#19th Century Cotton Tunic

[panafrocore]

Late 19th Century African Cotton Tunic (riga) Made By Hausa Weavers In Northern Nigeria Inscribed With Illustrations & Koranic Texts

Combining pre-Islamic cultural values with Islamic-inspired patterns that adhere to Islamic religious conventions, Hausa motifs feature animal imagery, such as fish, snakes, and lizards (Heathcote, 1974b). The medium-sized silk motif on the front and back of the gown may take at least four months to complete, as Hausa embroiderers work on commission. Even though men perform the majority of the…

[theaestheticsromance]

𝐑𝐄𝐒𝐈𝐃𝐄𝐍𝐓 𝐎𝐅 𝐇𝐄𝐋𝐋 𝟏𝟓𝟎𝟎 - 𝐂𝐔𝐑𝐑𝐄𝐍𝐓 𝐓𝐲𝐥𝐞𝐫 𝐇𝐚𝐫𝐭𝐟𝐞𝐥𝐭

Art done by @Rottincotton

𝐅𝐮𝐥𝐥 𝐍��𝐦𝐞: Tyler Hartfelt 𝐎𝐭𝐡𝐞𝐫 𝐍𝐚𝐦𝐞: Loa of Death and Shadow 𝐃𝐞𝐦𝐨𝐧 𝐓𝐲𝐩𝐞: Hellborn (Moth Demon)  𝐆𝐞𝐧𝐝𝐞𝐫: Transman 𝐀𝐠𝐞: 400+ physically 35 𝐌𝐚𝐫𝐢𝐭𝐚𝐥 𝐒𝐭𝐚𝐭𝐮𝐬:  Married Alastor 10 years after he died 𝐎𝐜𝐜𝐮𝐩𝐚𝐭𝐢𝐨𝐧: Owner of the burlesque club Shadowplay Speakeasy  𝐒𝐭𝐚𝐠𝐞/𝐃𝐫𝐚𝐠 𝐍𝐚𝐦𝐞: Pidge 𝐈𝐧𝐬𝐩𝐢𝐫𝐚𝐭𝐢𝐨𝐧: Baron Samedi, Lazlo Cravenworths and Lucifer (TV)

Appearance: 

Tyler’s appearance resembles that of a death's head moth with sharp angular features. He is somewhat slender, standing 9ft tall with greyish skin and an extra set of arms just above the hips. His hands, forearms and lower legs are a reddish dark brown eventually getting darker towards his hands and then fading back into the grey towards his upper bits. On his face, he has a skull design and pitch-black eyes with no pupils or irises which are only shown when feeling high amounts of certain emotions he has yellowish almost white pupils. 

The inside of his mouth is a dark grey with cream almost white sharp teeth lining the top and bottom accompanied by an elongated yellow tongue. He has short dirty blonde hair with two fluffy feather antennae of different browns and yellows. Around his neck and along his chest sits a fluffy boa-like fur consisting of a dark reddish brown and a happy trail on his stomach, Tyler also has two top surgery scars that he loves showing off with pride. 

Tyler's genitalia is as one would say unique, instead of just having male parts or female parts he has both well kinda. His genitalia work similar to how lizards and dolphins essentially have a cloaca where it retracts inside and only comes out when turned on or in use.   

His wings are similar to Valentino's and how he uses them but with the colour scheme being yellows, blacks and many different browns the same colour palette you would often see on a dead head moth. Tyler's wings are extremely soft to the touch and very fluffy with reddish fur lining the edges and are usually wrapped around his body acting as a type of coat or cloak depending on what outfits he chooses to wear them with.

WIP will update when done but art done by @az-roser

𝐎𝐮𝐭𝐟𝐢𝐭𝐬:

Tyler's outfits are inspired by the 18th century to the late 19th century and refuses to wear anything else with most of his clothes being custom-made with the help of Rosie over in cannibal town. But he does have Three signature looks that he likes to parade around hell.

𝐇𝐢𝐬 𝐅𝐢𝐫𝐬𝐭 outfit consists of his wing cloak, a once-white now faded cream poet shirt with puffy sleeves, large frills on the front, black lace-up shoes, and dark grey formal pants. 

𝐇𝐢𝐬 𝐒𝐞𝐜𝐨𝐧𝐝 favourite outfit is dedicated to his husband Alastor with a brooch on his fluff that resembles Alastor's microphone. He wears brown formal pants, a faded black tunic, a dark red striped vest with black buttons adorning each side, and brown formal shoes.   

𝐓𝐡𝐞 𝐓𝐡𝐢𝐫𝐝 outfit is a satin dark blue tunic with puffy sleeves, a brown striped vest with black lining, a greyish green scarf accompanied by a black gem, long brown striped pants, and black and white formal shoes. 

Art done by @az-roser

𝐃𝐫𝐚𝐠 𝐎𝐮𝐭𝐟𝐢𝐭: The outfits that Tyler wears for his drag shows consist of a mixture of Victorian dresses with a lot of lace and puffy sleeves some showing more skin than the average Victorian style dress would show.

𝐍𝐢𝐠𝐡𝐭 𝐎𝐮𝐭𝐟𝐢𝐭: Tyler’s night clothes are quite simple before he met Alastor it would simply be nothing at all, but since then out of respect for Alastor’s old-fashioned ways of decency, he now wears a short cream silk/lace nightgown along with a matching robe. On colder nights and when he gets up to make breakfast Tyler will wear a set of cotton long pants and a burgundy cable knit sweater.

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲 𝐓𝐫𝐚𝐢𝐭𝐬:

At first glance, he can seem extremely intimidating but underneath his hard gaze and rigid posture are just all-out golden retriever vibes and love when demons/sinners and humans give him attention or compliments by adding more fuel to the fire of his ego and you will never see his cold, sadistic, downright terrifying side that he is known for.   

𝐂𝐡𝐚𝐫𝐢𝐬𝐦𝐚𝐭𝐢𝐜: Tyler is the epitome of charm and charisma. He can effortlessly captivate anyone with his smooth words and seductive demeanour.

𝐄𝐥𝐨𝐪𝐮𝐞𝐧𝐭: Tyler is highly eloquent and sophisticated, adding to his mysterious and alluring aura. He speaks with a rich vocabulary and a confident tone.

𝐈𝐧𝐭𝐞𝐥𝐥𝐢𝐠𝐞𝐧𝐭: Behind his charming facade lies a sharp and analytical mind. Tyler is quick-witted and able to adapt to any situation that's given to him by using his words to bite back most of the time otherwise it's his teeth. 

𝐌𝐚𝐧𝐢𝐩𝐮𝐥𝐚𝐭𝐢𝐯𝐞: Tyler sees himself as a homme fatale and uses his charm and seductive nature to get what he wants mainly using this skill on Valentino and the rest of the V’s to mess around with them. 

𝐏𝐫𝐨𝐭𝐞𝐜𝐭𝐢𝐯𝐞: Despite his manipulative nature towards the V’s, Tyler is fiercely loyal to those he cares about and will go to great lengths to protect his loved ones, especially Alastor. 

𝐁𝐞𝐝𝐫𝐨𝐨𝐦 𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

Now looking at the 9ft moth you may expect him to be a hardcore dom when it comes to the bedroom but in reality, it just depends on the partner he's with at the time, since marrying Alastor he fits the criteria of a pleasure dom and sometimes on the rare occasion where Alastor was being an attention seeking brat than he would use a much harder but effective disciplinary method in their sessions or Tyler will sometimes let Alastor take charge but that's very rare.

𝐓𝐡𝐞 𝐄𝐱𝐩𝐥𝐨𝐫𝐚: Sex is Tyler's playground, he loves finding out what makes his sexual partners tick and moan by exploring new ways to get them utterly cock drunk. He loves trying out new things and has an endless supply of equipment to try out.

𝐓𝐡𝐞 𝐓𝐡𝐫𝐢𝐥𝐥 𝐒𝐞𝐞𝐤𝐞𝐫: Kinky sex, dominance, submission, power play, rigging and other things that seem out the norm during sex, Tyler finds pleasure in the thrill of it all whether that be making his partners squirm from being tied up and edged to the max or showing them who really in charge when it come to the bedroom.  

𝐓𝐡𝐞 𝐆𝐢𝐯𝐞𝐫: Tyler loves focusing more on their partner's pleasure rather than their own pleasure. This means he tends to focus more on giving their partner the pleasure rather than themselves honestly as long as they are enjoying and are sent into a subspace that's all Tyler needs to finish. 

𝐓𝐡𝐞 𝐑𝐨𝐦𝐚𝐧𝐭𝐢𝐜: To be completely honest after meeting Alastor Tyler has become such a romantic when it comes to the bedroom and cares about the emotions and intimacy with Alastor even if he tries to get Tyler to go harder on him it is always filled by sweet words of “I Love You” which Alastor hates.

