Tumgik
#AACTA International Award
awardseason · 2 years
Text
12th AACTA International Awards — Winners
FILM
Best Film Avatar: The Way of Water — WINNER Elvis Everything Everywhere All at Once The Banshees of Inisherin Top Gun: Maverick
Best Lead Actor Austin Butler - Elvis — WINNER Joel Edgerton - The Stranger Colin Farrell - The Banshees of Inisherin Brendan Fraser - The Whale Hugh Jackman - The Son
Best Lead Actress Cate Blanchett - Tár — WINNER Ana de Armas - Blonde Margot Robbie - Babylon Michelle Williams - The Fabelmans Michelle Yeoh - Everything Everywhere All at Once
Best Supporting Actor Brendan Gleeson - The Banshees of Inisherin — WINNER Woody Harrelson - Triangle Of Sadness Sean Harris - The Stranger Brad Pitt - Babylon Ke Huy Quan - Everything Everywhere All at Once
Best Supporting Actress Kerry Condon - The Banshees of Inisherin — WINNER Jamie Lee Curtis - Everything Everywhere All at Once Olivia DeJonge - Elvis Stephanie Hsu - Everything Everywhere All at Once Jean Smart - Babylon
Best Direction James Cameron - Avatar: The Way of Water Daniel Kwan, Daniel Scheinert - Everything Everywhere All at Once Baz Luhrmann - Elvis — WINNER Martin McDonagh - The Banshees of Inisherin Steven Spielberg - The Fabelmans
Best Screenplay Todd Field - Tár Rian Johnson - Glass Onion: A Knives Out Mystery Martin McDonagh - The Banshees of Inisherin — WINNER Ruben Östlund - Triangle of Sadness Dana Stevens, Maria Bello - The Woman King
TELEVISION
Best Drama Series Heartbreak High Mystery Road: Origin — WINNER Severance Stranger Things The Bear
Best Comedy Series Hacks Only Murders in The Building The Marvelous Mrs. Maisel The White Lotus: Sicily — WINNER Wednesday
Best Actor in a Series Jeremy Allen White - The Bear Jason Bateman - Ozark Mark Coles Smith - Mystery Road: Origin — WINNER Bob Odenkirk - Better Call Saul Thomas Weatherall - Heartbreak High
Best Actress in a Series Jennifer Coolidge - The White Lotus: Sicily — WINNER Elizabeth Debecki - The Crown Laura Linney - Ozark Jean Smart - Hacks Zendaya - Euphoria
5 notes · View notes
awardswatcherik · 10 months
Text
14th Australian Academy of Cinema and Television Arts Awards (AACTA) International Nominations
Tumblr media
View On WordPress
0 notes
world-of-celebs · 8 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Emily Blunt arrives at the 8th AACTA International Awards at Mondrian Los Angeles on January 04, 2019 in West Hollywood, California.
194 notes · View notes
pedropascal24-7 · 10 months
Text
Pedro, Bella, and TLOU have been nominated for 2023 AACTA (The Australian Academy of Cinema and Television Arts) Awards
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
10 notes · View notes
Text
Tumblr media Tumblr media
Cate winning all the awards.
The 12th AACTA International Award winner for Best Lead Actress in Film is Cate Blanchett for Tár.
youtube
11 notes · View notes
bcofl0ve · 2 years
Note
Olivia didn't win the AACTA international awards, good for you you won't have to read a lot of SHE DIDN'T DESERVE IT here LOL as said, the competition this time was bigger
LOLLL i was just coming on here to talk about all that 😭 austin and baz did win the same award again and ‘fair’ or not i find that so #slay like honestly good for them!!!
3 notes · View notes
hividsmarttv · 1 year
Text
Australian Film
Tumblr media
Australia has a rich and diverse film culture that has produced some incredible movies over the years. From sweeping epics to gritty dramas, Australian films are known for their unique voice and perspective. In this article, we will explore the different types of films made in Australia, major film festivals occurring in Australia, and prominent Australian actors.
Types of Films Made in Australia
Australian films cover a wide range of genres, from comedy to horror, and everything in between. One of the most well-known types of Australian films is the "outback western," which typically features a lone hero taking on the harsh Australian landscape. Examples of this genre include "The Proposition" and "The Tracker."
Another popular type of Australian film is the coming-of-age story, which often explores themes of identity, family, and community. Examples of this genre include "The Black Balloon" and "Looking for Alibrandi."
