okay done crying my eyes out. btw have u ever thought about how dokja's trauma from his father carries through all of orv without ever being the main focus of it? it truly did all begin with a young boy being abused, but the story doesn't focus on the abuser. it focuses on love and sacrifice and the ways in which we survive and find others in a ruined world. even when the dokkaebi king takes on his father's shape, its short-lived - almost as a nod to what a reader would "expect" of the plot, to wrap everything up in a neat bow that calls back on the 'real' evil of the story. but the evil in orv is never any one being. its the world that made a young boy lose his mother to the prison system and that made him feel isolated and objectified by the media. the traumas that dokja actively struggles with are those tied in with love. his mother, his protagonist, his writer, his children- the point is that evil is boring and ordinary and always here, apocalypse or not. it's love and its flawed, human presentations that make us who we are and that permeate our every action and decision. and that's okay. that's love.
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Girl math is NOT when small purchases don't count or whatever else Tiktok has been lying to you about. Girl math is when you add together your companion's digital roots to deduce who exploded your brother so you can enact your righteous, brutal revenge. Get it right.
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VLR PONIES....................2!!!!!! part 1 is here
so um. finished vlr. if there were two ponies on the moon and one killed the other with a rock would that be fucked up or what
also i never want to draw k pony ever again that took. energy.
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One of my favorite character traits that Junpei has is how as much as he's protective and caring to his favorite people and impulsively jumps into danger to help others if he has an opportunity to without wanting anything in return and highly values the promises he makes he just seems to also always be more curious than he is sensible or empathetic, he gets so caught up on the horrors he sees but he has such a hard time looking away, he's right to analyze and be intrigued by the ninth man's remains but he stands around staring at it until he pukes, in the showers you can interact with the wall behind which lies "Snake's" corpse and he will pick up more details about it each time you click on it until he has to mentally rip himself away because it's not that he can't keep looking at it it's that he better look away and focus on getting out, and the way he talks to Clover about the body with every minutiae she wouldn't want to hear is like his brain connects faster to his mouth than it can connect to his sense of morality sometimes which I guess turned out to be a good thing in this one case or just good common sense in general like there's other minor things he blurts out at times, he's stated to not have tact be his strongest suit, he's insensitive on accident trying to fumble through interactions even if he's entirely confident on what he's saying he's soo sharp when he has a goal in mind but he's soo dense if he's trying to just exist my man is so traumatized and his brain always seems to default to taking the most of any given situation in as possible to desensitize himself instead of any other response and sometimes it pushes his mind to be so single mindedly entranced on not ending up that way too that he'll describe a mangled body in excruciating detail to a grieving relative even if that's his friend and even if he feels guilty about it immediately as soon as he catches up with what just left his mouth instead of staying in his thoughts
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Zero Escape is one of thee most lifechanging pieces of media I've ever experienced and I still think about it constantly years later. I don't think anything has stuck with me the same way. I adore the themes and the characters and the tone... idk why exactly it speaks to Me Specifically, I wish I could pinpoint what about it works so well for me, but. all I can do is see these characters struggle to escape again and again, and all that comes with it
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