𝐎𝐜𝐜𝐮𝐩𝐚𝐭𝐢𝐨𝐧:

Other than being a loa spirit for the humans up topside he is also an owner of a very successful 1900-themed burlesque club called the Shadowplay Speakeasy which is always hidden and changes location throughout the many alleyways across Hell’s sevens rings but since meeting Alastor he now resides in the Pride ring. The reason for this was to create a place where sinners and hellborns could come for the amazing drinks, music, performances, aesthetics and overall appreciation of how Tyler treats his employees and clients who use Shadowplay as a sanctuary to get away from being exploited and abused by other demons, especially Valentino. 

Which is how he would later come to know Angel Dust and eventually take him under his wings. He does a variety of different performances including drag shows on occasion and sometimes performs at Ozzie’s with the King of Lust himself who he is still really good friends with despite being in a friends-with-benefits type relationship in the past and has now become Ozzie’s and Fizz’s number one shipper.

When on the stage he goes either by Lady or Pidge where he gets to show his more feminine side when out on stage but would later take on the name Maman of Shadows as a result of his employees (mainly Angel Dust)  

𝐀𝐛𝐢𝐥𝐢𝐭𝐢𝐞𝐬 𝐚𝐧𝐝 𝐒𝐤𝐢𝐥𝐥𝐬𝐞𝐭𝐬:

𝐔𝐦𝐛𝐫𝐚𝐤𝐢𝐧𝐞𝐬𝐢𝐬: Tyler has the ability to conjure and create shadows as the result of being idolised by topside as the Loa of The Shadows and Death and often sees his shadows as friends rather than a means to gain power. Like any parent, Tyler does have favourites among his Shadows with Wybie being his right-hand shadow/personal shadow.

𝐖𝐲𝐛𝐢𝐞 𝐁𝐢𝐨: Wybie has been with Tyler from the very start, with him stating that his shadow was created before he came into existence. For a demon's shadow, he has a very cheerful and outgoing personality, especially towards Alastor's shadow Ozul and can be very touchy towards the ones he feels comfortable around and usually tries to flirt with Ozul daily.  (Inspiration Aziraphale) 

𝐎𝐳𝐮𝐥 𝐁𝐢𝐨: Tyler created Ozul by giving Alastor's shadow life after he had mastered shadow work. Now unlike Wybie Ozul is an exact copy of Alastor but that's just the front he puts up as the result of him being the Radio Demons shadow like all shadows. They look up to their counterparts but he is such a sweetheart deep down that only Tyler and Wybie can bring out when they have their alone time together which Alastor hates. The one thing Ozul and Alastor share in common though is how to show their affection towards Tyler and Wybie, with Alastor not being a very good teacher when it comes to how you show affection towards someone you like and has learnt that to show love is to act defensive towards Wybie but luckily just like Tyler, his shadow knows that it's just a front. (Inspiration Crowley)

He is also able to physically touch and feel the shadows without going straight through their forms like others can and can also sense if someone may have the potential to harness the shadows which is how he first came across Alastor.  

𝐏𝐨𝐫𝐭𝐚𝐥 𝐂𝐫𝐞𝐚𝐭𝐢𝐨𝐧: As a result of being in tune with the shadows, he can create portals with them and use them to travel around the many rings of hell but only if there are shadows. Being the Loa of death he is the watcher of cemeteries up topside and the guardian between the living and the dead meaning he can travel to earth by either altar or a funeral with his vèvè on the tombstone. His vèvè depicts a tomb with a cross and two coffins, symbolising death.

𝐁𝐢𝐥𝐢𝐧𝐠𝐮𝐚𝐥𝐢𝐬𝐦: Other than English he is also fluent in French and Cajun French because of his ties with New Orleans as a loa spirit and occasionally visited topside during the 1700-1900.

𝐃𝐞𝐦𝐨𝐧 𝐓𝐫𝐚𝐧𝐬𝐟𝐨𝐫𝐦𝐚𝐭𝐢𝐨𝐧: His demonic form is more skeletal than normal with his body being more sharp and angular in most places making him incredibly lanky, his eyes are pure white showcasing no shine or glint. For height, just like Alastor’s demon form Tyler is incredibly huge standing between 15-16ft. At the corners of his mouth are white stitches that make him smile, showcasing sharp jagged teeth. For his hands, they become longer and sharper like razorblades and if in the close vicinity, you will be able to hear a thousand different voices scream and cry out loud from his many shadows.

𝐏𝐡𝐞𝐫𝐨𝐦𝐨𝐧𝐞𝐬: Not to be confused with Valentino's repugnant imitational smoke bullshit Tyler has the ability or rather a skill set as he doesn't consider this a power to use against others since Tyler is a moth demon he can produce pheromones that smell like a mixture of sandalwood, pink pepper and leather musk that can increase there partner's libido while also acting as a type of relaxation if directly smelled from his scent glands. 

𝐓𝐨𝐱𝐢𝐧 𝐈𝐦𝐦𝐮𝐧𝐢𝐭𝐲: Tyler is immune to most chemical agents including Valentino's smoke and is unable to be put under his spell.

𝐌𝐮𝐥𝐭𝐢𝐭𝐚𝐬𝐤𝐢𝐧𝐠: As a result of having an extra pair of arms Tyler can multitask whether that be holding a glass of wine while he cooks or reading a book while Alastor is lying down on his chest and tracing his back. 

𝐖𝐢𝐧𝐠𝐬 The perks of being a moth demon is that Tyler can fly although he doesn't use them to. Just like Valentino Tyler can also use his wings to create powerful gusts of wind and other than being an asset when it comes to combat they are also used as a piece of clothing from wearing a long cloak to a coat or shawl Tyler can alternate the style of his wings.

𝐕𝐨𝐨𝐝𝐨𝐨 𝐌𝐚𝐠𝐢𝐜 Since being a part of the loa spirits and also practises voodoo Tyler can perform rituals and magic and can conjure objects at will.

[fashionbrands30]

Fashion Clothing: A Comprehensive Guide

Introduction to Fashion Clothing

Fashion clothing is a cornerstone of personal expression and cultural identity. It evolves continuously, influenced by historical trends, societal movements, and individual creativity. This guide explores the history, key elements, current trends, and impact of fashion clothing, offering a thorough understanding of this dynamic and influential industry.

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The History of Fashion Clothing

Ancient Civilizations to the Renaissance

Fashion clothing has been integral to human civilization from its inception. In ancient times, clothing was primarily functional, designed to protect against the elements. As societies advanced, clothing began to symbolize social status, profession, and cultural identity. In ancient Egypt, Greece, and Rome, garments like tunics, togas, and robes denoted status and societal roles.

During the Renaissance, fashion became more elaborate and expressive. Luxurious fabrics, intricate embroidery, and tailored silhouettes reflected the wealth and power of the European aristocracy. This period marked the beginning of fashion as a form of art and personal expression.

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19th and Early 20th Century: The Emergence of Haute Couture

The 19th century saw the rise of haute couture, with Paris emerging as the fashion capital. Designers like Charles Frederick Worth and Paul Poiret revolutionized fashion by creating custom, high-quality garments for the elite. This era introduced the concept of seasonal collections and fashion shows, laying the groundwork for the modern fashion industry.

The early 20th century brought significant changes, with designers like Coco Chanel and Christian Dior shaping contemporary fashion. Chanel introduced comfortable, practical clothing for women, including the iconic little black dress, while Dior's New Look redefined post-war femininity with its emphasis on full skirts and cinched waists.

Key Elements of Fashion Clothing

Fabrics and Materials

The choice of fabric is fundamental to fashion clothing. Different materials offer unique textures, durability, and aesthetics. Cotton, silk, wool, and linen are traditional natural fabrics, while polyester, nylon, and spandex are common synthetic options. Innovations in textile technology have also led to the development of sustainable and eco-friendly fabrics, such as organic cotton, bamboo, and recycled polyester.

Design and Construction

The design and construction of fashion clothing involve a blend of artistry and technical skill. Pattern making, cutting, sewing, and finishing are essential processes that determine the fit, shape, and quality of the garment. Designers must balance functionality, comfort, and aesthetic appeal, often pushing the boundaries of creativity to create unique and compelling pieces.

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Trends and Influences

Fashion trends are influenced by various factors, including cultural shifts, technological advancements, and global events. Designers draw inspiration from art, history, and nature, while street style and social media increasingly shape contemporary trends. Fashion weeks in cities like Paris, Milan, New York, and London serve as platforms for designers to showcase their latest collections and set the trends for upcoming seasons.

