#Amrit dubey

[cryingadenium]

Kali commission (com open)

[mitrofanovartist]

Amrit Dubey

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#video - देवर के दाल भात | Anu Dubey Holi Song | Astha Singh , Amrit Dub...

[gulnarsultan]

yandere headcanons amrit dubey, please

I guess you want the Romance Club character. I hope I understood correctly. Feel free to misrepresent.

Amrit is overly possessive towards you. He can never agree to share you with anyone. She wants all your attention and love. She has a superiority complex she. So you need him in his thoughts. That's why he thinks you wouldn't exist if he wasn't in your life. You are very controlling. He wants control of everything in your life. He gets angry when you don't let him control it. He does not hesitate to manipulate you and use his guilt against you. He manages to hide your inclinations thanks to his gentle behavior towards you. He does not hesitate to use his social and material power to get you.

[risendella]

[indomitable-mrs-barkley]

ABOUT THE CREATION OF AMRIT DUBEY 🌙

Source

"As I said earlier, the character didn't really have a prototype. Digging through the correspondence and the terms of reference that I did for the artist, I found an actor whose features we initially tried to focus on. This is Manu Rios, a Spanish (sort of?) actor. As the character was developed, we moved further and further away from the Manu type, which I'm glad about, because he is too cute and ... commercial, or something. I wanted something unusual, after all, the character, as many guess, is very ambiguous.

I thought for a long time how to make Amrit's appearance reflect his character, position and world view. This is a wealthy and attractive man who is well aware of this. He is used to taking what he wants, using any method and playing by his own rules.

The skin immediately thought dark, but with hair and eyes, I thought for a long time. “Maybe make them ashen? And the eyes are blue or yellow, a cool combination.” Then I thought: it will turn out to be similar to Geralt of Rivia, and it will look like a clear bust. As a result, the hair was left dark. Then they suffered with a hairstyle, facial features, and a lot of things. He was not easy to create. It was important that the two traditionally Indian men, Ratan and Amrit, not be too similar to each other."

"I decided not to make the highlight bright, and hid it in two places: in two-tone eyes and in facial expressions. When we get to know the character even closer, it will be possible to observe how he is angry, how he smirks. I think that Sophia, the artist, perfectly conveyed the character of the hero.

Below, in addition to Manu Rios, I will attach two more photos. I also attached them to the TK, as similar to the idea of ​​men conveying the vibe of the character.🌙"

[weimdrk]

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[gokul2181]

Every character is a responsibility: Kumud Mishra

New Post has been published on https://jordarnews.in/every-character-is-a-responsibility-kumud-mishra/

Every character is a responsibility: Kumud Mishra

The actor, who plays his first lead role as a circus artist in the recent film ‘Ram Singh Charlie’, talks about his transition from theatre to cinema

Famous in theatre circles for over 25 years for his many memorable performances (Shakkar ke Paanch Daane, Kaumudi, Muktidham etc.), Kumud Mishra is now making his mark in movies. His latest film, Ram Singh Charlie, directed by Nitin Kakkar and released recently on SonyLiv, features his first role as lead. His performance as the eponymous character elevates the well-written story about the struggles of a circus artist. He has acted in other films too, including Rockstar (2011), Filmistaan (2014), Airlift (2016), Sultan (2016), M.S. Dhoni — The Untold Story (2016), Mulk (2018), Article 15 (2019), Thappad (2020) etc. Excerpts from an interview:

We’ve been hearing about ‘Ram Singh Charlie’ for a long time. When was it made?

We finished filming in 2015 and post-production work was completed in 2016. It took four-five years of struggle to release it — it’s the same story with every independent film. But now, we’re are happy with the response we’ve been getting after its OTT release. It reaffirms our faith in the film. I think it has come at the right time.

Why is this the right time?

Because the struggle of Ram Singh in the film is something many of us are going through. Workers have lost jobs; cinema theatres are closed. So many people are suffering without work. Film stars might survive on their savings, but what about technicians, spot boys etc? In other sectors too, people have lost jobs. All of them can relate to Ram Singh’s struggle when the circus shuts down.

When did you come to Mumbai?

In 1995. I came at the behest of my guru, Satyadev Dubey, who had set me up for a screen test for a new film (The Making of the Mahatma; Shyam Benegal). The plan was to complete the audition and go back in 3-4 days. But when I reached PMGP colony, I decided that this was where I wanted to live. I had no ambitions to work in cinema or television. My interest was theatre, and since Dubeyji was in Mumbai, I started working with him. I then met Sunil Shanbag and worked with his theatre group, Arpana, in many plays. At the same time, I also got television work in Mahesh Bhat’s Swabhimaan and Tanuja Chandra’s Zameen Aasmaan.

