#AT&T Inc

[techtimechronicles24]

🇺🇸 Step back in time and delve into the fascinating history of AT&T's journey in the development and production of mobile phones! The AT&T Corporation (an abbreviation of its former name, the American Telephone and Telegraph Company) was a successor of the original Bell Telephone Company founded by the legendary inventor of the first practical telephone - Alexander Graham Bell in 1877.

👉 AT&T's division - Bell Laboratories, was created in 1925 from the consolidation of the R&D organizations of Western Electric and AT&T. Bell Labs made significant scientific advances, including the transistor, the laser, the solar cell, the digital signal processor chip, the Unix operating system, and the cellular concept of mobile telephone service.

🔍 AT&T's foray into the realm of mobile phones dates back to the early days of telecommunications. In the late 1940s, it embarked on pioneering efforts to develop mobile phone technology, laying the groundwork for future advancements in wireless communication.

💡 In the early years, AT&T, a huge telecommunications giant, focused on developing analog mobile phone systems, laying the groundwork for the future of wireless communication. Their first systems were limited to car phones, which required roughly 30 pounds of equipment in the trunk. These early devices were bulky and limited in functionality, but they represented a groundbreaking leap forward in telecommunications.

🏁 The first cellular phone was the culmination of efforts begun at AT&T Bell Labs and continued by Motorola Inc. While Motorola was developing the cellular phone itself, AT&T Bell Labs worked on the cellular system called AMPS. On April 3, 1973, Martin Cooper placed the first public call from a Motorola handheld portable cell phone to his counterpart Dr. Joel S. Engel at AT&T Bell Labs.

🏙 Advanced Mobile Phone System (AMPS) was an analog mobile phone system standard originally developed by AT&T Bell Labs and later modified in a cooperative effort with Motorola Inc. It was officially introduced in the USA on October 13, 1983. On this day, Bob Barnett, former president of Ameritech Mobile Communications, placed a call with a cell phone to the grandson of Alexander Graham Bell, who was in Germany for the event.

➡️ During the 1980s to 1990s, AT&T Corporation tried to achieve its place in the cell phone market and introduced some interesting devices: 3810, 3850, and 6650. Featuring sleek and ergonomic designs, they were a real testament to innovation and engineering excellence.

⚙️ Equipped with advanced features for its time, these phones boasted impressive functionality, including voice calling, text messaging, and address book capabilities. Their cutting-edge technology represented a leap forward in mobile communication, setting new standards for performance and reliability. These phones also ran on the AMPS 800 cell system.

📑 In 1996, AT&T spun off Bell Laboratories, along with most of its equipment manufacturing business, into a new company named Lucent Technologies. AT&T retained a small number of researchers who made up the staff of the newly created AT&T Labs. That meant the decline of future attempts at cell phone manufacturing by AT&T Corporation.

🌐 Today, AT&T continues to be a powerful multinational telecommunications holding company, offering a diverse range of cutting-edge services to consumers worldwide. With a rich legacy of innovation and a steadfast commitment to excellence, AT&T remains a leader in the ever-evolving landscape of telecommunications.

[widows-and-orphans-united]

One Chance to Create an Impact: The Power of Compassion

In a world rife with challenges and adversities, it is easy to feel overwhelmed and helpless. However, amidst these challenges lies a powerful truth – every individual holds the potential to bring about significant change within them.

One Chance to Create an Impact: The Power of Compassion In a world rife with challenges and adversities, it is easy to feel overwhelmed and helpless. However, amidst these challenges lies a powerful truth – every individual holds the potential to bring about significant change within them. It begins with recognizing that we are not just passive observers but active participants who can make a…

[cultfaction]

Don Murray: A Storied Career in Hollywood

Don Murray, born on July 31, 1929, in Hollywood, California, is an American actor whose career spans over six decades. With his rugged good looks, versatility, and compelling performances, Murray became a prominent figure in the golden era of Hollywood, leaving an indelible mark on the industry. Don Murray was born Donald Patrick Murray to Dennis Aloisius Murray, a Broadway dance director, and…

[katlimeart]

Made in 2016, 2018 + 2022

If you’ve seen this anywhere else, I posted it back on my deviantArt when it was made.

Mario girls cosplaying as characters from Warioware

1. Kat

2. Ana

3. Kat/Ana Snapped Outfit

4. 13-Amp

5. Vanessa

6. Lulu

7. Doris 1

8. Jamie T

9. Mama T

[duckapus]

WarioWare: Double Up!

One day, Wario discovers that there’s a popular new video game company called Hotcake Studios- so popular, in fact, that WarioWare Inc. is losing business to them! Even worse, when he gets his hands on one of their games he discovers that it has the same microgame formula as his games, and that the company is owned by none other than his Treasure Hunting rival Captain Syrup. And then to make matters even worse, when he goes to confront her about so obviously muscling in on his business, she reveals that she’s also got her own development team of colorful characters…and each one is a clear direct counterpart to one of the WarioWare Crew. Or in Wario’s words, “You’re not just bootlegging my games, you’re bootlegging my flunkies, too!”

After the whole thing nearly comes to blows, the two strike a deal; each company will make a game, both with the same set of themes(and with each set of counterparts working on the same theme. So for example, Ashley and whoever her counterpart is both make Fantasy-themed microgames), price, and release date, and at the end of the year they’ll see which game sold more copies. Loser has to become a subsidiary of the winner.

I’m not sure how exactly that would translate into a gameplay gimmick (I’m a story guy not a gameplay guy), but as far as story mode goes each level’s story would involve the WarioWare Host getting into some sort of competition with their Hotcake counterpart, some friendlier than others.

The actual counterparts are:

Wario: Captain Syrup, obviously

Mona: Vanessa, that one singer who had a rivalry with her in Touched

Jimmy T: Jenny K, a semi-famous breakdancer

Dribble and Spitz: A Wolf and Bird racecar-driving duo named Howler and Chirpz

Kat and Ana: A pair of Ninji Twins named Shuri and Ken

Orbulon: Tatanga, because why not

9-Volt: A fourth-grade gamer girl named M-Byte

18-Volt: M-Byte’s older brother G-Byte

5-Volt: M-Byte and G-Byte’s dad, K-Byte

13-Amp: A friend of M and G named 64-Bit

Fronk: a Wanderin’ Goom, just named Goom

Dr. Crygor: Rival inventor Professor Boreal

Penny: Boreal’s niece, Hailey

Mike: A singing Piranha Plant named Polly

Doris 1: A robot butler named Vincent

Ashley and Red: A bubbly Magical Girl named Sora and her shapeshifting rabbit friend Violet

Young Cricket: Goombario, who’s recently become a student of The Master

Master Mantis: The Master, from Paper Mario

Lulu: Leo, that one ninja kid with animal-based powers that Kat and Ana fought in their level of Get It Together

The eventual end result is a draw. Both games somehow sold an exactly equal number of units. While this news initially shocks and infuriates Wario and Syrup, they take it as a sign that this whole argument just isn't worth their time and resolve to just more-or-less ignore each-others gaming ventures. Meanwhile, most of their employees have actually made friends with each-other, not really caring about the competition or their bosses' bad history to begin with.