Current Trends in Fashion Clothing

Sustainable and Ethical Fashion

Sustainability has become a central focus in the fashion industry. Brands and designers are prioritizing eco-friendly practices, such as using recycled materials, organic fabrics, and ethical production methods. The rise of slow fashion encourages consumers to invest in high-quality, timeless pieces that reduce waste and environmental impact. Brands like Patagonia, Stella McCartney, and Everlane are leading the charge in sustainable fashion.

Gender-Fluid and Inclusive Fashion

Modern fashion is increasingly breaking down traditional gender norms, embracing gender-fluid and inclusive styles. Designers are creating collections that cater to all genders and body types, promoting diversity and inclusivity. This trend is reflected in the rise of unisex clothing, androgynous looks, and plus-size fashion lines. Brands like Telfar, Gucci, and The Phluid Project are at the forefront of this movement.

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Tech-Enhanced Fashion

The integration of technology into fashion is revolutionizing the industry. Wearable tech, smart fabrics, and 3D printing are being used to create innovative and functional garments. Tech-enhanced fashion includes features like temperature regulation, moisture-wicking, and even built-in electronics. Designers and brands like Nike, Under Armour, and Iris van Herpen are exploring the possibilities of tech-infused fashion.

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The Impact of Fashion Clothing

Economic Influence

Fashion is a major global industry, contributing significantly to economies worldwide. It encompasses various sectors, including design, manufacturing, retail, and marketing. Major fashion hubs like Paris, New York, and Milan drive substantial economic activity, creating jobs and generating revenue.

Cultural Significance

Fashion clothing plays a vital role in cultural expression and identity. It reflects societal values, historical contexts, and personal beliefs. Through fashion, individuals and communities communicate their unique stories and perspectives. Iconic fashion movements, such as the punk and hip-hop styles, have had lasting cultural impacts, influencing music, art, and social attitudes.

https://mlifehack.com/2023/12/13/vlones-impact-on-streetwear-culture/

Social and Environmental Impact

The fashion industry has significant social and environmental implications. Issues like fast fashion, labor practices, and environmental degradation have garnered increasing attention. Efforts to address these challenges include promoting ethical labor practices, reducing carbon footprints, and advocating for sustainable consumer behaviors.

Conclusion

Fashion clothing is a dynamic and multifaceted industry that influences and is influenced by various aspects of society. From its historical roots to contemporary trends, fashion reflects and shapes cultural identities, economic activities, and social values. As the industry continues to evolve, the emphasis on sustainability, inclusivity, and innovation will drive future developments, ensuring that fashion remains a powerful medium for personal and cultural expression.

[samkkshopping]

Samyakk: Ethnic Fashion for Festive Occasions

Introduction:

In every stitch, I hear the melody of my roots.

Engage yourself in the rich heritage of Ethnic Wear for Women, where each piece tells a story of tradition and grace. Our Women’s Ethnic Clothing collection is a tribute to your elegance and individuality. As you Buy Ethnic Wear Online, feel the connection to your roots and the comfort of timeless fashion. Our Designer Ethnic Wear for Women and Traditional Indian Wear for Women are crafted with love and care, just for you. Adorn yourself with stunning Women’s Sarees, Women’s Lehengas, and Women’s Salwar Kameez. Embrace the Latest Ethnic Fashion for Women @ Samyakk and celebrate your unique journey with every outfit.Today, ethnic wear in India represents a beautiful amalgamation of history, tradition, and modernity, celebrating the rich cultural heritage of the country.

The Birth and Evolution of Ethnic Wear in India

Ethnic wear in India has deep-rooted historical and cultural significance, tracing back thousands of years. The diversity of India’s geography, climate, and cultures has significantly influenced the evolution of traditional clothing.

Ancient Civilizations: Ethnic wear began during the Indus Valley Civilization (3300–1300 BCE), where evidence of cotton garments has been found. People wore simple garments like dhotis and Sarees, which are still prevalent today.

Vedic Period: During the Vedic period (1500–500 BCE), clothing became more sophisticated. Men wore dhotis and turbans, while women draped Sarees and wore cholis (blouses).

Classical Era: The Gupta period (4th to 6th centuries CE) saw further refinement in clothing. Stitched garments like tunics and trousers became common, influenced by interactions with other cultures through trade.

Medieval Period: The medieval era, marked by the Mughal Empire (16th to 19th centuries), brought significant changes. The Mughals introduced luxurious fabrics like silk and brocade, and garments such as the Ethnic Salwar Kameezand Ethnic lehenga choli became popular.

Colonial Era: British colonization in the 18th and 19th centuries brought Western influences. However, traditional ethnic wearremained prevalent, with movements like Swadeshi promoting indigenous clothing.

Post-Independence: After gaining independence in 1947, there was resurgence in traditional clothing. Designers began blending traditional styles with modern elements, creating contemporary ethnic wear.

Today, ethnic wear in India represents a beautiful amalgamation of history, tradition, and modernity, celebrating the rich cultural heritage of the country.

Tradition is the new trend; let’s keep it alive!

Indian Ethnic Wear: A Global Fashion Favorite

Indian ethnic wear has transcended borders and captured the hearts (and wardrobes) of women worldwide. But what exactly makes these traditional women’s clothing so popular? Let’s delve into the reasons why Indian dresses for women are a global fashion phenomenon:

A Kaleidoscope of Colors and Designs:

Indian ethnic wear boasts an explosion of vibrant hues and embroidered ethnic wear takes it a step further with stunning, intricate patterns. This visual feast is a stark contrast to many Western styles, offering a unique and fashionable ethnic wear for women.

Affordable Ethnic Wear for Women:

You don’t have to break the bank to embrace Indian fashion! Compared to many designer brands, affordable ethnic wear for women is readily available, making it accessible to a wider audience.

The Comfort Factor:

Casual ethnic wear is perfect for everyday wear. Often made from breathable fabrics like cotton, these Indian dresses for women prioritize comfort alongside style.

A Celebration of Every Occasion:

Festive ethnic wear for women explodes with color and embellishments, making it the perfect attire for any celebration. From bridal ethnic wear for the most special day to dazzling outfits for Diwali or Holi, there’s a unique ensemble for every festive occasion.

The Allure of Handcrafted Ethnic Wear:

The meticulous craftsmanship behind handcrafted ethnic wear adds a special touch. The dedication and artistry woven into each piece make these garments more than just clothes; they become conversation starters and cultural touchstones.

A Fusion of Tradition and Modernity:

Modern designers are constantly reimagining traditional women’s clothing. Fashionable ethnic wear for women incorporates contemporary silhouettes and trends, making these styles relevant for the global fashion scene.

The Convenience of Ethnic Wear Online Shopping:

Ethnic wear online shopping makes it easier than ever to explore the vast world of Indian fashion. From the comfort of your home, you can browse a curated selection of affordable ethnic wear for women, casual ethnic wear, and everything in between.

So, if you’re looking for something unique, stylish, and steeped in cultural heritage, look no further than Indian ethnic wear. With its vibrant colors, intricate designs, and comfortable styles, it’s no wonder this fashion trend has captured the hearts of women worldwide.

Dive into the World of Indian Ethnic Wear

Casual ethnic wear is perfect for adding a touch of cultural flair to your everyday look. Think comfortable and affordable ethnic wear for women like women’s kurta sets in breathable cotton fabrics. Pair them with jeans or palazzos for a relaxed yet stylish ensemble.

Festive Ethnic Wear for Women: Be the Star of Every Celebration

From dazzling Diwali ensembles to stunning wedding attire, festive ethnic wear for women is all about making a statement. Explore exquisite embroidered ethnic wear with intricate zari work or a breathtaking Anarkali suit for a touch of royalty. The vibrant colors and rich fabrics will ensure you turn heads at any festive occasion.

A Bride Like No Other: Bridal Ethnic Wear — Your Dream Come True

Your wedding day deserves an outfit that reflects your unique style and cultural heritage. Bridal ethnic wear offers a stunning array of choices, from the timeless elegance of a Kanjeevaram saree to the luxurious charm of a Lehenga. With intricate embroidery, rich fabrics, and dazzling jewelry, you’ll be a vision on your special day.

There’s a magic woven into every stitch of Indian ethnic wear. It’s more than just fabric and thread; it’s a tapestry of stories whispered down through generations, a kaleidoscope of emotions waiting to be unfurled.

Embroidered ethnic wear isn’t just about embellishments. Each delicate floral pattern, each intricate geometric design, tells a tale. Imagine the love in a mother’s hands as she painstakingly embroiders a kurta for her daughter’s wedding, the quiet pride of an artisan passing down his family’s craft. These stories whisper to you when you wear them, a reminder of the rich heritage that flows through your veins.

The Anarkali suit, a timeless masterpiece, drapes around your form like a warm hug. It’s a celebration of femininity, the flowing silhouette highlighting your grace and elegance. Imagine the twirl of a happily dancing bride, the confidence of a woman owning her power at a formal gathering. Each Anarkali holds the potential to create a memory etched in joy.

