Au moment d'apprendre la mort de Carl Andre (1935-2024), on ne peut pas ne pas penser à celle, tragique, d'Ana Mendieta (1948-1985).
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1 Ana Mendieta
2 Anne Sexton
3 Jeanne Moreau
Some of my sketches, part one. I have a lot of sketchbooks but I'm a slow drawer. So it takes me a lot of years to finish one.
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Ana Mendieta, would be 75yo today... (updated)
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Artform magazine apr 1992
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Installing my major work from Fowlers Gap for our group exhibition: “Silueto 261”. Inspired by the “Silueto” series of #anamendieta, it is a classic example of making all the mistakes and getting something better than I’d imagined. Lol. “Ways of Seeing” opens tonight 1 December, 6.30-8.30pm at Comber Street Studios, Paddington and runs for a week. ... @unswada @unsw_fowlersgapstation @australia @australiagram @visitnsw @comberstreetstudios @ways_of_seeing_exhibition #MattiDoingArt #rustlord_unity #weareexplorers #travel #wanderlust #tv_australia #australiagram_mobile #exploringaustralia #igersaustralia #australianartist #artaustralia #instaartwork #instaartoftheday #fowlersgap2021 #fieldtrip #exhibition #outbackart #australianoutback #cyanotype #photography #bluesaturday #blue #rustlord_blue #cameralessphotography 25 (at Comber Street Studios) https://www.instagram.com/p/ClnfVTBrht6/?igshid=NGJjMDIxMWI=
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new url needed any suggestions?
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Turned Into Sterile Land
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design: @la.ejemplar, typefaces: @floriankarsten, photo: @perezpuig
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#repost #TheBookDesign #artdirection #editorialdesign #graphicdesign #booklover #bookdesign #typography #coverbook #bookcover #graphic #design #print #redbook #artbook #museomac #museum #exhibition #anamendieta #reginajosegalindo #latinamericanart #FKSkreamer
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tagged by @greatestlittlegiant for my faves of 2023!
fave reads of 2023 (regardless of actual publication date):
the idiot by elif batuman
heartburn by nora ephron
lord of scoundrels by loretta chase
strangers to ourselves by rachel aviv
euphoria by lily king
romantic comedy by curtis sittenfeld
fave 2023 albums:
desire, i want to turn into you by caroline polachek
honey by samia
did you know that there's a tunnel under ocean blvd by lana del rey
the rise and fall of a midwest princess by chappell roan
fave 2023 movies:
priscilla
barbie
the killer
poor things
are you there god? it's me, margaret
bottoms
tagging @anamendieta @blueherons @jewishenjolras @princessdiaries2 @whitealbum
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When you see this, post 5 songs you actually listen to and tag 10 awesome people! thanks @halfagod sorry it took a minute, i deleted the tumblr app from my phone bc i was so fed up with the updates so i haven’t been on as much. but i am on desktop and i love music so.
1. ingydar - adrianne lenker
2. the knife - maggie rogers
3. drover - bill callihan
4. orange blossoms - half waif
5. never let me down again - depeche mode (what can i say, the last of us has gotten to me)
i’ll just tag a couple people: @mimires @anamendieta
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Exposición “La vida es inmortal cuando se acaba”, Alejandra Glez
Exposición “La vida es inmortal cuando se acaba”, Alejandra Glez
Exposición “La vida es inmortal cuando se acaba”
Alejandra Glez
07.03.2020
Galería Acacia
(Texto a propósito de aniversario de Ana Mendieta)
Revisando y haciendo coincidir este texto con la fecha de nacimiento de #anamendieta, artista multifacética -escultora, pintora, artista del performance y videasta- adelantada para su tiempo, espero sirva de un nuevo homenaje a quien la crítica…
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Untitled (Guanaroca [First Woman]), Ana Mendieta, 1981/1994, Brooklyn Museum: Elizabeth A. Sackler Center for Feminist Art
Black and white photograph of carved cave Cueva del Aguila, Escaleras de Jaruco, Havana. © The Estate of Ana Mendieta Collection Courtesy Galerie Lelong, New York
Size: 53 1/2 x 39 1/2 in. (135.9 x 100.3 cm)
Medium: Gelatin silver photograph
https://www.brooklynmuseum.org/opencollection/objects/5032
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Where is Ana Mandieta?