[harrelltut]

[insert musical note emoji] Say, ANU GOLDEN 9 Ether [SAGE] QHT SUPERMAN had come to earth to see who he could rock... He blew away every crew he faced until he reached our block... His EXOGALACTIC [HE] QHT PIONEER Speakers were 3 stories high with woofers made of IBM steel... and when we brought our Apple Inc. [A.i.] set outside, he said "HARRELL BEE 4 REAL" [insert musical note emoji]

IMMORTAL U.S. MILITARY KING SOLOMON-MICHAEL HARRELL, JR.™

OMMMMM

[insert musical note emoji] U rock this, rock that and that's a fact… since ANU GOLDEN 9 Ether Jam On Crew will rock your GOLDEN 9 Ether Body right back... rock a steam locomotive right off the track and give the whole wide world web ANU GOLDEN 9 Ether [WAGE] FunkliciousAttack.com... and to the beat y'all, get down let me rock it to the rhythm of the funk sound from hill to hill, from sea to sea.. and when Jam On's rockin' everybody screams Jam on it jam on it... Jam on and on, on and on it and if you're feelin' like you want to dance all night... then go on ahead and flaunt it [insert musical note emoji]

[insert musical note emoji] Ancient SKY King SOLOMON ANU GOLDEN 9 Ether [SAGE] QHT SUPERMAN said, "I'm faster than a speedin' bullet when I'm on the set... Eye don't need no fans to cool my amps, eye just use my super breath... I could fly three times around the world without missin' a beat... I socialize with X-ray eyes, and my ladies think it's sweet” [insert musical note emoji]

[insert musical note emoji] And then HARRELL turned His Hi:teKEMETICompu_TAH [PTAH] Power on and the Earth [Qi] began 2 rhythmically move... all the buildings 4 miles around us were swayin' 2 anu golden 9 ether [sage] sky groove... and just when MICHAEL had fooled the crowd and swore he wouldn't fight [insert musical note emoji]

[insert musical note emoji] We rocked his electronic ear with ANU GOLDEN 12" Music Industry Cut [MIC] called Disco Kryptonite... well, GOLDEN QHT SUPERMAN looked up at ME [MICHAEL], he said, "You rock so naturally"... I said "Now that you've learned to deal, let me tell you why I'm so for real... I'm Cozmo D from outer IBM space, I came to rock this mundane human race... eye do it right 'cause I can't do it wrong... that's why the whole world is singin' ANU song" [insert musical note emoji]

[insert musical note emoji] Ah, jam on it... eye said jam-j-j-jam on it... as days turn to night and night turns to day... whatever time it is, I want to hear you say [insert musical note emoji]

[insert musical note emoji] MAXELL Jam on it, jam on it... QUANTUM HARRELL TECH Jam on it, jam on it... 1968 GEN X Jam on it, jam on it... QHT SUPERMAN Jam on it, jam on it [insert musical note emoji]

[insert musical note emoji] Yeah, that's how you do it Cozmo EL... You rocked it, that's the way you do it... Yeah, like, did you see when he went in the MAXELL corner... And he started doin' this... Wikki-wikki-wikki-wikki... Wikki-wikki-wikki-wikki [insert musical note emoji]

[insert musical note emoji] Ah, man, this is too funky for me... I'm goin' home... Hey, Mergatroid, let's go... let's go... Hey, you fellas seen My Quantum IBM [Qi] Sister Mergatroid?!?!?!... She was standin' over here just a minute ago [insert musical note emoji]

[insert musical note emoji] Yeah, I think I saw her over there with Grand D He's rockin' the mic, you know... "Digga dang, digga dang, dang, dang, dang, digga, digga, dang, dang" [insert musical note emoji]

Shhh... Our Super Silent Phase Sound Accuracy & Ultrasound Wave Cassette Mechanism Patents @ QUANTUM HARRELL TECH LLC

QUANTUM IBM [Qi] SPEED LANGUAGE ASSEMBLY [L.A.] SYSTEMS PROGRAMMING AT&T [PA] @ QUANTUM HARRELL TECH [QHT] Apple+IBM [A.i.] LLC

We ANU GOLDEN 9 Ether [WAGE] Music & Humanoid-Android [HA = HARRELL] RUMARDIAN Compu_TAH [PTAH] EMPIRE

WE 2 GOLDEN 9 ETHER SKY FUNKY [FUTURISTIC] 4 artificial intel 2023 america [aia]

OMMMMM

[tutuandscoot]

SD: Sympathy for the Devil- 2018 Winter Olympics, Pyeongchang South Korea

This is probably my all time favourite VM program. As I discovered more of them there are others challenging for the top spot but this is the one I always want to watch and is the one I attach my first impressions of them to- there is always something with this program that I’m watching them like its the first time.

I’ve already raved about the costumes multiple times so lets just get straight into it.

1. The Opening (pose)

Once again we are talking about first impressions here. The first impression of VIRTUEMOIR. And what an introduction it is. I mean holy shit.. they just exude confidence. They really entered that arena and skated onto that ice like they owned it. Like instead of the olympics logo on the ice it should’ve just said ‘property of VM inc’. That soft breathe T takes as she passes the judges, them getting to make eye contact one last time before both turning to face the front. Scott telling her “lets go”. And not in a loud, excited, amped up way. Very calm but full of confidence and, yes now looking at it after knowing so much, a bit of foreboding, like, “alright T, last SD, lets show what we’ve got”. Also his clap and rolling his hands together, ughhhhh I melted… like thats just something you would not have seen him do ever before this season, maybe before this very performance, yet it doesn’t feel unnatural at all. It exudes confidence, he’s so ready to go. It just sets such a tone right away and tells you you really have no choice but to watch them. Taking their time to get to the still starting pose. The sass in their shoulders, the matching pointed toes, how their exact positions are different but complement each other PERFECTLY! Just everything about it I love it all!! Then the one shot on QUEEN T… I think this may have been where I stopped breathing. There is something about that shot of her every time I watch it where I feel like I don’t know her (i don’t- not personally, but given I blog about them everyday I feel like I have a familiarity with them now) something about it still feels like that first time where I thought ‘omg she is so stunning’- not just her physical beauty, but again, her confidence (which I’ll talk about eventually was such an important thing that she be able to have). Maybe it’s that she doesn’t often on or off ice wear make up that heavy, but I loved it and I just felt like I was looking at this real life wonder woman. She was so intimidating (in the best way possible) and just this huge energy which at the same time was so settled and contained. They haven’t even started dancing yet and I’m already shouting about how freaking empowering it was to see a woman in the most nerve racking moment of her life look that unstoppable.