Indian ethnic wear isn’t just about looking good, it’s about feeling. It’s about connecting to a legacy, feeling the love woven into every stitch, and radiating confidence that comes from embracing your heritage. It’s a chance to tell your story, a story woven with vibrant colors, intricate designs, and a timeless sense of elegance.

A Look at Bangalore’s Latest Ethnic Design Collections

Calling all Fashionista’s with a penchant for tradition! Are you eager to embrace the vibrant world of Indian ethnic wear? Look no further than the heart of India, Bangalore, where a treasure trove of New Arrival Ethnic Designer Outfits awaits!

A Feast for the Eyes: Latest Collection Ethnic Wear for Women

This season, Bangalore’s design houses are brimming with the Latest Collection Ethnic Wear for Women. Dive into a world of Trendy Designer Ethnic Wear for Women, where tradition meets contemporary flair. From Ethnic Wear Latest Collection 2024 trends that push boundaries to timeless classics remained, there’s something for every discerning woman.

For the Bride-to-Be: Indian Ethnic Wear for Bride or Wedding

Your wedding day deserves an outfit that speaks volumes about your heritage and style. Explore the breathtaking array of Indian Ethnic Wear for Bride or Wedding. Bangalore’s designers offer a diverse range, from the ethereal elegance of Ethnic Saree Latest Designs to the captivating grandeur of Ethnic Lehenga Latest Designs. Let your inner radiance shine through with these exquisite pieces.

Beyond the Saree and Lehenga: Ethnic Salwar Latest Designs

Your wedding day deserves an outfit that reflects your unique style and cultural heritage. Bridal ethnic wear offers a stunning array of choices, from the timeless elegance of a Kanjeevaram saree to the luxurious charm of a Lehenga. With intricate embroidery, rich fabrics, and dazzling jewelry, you’ll be a vision on your special day.

A Journey beyond Bangalore: Exploring India’s Design Landscape

While Bangalore offers a dazzling array of ethnic wear, India’s design scene is a vast tapestry waiting to be unraveled. Through the power of Ethnic Wear Online Shopping, explore the treasures hidden across the country. Discover the rich textiles of Gujarat, the intricate embroidery of Kashmir, and the vibrant silks of South India — all at your fingertips.

Embrace Your Heritage, Embrace Your Style

Indian ethnic wear is more than just clothing; it’s a cultural legacy woven into every thread. So, embark on this journey of self-discovery. Explore the New Arrival Ethnic Designer Outfits in Bangalore, delve into the Latest Collection Ethnic Wear for Women across India, and find pieces that resonate with your unique story. Let your individuality shine through the vibrant colors, intricate designs, and timeless elegance of Indian ethnic wear.

People Also Ask:

So, this blog is all about amazing ethnic wear, right? A: Totally! It dives into the hot new stuff designers in Bangalore are whipping up, but also mentions how you can find incredible ethnic wear from all over India with online shopping.

I’m clueless about ethnic wear trends. Help! A: No worries! The blog mentions some key things to look for: a mix of classic styles with modern touches, bold colors, intricate details, and comfy designs you can actually move around in.

Sounds great, but I’m getting married soon. Any tips for bridal wear? A: Absolutely! Samyakk has a stunning selection of wedding outfits, from timeless Sarees to show-stopping lehengas. The blog mentions “Ethnic Saree Latest Designs” and “Ethnic Lehenga Latest Designs” to give you some ideas.

I’m not a huge fan of Sarees or lehengas. Are there other options? A: For sure! The blog talks about “Ethnic Salwar Latest Designs” which are super stylish and comfy. Plus, it mentions “Ethnic Women Outfit Latest Design” options like Anarkali suits and kurta sets, Straight Cut Suits, Palazzo Suits, and Sharara Suits, perfect for all kinds of occasions.

This blog is making me want to revamp my wardrobe! But I live outside India. Can I still shop for this stuff? A: You bet! This blog highlighted about the “Ethnic Wear Online Shopping.” Tons of stores offer their collections online so that you can explore Indian design treasures from anywhere in the world, and Samyakk is one of them with 24/7 customer support it’s easier to place an order from overseas.

Conclusion

Are you ready to embark on this emotional journey? Explore the captivating world of Indian ethnic wear in Samyakk and discover pieces that resonate with the very essence of you from their physical store in Bangalore. Let them become more than clothes, let them become a cherished part of your story.

[uniformmanufacturerofficial]

Medical Uniforms of the Past: Examining Historical Garb in Healthcare

Throughout history, medical professionals have donned various forms of attire, reflecting not only the practical needs of their profession but also the prevailing cultural norms and beliefs of their time. In this blog, we'll journey through the evolution of medical uniforms, exploring the styles, materials, and significance of historical garb in healthcare.

Ancient Beginnings: In ancient civilizations such as Egypt and Greece, healers and physicians often wore simple robes or tunics, emphasizing cleanliness and modesty. These early medical uniforms were typically made from linen or cotton, prized for their breathability and ease of washing.

Medieval Medicine: During the Middle Ages, medical practitioners adopted more distinctive attire, often incorporating hooded robes or cloaks to denote their profession. These garments, usually made from wool or rough linen, served practical and symbolic purposes, providing warmth and protection while signaling the wearer's role as a healer.

Renaissance Reforms: The Renaissance period saw significant advancements in medical knowledge and practice, accompanied by changes in uniform attire. Physicians and surgeons of this era favored more tailored garments, often featuring elaborate embroidery or embellishments to signify their status and expertise. Leather aprons and gloves were also commonly worn for protection during surgical procedures.

Victorian Era Elegance: In the 19th century, medical uniforms took on a more formal and stylized appearance, reflecting the Victorian era's emphasis on decency and decorum. Male physicians favored dark suits with high collars and waistcoats, while female nurses wore long dresses or uniforms with crisp white aprons and caps. These uniforms conveyed a sense of professionalism and authority, as well as adherence to strict hygiene standards.

Modern Innovations: Medical uniforms underwent further transformations with the advent of modern medicine and healthcare professionalization in the 20th century. The introduction of standardized scrubs, pioneered by Dr. William Stewart Halsted in the early 1900s, revolutionized the field by providing practical, easy-to-clean attire for surgical staff. Today, medical uniforms come in a variety of styles and materials, ranging from traditional white coats and nurse uniforms to colorful scrubs and specialized protective gear.

Conclusion: The evolution of medical uniforms reflects changes in healthcare practices and shifts in societal attitudes and cultural norms. From ancient robes to modern scrubs, these garments have played a vital role in defining the identities of medical professionals and instilling confidence in patients. As uniform manufacturers continue to innovate and adapt to new challenges, the legacy of historical garb in healthcare serves as a reminder of the enduring importance of professionalism, hygiene, and tradition in the medical profession.

Housekeeping Uniform Manufacturer

[uniform-master]

Beyond the Threads: The Evolution of Sports Uniforms

In the ever-evolving landscape of sports, one often overlooked aspect that plays a crucial role in the identity and performance of athletes is the uniform they wear. From the early days of sports to the cutting-edge designs of today, the evolution of sports uniforms is a fascinating journey that mirrors the dynamic nature of the games themselves.

The inception of sports uniforms was rooted in practicality, serving the fundamental purpose of distinguishing one team from another on the field. In the nascent stages, uniforms were rudimentary, often consisting of little more than standard colours or simple patterns to aid in identification. As sports grew from local pastimes to organized competitions, the significance of uniforms expanded beyond mere functionality.

During the late 19th and early 20th centuries, a paradigm shift occurred, marking the transition from purely utilitarian attire to symbols of team identity. Colours and logos began to take centre stage, transforming uniforms into emblems of pride and unity. This shift not only catered to the practical need for differentiation but also contributed to the burgeoning spirit of sportsmanship and camaraderie.

Fast forward to the present day, and sports uniforms have become an intricate part of the sporting spectacle, reflecting the fusion of tradition and modernity. Technological advancements have revolutionized the materials used, providing athletes with garments that enhance performance, regulate temperature, and offer unparalleled comfort. The very fabric that adorns athletes today is a testament to the relentless pursuit of excellence both on and off the field.

Moreover, the evolution of sports uniforms is not solely confined to the realm of performance enhancement; it is also deeply intertwined with the psychology of sports. Colours, logos, and even the choice of materials can influence the mindset of players and fans alike. The uniform becomes a visual representation of a team's ethos, fostering a sense of belonging among players and supporters.

Historical Threads: Origins and Transformation

The history of sports uniforms dates back centuries, with the earliest forms reflecting the utilitarian needs of the athletes rather than any aesthetic considerations. In ancient times, competitors adorned themselves with rudimentary garments, often consisting of simple clothes or tunics. As sports evolved from recreational activities to organized competitions, uniforms took on a more structured and symbolic role.