Australia is also known for producing high-quality horror films, such as "Wolf Creek" and "The Babadook." These films often use the Australian landscape to create a sense of isolation and unease.
Major Film Festivals in Australia
Australia is home to several major film festivals, including the Sydney Film Festival and the Melbourne International Film Festival. The Sydney Film Festival, which has been running since 1954, showcases the best of Australian and international cinema. The Melbourne International Film Festival, which has been running since 1952, is one of the oldest film festivals in the world and features a diverse range of films from around the globe.
Prominent Australian Actors
Australia has produced a number of talented actors who have achieved international success and acclaim. One of the most well-known of these actors is Nicole Kidman, who has starred in a variety of films, including "Moulin Rouge!," "The Others," and "The Hours." Kidman has won numerous awards for her work, including an Academy Award for Best Actress for her role in "The Hours."
Another prominent Australian actor is Hugh Jackman, who is perhaps best known for his role as Wolverine in the "X-Men" film series. Jackman has also appeared in a variety of other films, including "Les Misérables," "The Prestige," and "The Greatest Showman." He has been recognized for his work with numerous awards, including a Golden Globe for Best Actor for his role in "Les Misérables."
Other notable Australian actors include Cate Blanchett, who has appeared in films such as "The Lord of the Rings" trilogy and "The Aviator," and Geoffrey Rush, who has appeared in films such as "Shine" and "The King's Speech." These actors have helped to put Australia on the map in the global film industry, and their work continues to inspire and entertain audiences around the world.
Indigenous Actors in Australia
Australia has a long and complex history when it comes to the treatment of its Indigenous population, and this history is reflected in the country's film industry. Over the years, there have been many films that explore the experiences of Indigenous Australians and highlight the issues faced by these communities. There are also many talented Indigenous Australian actors who have made a significant impact in the industry.
One of the most well-known Indigenous Australian actors is David Gulpilil, who has appeared in a number of films, both in Australia and internationally. Gulpilil is a Yolngu man from Arnhem Land and has been acting since the 1970s. He has appeared in films such as "Walkabout," "The Last Wave," and "Charlie's Country," and has been recognized with numerous awards and accolades for his work.
Another prominent Indigenous Australian actor is Aaron Pedersen, who is of Arrernte and Arabana descent. Pedersen has appeared in a variety of films and television shows, including "Mystery Road," "Jack Irish," and "Water Rats." He has also been recognized for his work with numerous awards, including the AACTA Award for Best Lead Actor in a Television Drama.
In addition to these actors, there are also many Indigenous Australian filmmakers who are making important contributions to the industry. One of these filmmakers is Warwick Thornton, who is a Kaytetye man from the Northern Territory. Thornton's films often explore the experiences of Indigenous Australians and the impact of colonization on their communities. His film "Samson and Delilah" won the Caméra d'Or at the Cannes Film Festival in 2009.
Other notable Indigenous Australian films include "The Tracker," "Ten Canoes," and "Sweet Country," all of which explore the experiences of Indigenous Australians in different ways. These films often highlight issues such as dispossession, racism, and the ongoing struggle for Indigenous rights and recognition.
Overall, the Indigenous Australian film industry is a vital and important part of the country's cultural landscape. Through the work of talented actors and filmmakers, these films are helping to shed light on the experiences of Indigenous Australians and raise awareness about the issues they face. As the industry continues to grow and evolve, it is important that Indigenous voices remain at the forefront, shaping the stories that are being told and ensuring that their perspectives are heard.
3 notes · View notes
pynkhues · 3 months
Note
Hi! Random question lol but I would love to know your thought on this. the ceo of you tube recently put out a article basically saying that he believes YouTube creators should be recognized for their work in the same awards shows that traditional tv creators/actors are acknowledged . Do you agree ?
Hey! Mm, it's kind of a funny one, because I'd argue that some YouTube works already are eligible for award shows and do get nominations. The most obvious one is, of course, documentaries being eligible in the Documentary Short category at the Oscars, and here in Australia, Online / Webseries is a category at our AFI/AACTA Awards, which is our most major awarding body for Film and TV.
The thing about awards eligibility for most of these things is that you either a) have to have screened at a festival (particularly for the Oscar shorts categories, there are festivals all over the world that basically put you into the pool for nomination. Here in Australia, most of our major film festivals such as Melbourne International Film Festival are Oscar qualifiers, but even some of our smaller ones such as St Kilda Short Film Festival are too) or b) have to have screened in a certain way within a certain period of time. Again, for the Oscars, feature films have to have had a theatrical release, which is why you see Netflix doing those short windows for movies they want to put into the running, or for things like the Emmys, shows have to have aired a percentage of episodes via cable or 'invitation-only websites' (aka your major streamers) within a certain window.