Ok, sorry. This post is meant to be about breaking down the program.. lets do that now and keep the gushing to a minimum. 🤫

2. The Opening (movement)

I can’t stress enough how hard I immediately fell in love with them when I heard that first ‘OWW’. This is one of my fave songs ever and really with the costumes being the first impression and being so different to typical latin (esp ice dance) costumes, not that I thought about it but once the music started it made so much sense that THAT was the song.

On that first ‘OWW’ as T does her point and (idk what to call it so I’m just gonna say) ‘seduction moment’ and she kinda spins a bit on her blade. That had never happened before (in a performance at least) so I wonder if that was maybe one of her little micro bobbles that only she felt. It doesn’t at all look like she was off balance or it wasn’t meant to happen, in fact it looks AMAZING like this because it stretched out that moment and made it so indulgent, and especially when it’s slowed down it’s just freaking magic.

Kurt Browning said in his commentary that Scott looked like an animal who hadn’t eaten in a month when he started and the way he looked at T. That is such a hard quality to pull of well- not have it be over the top or cringy. I always come back to with this dance that they managed to balance being extremely into each other as well as into themselves- acknowledge their own attractiveness and sexuality and play off that together. [The ‘being into yourself’ bit is not to be pompous or arrogant- it about abandoning any fear of judgement and not letting any insecurities show]. That’s what I feel as though specifically Scott’s ‘animal’ vibes are. Wanting to devour her and know she’s gonna want to be devoured by him. All that already portrayed in maybe.. 2 seconds…. 2 seconds into their program and you’re already getting that sense of performance and story from them.

I love that their latin movement compared to a lot of other teams was so much more, relaxed, as well as really dancey and not out of the ‘latin for dummies’ book. It looks so fun, like they are dancing in a latin bar. The latin movement fits so naturally in their bodies (and if it didn’t fit naturally they make it look as though it did). T’s hips are fantastic. She’s not over the top with it which again makes it feel more natural. Blending it with this more casual ‘rock’ music vibes as well helped in it not looking like a typical impersonation of Latin dancing- it was entirely their own thing.

3. THE SAMBA ROLLS

THE MOMENT I WAS SNATCHED.. by that I mean that if I wasn’t already hooked by the costumes and their confidence and their beautiful faces and the MUSIC then this is where I was like oh damn! This was really my first experience watching ice dance with the understanding that it is different than pairs.. my closest understanding of it was ballroom tangos and waltzs. I’m not a trained latin dancer but I know enough about it to differentiate the styles and samba rolls are an iconic movement in samba dancing. When it’s done really well its like the man is stirring the woman. I’ve seen it done where the woman is bending almost equally to all front, back and sides, which also means the man has to be quite flexible for her the bend forward over him as he bends back. TS do this movement incredibly well. They are doing it faster then I’ve mostly seen it done and obviously their footwork is different because they are skating- they have a wider lunge position where as on the floor you would be taking more smaller steps. SO, to see a literal DANCE movement in a skating program done so well and so appropriately as to recognise this as a ‘samba’ dance, not just samba rhythm music (which I feel is what most other teams were doing) which up until now I had admittedly a naive understanding of skaters’ range of dance ability (which I still to this day maintain they are the ball around dancers without a doubt).

The movement after this is fantastic and all still in maybe the first 10/15 seconds of the program is setting the tone as this fun, dancey good time still with all the technical superiority. I almost feel like in that moment just after the samba rolls where he spins her under his arm and they have a little face to face moment, he asked her is she was all good with that little uncharacteristic slide/spin on her very first movement. I obviously have no way to know but in this interview she mentioned in the very beginning of both programs they had some tiny little glitches that only the two of them would’ve felt. Idk, its not a big deal either way but its nice to think about. It looks like they were saying something but it could’ve just been one of their scheduled key words.

4. Non-touch midline step sequence

(Bloody hell that’s a mouthful)

So this sequence mostly stayed the same throughout the season. There were actually some fun moments in the very first version at ACI, but my fave specific version was definitely SCI. It’s almost identical but there are some upper body movements that I love in this earlier version. There just seemed to be more musical detail. For example the little shoulder moment right after they round the corner. Also even though he ‘messed it up’ I like Scott’s ‘centre stage’ moment at SCI (with the ‘eyebrows’ ☺️). Other then that really there’s not much difference (I do not know how to differentiate the skating steps all I care about is the edge quality and the musicality. Their NTMLSS are in general phenomenal and beyond just their amazing skating technique which I just have to take everyone’s word for since I’m not qualified to determine that for fact (but it’s obvious) but one of the things I can identify as part of their excellence is the way they use their upper bodies. This is of course partly them having good choreography but the thing about good chore is it needs to have good dancers doing to make it appear good. I don’t like to call out specific teams on here to compare TS to, but with something like this it’s more a general thing with lots of teams. It’s what I call ‘YMCA’ skating.. where you get all the edges and turns on the music, but quite simple and stiff upper body movements. I will link the full 2018 SD event here so if you have a spare couple hours you can watch for yourself. But anyway, what I find with these types of movements is you start to see the skaters who aren’t actually “dancing” on ice.. The movement becomes broken down into lower body and upper body, with some separation in style and rhythm between the two. It doesn’t look fully coordinated, or the movement is very simple to allow for the skaters to be coordinated. I noticed this a lot both in this seasons (17/18 latin) and the season before (16/17 hip hop/blues) so you can also watch the worlds SD event to see the same thing in some teams. In BOTH TS movement you can see their shoulders move, their hips move, their body rolls. Just look where they both stop in the centre- how far Scott bends back- in a side view photo he’s bending almost 90 degrees back (that’s an exaggeration but it’s really fkn far!) It’s also in their characters- they don’t drop the spirit of the dance just because they are skating difficult steps individually. To summaries they are, you guessed it .. DANCING.. which considering the sport is called ice dance, that’s what I want to see, not skating sections and ‘dancing’ sections.