The late 19th and early 20th centuries marked a turning point in sports uniform design. Teams began incorporating colours, logos, and distinctive patterns to foster a sense of unity and identity among players. This transition not only served practical purposes but also laid the foundation for the expressive and iconic uniforms we see today.

Technological Advancements: Performance and Innovation

The 21st century ushered in a new era of sports uniform design, driven by advancements in technology and materials. The traditional cotton fabrics gave way to moisture-wicking, lightweight materials that enhance athletes' performance by regulating body temperature and minimizing discomfort. Compression technology became a staple, offering both support and improved blood circulation during intense physical activity.

In addition to performance-enhancing features, modern sports uniforms are a canvas for innovation. Sublimation printing allows for intricate and vibrant designs, enabling teams to showcase their unique identities. Furthermore, customization options have become more prevalent, allowing athletes to tailor their uniforms for optimal comfort and personal style.

The Psychology of Colours and Symbols

Beyond functionality and innovation, sports uniforms play a pivotal role in shaping the psychology of both players and fans. Colours and symbols evoke emotions and foster a sense of belonging. Teams strategically choose colours that represent strength, and unity, and sometimes even intimidate opponents. Logos become symbols of pride, carrying the weight of history and accomplishments.

The psychology of sports uniforms extends to the fans as well. Wearing a team's colours creates a sense of camaraderie and identity among supporters. The emotional connection between fans and their team's uniform transcends the field, making sports more than just a game.

The Local Touch: Uniform Suppliers in the UAE

In the vibrant landscape of sports, the United Arab Emirates (UAE) has become a hub for sports culture and innovation. As the demand for high-quality sports uniforms continues to rise, the role of uniform suppliers in the UAE becomes increasingly significant. Companies have emerged as key players in providing top-notch, customized sports apparel for teams across various disciplines.

Uniform Supplier in UAE prides itself on blending functionality with style, offering a wide range of options for teams to express their unique identities. Whether it's football, basketball, or cricket, these suppliers understand the importance of quality uniforms in boosting team morale and creating a lasting impression on and off the field.

Conclusion

In conclusion, the evolution of sports uniforms is a captivating journey that weaves together tradition and innovation. From humble beginnings to the high-tech designs of today, sports uniforms continue to be an integral part of the sporting experience. As we look towards the future, the intersection of technology, psychology, and cultural influences will undoubtedly shape the next chapter in the ongoing evolution of sports uniforms. In the UAE, where sports thrive as a cultural phenomenon, the role of a uniform supplier in UAE adds an extra layer of significance to the intricate tapestry of athletic identity.

As we stand at the crossroads of tradition and modernity, the future promises an exciting evolution in sports uniform design. Technological breakthroughs will likely introduce materials and features that we can scarcely imagine today, further blurring the lines between fashion, function, and athletic performance. The integration of smart textiles augmented reality elements, and sustainable materials could redefine not only the aesthetics but also the ecological impact of sports uniforms.

The psychological aspect of sports uniforms is poised to become even more pronounced. With a deeper understanding of colour psychology and the emotional connection, fans have with team emblems, future designs may be tailored to evoke specific emotions or convey particular messages. The uniform will not only be a representation of team spirit but a dynamic tool for enhancing player focus, confidence, and resilience.

[gurumauligarments]

Garments manufacturers in Ichalkaranji

Garments manufacturers in Ichalkaranji

Garments manufacturers in Ichalkaranji have been developing the textile industry in India.

Garments manufacturers in Ichalkaranji are known for their contribution to the Indian textile industry. They have been developing this industry since the late 19th century.

The city is known for its cotton and silk garments, as well as other synthetic fabrics like polyester, nylon, and acrylic.

Mens kurta manufacturers in kolhapur

The mens kurta manufacturers in Kolhapur are one of the most famous and popular clothing brands in India. The company has been manufacturing high-quality mens kurtas for over a decade.

The traditional kurta is a tunic-like garment that covers the body from the waist down. It is typically worn with a dhoti and/or trousers, but may also be worn with a sari.

A kurta is traditionally composed of two pieces of material sewn together along the sides and sleeves, with a loose overgarment known as an angarkha (also angarakha) or choli being worn over it. The upper piece is called the "sleeve" and the lower piece is called "body".

The wholesale kurtas in ichalkaranji

The wholesale kurtas in ichalkaranji is a product of the textile industry in India. It is a traditional Indian garment for men and women, originating from the Indian subcontinent. It is usually made of cotton or silk, and worn as a shirt or dress.

The word kurta can be traced back to Sanskrit word Karshapana meaning "to cover". The term may have originally referred to the cut of the garment which covers some parts of the body, or to its function as a type of robe (kaupin) worn by men in ancient India.

[fashionsfromhistory]

Tunic & Shawl 

Iran

1840-1870

Like other religious minorities in Iran, Zoroastrians were required to dress to identify their religion. They wore brightly coloured clothing and did not usually veil their faces. This created an obvious contrast with the outdoor clothing worn by Muslim women. A Zoroastrian woman would typically wear a tunic (qamis), together with loose trousers (shalvar) gathered at the ankle. These trousers were made from textile remnants because there were restrictions on Zoroastrians buying full widths of fabric. Women covered their heads with a small fitted cap (lachak), over which they would wrap several shawls around their head and shoulders.

Victoria and Albert Museum

[bm-african-art]

Robe (Kansawu) and Trousers, from 3 Piece Royal or Noble Costume, late 19th century, Brooklyn Museum: Arts of Africa

Costume top is made of woven material with blue and white bands. Embroidered onto the woven material is a yoke shape composed of curved parallel bands and alternate rows of X-shapes. Red and white floral-like designs are embroidered around the waist area as well as above the hemline of the robe. Between the floral designs is a row of doughnut-shaped forms, each form with a row of embroidered X-shapes inside. The trousers of the costume have material of woven blue and white narrow stripes with appliqued shark forms on the lower portion of each leg; below the shark forms are embroidered horizontal bands. Condition: Torn, fraying embroidery. Size: Tunic: 34 1/4 x 27 9/16 in. (87 x 70 cm) Trousers: 29 1/2 x 26 in. (74.9 x 66 cm) Medium: Cotton, silk

https://www.brooklynmuseum.org/opencollection/objects/2967

[sick-not-tired]

Women’s Outdoor Apparel: In Historical Context

If I had the opportunity to conduct a research project with unlimited funds, I would do it on the history of women’s outdoor gear. Historical Fashion has always fascinated me, and in recent years my attention has been drawn to the severe gaps that remain in outdoor gear and apparel aimed toward women. For instance, there is an ongoing joke between my friends and I (that has proved true many a time) that all financially accessible women’s outdoor apparel companies only make outdoor wear in the colours black, fuchsia, or teal. Historically, women’s active and outdoors wear has always been a few steps behind that of men.

For example, in 1943 most male sports players were fighting overseas in World War 2, and Philip Wrigley formed the All-American Girls Professional Baseball team, on which the players wore a one-piece skirted uniform as opposed to pants. Women were meant to “look like ladies, but play like gentlemen” (Porter, 2020). From my 11 years playing Softball, I can tell you that sliding into home with anything less than full length pants and sliding pads will leave you with some very unladylike scars. 

Dorothy “Dottie” Kamenshek, First Basemen for the Rockford Peaches jumping to catch a ball in her uniform, from the National Baseball Hall of Fame, from:  https://www.enidnews.com/news/league-of-their-own-women-baseball-players-together-again/article_aa96deac-d474-5e3e-8fa6-9443f239aa89.html

In another example, the 19th century and industrial revolution led to much more expendable income in families and led to more women joining their husbands in outdoor pursuits like yachting and mountain climbing. MacIntosh rubberized-cotton raincoats were patented in 1823 and became quite popular in 1830 following their roll-out to military men, but the popularization of waterproof outerwear for women and subsequent design of fashionable styles would not come until the 1880s and 1890s (Shepard, 2012).

If I had unlimited resources, I would do a deep dive into the history of women’s outdoor wear from woolen shawls and tunics to Helly Hansen Jackets, complete with trips to fashion museums to view extant garments, conversations with historians and modern garment makers, and a look into why so many gaps between men’s and women’s outdoor wear exists.

Ethically, this project would ideally not be a large undertaking. It would focus mainly on compiling existent research and speaking with experts only on the basis of their past research and findings, so factors like engagement with vulnerable persons, power imbalances, and most risk factors would likely be easier to avoid. However, there is always economic and social risks to these experts should they speak ill of their institutions or design companies, so this would need to be addressed. Of course, free and informed consent is also a factor in these interviews, as is respecting participant privacy.