In theatre, you have played the main protagonist’s role more often than not. But in films, at least until now, you’ve been doing small roles. As an actor, how do you negotiate this difference?

I am fundamentally an actor. I don’t care how long or how important the character is . My focus has always been what I am learning and with whom I am working. In both theatre and cinema, the team is very important. More so in theatre, because you are spending so much time together. For example, with some directors like Abhishek Majumdar, you are together for 8-10 hours every day during rehearsals. In Mumbai plays, we work a minimum of 3-4 hours in rehearsals every day. If there have been moments where I have felt that I have been given a smaller role, I have consciously fought my ego and reminded myself that I am an actor and my duty is to be able to perform any role. As far as television and cinema are concerned, you are a product there. So, your fees and sometimes the length of your role are dependent on your market value, and there is no question of nurturing my ego there. Yes, at times I feel that I should be getting much better work. But the most important thing for me is that I do justice to the roles I get.

What was your first film?

Sardari Begum (1996). It was a dream come true — I was in a frame directed by Shyam Benegal.

You took a long break from movies after ‘Sardari Begum’. When and how did you come back to films?

Amrit Sagar was making 1971 in 2007. It was written by Piyush Mishra, and a lot of theatre friends like Manav Kaul, Deepak Dobriyal, Chittranjan Giri, Ravikishan and Manoj Bajpayee were part of the project. I couldn’t say no. But even though it won a national award, it didn’t do well in cinemas. Then Rockstar came to me via the casting director, Mukesh Chhabra. This film made me popular among the general public, and so began the second phase of my journey in films.

Do you think OTT platforms have led to an increase in content-oriented works and more talented actors getting work?

I think it is what society today demands — people clearly want something new and real. And we have a new generation of directors and writers who are interested in telling different stories. Also, due to the lockdown, the significance of OTT platforms has increased tremendously, and now many younger, talented folks who were waiting in the wings are getting opportunities. And because people have so many options on these platforms, any work that’s not good vanishes quickly into a black hole. The chalta hai attitude will no longer work.

As far as big films are concerned, for that matter any film, the cinema theatre is the place for them. The collective experience of watching a film in a theatre is vital for the art. And big budget films are essential for keeping movie economics healthy. They invest big money and earn big money, which feeds many mouths.

How different is acting in theatre and acting in a film? How do you negotiate the different demands of the mediums?

The new film directors have been a blessing. They don’t treat actors differently. For instance, Anubhav Sinha has always given me the full script. Same with Imtiaz Ali. For Rockstar, I worked for one-and-a-half months on the script and the language. I never felt I was treated differently compared to a star like Ranbir Kapoor. Of course, the mediums are different. In theatre, you rehearse so much that your role becomes a physical memory. In cinema, when I am in front of the camera, I am only worried about the other character. I don’t have to perform for the camera. But in theatre I have to be aware of the space and the audience as well as the co-actor, and I project my performance accordingly. For instance, the way I would perform at Prithvi and the way I would at Rangashankara are different, and it also depends on the audience energy since it is live.

Ram Singh is your first lead role. How did the film happen?

After Filmistaan, when we met at a party, Nitin Kakkar had told me about his plan to make this film. He asked me if I wanted to do it. After I heard the script narration, there was no way I could have rejected such a role. At this juncture in my career, I consider myself lucky to be offered an opportunity to play such a character.

It is a challenging role; you essay all kinds of emotions as well as impersonate Charlie Chaplin. Did you prepare differently this time, knowing the film’s responsibility rested on your shoulders?

Playing the lead role does not necessarily increase your responsibility. Every character is a responsibility. When Nitin cast me in Ram Singh Charlie, I was overweight, and he wanted me to play a Charlie Chaplin impersonator. I had to work very hard. I used to go to the office in the morning and work till evening. There were classes lined up — dance classes, Chaplin training and script reading sessions all day. It was an exciting process. So, yes, it was difficult.

You have recently started using social media. It seems there is more scrutiny than ever of celebrities on social media; they have to be on guard all the time.

I am not at all comfortable with social media. I signed up to promote the new film. Social media has big reach and has its own place, but it is not society. It’s unfortunate that it has started dictating the conversations in our lives. It’s a tragedy that newspapers have gone out of our lives. As an actor, an artist and a person I have an opinion on politics, economics and society and I don’t hesitate to express myself. But I don’t want to use social media to express myself. I will directly converse with my society instead.

How do you see your journey so far?