Most of the documentary shorts will end up primarily for YouTube, but they're usually a production of a legitimate news outlet which is held to legitimate industry standards i.e. last year, two of the nominees were Island in Between which had been made by The New York Times, and Barber of Little Rock which had been produced by The New Yorker, both for their YouTube channels (and both are worth the watch!).
But yes, the nature of them being legitimate news outlets with real, and guild/union-supported productions, is that there's professional oversight that meets an industry standard that has been agreed upon.
The problem with a blanket statement like that one from the YouTube CEO is that it sounds a lot simpler than it is. YouTube is not a traditional network or even a streamer in the way something like Netflix or Disney+ is. Hell, I wouldn't even actually say it's a streamer at all - it's a social media platform built on the back of user-generated content. The nature of that is that yeah, you'll get some great, professional stuff on there, and that stuff can be recognised in myriad ways, but YouTube as a platform also exists almost entirely outside of a heavily unionised industry (as we were reminded last year with the strikes) that relies on professional agreements to ensure the survival of the industry and the safety of its workers.
YouTube is not itself bound to any of that, which leaves room for exploitation, a dilution of professional standards if not a complete rejection of them, no award rates or minimum wage, and no safety oversight. It doesn't democratise the industry, or who gets to tell stories, it demolishes job security and worker safety.
Again - YouTube is a social media platform where people can upload stuff, it's not a professional industry in and of itself in the same way that film and TV are. As a result, the conduct and standards of a production relies on individual creators, and there's no uniform agreement in the same way that there is in guild-backed productions like there is in film and TV. That's not to say film and TV are perfect industries - they're obviously not - but the nature of award shows like the Emmys and the Oscars and all the guild awards is that its celebrating professional productions that meet certain standards that have all been agreed upon by the unions.
If YouTube wants blanket eligibility for these sorts of things (and again, I'd argue that some of the shows on their platform are already eligible) they'd have to completely rethink their model and start treating their users as workers, which would include actually paying them and having like, an ounce of accountability for the on-set standards of what's uploaded, which I highly doubt will ever happen.
0 notes
eloscartimes · 8 months
Text
‘Barbie’ destaca en los AACTA International Awards 2024
#Barbie destaca en los AACTA International Awards, de la Academia de Cine Australiano.
En la edición 13 de los premios internacionales de la Academia de Cine Australiano destacan las siguientes películas ganadoras: ‘Barbie’ consigue tres premios, entre ellos el de Mejor Película. ‘Poor Things’ gana como Guion. Vanessa Kirby gana como Actriz de Reparto por ‘Napoleon’.   barbie fyc twitter   Lista de ganadores de los AACTA International Awards 2024   MEJOR PELÍCULA American…
Tumblr media
View On WordPress
0 notes
deadlinecom · 8 months
Text
0 notes
brokentreeonline · 11 months
Video
vimeo
Tangles and Knots from Renée Marie Petropoulos on Vimeo.
Short Drama | Australia | 2018 | 16 Min |
A unique, intimate bond between mother and daughter becomes threatened when the mother helps her teenage daughter throw a party to impress new, more popular friends.
'Tangles and Knots' is this week's Staff Pick Premiere. Read more about it on the Vimeo Blog: vimeo.com/blog/post/tangles-and-knots-renee-marie-petropoulos/
‘Tangles and Knots’ was produced on the land of the Gadigal peoples of the Eora nation.
We acknowledge the traditional owners and custodians of the lands on which we work and pay our respects to Indigenous Elders past, present and emerging. Sovereignty has never been ceded. It always was and always will be, Aboriginal land.
