“bérard designs beds” artwork by christian bérard, vogue, april 15, 1939 .
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“I think ‘forced’ isn’t the right word I would use, but I would say that I would have preferred to do it another way” - Kit Connor for British Vogue
Credits to: Alasdair McLellan for British Vogue!
Kit opened up about coming out and his experience with bisexuality in his recent interview with British Vogue.
He shared how natural it was for him to come to terms with his sexuality, and even tho his family were supportive and accepting, it was completely different in his all-boys school, where he wasn’t really accepted in a lot of ways. “I was in a very heteronormative atmosphere”
This really shows the reality of being a part of the LGBTQ+ community, not being accepted by society since they are predominantly heterosexual and how genuinely hard it is to find a safe space to truly be yourself.
He also said he doesn’t regret coming out, “In many ways it was really empowering” he told Vogue.
He talked about Heartstopper and how much it meant to him to be part of it!
You can read the rest of the article here!
I’m so proud of Kit. This interview was so intimate without going too far, and the way Kit talks about how he currently feels with his sexuality and being out makes me really happy. I hope he knows how important he is to the bisexual community.
If you guys have a chance i really encourage you to read the whole article, he talks about a lot of stuff but it’s really eye-opening to hear his experience with queernes and being open about it. I promise you is worth it.
also WE’RE 30 DAYS AWAY. WTF.
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Naomi Campbell and Christy Turlington, Los Angeles
Vogue Italia December 1989
Courtesy of Steven Meisel
https://www.wmagazine.com/gallery/steven-meisel-photography-exhibition
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The outrageous, extravagant, sometimes humorous and often exquisite outfits worn by subjects of old portraits;occasionally captioned, as an attempt at satire; a little history occasionally thrown in the mix.
Frederico Beltran Masses (Cuban-born, Spanish, 1885-1949) • Madame Bonnardel, Countess de Montgomery • 1934
Side by side are the portrait of Mme. Bonnardel (aka Comtesse de Montgomery and a photograph taken of the countess in 1933 by Hoyningen-Huene for Vogue. The Vogue caption extolls her georgette dress and Moroccan cape, both by Vionnet, worn with diamond bracelets by Cartier. From (@jupeculotte)
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US Vogue December 15, 1938
Revillon
Cape stole in sable-dyed marten, dark and luxuriously deep, which hangs to the hips at the back; the front is cut into two full stoles which are a modern revival of charm. the rounded tippet that your grandmother wore with such effect. This dark, shimmering fur is definitely on the formal side, for late afternoons or big nights out with your best jewelry.
Étole cape en martre teinte en zibeline, sombre et luxueusement profonde, qui pend jusqu'aux hanches à l'arrière ; le devant est découpé en deux étoles pleines qui sont une renaissance moderne du charme. la pélerine arrondi que portait votre grand-mère avec tant d'effet. Cette fourrure sombre et scintillante est définitivement du côté formel, pour les fins d'après-midi ou les grandes soirées avec vos plus beaux bijoux.
Model/Modéle : Helen Bennett
Photo Horst P. Horst
vogue archive
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