Thanks to “Ragdoll”, we can add a $10 to our list of banknotes we’ve seen up close on Bluey. It features Andrew Barton "Banjo" Paterson, famous Australian poet, journalist, and author— he wrote “Waltzing Matilda”.
Also, here’s some loose change, a bonus because this is a short post.
And he sang as he watched and waited till his billy boiled
"You'll come a Waltzing Matilda with me"
Down came a jumbuck to drink at that billabong
Up jumped the swagging and grabbed him with glee
And he sang as he stowed that jumbuck in his tucker bag
"You'll come a Waltzing Matilda with me"
Waltzing Matilda, Waltzing Matilda
You'll come a Waltzing Matilda with me
And he sang as he stowed that jumbuck in his tucker bag
"You'll come a Waltzing Matilda with me"
Down came the squatter mounted on his thorough-bred
Up came the troopers one, two, three
"Whose that jolly jumbuck you've got in your tucker bag?
You'll come a Waltzing Matilda with me"
Waltzing Matilda, Waltzing Matilda
You'll come a Waltzing Matilda with me
"Whose that jolly jumbuck you've got in your tucker-bag?
You'll come a Waltzing Matilda with me"
Up cut the swagging and jumped into the billabong
"You'll never catch me alive" said he
And his ghost may be heard if you pass by that billabong
"Who'll come a Waltzing Matilda with me?"
Waltzing Matilda, Waltzing Matilda
You'll come a Waltzing Matilda with me
And his ghost may be heard if you pass by that billabong
"You'll come a Waltzing Matilda with me"
Lexicon:
Matilda: Bundle of possessions
Swagman: Transient labourer
Billabong: Stagnant pool
Billy: Cooking pot
Jumbuck: Sheep
Tucker: Food
Swagging: Travel with your possessions in a bundle.
Well as you might have guessed, we went to the Waltzing Matilda Museum in Winton. This is a stunning new building, 2018, which replaced the old one that as you might correctly assume burned down in 2015. Pretty much all of the memorabilia displayed was lost with the exception of some items that had been off-site at the time. However, they have recovered the situation extremely well and now have a very presentable exhibition. Andrew Barton (Banjo) Paterson wrote the lyrics to WM in 1895 when in Winton he heard a rendition of 'Thou Bonnie Wood O'Craigielea'. Oh that old one you say. Anyway he rather liked the tune and said he could put some words to it. A friend at the event Christina McPherson said she could play it to him on the zither and soon after Banjo overheard the incident of a swagman and the jumbuck connected with the term Waltzing Matilda and so the song was born. It has gone on to be recorded by over 500 artists and been universally adopted by misty eyed Aussies as a national tune ever since.
Opals, Australia's national gemstone, were first discovered in Winton in 1888 by George Cragg. Found in sandstone and ironstone sites, this location has the highest concentration in Queensland. Some 95% of the world's commercial grade opals are produced here. To celebrate this fact, Martine bought some opal earrings.
The museum covered a lot of ground as it has taken on a Winton theme. Qantas was born here in 1920 and it's first flight took off from here. We all know of course that the name comes from Queensland and Northern Territories Aerial Service.
Well you would need to cough up the necessary 30 bucks to see how much the museum contains but there's great history here of life in the outback, sheep shearing, early settlers, Aboriginal territory, troops going to WWI, railway memorabilia, engine and vintage carriage....... A vast impressive collection and Waltzing Matilda everywhere and it would be impossible not to leave that place without humming Banjo's immortal work.
Now all this excitement superceded what had gone before. We had begun our town walk at the Musical Fence. Now I'm sure a budding percussionist could have had a field day on the collection of squashed tins, drums and bars but it wasn't quite what we expected, so moving on...
It might have been possible to pop into the Machinery and Truck Museum but it was closed due to it being out of season.
The next eclectic item I suppose was Arno Grotjahn's Wall. I imagine Mrs Grotjahn had one day shouted at Arno to go do something with all that junk in the yard. What she meant was for him to get a skip and get shot. He interpreted this is be an eager expectation of him building a wall out of it all. History fails to record her response to the finished boundary wall as to whether it was what she had in mind. I guess these Germans have different criteria.
Despite a dusting of very light rain, but humid conditions Martine managed 30 25m lengths in the council pool again to cool off from the excitement.