Festivals: 68th Berlinale: Generation 14Plus Competition 2018 SXSW: Narrative Shorts Competition 2018 Sydney Film Festival 2018 Palm Springs International Shortfest 2018 Melbourne International Film Festival 2018 Athens International Film Festival 2018 Pluk De Nacht Open Air Film Festival 2018 Adelaide Film Festival 2018 41st Denver Film Festival 2018 17th Cinemaforum International Film Festival 2018 London Short Film Festival 2019 Flickerfest 2019 Reelgood Film Festival 2019 New Filmmakers Los Angeles 2019 Brooklyn Film Festival 2019 St Kilda Film Festival 2019 Athens Short Film Festival 2019 CinefestOz Film Festival 2019 Hollyshorts Film Festival 2019
Awards and Nominations: Winner of Best International Short Film at the New Filmmakers Los Angeles 2020 Awards Winner of Best Female Director Award at Hollyshorts Film Festival 2019 Winner of Canon Award for Best Direction in an Australian Short Film | Flickerfest 2019 Winner of Best International Student Filmmaker Award at the Denver Film Festival 2018 Nominated for Best Achievement in Screenplay at the St Kilda Film Festival 2019 Nominated for the 2019 ADG award for Best Direction in a Student Short Film Nominated for AACTA 2018 Best Short Fiction Film Award Special Mention - Event Cinemas Australian Short Screenplay Award | Sydney Film Festival 2018 Winner of Best National Short Film | Greek Australian Short Film Festival 2018 Selected for ‘Student Selects’ & ‘Faculty Selects’ as part of the Columbia University Film Festival 2017 Received the ‘Audience Choice Award’ for Program E, Columbia University Film Festival 2017
Credits: Starring: Leeanna Walsman & Odessa Young Supporting Cast: Mitzi Ruhlmann, Toby Wallace, Govinda Röser-Finch, Bryn Chapman Parish Written and Directed by Renée Marie Petropoulos Produced by Janet Brown & Yingna Lu Co-Produced by Kristin Frost Associate Producer - Melina Maraki Executive Producer - Alexandra Petropoulos Director of Photography - Zoë White, ACS Production Designer - Diva Abrahamian Casting by - Stevie Ray, CGA Costume Designer - Lucia Arias-Martinez Hair & Makeup - Candice Hickson Editors - Renée Marie Petropoulos & Chelsea Taylor Sound Designer - Eli Cohn Colour by - Kath Raisch Production Manager - Yingna Lu 1st Assistant Director - Stefanie Foerster Stunt Coordinator - Tony Lynch
A Jars Productions & Paper Moose Production
0 notes
awardseasonblog · 2 years
Photo
Tumblr media
La leadership di #KeHuyQuan per il pluripremiato Everything Everywhere All At Once nella corsa agli Oscar per la categoria #Migliorattorenonprotagonista si è delineata fin dai primissimi riconoscimenti assegnati dai circoli dei critici americani lasciando poco spazio al suo rivale, Brendan Gleeson (Gli Spiriti dell’isola) che si è dovuto accontentare di poche “briciole” dal NBR Award al premio assegnato dai critici australiani (AACTA International Award) fino a quello dei critici online di New York (NYFCO). Nessun dubbio quindi sulla sua potenziale vittoria non solo perché ha vinto un numero impressionante di premi dei critici americani (52) battendo il record di Brad Pitt per C’era una volta a Hollywood (42), ma anche perché ha dalla sua parte tutti i precursori (SAG Award, Critics Choice Award, GOLDEN GLOBE, HCA Film Award) ad eccezione del BAFTA vinto a sorpresa da Barry Keoghan (Gli spiriti dell’isola). Su questa lunghezza se Keoghan avesse vinto anche il SAG, a quest’ora, avremmo avuto una sfida, che in questa categoria non c’è con la campagna agli Oscar di Ke Huy Quan favorita dai suoi discorsi di accettazione che sono stati considerati dagli addetti del settore una “chiamata al voto” per tutti gli attori dimenticati che sono riusciti ad ottenere finalmente una seconda possibilità. (LINK NELLA STORIA) NOMINATION OSCAR 2023 Best Supporting Actor -Brendan Gleeson, “The Banshees of Inisherin” -Brian Tyree Henry, “Causeway” -Judd Hirsch, “The Fabelmans” -Barry Keoghan, “The Banshees of Inisherin” -Ke Huy Quan, “Everything Everywhere All at Once” #AwardsSeason #AwardsRace #OscarsRace #RoadtotheOscar #Movies #AwardsRace #BestSupportingActor #Oscars2023 #OscarsPredictions #FinalPredictions #StagionedeiPremi #Oscar2023 #PrevisioniOscar https://www.instagram.com/p/CpSUOQ4sfed/?igshid=NGJjMDIxMWI=
0 notes
awardswatcherik · 2 years
Text
2023 AACTA International Awards: 'Avatar: The Way of Water' named Best Film; 'Banshees' and 'Elvis' win big
2023 AACTA International Awards: 'Avatar: The Way of Water' named Best Film; 'Banshees' and 'Elvis' win big
Tumblr media
View On WordPress
0 notes
world-of-celebs · 8 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Natalie Imbruglia attends the 2nd AACTA International Awards at the Soho House on January 26, 2013 in Los Angeles, California.