I live in the present. Thankfully, my memory is bad, so I don’t dwell on the past at all. I don’t see Ram Singh Charlie or any other work in the context of a 25-year journey. But I have really enjoyed the journey. I still feel as nervous when I have a new role as I did 25 years ago. Yes, I understand the craft better now, but that’s a double-edged sword because you tend to resort to your bag of tricks. I am happy with where I am. Both my personal and artistic journeys have been very satisfying.

The Bengaluru-based writer is a theatre artist and documentary filmmaker.

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[news82831]

Editor-in-chief of Amrit Sandesh Govind lal Vora’sBody merges in quintessence

Chief editor of Amrit Sandesh Govind Lal Vora’s body was cremated on Monday with quintessence at Marwari cemetery. The last rituals were performed by his elder son Girish Vora. People from the journalist, writers, public representatives to politicians were gathered in huge numbers. Governor Balramji das Tondon, Chief Minister Doc. Raman Singh, Minister brigemohan Agrawal, and director GaurishankarAgrawal ,Vis director Agrawal, parliament Ramesh bais, parliament TamradhwajSahu, Chandrashekhar Sahu, ChaganlalMundada, Doc. Charandas Mahant, PL Puiya, Bhupesh Baghel, Arvind Tiwari, Umesh Patel,reraAdhyaksh Vivek dhand,Sunil Kumar, K Khaitan,G S Mishra,MansinghParpar, Chandrakant Udake and Swaraj Das gave him final goodbye. Govindlal Vora passed away on Sunday night around 11 pm in a private hospital of Gurgaon Delhi during his treatment.

Soniya and Rahul Gandhi got informed by relatives

Congress former director Soniya Gandhi and director, Rahul Gandhi called Motilal Vora and took entire information about the incident. Showing her concern she talked over call for about 10 mins to Motilal Ji Vora regarding Govindlal Ji’s health. She even asked that there was an improvement in his health then how come this happened. Both mother and son express their solace for their family. Motilal Devangan, Mayor Pramod Dubey along with officers of different departments gave an honourable tribute to Vora Ji.

[raipurnews]

Editor-in-chief of Amrit Sandesh Govind lal Vora’sBody merges in quintessence

Chief editor of Amrit Sandesh Govind Lal Vora’s body was cremated on Monday with quintessence at Marwari cemetery. The last rituals were performed by his elder son Girish Vora. People from the journalist, writers, public representatives to politicians were gathered in huge numbers. Governor Balramji das Tondon, Chief Minister Doc. Raman Singh, Minister brigemohan Agrawal, and director GaurishankarAgrawal ,Vis director Agrawal, parliament Ramesh bais, parliament TamradhwajSahu, Chandrashekhar Sahu, ChaganlalMundada, Doc. Charandas Mahant, PL Puiya, Bhupesh Baghel, Arvind Tiwari, Umesh Patel,reraAdhyaksh Vivek dhand,Sunil Kumar, K Khaitan,G S Mishra,MansinghParpar, Chandrakant Udake and Swaraj Das gave him final goodbye. Govindlal Vora passed away on Sunday night around 11 pm in a private hospital of Gurgaon Delhi during his treatment.

Soniya and Rahul Gandhi got informed by relatives

Congress former director Soniya Gandhi and director, Rahul Gandhi called Motilal Vora and took entire information about the incident. Showing her concern she talked over call for about 10 mins to Motilal Ji Vora regarding Govindlal Ji’s health. She even asked that there was an improvement in his health then how come this happened. Both mother and son express their solace for their family. Motilal Devangan, Mayor Pramod Dubey along with officers of different departments gave an honourable tribute to Vora Ji.

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#video - Patna Ke Ghat | Amrit Dubey , Anu Dubey Chhath Song | पटना के ...

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Raipur News: Amrit drops not drop in 1.5 lakh homes

Raipur News: Amrit drops not drop in 1.5 lakh homes

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Publish Date: | Mon, 24 Aug 2020 01:56 AM (IST)

Madhukar Dubey

Raipur. New world

The Amrit Mission scheme fell prey to lethality and corruption of officers. Under this scheme, tap connection has to be given in every house. For this, five water tanks are also under construction in the city. The target of laying 1,364 km of pipeline to deliver water from the new and old tanks to…

[indomitable-mrs-barkley]

I AM OBSESSED!!!! PEOPLE...... AMRIT IS 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥... I might dump my current LI for him....... 😱😱😱...

He's making me feel things!! He better be a LI. I WON'T ACCEPT ANYTHING ELSE.

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#video - भैरो जी के दिदिया | Bhairo Ji Ke Didiya | Amrit Dubey Devi Gee...

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मेला में झमेला | Mela Me Jhamela | Anu Dubey New Song | Amrit Dubey | Bh...