5. The musical transition

To be perfectly honest.. the very first time I was kinda bummed when the music started to fade out of SFTD.. I was just kinda like ‘oh what that’s all we got of that’. BUT that was literally only for the first time I watched it because watching it a second time knowing to was coming.. it’s is such a fantastic musical transition. I kinda hate how in ice dance they often have to have ‘medleys’. Simply because of the requirements specifically in the SD/RD that has to be at least two “distinct” musical styles. I think I maybe remember reading at one point that in the rules for, I think this season but it may have been the season before.. that the NTMLSS had to be skated on a different rhythm to the set patter, so in this case rhumba. So inevitably unless you find the perfect music that has both the rhythm being used for the compulsory rhumba pattern (coz most teams did not you what I would describe as ‘rhumba’ music) and another of the optional rhythms, at least 2 pieces of music would have to be used. If there aren’t good musical transitions and good choreography to fit those changes, I really tend to hate the medley format. This musical change from SFTD to HC was ✨INSPIRED✨. The way the ‘OWW’s continue but gradually stretch out from 4 counts apart to 8 counts- the first of the last ‘OWWs’ where HC comes in and they hit that layback position 🫠 the sustain that glide itnto the corner. That last one being on the leg flick in the compulsory pattern. It was a tonal shift that along with the layout of the choreography fit so perfectly in creating the whole vibe of the program: This fun and dancey, but also hot and intimate smoothness- rhumba not being on upbeat music, gradually transitioning out of the iconic SFTD lyrics and samba beat.. it was just beautiful..

I’ve already talked extensively about the rhumba pattern so I’m gonna skip that in this post

6. Choreographic moments between the rhumba and the circular step sequence in hold

Ok here we go, everyone’s favourite moment (although there didn’t appear to be a kiss this time ☹️). I reblogged this moment (from the TE) a long time ago when I first started posting on here that I had a very different take on this moment. Basically the gist of it was that I didn’t see it as purely this, hot, intimate, romantic, confirmation they are fucking moment. Yes it is incredibly hot and intimate and made my heart skip a beat, once again, that it’s their job to make you believe that but should be respected when they say that what most assume is not the case off ice (wonder if I’ll ever be able to stop saying that 🙄). But I personally found this to be more of a moment for them where they aren’t executing an element or any particularly difficult/complicated skating steps, to just take a moment to pause, get very close and just check in with each other. It doesn’t last particularly long but in a fast moving program, even a brief moment where they can just come back to their eyes and remind each other they are doing really well and just keep to breathing and stay focused. It can 100% be both that and this hot and indulgent moment at the same time. They can disguise it being a special moment for them in something that serves the character of the program. Also from a choreographic perspective it creates this light and shade in the program. The more complicated it is generally means there is more movement and more steps in it and with skating how it is that they are essentially always travelling and if not then standing on the spot, this acts as a nice highlight moment that also offers some calmness amidst all the intricate, technical skating.

All the lovely intertwining steps following this moment are fantastic as well (hard to see from this angle). That moment where they do stop and do their little latin swaying movement together was great and the best that moment ever looked because a few times earlier on it looked a little uncoordinated.. being much closer and making it more about their bodies then their arms waving I think is what makes this moment much smoother. After this is when I really start to love the partnering because it starts with Scott just manipulating her by holding her waist and it’s like T is rolling around him so effortlessly. Kind like he is playing with water and it just flows through his fingers and flows over each surface. T truly has the most beautiful movement quality. She hardly ever hits a bad position and the way she just fits so naturally in just about every style of movement is just magical. That is so hard. The fact that she started as a ballet dancer and took it very seriously as a young child had clearly stayed with her in the way she caries herself and used that strong core foundation to then add layers of different dance styles. This, then the fact that Scott without that strict foundation ballet training that T had can match her so beautifully while maintaining his own distinct quality of movement is just what makes them the most pleasant team to watch. Nothing feels fake or forced.

7. Some highlight moments in the circular step sequence in hold

So the key requirements for this type of step sequence (*that I know of), (the other being the NTMLSS) is this one has to be fully completed touching the whole time- including in twizzles. It must start in foxtrot hold and finish with a ‘spin/skid stop’ to indicate the end of the sequence. What I like about this step sequence is the flow in and out of traditional holds and more modern ‘open’ holds. It’s again the fluidity of their movement which especially for a rhumba is an ideal quality. In this program they do 3 really distinct Latin styles (cha cha at the end there is only as small sampling with both the twizzles and lift in that section). They dance all these styles distinctly and with the appropriate carriage, energy and expression unique to each one, but have a fluid character storyline running through the whole program which doesn’t make it feel choppy.

I love this first moment in killian hold where they stay on that one LFI turned out edge and in unison passing their free leg from to back with that beautiful epaulement and head line on that high note in the music. That followed by that lovely arch back T has. Again, so indulgent- I’m using that word a lot for this program even though there isn’t really many moments they get to indulge for too long in. Somehow though they are able to create this light and shade through fast moving movement to create moments to feel indulgence and pleasure.

Then of course another fave moment, the ‘which part of T’s arm shall I bite moment’.. aka the ‘Nivea lotion’ moment (- for those who don’t know T posted a pic of this very moment from the team event where S was very close to her bare arm and captioned it ‘when that @ Nivea lotion just smells so good’.. our one and only QUEEN being sassy, flirty, and savage all at the same time 👑) this once again very intentionally but not at all apologetically or designed to stir shit up, is another example of their maturity and new found comfort in their artistry together to express very sensual themes and carry them off so naturally. It’s in the middle of a ‘required element’ where they have to remain in contact and hit all their edges and turns, yet come up with very creative choreography to portray their theme and energy and carry that throughout the dance. It’s like what I was saying earlier about the split you get in weaker teams of the ‘dancing’ and the ‘skating’ moments. With TS it’s this seamless blend of both athletic art forms.

8. Twizzles

It’s really what happens right before these twizzles that I love so much. So once again we get a great musical transition from HC to Oy Como Va. this one more abrupt but the way it goes straight into the guitar solo and really says ‘here we go, home stretch’ like the final song of the encore at a great rock concert. The movement I really love on the build up in the music before the guitar solo starts, is they are in kinda a hand to hand hold, then Scott has his right hand on her back, he kinda delays it there and they look to each other for as long as possible before taking literally one step and then flying into the catch-foot twizzles. I love that kinda delayed contact with his hand on her back, idk it kinda makes me think of it like they’re playing tag or something, or like, ‘ready, set go! I’m gonna race ya!’ There’s something about that and the way I think of it that makes it seem really fun and without actually racing each other- like getting out of sync or off the music, is kinda a great energy to take into those very fast twizzles and the rest of the program as a whole. I also really love what they do with their hands/arms between each of the twizzles- the first one that outstretched arm and jazz hand going into the LBO twizzle, then bringing the arms down again with jazz hands before the last set.

9. I just really love this moment

Ok this is just straight up fun from here on out. I love that moment perfectly on the guitar flick where she pushes off his chest and throws her hands up into that twizzle, then by holding her round the waist he swings her round and that fabulous sweeping edge change.

10. Lift + Ending

Ok here’s where I’m gonna really expose my ‘first timer ice dance viewer ignorance’. At the time I did not know that ice dancers we’re not allowed to do over-head lifts.. VM did this lift-one of their signature lifts for that matter and I thought.. “huh.. that seems a bit simple..”