This research would be proposed as a way to help outdoor gear and apparel companies better connect to the wants and needs of outdoorswomen, and as a way to bridge the gap between fashion design and user practicality. It would help gear companies and women by furthering the conversation around past and current inequities between men’s and women’s ability to access the outdoors. It would help expedition leaders and companies in better addressing the gear needs of women who enter their programs.

Reference List:

Porter, M. (2011, March 27). When women ruled baseball: The AAGPBL. HowTheyPlay. Retrieved January 29, 2022, from https://howtheyplay.com/team-sports/When-Girls-Ruled-Baseball

Shephard, A. J. (2012). Waterproof dress : An exploration of development and design from 1880 through 1895. Clothing and Textiles Research Journal, 30(3). https://doi.org/10.32469/10355/6182

[sparklytastemakerwitch]

The ancient fabric that no one knows how to make

In late 18th-Century Europe, a new fashion led to an international scandal. In fact, an entire social class was accused of appearing in public naked.

The culprit was Dhaka muslin, a precious fabric imported from the city of the same name in what is now Bangladesh, then in Bengal. It was not like the muslin of today. Made via an elaborate, 16-step process with a rare cotton that only grew along the banks of the holy Meghna river, the cloth was considered one of the great treasures of the age. It had a truly global patronage, stretching back thousands of years – deemed worthy of clothing statues of goddesses in ancient Greece, countless emperors from distant lands, and generations of local Mughal royalty.

There were many different types, but the finest were honoured with evocative names conjured up by imperial poets, such as "baft-hawa", literally "woven air". These high-end muslins were said to be as light and soft as the wind. According to one traveller, they were so fluid you could pull a bolt – a length of 300ft, or 91m – through the centre of a ring. Another wrote that you could fit a piece of 60ft, or 18m, into a pocket snuff box.

Dhaka muslin was also more than a little transparent.

While traditionally, these premium fabrics were used to make saris and jamas – tunic-like garments worn by men – in the UK they transformed the style of the aristocracy, extinguishing the highly structured dresses of the Georgian era. Five-foot horizontal waistlines that could barely fit through doorways were out, and delicate, straight-up-and-down "chemise gowns" were in. Not only were these endowed with a racy gauzy quality, they were in the style of what was previously considered underwear.

In one popular satirical print by Isaac Cruikshank, a clique of women appear together in long, brightly coloured muslin dresses, through which you can clearly see their bottoms, nipples and pubic hair. Underneath reads the description, "Parisian Ladies in their Winter Dress for 1800".

Meanwhile in an equally misogynistic comedic excerpt from an English women's monthly magazine, a tailor helps a female client to achieve the latest fashion. "Madame, ’tis done in a moment," he assures her, then instructs her to remove her petticoat, then her pockets, then her corset and finally her sleeves… "‘Tis an easy matter, you see," he explains. "To be dressed in the fashion, you have only to undress."

Still, Dhaka muslin was a hit – with those who could afford it. It was the most expensive fabric of the era, with a retinue of dedicated fans that included the French queen Marie Antoinette, the French empress Joséphine Bonaparte and Jane Austen. But as quickly as this wonder-cloth struck Enlightenment Europe, it vanished.

By the early 20th Century, Dhaka muslin had disappeared from every corner of the globe, with the only surviving examples stashed safely in valuable private collections and museums. The convoluted technique for making it was forgotten, and the only type of cotton that could be used, Gossypium arboreum var. neglecta – locally known as Phuti karpas – abruptly went extinct. How did this happen? And could it be reversed?

A fickle fibre

Dhaka muslin began with plants grown along the banks of the Meghna river, one of three which form the immense Ganges Delta – the largest in the world. Every spring, their maple-like leaves pushed up through the grey, silty soil, and made their journey towards straggly adulthood. Once fully grown, they produced a single daffodil-yellow flower twice a year, which gave way to a snowy floret of cotton fibres.

These were no ordinary fibres. Unlike the long, slender strands produced by its Central American cousin Gossypium hirsutum, which makes up 90% of the world’s cotton today, Phuti karpas produced threads that are stumpy and easily frayed. This might sound like a flaw, but it depends what you’re planning to do with them.

Indeed, the short fibres of the vanished shrub were useless for making cheap cotton cloth using industrial machinery. They were fickle to work with, and they’d snap easily if you tried to twist them into yarn this way. Instead, the local people tamed the rogue threads with a series of ingenious techniques developed over millennia.

What is flannel fabric?

Essentially, flannel fabric simply refers to any cotton, wool, or synthetic fabric that fulfills a few basic criteria:

Softness: Fabric must be incredibly soft to be considered flannel.

Texture: Flannel has either a brushed or unbrushed texture, and both textures are equally iconic.

Material: While many materials can be used to make flannel, not all materials are suitable for this fabric. Silk, for instance, is too fine to be made into flannel, which is supposed to be both soft and insulative.

Flannel in history

It’s believed that the word“flannel” emerged in Wales, but we know for a fact that the term was in common usage in France in the form “flannelle” as early as the 17th century. While flannel was periodically popular among the French and other European peoples throughout the Enlightenment era, interest has waned elsewhere while Welsh flannel use has only increased.

Flannel today

These days, types of flannel are often known by their association with certain Welsh towns or regions. Llanidloes flannel is very different from Newtown flannel, for instance, and Welsh flannel varieties vary significantly from all other European flannel types.

Blanket

Sheet, usually of heavy woolen, or partly woolen, cloth, for use as a shawl, bed covering, or horse covering. The blanketmaking of primitive people is one of the finest remaining examples of early domestic artwork. The blankets of Mysore, India, were famous for their fine, soft texture. The loom of the Native American, though simple in construction, can produce blanket so closely woven as to be waterproof. The Navaho, Zu?i, Hopi, and other Southwestern Native Americans are noted for their distinctive, firmly woven blankets. The Navahos produced beautifully designed blankets characterized by geometrical designs woven with yarns colored with vegetable dyes. During the mid-19th cent. the Navahos began to use yarns imported from Europe, because of their brighter colors. The ceremonial Chilcat blanket of the Tlingit of the Northwest, generally woven with a warp of cedar bark and wool and a weft of goats' hair, was curved and fringed at the lower end. In the 20th cent., the electric blanket, with electric wiring between layers of fabric, gained wide popularity.

How to Properly Use a Bath Mat

Whether you’ve just remodeled your bathroom or you’re looking to spruce up your existing space for the season, accessories like a handsome bath mat, perfectly patterned shower curtains, or the plushest of bath towels will take the room from everyday necessity to serene spa destination. While just as important as the others, the lowly bath mat can get overlooked. But don’t make the mistake of opting for the first white terrycloth style you see. The right bath rug won’t just help you avoid the unpleasant shock of stepping onto bare tile after a shower. It will give your floor—and the whole room—an extra hit of much-needed personality. Here, we’ve gathered bath mats that are soft, absorbent, and beautifully designed. Think geometric prints, cheery stripes, even a cheeky banana-shaped option—plus many more.

First off, everyone had some great suggestions as to why we use bath mats at all. They soak up water, yes, but they also keep us from slipping and smashing our heads through the toilet, and act as a temperature buffer for our toesies between the hot shower and the ice cold floor. Gee, bath mats are pretty swell!

When it came to usage, the general consensus was that this is the wrong way to do it:

Finish shower

Step out onto mat

Grab towel

Then dry off

It leaves the bath mat soggy and wet for whoever showers after you. It also makes you much colder during the drying process.

Most people seemed to agree that this is the right way to do it, though:

Finish shower

Grab towel from inside the shower

Dry off inside the shower

Then step out onto the mat

But you all suggested a few excellent additions, like keeping your towel within arm’s reach of the shower so you don’t have to get cold to grab it, squeegeeing your hair and body to remove excess water before you dry with a towel, keeping the curtain or shower door closed while you dry off to stay warm, drying off from the top down (hair first), and hanging up the mat over the edge of the tub or shower when you’re done so it can dry without looking like a random wet towel on your floor.

What is the Difference Between Fleece and Flannel?

As you already know, the main difference between fleece and flannel is what they are made of. Fleece has synthetic fibers, and flannel features loose cotton threads. But because of their different fibers, these fabrics and finished products have several unique characteristics.

Take a look at this in-depth comparison of key features such as warmth, softness, and sustainability for each type of fabric.

Warmth

Most of the time, fleece has a thicker nap and also provides more warmth than flannel. Now, flannel is quite a cozy and warm fabric in its own right! But in comparison, fleece usually wins the warmth contest.

The exception to this rule is that some high-quality types of flannel contain wool fibers, and these types of flannel provide intense warmth!

What makes fleece so warm? Its many tiny, raised polyester fibers trap heat and hold them in the loose, velvety surface of its pile. If you have ever stuck your hand into your dog’s fur in the middle of winter, you know how all those tiny hairs hold immense warmth against your pet’s skin! Fleece fibers work the same way when you wear them against your skin.