41 notes · View notes
vitrinedeartes · 2 years
Text
Tumblr media
Jennifer Shrader Lawrence é uma atriz americana. Ela recebeu vários prêmios, incluindo um Oscar, três Golden Globe Awards, dois Screen Actors Guild Awards e um British Academy Film Award. Lawrence foi a atriz mais bem paga do mundo em 2015 e 2016, e seus filmes arrecadaram mais de US $ 6 bilhões em todo o mundo até agora. Ela apareceu na lista da Time das 100 pessoas mais influentes do mundo em 2013 e na lista das 100 pessoas mais influentes da Forbes de 2013 a 2016. Quando criança, Lawrence se apresentou em peças da Igreja. e musicais escolares. Aos 14 anos, ela foi descoberta por um talentoso escoteiro enquanto estava de férias na cidade de Nova York com sua família. Ela então se mudou para Los Angeles e começou sua carreira de atriz fazendo participações especiais na televisão. Seu primeiro papel principal foi como atriz principal na sitcom The Bill Engvall Show, no qual ela interpretou o papel da filha mais velha do protagonista.BornJennifer Shrader Lawrence, August 15, 1990, Indian Hills, Kentucky, U.S.OccupationActressYears active2006–presentOfficial Websitehttp://jennifer-lawrence.com/
Estrela de Hollywood mais conhecida por interpretar Katniss Everdeen em Movie The Hunger Games film franchise. Ela também retrata Raven na série X-Men. Em 2013, ganhou o Óscar de Melhor Actriz pelo seu papel no filme <'tzz tzp_t'="" data-id="ALRz">Linhas de Forros de Prata. Outros papéis notáveis incluem Movie Red Sparrow, Movie Passengers e Movie American Hustle.
Jennifer Lawrence antes da fama
Durante o seu Verão de crescimento, ela trabalhou como enfermeira assistente no acampamento do dia da sua mãe. Formou-se no liceu em dois anos com uma média de 3,9 GPA.
Conquista de Jennifer Lawrence
Ela recebeu a sua primeira nomeação para o Oscar pelo seu papel principal na característica independente de 2010 <'tzz tzp_t'="" data-id="tosy">Winter's Bone.
Vida pessoal de Jennifer Lawrence
Ela é filha de Gary e Karen Lawrence e irmã de Blaine e Ben Lawrence. Ela namorou com X-Men co-star Movie Actor Nicholas Hoult de 2011 a 2014, depois ela namorou brevemente Band Coldplay frontman Pop Singer Chris Martin em 2014. De 2016 a 2017, ela esteve numa relação com o director Director Darren Aronofsky. Ela casou Family Member Cooke Maroney em 2019.
Associações de Jennifer Lawrence
Ela fez uma audição para tocar Bella Swan em Movie Twilight, mas Movie Actress Kristen Stewart aterrou o papel.
Principais fatos que você não sabia sobre Jennifer Lawrence
Excelente desempenho de uma atriz feminina no papel principal Vencedor do prêmio da Associação de Atores. Melhor Atriz Coadjuvante por AACTA International. Prêmio AACTA Internacional de Melhor Atriz. The Independent Spirit Award para Melhor Mulher Principal. As atrizes são de Louisville, Kentucky. Prêmio BAFTA de Melhor Atriz Coadjuvante. O melhor musical ou comediante ganhou o Globo de Ouro (filme). Melhor Atriz Coadjuvante ganhou o Globo de Ouro (filme). Prêmio de melhor atriz ganhando um Oscar. Excelente desempenho de um ator em filme vencedor do prêmio da Actors 'Association
0 notes
spotlight-report · 2 years
Text
AACTA Nominated Short Film en Route to Oscar Nomination
AACTA Nominated Short Film en Route to Oscar Nomination #themothswilleatthemup @AACTA
Dynamic female filmmaking duo Tanya Modini (Writer, Co-director) and Luisa Martiri (Co-Director/Producer) are on the ride of their careers with their short film THE MOTHS WILL EAT THEM UP continuing to garner international praise via film festivals around the world. Like moths to a flame, the award nominations keep racking up with the most recent accolades including a nomination for Short Film…
Tumblr media
View On WordPress
0 notes