To celebrate our last night here we went back to our favourite pub for a meal, a XXXX and a Great Northern Beer. Tomorrow we shall be travelling again, leaving behind a place we rather like and a hotel that Lyndon B. Johnson 36th U.S. President stayed in just down the corridor. We'll take the Nissan this time to Barcaldine and be back on the SB. Two bottles of which shall accompany us.
ps. We can't get our head around the tourist seasons here. A lot of places remain closed here until the peak season starts in April. The swimming pool on the other hand is going to close now because it is end of season.
pps. The lady who runs the pool said she had resigned from the police because she couldn't stand the politics of the job. Going touring.
ppps. LBJs visit was in 1942 long before he became president. His flying fortress in which he was travelling came down to be refuelled so naturally he stopped in our hotel.
A Banjo Paterson Collection
Narrated by Denis Daly
Andrew Barton ‘Banjo” Paterson (1864 – 1941) may be considered the unofficial poet laureate of Australia. After training as a solicitor he began contributing verse to the Sydney “Bulletin” under the pseudonym of “The Banjo”, taken from the name of a horse. His first collection, “The Man from Snowy River”, was published in 1895. Two further…
The Mylora Elopement
by Andrew Barton Paterson
By the winding Wollondilly where the weeping willows weep,
And the shepherd, with his billy, half awake and half asleep,
Folds his fleecy flocks that linger homewards in the setting sun,
Lived my hero, Jim the Ringer, “cocky” on Mylora Run.
Jimmy loved the super's daughter, Miss Amelia Jane McGrath.
Long and earnestly he sought her, but he feared her stern papa;
And Amelia loved him truly — but the course of love, if true,
Never yet ran smooth or duly, as I think it ought to do.
Watching with his slow affection once Jim saw McGrath the boss
Riding out by Jim's selection, looking for a station 'oss
That was running in the ranges with a mob of outlaws wild.
Old McGrath “Good day” exchanges — off goes Jim to see his child;
Says, “The old man's after Stager, which he'll find is no light job,
And to-morrow I will wager he will try and yard the mob.
Will you come with me to-morrow? I will let the parson know,
And for ever, joy or sorrow, he will join us here below.
“I will bring my nags so speedy, Crazy Jane and Tambourine,
One more kiss — don't think I'm greedy — good-bye, lass, before I'm seen —
Just one more — God bless you, dearie! Don't forget to meet me here,
Life without you is but weary; now, once more, good-bye, my dear.”
*****
The daylight shines on figures twain
That ride across Mylora plain,
Laughing and talking — Jim and Jane.
“Steadily, darling. There's lots of time,
Didn't we slip the old man prime!
I knew he'd tackle that Bowneck mob,
I reckon he'll find it too big a job.
They've beaten us all. I had a try,
But the warrigal devils seem to fly.
That Sambo's a real good bit of stuff
No doubt, but not quite good enough.
He'll have to gallop the livelong day,
To cut and come, to race and stay.
I hope he yards 'em, 'twill do him good;
To see us going I don't think would.”
A turn in the road and, fair and square,
They meet the old man standing there.
“What's up?” “Why, running away, of course,”
Says Jim, emboldened. The old man turned,
His eye with wild excitement burned.
“I've raced all day through the scorching heat
After old Bowneck: and now I'm beat.
But over that range I think you'll find
The Bowneck mob all run stone-blind.
Will you go and leave the mob behind?
Which will you do? Take the girl away,
Or ride like a white man should to-day,
And yard old Bowneck? Go or stay?”
Says Jim, “I can't throw this away,
We can bolt some other day, of course,
Amelia Jane, get off that horse.
Up you get, Old Man. Whoop, halloo.
Here goes to put old Bowneck through!”
Two distant specks on the mountain side,
Two stockwhips echoing far and wide.
Amelia Jane sat down and cried.
*****
“Sakes, Amelia, what's up now?
Leading old Sambo, too, I vow,
And him dead beat. Where have you been?
“Bolted with Jim! What do you mean?”
“Met the old man with Sambo licked
From running old Bowneck.” “Well, I'm kicked —
Ran 'em till Sambo nearly dropped?
What did Jim do when you were stopped?
Did you bolt from father across the plain?
Jim made you get off Crazy Jane!
And father got on, and away again
The two of 'em went to the ranges grim.
Good boy, Jimmy! Well done, Jim!
They're sure to get them now, of course,
That Tambourine is a spanking horse.
And Crazy Jane is good as gold.
And Jim, they say, rides pretty bold;
Not like your father, but very fair.
Jim will have to follow the mare.”
“It never was yet in father's hide
To best my Jim on the mountain-side.
Jim can rally, and Jim can ride.”
But here again Amelia cried.