Softness

Fleece is often softer than flannel, but if you have sensitive skin, you may find that its synthetic fibers also have a slightly plasticky feel. Of course, you will find exceptions to this rule, especially in flannel made with silk fibers. This will probably feel much softer than even the softest fleece!

Because both types of material go through a napping process, they both feature an incredibly soft texture on at least one side of the material. Fleece usually has a thicker, deeper pile, while flannel has a faint fuzziness on top of its woven surface.

If you rest your hand on top of the fleece, you feel as if your fingers can sink into the thick surface, at least a little. When you rest your hand on a piece of flannel, you typically feel a cozy fuzziness.

Blankets

Both fleece and flannel make excellent blankets and throws! You can find soft, pretty fleece and flannel blanket in pretty much any color or design you want.

That said, you should probably go with flannel for a baby blanket, as synthetic materials can sometimes cause allergic reactions.

If you plan to sew a blanket, though, you will want to use fleece. Flannel unravels super fast due to its loose weave, making it challenging to cut and sew. Fleece does not unravel when cut because it has a knitted construction with threads looped over each other.

[mia-africa-americas]

Robe, late 19th century, Minneapolis Institute of Art: Art of Africa and the Americas

very large, tunic-like top; boxy shape with V-neckline; sides open except for small stitched areas at lower corners; body is magenta with thin black and white stripes; front and back decorated with dense green patterned stitching with circle with loop over PR chest area and similar circle with loop on upper back Size: 49 × 118 in. (124.46 × 299.72 cm) (approx.) Medium: Cotton, silk

https://collections.artsmia.org/art/125148/

[thelaithlyworm]

Finished the Rectangular Shift

[Image description: A loose white cotton shift sits on a red costume dummy. It has a keyhole neckline and the skirt has been extended by adding triangular sections at the side.]

This is kind of a mumble-mumble pattern. Making shirts and shifts out of rectangles and triangles lasted well into the 19th century in Western European clothing (I don’t know enough about other geographical areas to speak for them), long after outer garments were cut in curves for a trim fit.  But if you’re joining a specific re-enactment group check with their standards before committing to sewing. 

It’s economical of cloth at the cost of a bit more time sewing seams, and having those seams visible. You can scoop the neck or cut it into a V-shape, or make it extra wide and gather with a draw-string. Some variations of Medieval outer clothing used a similar pattern for a woollen tunic, perhaps with extra triangles in the front and back of the skirt.

[Image description: a close up of the triangular join at the sides. Red lines mark the grain lines of the cloth; the seams have been flat-felled. Could do with a good iron.]

I joined my triangles bias-edge to straight-edge, to minimise stretch over the long length of the skirt.

If you’re in a super hurry for something with kinda the right silhouette, lay out two layers of your cloth and lay a shirt and pair of pants that fit you over it for the shape, cut, do the neckline, and just stitch up the sides. (Cloth is so much cheaper now.)

And, as a piece of old-fashioned tailoring that I wish had stuck around, that little folded square in the underarm is wonderful for arm movement and durability.

[wwjjchinese]

5 Types of Traditional Chinese Clothing & Dress

The story of clothing is one of the fascinating developments in human history. Each country in the world has its unique traditional costumes, which can identify specific histories and cultures and enable people to distinguish different citizens.

China is a country with a long history, and many ethnic minorities have their own national culture. The mutual influence of these different cultures has created rich textures and fabrics in history, which has brought about significant changes and glories in Chinese clothing.

Chinese traditional costumes were formed and developed under the interaction between the outside world and China's own dynastic traditions.

Each Dynasty had different boundaries, social values, social norms, etc. As a result, many aesthetic standards were based on the circumstances of a particular dynasty (social, geographical, economic, political). This is the main reason why there are so many styles of traditional Chinese dress.

5 kinds of traditional Chinese clothing

Before we explore the world of traditional Chinese clothing, it is necessary to learn the five most classic categories. They are Hanfu, Cheongsam, Tang Zhuang, Zhongshan Zhuang, and ethnic customs.

Each category has its own production process, and there are significant differences between different types or when the same model is compared at different times.

This article will briefly introduce each category. By reading the following, we can build the basic framework of traditional Chinese clothing.

The name of Hanfu comes from Chinese, which means "clothes of the Han people" and includes all types and styles of traditional clothing worn by the Han people.

The common ancestor of the Han people in Huaxia. Huaxia is the name of the original alliance of agricultural tribes in the Yellow River valley. The term Huaxia represents a corporate alliance of neolithic farming tribes, Hua and Xia, who lived in the central plains in the middle and lower reaches of the Yellow River in northern China.

Hanfu, like its definition, was born at the beginning of the development history of the Han people. Therefore, it has the most extended history among all the traditional Chinese clothing.

1, Historical Hanfu

Hanfu has a history of more than 3,000 years. From its history, Hanfu has been inextricably linked with silk, which is said to have been discovered by the Yellow Emperor's wife, Leizu.

From the Yellow Emperor (2969-2598 BC) to the Ming dynasty (1368-1644 BC), Hanfu dominated China's fashion world.

Each Dynasty had its own style and aesthetics. Such as the pre-qin period "Shenyi"; your clothes from the Qin and Han dynasties; Tiaowenjiansequn of the Wei dynasty; Bambi in Sui and Tang dynasties.

Some clothes were trendy in different dynasties, some were just a flash in the pan. In both cases, all Hanfu evolved and influenced each other to some extent.

Although there are many styles of Hanfu, each can be assembled with a suit of clothes.

Yi (衣) any open cross-collar garment, and worn by both sexes

Pao (袍) any closed full-body garment, worn only by men

Ru (襦) open cross-collar shirt

Shan (衫) open cross-collar shirt or jacket that is worn over the Yi

Qun (裙) or Chang (裳) skirt for women and men

Ku (裈) trousers or pants

 Follows are the introduction of some Hanfu styles.

Zhongyi (中衣) or Zhongdan (中单)  inner garments, mostly white cotton or silk

Shanqun (衫裙)   a short coat with a long skirt

Ruqun (襦裙)  a top clothing with a separate lower garment or skirt

Kuzhe (裤褶)  a short coat with trousers

Zhiduo/Zhishen (直裰/直身)   a Ming Dynasty style robe, similar to a Shenyi but with vents at the side and “stitched sleeves” (eg, the sleeve cuff is closed save a small opening for the hand to go through)

Daopao/Fusha (道袍/彿裟)  Taoist/Buddhist priests’ full-dress ceremonial robes

Xuanduan (玄端)   a very formal dark robe; equivalent to the Western white tie

Shenyi (深衣)   a long whole-body garment

Quju (曲裾)  diagonal body wrapping

Zhiju (直裾)   straight lapels

Yuanlingshan (圆领衫), Lanshan (襕衫) or Panlingpao (盘领袍): closed, round-collared robe; mostly used for official or academical dress

reference wiki

2. Cheongsam or Qipao

The cheongsam is a kind of traditional dress, its history can be traced back to the 17th century. It is Manchu tights with distinctive Chinese characteristics. In the 1920s and 1930s, it was known as the "Mandas dress" and became popular among upper-class women in Shanghai.

The history of the cheongsam

In the qing dynasty, the Manchu, not the Han, ruled China. The rulers used an administrative division called the eight flags system. At first, only Manchu families were organized in the order, but above them were Mongols and Han Chinese.

The Manchus and anyone living under the eight banners wore clothes different from those of ordinary people. The garment is made up of robes similar to those of men and women and is called a robe.

For a time, under the laws of the Dynasty after 1636, and all Han Chinese had to wear Manchu men's hair, line up, and wear Manchu robes instead of traditional Han dress, or else they were sentenced to death.

In the 19th century, however, it was common for women to wear cheongsam voluntarily on both formal and casual occasions.

Today, the cheongsam is known for its exotic but straightforward lines and has inspired many foreign film adaptations. It is prevalent because it suits the figure of Chinese women very well; the line is simple, looks very elegant. Suitable for young and old people to wear throughout the year.

Modern women do not wear cheongsam as their daily wear. It is now only worn for formal occasions, such as weddings, parties, and beauty pageants. It is also used as a uniform by some Chinese restaurants, hotels, and airlines.

In China, cheongsam is usually a red wedding dress. Cheongsam is generally embroidered with exquisite gold and silver patterns. Brides in southern China wear a cheongsam or a two-piece makeover with elaborate golden dragons and phoenixes. Dragon and phoenix are the traditional wedding patterns favored by Chinese brides today.

3. Tang Suit

Tang suit, also translated as Tangzhuang, is often referred to as a modern Chinese jacket rather than a Tang dynasty.