Now let me explain this. I did not think this lift was easy or simple, it was certainly spectacular- the speed at which they rotated, the one hand in the middle, the smoothness of it, oh yeh and they are on fucking ICE.. what I mean by my initial reaction is a) I was not aware about the no over head lifts thing- I just expected on of those one arm pairs press lifts or something. And b) this is a classic ballroom/Latin style lift I had seen professional Latin dancers do not even to this quality. It looked like a dance lift to me- I just wasn’t expecting that from skaters. It is of course such a great way to finish and in this same event seeing other lower ranked teams attempt this lift then seeing VM do it is really impressive and once again from a comparison pov puts them way ahead of everyone else.

The ending is just so happy. Almost immediately after the music stops they drop the hot, sexy Latin vibes and just become incredibly precious and squishy with their overwhelming joy and pride in each other that they had danced so well. That’s the other thing about them that as amazing as they are and what great actors/performers they are, they’re incredibly genuine and can’t hide their excitement (and for that matter disappointment in those instances) they always remain incredibly professional but to see their personalities shine, especially when this is the first impression of them-it just makes them instantly loveable.

[cointahmin]

Geçen hafta yaşadığımız SEC dump’ından sonra hangi altcoin yahut altcoinler için yatırım yapacağımız konusu değerli. Zira ABD Menkul Değerler ve Borsa Komitesi, piyasa pahası 100 milyar dolar olan 67 kripto varlığı üzerinde bir baskı başlattı. Kripto para piyasasının toplam pahası son yedi gün içinde %8,3 düştü. Şu anda 1 trilyon doların biraz üzerinde seyrediyor. Uzmanlar, bir sonraki kripto boğa koşusunda sahipleri için çıkar sağlaması olası kripto para ünitelerinin bir listesini derledi. Detaylara bakalım.SEC’in listesiUzmanlar, yatırımcıların bir sonraki boğa koşusunda kar elde etmek için biriktirdikleri beş altcoin belirledi. Buna nazaran SEC, Binance’e karşı açtığı davada 10, Coinbase’e karşı açtığı davada ise 13 kripto para ünitesini menkul değer olarak listeledi. Ayrıyeten ABD mali düzenleyicisi, iki kripto para ünitesi borsasına karşı açtığı davada menkul değerler listesine daha fazla varlık ekledi. Öteki taraftan liste toplam piyasa kıymeti 100 milyar dolar olan 67 kriptoya ulaştı.Aşağıda SEC’in menkul değer olarak etiketlediği kripto para ünitelerinin bir listesi yer alıyor:XRP (XRP), Telegram’s Gram (TON), LBRY Credits (LBC), OmiseGo (OMG), DASH (DASH), Algorand (ALGO), Naga (NGC), Monolith (TKN), IHT Real Estate (IHT), Power Ledger (POWR), Kromatica (KROM), DFX Finance (DFX), Amp (AMP), Rally (RLY), Rari Governance Token (RGT), DerivaDAO (DDX), XYO Network (XYO), Liechtenstein Cryptoasset Exchange (LCX), Kin (KIN), Salt Lending (SALT), Beaxy Token (BXY), DragonChain (DRGN), Tron (TRX), BitTorrent (BTT), Terra USD (UST), Luna (LUNA), Mirror Protocol (MIR), Mango (MNGO), Ducat (DUCAT), Locke (LOCKE), EthereumMax (EMAX), Hydro (HYDRO), BitConnect (BCC), Meta 1 Coin (META1), Filecoin (FIL), BNB (BNB), Binance USD (BUSD), Solana (SOL), Cardano (ADA), Polygon (MATIC), Cosmos (ATOM), The Sandbox (SAND), Decentraland (MANA), Axie Infinity (AXS), COTI (COTI), Paragon (PRG), AirToken (AIR), Chiliz (CHZ), Flow (FLOW) Internet Computer (ICP), Near (NEAR), Voyager Token (VGX) and Nexo (NEXO), Mirrored Apple Inc. (mAAPL), Mirrored Amazon.com, Inc. (mAMZN), Mirrored Alibaba Group Holding Limited (mBABA), Mirrored Alphabet Inc. (mGOOGL), Mirrored Microsoft Corporation (mMSFT), Mirrored Netflix, Inc. (mNFLX), Mirrored Tesla, Inc. (mTSLA), Mirrored Twitter Inc. (mTWTR), Mirrored iShares Gold Trust (mIAU), Mirrored Invesco QQQ Trust (mQQQ), Mirrored iShares Silver Trust (mSLV), Mirrored United States Oil Fund, LP (mUSO), Mirrored ProShares VIX Short-Term Futures ETF (mVIXY).Öne çıkan 5 altcoinTwitter’da @0xFinish ismiyle ünlü olan kripto uzmanı, yatırımcıların kan banyosu sırasında biriktirmeleri için beş altcoin belirledi. Uzmana nazaran, bu altcoin kümesi bir sonraki boğa koşusunda kar sağlama potansiyeline sahip. Ayrıyeten yatırımcılar devam eden kan banyosu sırasında bunları indirimli olarak toplayabilir. Listede şu altcoin kümesi var.Arbitrum (ARB)Frax Share (FXS)Curve DAO (CRV)GMX (GMX)Chainlink (LINK)Altcoin Arbitrum, Off-chain labs tarafından geliştirilen bir Layer 2 ölçeklendirme tahlili. Ayrıyeten proje büyük bir pazar hissesi hacmi yakaladı. DeFiLlama’dan alınan datalara nazaran, Arbitrum’da kilitli varlıkların toplam bedeli 2,1 milyar doların üzerinde. Protokolün ARB token’ı bu yazının yazıldığı sırada tüm vakitlerin en yüksek düzeyi olan 8,67 doların %88,41 altında. Buna nazaran 1 dolar düzeyinden süreç görüyor. Ayrıyeten Frax Share, yatırımcıların Frax ekosistemindeki stablecoinlerin ve altyapı protokollerinin yönetişiminde hisse sahibi olduğu bir hizmet tokeni. FXS fiyatı geçtiğimiz hafta %25 düştü. Yatırımcılara tokeni tüm vakitlerin en yüksek düzeyi olan 42,80 doların yaklaşık %90 altında alım fırsatı sundu. Şu an FXS fiyatı 4,88 dolar.Curve DAO’nun CRV tokeni, otomatik bir piyasa işaretleyicisinin DeFi yardımcı program tokeni. Protokol, farklı ERC-20 tokenlarının değişimine yardımcı oluyor. Başka taraftan token takaslarını destekliyor. Bu yazının yazıldığı sırada CRV fiyatı Cumartesi gününden bu yana %4,3 artışla 0,672 dolar düzeyindeydi.

