommends that we as people push further for the implementation of the Sexual Harassment in Educational Institutions Prohibition Act, 2016.

 Until we create a society where victims won’t feel ashamed to speak up, we shall have people living in fear for their safety, paranoia and hate.

Guaranteed.

source http://www.newssplashy.com/2018/06/the-rape-culture-what-exactly-is-going.html