Origin of name

Although the Tang suit is not the costume of the Tang dynasty, it has a particular relationship with the Tang dynasty. The Tang dynasty was one of the most prosperous periods in Chinese history. Therefore, people often use "Tang" to refer to traditional Chinese culture. For example, Chinatowns in the US or UK are also known as "Chinatown (Tang people street)".

Tang suit, as the name of Chinatown, represents a kind of dress with deep Chinese traditional culture.

Tang Suit History

The history of the Tang suit can be traced back to the early 20th century (late Qing dynasty). It is a combination of Manchu jacket elements and western jacket elements.

The Chinese government released a new unified system in 1929. Under this new system, the Tang suit became a kind of formal dress for Chinese men. Also around 1929, the media all over the world start to extensive reports and the introduction to the Tang suit. People all over the world began to think of the Tang suit as one of the most typical traditional Chinese clothes.

In recent years, with the diversification of Tang suit styles and production techniques, the Tang suit is becoming more and more popular not only In China but also in the world.

Tang suit appeared in many international events. In 2001, the Asia-pacific economic cooperation (APEC) meeting, all the leaders wore Tang suit, blue, bright red, and with China's national flower peony circular design. Besides, the Tang suit also appeared in the 2008 Olympic Games and some of the World Trade Organization meeting.

Also, Tang suit elements have appeared in many famous Kungfu films and TV series. Thanks to the joint efforts of designers and the cultural industry, the influence of the Tang suit has spread further and further.

4. Zhongshan Suit

The modern Chinese tunic suit is a style of male attire known initially in China as the Zhongshan suit (after Sun Yet-Sen, also called Sun Zhongshan), and later as the Mao suit (after Mao Zedong).

Sun yat-sen introduced the style as a form of national costume in China shortly after the founding of the Republic of China, despite its obvious political and later governmental implications. He designed the suit based on the uniforms of Japanese military cadets.

The suit is also said to have cultural connotations, with four pockets representing the four great virtues of Chinese culture: propriety, righteousness, honesty and shame, and five buttons representing five branches of the Chinese government.

History of the Zhongshan Suit

When the Republic of China was founded in 1912, China's style of dress was based on Manchu clothing (cheongsam and Changshan), which the Qing dynasty imposed as a form of social control.

The majority of Han Chinese revolutionaries who overthrew the Qing were fueled by the failure of the Qing to defend China and a lack of scientific advancement compared to the West. Even before the founding of the Republic, older forms of Chinese dress were becoming unpopular among the elite. They led to the development of Chinese dress which combined the changshan and the Western hat to form a new dress. The Zhongshan suit is a similar development that combined Western and Eastern fashions.

Most of the Han revolutionaries overthrew the Qing government because it failed to defend China and lack of scientific progress compared to the West. Even before the founding of the republic, the old Chinese dress had become unpopular among the elite, which led to the development of Chinese dress, which combined the Changshan with the western hat to form a new dress. Zhongshan suit is a similar development that combines western and eastern fashions.

The Zhongshan suit remains the standard dress for the first and second generation of leaders of the People's Republic of China, including Deng Xiaoping. In the 1990s, as more and more Chinese politicians began to wear traditional western-style suits and ties, leaders of general secretary Jiang Zemin's generation began to wear them less and less frequently.

Jiang Zemin, Hu Jintao, and Xi Jinping only wear Zhongshan suits for special occasions, such as essential banquets or the 2019 celebration of the 70th anniversary of the founding of the People's Republic of China.

Hu Jintao even showed up to a black-tie state dinner in the United States wearing a business suit, attracting some criticism for being underdressed at a formal occasion. In the Xi Jinping administration, however, the Zhongshan suit made a comeback as a diplomatic uniform and evening dress.

 5. Ethnic Minorities

Japan, Korea, France, Greece, and other countries are nation-states. China has been a multi-ethnic country since ancient times.

China's ethnic minorities are the non-Han population of China. China officially recognizes 55 ethnic minorities except the Han. As of 2010, the officially recognized ethnic minority population accounted for 8.49% of the mainland's population.

The degree of difference among ethnic groups is inconsistent. Many ethnic groups have been described as having unique characteristics with other ethnic minorities and the Han. Still, some are very similar to the Han majority. The vast majority of Hui are indistinguishable from Han Chinese except that they are Muslim, and most Manchus are considered primarily integrated into the dominant Han Chinese society.

There are 55 ethnic minorities, including Mongolian, Hui, Tibetan, Uygur, Miao, Yi, Zhuang, Dai and etc.

In terms of minority costumes, there are significant differences among ethnic groups due to the influence of geography, culture, history, and other factors.

Features of the ethnic minority clothing

The characteristic feature of minority clothing is colorful, exquisite, and distinctive. Every aspect of their clothing, such as raw materials, textile technology, fashion, and decoration, retains distinct national and local characteristics.

The Hezhen people lived mainly by fishing and used to make fishskin clothes. The Oroque and Ewenki, hunting nationalities, used roe skin and animal tendon to make their clothes

The Mongolians, Tibetans, Kazakstan, Khalkhases, Yugurs, etc., who are mainly engaged in stockbreeding, make their apparel mostly from animal skin and hair. Moreover, the agricultural minorities usually use locally produced cotton or twine as raw material for weaving and clothing

The technology of weaving, tanning, and felting has a long history in ethnic minorities. For example, the kapok cloth of Li nationality, the wool fabric of Tibetan nationality, the Adelie silk of Uygur nationality, the furs of Oroqen, and so on have been enjoying the world reputation.

The costume designs and forms of China's ethnic minorities are varied. Generally speaking, there are two categories: long dresses and short dresses. People usually wear hats and boots with long skirts and headgear and shoes with short clothes.

The robe comes in many forms: the Mongolian, Manchu, and Tu people wear a high-necked forward style. Tibetan wear no collar inclined forward.

The tilted-front style worn by the Uygur and other ethnic minorities. And so on. As for short clothes, there are two kinds: trousers and skirts.

The costumes of ethnic minorities not only vary significantly according to different nationalities but also have different branches and different regions within the same nationality. Differences can be seen from province to province, from county to county, and even from village to village. Clothing is the most visible symbol of a nation. Historically, many countries were named after their clothing.

 7 key changes to traditional Chinese clothing

5 categories of traditional Chinese clothing are introduced. In general, each of these can be identified by 7 key changes.

1, In design, traditional Chinese clothing is usually straight cut, loose shape. Also, the overall harmony of the dress is also emphasized.

2, Embroidery is a folk art with a long tradition. It occupies an essential position in the history of Chinese arts and crafts. In its long development process, it is inseparable from sericulture, silk reeling, and weaving. The production of silk threads and fabrics gave rise to the Chinese art of embroidery, which became very complicated and delicate.

3, In daily life, people usually wear light-colored clothes. Red, bright yellow and purple were typically reserved for emperors and royalty. Most of the crowd wore red at the wedding. Besides, white dresses are usually worn at funerals. For example, for women, only the wives of queens or officials can wear real red, which is not allowed for concubines.

4, In ancient feudal society, people's rank and social status were easily reflected in their daily clothes, especially for ordinary people and the upper class. Among the upper ruling classes, only the emperors were given the symbol of the yellow and dragon in traditional Chinese costume as the only affirmation of their power. As for ministers, generals, councilors, and their wives, their uniforms also had strict rules on how many lions or cranes were to be embroidered.

5, In terms of gender, women's clothing is more diverse than men's clothing. Compared with men's wear, women's wear has more decorations, objects, and styles.

6, In the beginning, the ancient Chinese just covered their bodies with leaves. With the development of agriculture, more clothing materials appeared. In later years, linen, cotton, and silk were the primary materials. During the Ming dynasty (1368-1644), according to the government's policies of heavy farming and restricting commerce, merchants were forbidden to wear silk clothes, even if they were rich.

7, Almost every Dynasty in history had its own unique costumes, some of which were genuinely exquisite.

Nowadays, more and more fashion designers are committed to improving the traditional fashion design. As wearers, we are not only consumers but also co-manufacturers. Especially in today's market, people are free to choose any style of clothing. Our likes and dislikes determine the course of costume design.

This article only gives a very brief introduction to traditional Chinese clothing. Each of these five categories can be further divided into more subcategories. This is an extensive map, and we've only seen a small part of it.

[pwlanier]

Tunic China Yi, Southern Yunnan Province, Malipo County Cotton cloth, silk; embroidery c. 1900 8' 3" x 4' 1" (251.5 x 124.5cm) Costume worn at funerals.

The Roger Hollander Collection of 19th and early 20th century Chinese Minority textiles, clothing and costumes. Curated by Thomas Murray Ethnographica. Thomas Murray is an independent researcher, collector, lecturer and private dealer of Asian and Tribal art with an emphasis on Indonesian sculpture and textiles, as well as animistic art from other varied cultures.

[younghart54-blog]

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