Altcoin GMX, Arbitrum Layer 2 ağında daima bir borsa olan merkezi olmayan borsa GMX için bir idare tokeni. Başka taraftan GMX fiyatı bir gecede yaklaşık %2 artışla 45,15 dolar oldu. Token, tüm vakitlerin en yüksek düzeyi olan 91,07 doların %50,41 altında. cointahmin.com olarak yer vereceğimiz son kripto para LINK. Buna nazaran Chainlink’in tokeni LINK, merkezi olmayan oracle platformunu temsil ediyor. LINK, piyasadaki kripto kan banyosuna karşın Cumartesi gününden bu yana %2,4 çıkar kaydetti. Şu an 5,17 dolardan süreç görüyor.

[joekellyotcglobalholdings]

Buy Hold or Sell: AT&T Inc. (T) vs. InterDigital (IDCC)

Buy, Hold or Sell: AT&T Inc. (T) vs. InterDigital (IDCC) https://www.entrepreneur.com/finance/buy-hold-or-sell-atampt-inc-t-vs-interdigital-idcc/455270 With the growing demand for high-speed data connectivity amid rapid digital transformation worldwide and increasing government investments, the telecom industry’s growth prospects look promising. Amid this backdrop, let’s find out... via Entrepreneur: Latest Articles https://www.entrepreneur.com/latest July 04, 2023 at 04:12AM

[widows-and-orphans-united]

Seeking Corporate Sponsorship: A Mission to Transform Lives Together

I represent Widows and Orphans, a nonprofit organization dedicated to a noble and transformative mission. We stand at the forefront of a unique initiative, blending care for the elderly with support for foster children under one umbrella.

Seeking Corporate Sponsorship: A Mission to Transform Lives Together Greetings, valued readers and potential partners in progress! I write enthusiastically and purposefully, addressing forward-thinking corporations who aspire to make a real difference. I represent Widows and Orphans, a nonprofit organization dedicated to a noble and transformative mission. We stand at the forefront of a unique…

[thyele]

2023年3月25日

向日 葵さん「【いよいよ今週末！】 168 10thANNIVERSARY TOUR 『UNNATURAL～この世は普通じゃないものに厳しい～』 https://t.co/IIvwzscjLn ■3/25（土)UNLIMITS大須 ■3/26（日)OSAKA Rumio  ■4/1（土)池袋EDGE 《一部》LIVE 《ニ部》トーク&ミニライブ ★4/1のみ生配信有り！ 詳しくは https://t.co/7MejZgvYjV https://t.co/TP9jKLb4dW」https://twitter.com/aoi_official/status/1638813758205349888

RYUICHI KAWAMURA INFOさん「【Live2023「Home」#27 “Complete Album III〜人間失格&Concept RRR never fear〜”　ライブ音源プレゼント投票受付中！】 チケット購入特典のライブ音源プレゼントに欲しいと思う楽曲を、3曲選んで投票してください！！ 投票締め切りは3/30(木)12:00まで https://t.co/hPgJM7rjOf」https://twitter.com/RYUICHIinfo/status/1638821725881384961

優多歌Officialさん「いよいよ今日‼️ 2023/3/23 目黒碑文谷アピア40 『仮面／ペルソナ』 開場18:30 / 開演19:00　前・当共￥2000+drink 出演：優多歌vo,eg/ 山崎怠雅ba/ふなもと健祐/dr、　 配信時間19:00～YouTubeで配信を観れます。 無料なので是非、観に来て下さい‼️😊 料金：ドネーション（投げ銭）一口1000円～ https://t.co/FU48mXXjk4」https://twitter.com/yutakarockz/status/1638727625802944515☕️

ふなもと健祐🥁さん「本日、優多歌さんのライブで叩きます🥁 生配信も観られますのでぜひ。 良かったら投げ銭もお願いします〜 2023/3/23(木)19:00〜   【出演】 早川理史(vo,g) 優多歌(vo,eg)+山崎怠雅(ba)+ふなもと健祐(dr)］ 東野康弘(vo,eg) 馬刺し［アベヒロシ(vo,eg)+堀口たかし(dr)］ https://t.co/90RjWHQbsV https://t.co/DyvGsFsIU9」https://twitter.com/funamoch1/status/1638825689439948807

【貴族】Shinpei Mörishigeさん「我々、月城ひまりさんへの祝い酒が度を過ぎていたかもしれない🍾🍾🍾🍾🍾🍾🍾🍾🍾🍾🍾🍾🍾🍾🍾(ご本人は楽屋不在) ハッピーなイベントだったのは間違いない🎊」https://twitter.com/KIZOKU_0927/status/1638828179682103296

森 翼mori tsubasa/MIMIZUQさん「今日乗ったローカルバス。シートが張り替えたてで綺麗やった。ラッキー。しかしエアコンはもちろん付いてない。汗だく。遅めのお昼ごはんは昨日seekさんが食べてるのみて食べたくなったガパオ。醤油ベースな味付けでめっちゃ好みでした。約280円。もちろんエアコンは付いてない。汗だくでペロリ。 https://t.co/rAD5te0VWF」https://twitter.com/mori_tsubasa/status/1638831766017572865

中島卓偉さん「山口哲生さんのレポート、是非読んでください！ツアーは続きます！ #中島卓偉」https://twitter.com/takuinakajima/status/1638832204301373441

中島卓偉STAFFさん「#ディスクガレージ『ライブ・エンタメWEBマガジン「DI:GA ONLINE」』@diskgarage_web にて 「#中島卓偉 HEAVEN’S ROCK さいたま新都心公演ライブレポート」が掲載されました ぜひご覧ください https://t.co/VnibRAdUd6 次回は東京Veats Shibuya！ https://t.co/hqtb6JiLXr #卓偉 @takuinakajima https://t.co/HH00NY1vml」https://twitter.com/helter_takui_st/status/1638828510243590145

United Products Inc.さん「#中島卓偉 埼玉公演のライブレポート キター♪───Ｏ（≧∇≦）Ｏ────♪ 今日は卓偉さんとFM大阪の収録でした🎤 お楽しみに❗️ #you #NAOKI #SHINGO メンバー一人一人、本当に最高な演奏で、このツアーを作ってます。」https://twitter.com/UnitedProducts_/status/1638829759437357057

【貴族】Shinpei Mörishigeさん「忘れられない最幸のSEA夜 敬愛するお師匠様であり人生に大きな影響を与え続けてくださる土��昌己先生と、幾多のステージを共にする盟友であり先輩であるナオヒロさんと音楽談義に花を咲かせました。途中からはこれまた敬愛するSUGIZOさんも交えてニューウェーブ談義に。まさに至福…心臓はバクバクです https://t.co/4UL1j9OK7E」https://twitter.com/KIZOKU_0927/status/1638834114412548096