*****
The sound of a whip comes faint and far,
A rattle of hoofs, and here they are,
In all their tameless pride.
The fleet wild horses snort with fear,
And wheel and break as the yard draws near.
Now, Jim the Ringer, ride!
Wheel 'em! wheel 'em! Whoa back there, whoa!
And the foam-flakes fly like the driven snow,
As under the whip the horses go
Adown the mountain side.
And Jim, hands down, and teeth firm set,
On a horse that never has failed him yet,
Is after them down the range.
Well ridden! well ridden! they wheel — whoa back!
And long and loud the stockwhips crack,
Their flying course they change,
“Steadily does it — let Sambo go!
Open those sliprails down below.
Smart! or you'll be too late.
They'll follow old Sambo up — look out!
Wheel that black horse — give Sam a clout.
They're in! Make fast the gate.”
*****
The mob is safely in the yard!
The old man mounts delighted guard.
No thought has he but for his prize.
Jim catches poor Amelia's eyes.
“Will you come after all? the job is done,
And Crazy Jane is fit to run
For a prince's life — now don't say no;
Slip on while the old man's down below
At the inner yard, and away we'll go.
Will you come, my girl?” “I will, you bet,
We'll manage this here elopement yet.”
*****
By the winding Wollondilly stands the hut of Ringer Jim.
And his loving little Meely makes a perfect god of him.
He has stalwart sons and daughters, and, I think, before he's done,
There'll be numerous “Six-fortys” taken on Mylora run.
Untitled by David Noonan at MONA, Tasmania
George Washington Lambert ARA (1873 – 1930) - Major Andrew Barton ('Banjo') Paterson, 1918, pencil
Andrew "Banjo" Barton Paterson, CBE (1864–1941) is a renowned Australian bush poet, journalist and author. He is famous for writing Clancy of the Overflow, The Man from Iron Bark and The Man from Snowy River. He may also have written words to Waltzing Matilda. During World War I, Paterson served as an ambulance driver for the Australian Voluntary Hospital, Wimereux, France. Lambert sketched this portrait during 1918 when Paterson was in charge of the Australian Light Horse Remount Unit in Moascar, Egypt. Lambert had previously drawn illustrations for Paterson's poems that were published in the 'The Bulletin" magazine.
Something you mentioned before had me really wondering, Sarah Brightman only performed opposite one Phantom actor, Michael Crawford? Steve Harley doesn't exactly count as he was for that music video and Colm Wilkinson kinda does, but just for the first Act at Andrew's house as a preview. But there truly was no one else we know of? I thought maybe Steve Barton when he covered for Michael, but not sure.
Discounting Colm Wilkinson of the Sydmonton production and Steve Harley from the music video, we have Michael Crawford, obviously, but we also have Dave Willetts. Sarah Brightman returned for one week after having left the London cast and did a few performances opposite him and Michael Ball as Raoul. So that's two different Phantoms confirmed.
Now for guesswork. I believe she performed opposite Jeff Keller, who was the understudy Phantom on Broadway, because I've heard rumors of bootlegs of the two existing, but given that none of these bootlegs have shown up, I can't confirm it.
And while we do know that James Paterson and Steve Barton went on as the Phantom after Crawford was injured, it may have occurred after Sarah Brightman left the cast. For those who don't know, Michael Crawford was injured and had to be hospitalized, so Steve Barton went on as the understudy Phantom; however, Barton himself was injured during rehearsal and only managed to do one performance. Since the other understudy, James Paterson, had not yet rehearsed the role, Michael Crawford ended up leaving the hospital early to play the Phantom, which led to the famous story of Crawford falling asleep in the Golden Angel because of all the drugs he was on. Thankfully, after that Paterson was able to play the role, and did for over 20 performances.
Now the question is, did this occur while Sarah Brightman was in the cast? It seems it may not have. Brightman left the London production before Crawford and Barton did. We can pinpoint the time because we know that Rebecca Caine came in around the end of March 1987 to take over as alternate Christine when Claire Moore, the original alternate, was bumped to principal, which means Brightman must have left around then. This article describing the events of Crawford getting injured and having to return comes from April 23, 1987. There is some lag time between articles coming out and events happening, but given the dates, it seems more probable that this happened after Brightman left, and therefore she did not perform opposite Barton or Paterson as the Phantom.
So in the actual production: Michael Crawford and Dave Willetts are confirmed, Jeff Keller is a "maybe", Steve Barton and James Paterson are a "maybe not", and Colm Wilkinson and Steve Harley are a "sure I guess if you want to count that".
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