¿Donde esta Ana Mendieta? ... #STOPWARONWOMEN
... "I went to art school with Ana and I completely believe what Carl Andre said, that she jumped out the window in a fit of anger at him. Consider it her final performance. If you really want a target for righteous anger, you might consider her art school professor who would technically now be considered a rapist by assertion of his position of authority. Ironically, he was grading her on rape performance artworks."
https://lareviewofbooks.org/article/carl-broke-something-on-carl-andre-ana-mendieta-and-the-cult-of-the-male-genius
Let’s briefly unpack the contempt and misogyny and professional jealousy of this anonymous commenter. He wants so desperately to believe it is more likely that Mendieta threw herself, her talent, her imagination, her burgeoning career, out of a window in a fit of pique rather than being pushed by her drunk husband in the middle of a violent fight. He wants to believe that anyone angered by her death is simply looking for a target for righteous indignation over sexism. He tells us to get hysterical over something else — that her teacher, the first person to document her work and support her talent, was also her lover. He equates her death with her sex life, her death with her performances, her death with her art — and reduces women’s agony over this life to feminist hysteria.
learn more about the Artist:
https://palianshow.wordpress.com/2022/11/18/ana-mendieta/
https://palianshow.wordpress.com/2021/11/17/ana-mendieta-would-be-73yo-today/
#palianshow #womensart #artbywomen #artherstory #anamendieta
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#Herstory #UnDíaComoHoy
#AnaMendieta (Cárdenas, 18/11/1948 – NY, 8/9/1985) #artista conceptual reconocida por sus obras de arte y performances en el marco del #LandArt. Llegó a USA como refugiada con 12 años y regresó a Cuba varias veces para recuperar sus raíces. Viajó por México y Europa. Murió a los 36 años, al caer desde el piso 34 de su apartamento, después de una discusión con su marido, el artista #CarlAndre, quien fue juzgado por asesinato y absuelto. La absolución fue cuestionada por familia/amigos cuando fue juzgado por un juez y no por un jurado sin que el fiscal le interrogara. Grupos feministas del mundo del arte denuncian la #discriminación que sufrió su caso ante la justicia por cuestión de raza y por ser refugiada frente a un artista "cuyo pasado violento es eclipsado sistemáticamente por su estatus y privilegio". También denuncian que durante el juicio el arte de Mendieta se usó como "prueba" de una supuesta inestabilidad mental y no se consideraron testimonios incriminatorios claves. En 1992, el Guggenheim de NY inauguró una galería en el Soho donde se concentraron unas 500 manifestantes, muchas de ellas con pancartas que decían #WhereIsAnaMendieta #DóndeEstáAnaMendieta para protestar porque habían incluido una obra de Andre en la exposición pero se habían olvidado de Mendieta 7 años después de su muerte. Desde entonces se han organizado varias acciones de protesta denunciando el intento de borrar a Mendieta del canon y de la historia de Carl Andre. Creó colecciones de trabajos con siluetas de su cuerpo creadas en barro, tierra, rocas, flores silvestres y hojas. Elaboró performances que evocaban las tradiciones populares como la práctica de santería. En sus piezas usaba la sangre "como un elemento mágico y poderoso" que evocaba el poder de la sexualidad femenina y el horror de la violencia sexual masculina. En sus autorretratos distorsionaba sus rasgos en vidrio, se imaginaba goteando sangre o se disfrazada de hombre pegándose vello facial. Desde su muerte se han organizado numerosas retrospectivas de su obra. #efemérides #mujeresyarte #educarenigualdad #educarenfeminismo #schooloffeminism https://www.instagram.com/p/CiPYoxFDhCj/?igshid=NGJjMDIxMWI=
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