中島卓偉STAFFさん「【RADIO】リモートインタビュー出演決定！ 3/25(土)27:00-27:55 ON AIR FM大阪『BUZZ ROCK』@BUZZROCKradio DJ:#下埜正太 ゲスト:#中島卓偉 番組HP https://t.co/0gfa0TLuRR 【インターネットラジオ】 ◆radiko https://t.co/Jg31XsG2hQ #卓偉 @takuinakajima #FM大阪 #BUZZROCK https://t.co/BW6oCYRpiq」https://twitter.com/helter_takui_st/status/1638843032698224640

中島卓偉さん「頼む！メンバーシップに入ってくれ！頼む！メンバーシップに入ってくれ！頼む！メンバーシップに入ってくれ！頼むメンバーシップに入ってくれ！頼む！メンバーシップに入ってくれ！頼む！メンバーシップに入ってくれ！頼む！卓偉のファンクラブにも入ってくれ！頼む！メンバーシップに入ってくれ！頼む…」https://twitter.com/takuinakajima/status/1638847195159097345

神田聖子さん「Liveスタート こちらのYouTubeでも配信観れます😊 仮面／ペルソナ』出演：馬刺し / 東野康弘 / 優多歌+山崎怠雅+ふなもと健祐 / 早川理史 https://t.co/NRtazW9iwj @YouTubeより」https://twitter.com/kandaseiko/status/1638844217811439616

ANONYMOUS公式さん「【Release event チケット information】 ANONYMOUS 3rd SINGLE "KILL FINGERMAN" Releaseイベント 2023.4.25(火) 池袋RED-Zone ANERIS ANONYMOUS OPEN:18:00 START:18:30 チケット 発売日3.27(月)〜 前売り¥3,000当日¥3,500 https://t.co/NkulZRmOBV https://t.co/11PaFNbHGM」https://twitter.com/ANONYMOUS_NTIK/status/1638828651184783360

ryoさん「明日のこの時間には始まっている 初のショーケースワンマン 濃密な1日になるなぁ 目一杯声を聴かせてください🗣️🗣️🗣️」https://twitter.com/ryo_dalli/status/1638849190922170368

seekさん「@mori_tsubasa 汁だくガパオ！ うまそうやん。」https://twitter.com/seek_bonshisya/status/1638851717608652806

ﾀｶﾂｷさん「明日名古屋クラブロックンロールのフリーギグにて前回即完だった『お札たおる』復活します！通販でも今回は販売しますので遠方の方は是非通販をご利用ください！ そして前回3/4よりしれっと登場した垂れロゴロンTも袖の部分がゆったりとしててシルエット可愛いです。春に丁度良い感じの生地の厚さ！ https://t.co/292gITa3bP」https://twitter.com/attsu_of_death/status/1638858507016613889

森 翼mori tsubasa/MIMIZUQさん「池のある公園にふと立ち寄った。適当に腰かけてぼーっとこれからのことについて考えてた。1本30円の水が空っぽになる頃、２つの癒しと出逢えた。疲弊しそうな心にそっと、日常の美しさが沁みる夕暮れ。 I Want To Hold Your Hand #ビートルズ #Beatles https://t.co/CejduG7cRI」https://twitter.com/mori_tsubasa/status/1638862224461803523

金髪豚野郎K助(偽殿下)さん「1ヶ月きったやでー！ 楽しみー (°_°)」https://twitter.com/goldenpigdrumer/status/1638863909410209798

Yoshikiさん「心の中では、#YOSHI も入れて14人！ #YOSHIKI @xy___official @RealGold_XY "#YOSHIKIプロデュース「#XY」デビュー曲TV初披露　強烈個性に #CrazyLove https://t.co/rzIIVkyjXB」https://twitter.com/YoshikiOfficial/status/1638865428180262913

Karyuさん「明日再び声を浴びるんだ！ おかしくなる程浴びるんだ😈」https://twitter.com/karyu_official/status/1638867774759108609

Ivy darknessさん「明日は金曜日 金曜日といったら二万電圧 暗黒ヴァイオリン よろしくな https://t.co/v72S5xecwf」https://twitter.com/IVY_DOPE_SHOW/status/1638870662063472641

魚住 英里奈(独唱)さん「撮影　@hello_youkoso」https://twitter.com/erina_chas/status/1638871293423648768

森 翼mori tsubasa/MIMIZUQさん「旅のキリトリ。タイのディープなとこに来た気分を味わってください。」https://twitter.com/mori_tsubasa/status/1638875401933193217

邪悪四弦LINAさん「紅番区スタジオ練習です ちなみに明日のLIVEで鍵盤を弾く訳でもありませんし当然ながら鍵盤自体全く弾けませんけどね(°_°) アッハ☆(°_°) https://t.co/yU2Bp5v01S」https://twitter.com/L_ch_vazm/status/1638878738543947778

悠歌-youka-【IOLITE -ｱｲｵﾗｲﾄ-】さん「《チケット取り扱い》 A. 【TIGET前売り予約サイト】にて一括予約 (No.1から発券) https://t.co/RIvRx8j3hL ※03/30(木) 23:00～受付開始 (05/19(金) 23:00まで受付可能) B. 当日券 《入場順》 A ⇒ B ■Official Web Site■ https://t.co/K8Z4Ez0eQn https://t.co/kMrgGzPh2I」https://twitter.com/lament_youka/status/1638858766358822912

キリ(luin)🥁さん「5/20池袋手刀◎【IOLITE-アイオライト-】サポートでE.T主催に参加します🥐 めちゃ楽しそう〜！(o >ω<)o CHOP BOOT CAMP 2023 良いタイトルです笑」https://twitter.com/kiri_drums/status/1638879382357045248

森 翼mori tsubasa/MIMIZUQさん「【TV出演情報】 本日3/23(木)27:05〜 ◆フジテレビ系音楽情報番組 「Tune」にて『アイラブユーの世界』のMVとMIMIZUQメンバーのコメントがオンエア！(※編成の都合上、放送内容・時間が変更になる場合があります。) 27時って…夜中3時か。 こっちではam1:00🇹🇭 祝TVってことで一緒に夜ふかしするか。 https://t.co/xK0gWX9QhI」https://twitter.com/mori_tsubasa/status/1638880082830970881

キリ(luin)🥁さん「そして明日は◎ IOLITE-アイオライト- 目黒ライステお久しぶりです〜！ dieS主催張り切って行って参ります(￣^￣)ゞ✨ 御予約はこちら↓ live-st@livestation.co.jp 配信もアル🎥 https://t.co/KP9gDguAm7」https://twitter.com/kiri_drums/status/1638881103531622401

seekさん「Psycho le Cemuニコ生 サイコチャンネル終わり 俺たちの大天使AYAくん。 お誕生日おめでとう。 ギター弾いてる時も 食べてる時も 寝てる時も かわいい #AYAくんかわいい https://t.co/KrRczKpgPU」https://twitter.com/seek_bonshisya/status/1638886995400491008

横山企画室さん「いよいよ明日 https://t.co/7Y0qBknBkJ #HUG」https://twitter.com/yokodile01/status/1638890223093563394

nao 首振りDollsさん「写殺行ってきた。 賑わってたよ〜。」https://twitter.com/kubihuri_nao/status/1638890397945712640

魚住 英里奈(独唱)さん「私の不思議話を紹介していただきました。 これまでの不思議な体験や気持ち悪い体験を不思議大百科のお二人に話して貰ったことでなんだか救われました。 田中さん下駄さんありがとうございます。 @geta_hanao @tetsu_gamon」https://twitter.com/erina_chas/status/1638890644956676096

Lucifer's undergroundさん「2023年5月15日 今池CLUB 3STAR 前売¥4,000/ 当日¥4,500 (D別) 開場18:00 / 開始 18:30 共演 UNDER FALL JUSTICE MEME La'veil MizeriA Lucifer's underground ■Ａ：e+(4/8 10:00) https://t.co/QOGQIIB9rn ※整理番号のスタートはランダム ■Ｂ：当日券 ※バンド予約無し 入場順：整理番号順」https://twitter.com/Lucifers_Info/status/1638894174165667840

lucy+peter=esolagoto / 中村真悟さん「籠もってました。 いつも思うんですけど 隣の部屋の爆音バンドに「あの、ちょっと音大きいので、あわよくば少し下げて貰えたら嬉しいナァーなんてハハハ、あわよくばの話ですよ」と���う気持ちを伝えるボタンが欲しいです。 https://t.co/b7BDv1swQE」https://twitter.com/lucy_peter/status/1638897498147401734

seekさん「本日の衣装はスタイリストさんがご用意してくれたものなんですけど 20年以上前にVivienne Westwoodでオーダーされたスーツとのことで フィッティングで一目惚れして 毎日眠れないので 所有者の方にどうにか譲っていけないかと懇願しています まるで運命かのようにサイズもぴったり めっちゃ好き https://t.co/ETtdJOFVc3」https://twitter.com/seek_bonshisya/status/1638899573082193929

Drum 篤人さん「「燃えたよ…真っ白に…燃え尽きた…まっ白な灰に…」」https://twitter.com/atsuto0107/status/1638901676483682305

源 依織さん「アーカイブ観ても楽しいわ。笑 あと言い忘れてましたがThank you sold out! 配信のアーカイブ販売は4/3まで。 廃人バンド通販チェキの販売も4/3までです。 1部 https://t.co/ha9RxVKCzM 2部 https://t.co/BWWwcdE6RC 通販チェキ https://t.co/epY75vLDVH さて、そろそろスイッチ切り替えます。 https://t.co/GQ5HDsahkm」https://twitter.com/prin_guitarist/status/1638904413665513477

seekさん「MIMIZUQ 初の地上波まで あと4時間。 気長に待とう。 やらなあかん仕事は山程ある。 フジテレビ系音楽情報番組「Tune」にて「アイラブユーの世界」とコメントがオンエア！ ※3月23日(木) 27:05～ 放送 ※編成の都合上、放送内容・時間が変更になる場合があります。 https://t.co/QMT3j8SiS8 https://t.co/CoJ6Xts6B1」https://twitter.com/seek_bonshisya/status/1638908124190085126

松本 ユキ子さん「LUNA SEA、X JAPAN、THE LAST ROCKSTARSのSUGIZOさん、 ダンスアーティスト西島数博さんによる公演、 SUGIZO×西島数博【∞ RHAPSODY】 https://t.co/toSB7QNt3J リハーサル進行中です 楽曲もどれも素晴らしくとてもワクワクしています、素敵な機会頂き感謝です🙏 3/31-4/2🌹南青山BAROOMにて上演です https://t.co/vQW8pRRkvM」https://twitter.com/yukiko_mtmt/status/1638869917373202432

Yoshikiさん「フランスの新聞の記事！ 読んでみて #YOSHIKI "Les mille facettes de Yoshiki https://t.co/SVf3eRppzS via @lopinion_fr @yoshikimono #yoshikimono」https://twitter.com/YoshikiOfficial/status/1638909252894064641

こもだまり｜昭和精吾事務所さん「廻天百眼のトリックスター、ざっくんこと桜井咲黒がついにTwitter復活🔥 4月の #万物教会 ライブ@池袋手刀 で久々共演できるので楽しみ。」https://twitter.com/mari_air/status/1638911566639947777

あかりんさん「REBORNのEDですべり台が1番好きなので咽び泣いてる、、、 全部好きだけどさ、、、」https://twitter.com/mydear_stardust/status/1638869027568373762

UNCLOCK LOVER 頼田陵介さん「IK MultimediaのアンプシミュレーターTone X が無料版なのに良質なんだが😱 こないだちゃんと有料で買ったwavesのヤツより良いからわりとショックを受けているw」https://twitter.com/yorita_ryosuke/status/1638918418639491072

こもだまり｜昭和精吾事務所さん「⛩こもだまり出演 （Vocal/アジテーション） 🪐 ACM::: ※guest Drum：Shintaro @Shintaro_iod ━━ 3/27日(月) 池袋手刀 『美NEO_G.』19:00start ［出演］ ACM::: about tess Geomatrium デンタク 🛞ご予約 https://t.co/rjMqnl2rHx ※ アンケート欄に［お目当てのグループ］をご記入ください https://t.co/8RDGQQn3yD」https://twitter.com/mari_air/status/1638918902494404609

NAOKIさん「誤字が………酷い＿|￣|○ 東名版て……東名阪でござぁす🦙」https://twitter.com/official_NAOKI/status/1638919212382171137

こもだまり｜昭和精吾事務所さん「来年のためにメモを残したら、発表会の動画編集して、次のSSJ企画の準備をするのだー！ 次の出演はこちら🎤 3本連続・池袋手刀ライブ！ ※紅夜さんとずっと一緒🌝 3/27(月)ACM::: 4/21(金)ACM::: 4/28(金)#百眼「#万物教会 の音楽祭」 SSJもそろそろツイキャスしましょうね。 #AConcreteMur https://t.co/xy0g8PyCTB」https://twitter.com/mari_air/status/1635738419166072833

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<br> </p><p>&nbsp;</p><p>&nbsp;</p><p>This Employee Handbook (“Handbook”) is a compilation of personnel policies, practices and procedures currently in effect at Kinyon Construction (“Company”);

A great tool for getting everyone on the same page is using an Employee Handbook. We have created and used this template for our own construction companies for

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KGM Contractors, Inc. Employee Handbook Examples include but are not limited to insulting or degrading sexual remarks or conduct;.

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Examples of prohibited gender-based contact include: • offering or implying an employment-related reward (such as a promotion or raise) in exchange for sexualThis handbook is your guide to Marbury Construction's policies, which you need to be aware of as a member of our team. Since space does not permit this to

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