#ArchitecturalIntegration

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Subject: Reprimand Regarding Unacceptable Behaviour

Dear Architects and Designers,

It has come to all our attention that during a press conference, architect Frank Gehry responded to a question regarding criticism of his work by raising his middle finger. Such behaviour is not only unprofessional but also disrespectful and offensive. As members of the architectural community, we must hold ourselves to a higher standard of conduct, particularly when representing our profession to the public and the media.

Furthermore, Gehry's use of the middle finger carries historical connotations and a phallic reference, adding further weight to the offense. The gesture, commonly known as "flipping the bird," has origins dating back centuries, with its current form evolving into a symbol of extreme contempt or hate. Historically, it has been associated with phallic symbolism and used as a form of sexual taunting. While interpretations of gestures may vary, Gehry's choice to respond in this manner reflects poorly on himself and undermines the professionalism and dignity of our field.

While we understand that individuals may face criticism or scrutiny in their careers, responding in such a manner is wholly inappropriate and undermines the integrity of our profession. Architects are tasked with shaping the built environment and addressing complex social, cultural, and environmental challenges. As such, we must demonstrate the utmost respect for diverse perspectives and engage in constructive dialogue, even in the face of criticism.

The use of offensive gestures not only reflects poorly on the individual but also tarnishes the reputation of the architectural community as a whole. We cannot condone behavior that belittles others or dismisses valid concerns and inquiries.

We urge all architects and designers to conduct themselves with professionalism, integrity, and respect in all interactions, whether with colleagues, clients, or the media. Let us strive to uphold the principles of civility and courtesy, recognizing that our actions reflect not only on ourselves but also on the profession we represent.

Sincerely,

Charles F Pigott

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Architectural Etiquette: A Lesson in Politeness to Leon Krier

In the world of architecture, where every line and curve carries weighty symbolism, there exists an unspoken rule: civility costs nothing. Yet, amidst the grandeur of towering skyscrapers and the elegance of modern design, a misstep has occurred—a breach of decorum that warrants our attention.

Leon Krier, esteemed architect and urbanist, has committed a grave faux pas by reducing the illustrious Gherkin skyscraper to a mere phallic symbol. In his critique, he likens Norman Foster's masterpiece to a "sexual aberration," dismissing its architectural merit in favor of crude innuendo.

But let us pause for a moment to consider the essence of civility in architectural discourse. It is not merely a matter of politeness, but a fundamental principle that guides our interactions within the profession. Just as courteous words cost little and are worth much, so too does respectful dialogue elevate our collective understanding of the built environment.

Krier's disparaging remarks not only undermine the integrity of Foster's design but also betray a lack of reverence for the craft of architecture itself. To reduce a work of art to base imagery is to disregard the nuance and complexity inherent in architectural expression.

Therefore, let us extend a gentle reminder to Mr. Krier and all architects alike: in our pursuit of truth and beauty, let us not forget the importance of civility. For it is through thoughtful discourse and mutual respect that we uphold the dignity of our profession and honour the legacy of those who came before us.

In conclusion, let us strive to embody the spirit of civility in all our endeavours, recognizing that true greatness lies not in tearing down others but in building each other up with grace and humility.

With warm regards,

Charles F Pigott

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Shadows of Integrity: Architecture as a Living Document of Memory and Time

In the architecture of history, the document controller becomes a custodian of both the physical and philosophical dimensions of design, embodying a role that resonates with the heritage of luminaries like Daniel Libeskind. Libeskind’s assertion that architecture is the “biggest unwritten document of history” reflects his broader legacy, rooted in memory and identity. His works, such as the Jewish Museum Berlin, navigate the relationship between form, shadow, and historical narrative, where space becomes an envelope for collective memory.

Similarly, the DIN (Deutsches Institut für Normung) format, originally a German standard, has become a global framework that structures not just architectural drawings but the way we communicate and preserve the technical language of architecture. It reflects the precision and universality that architecture demands, creating an international order that sustains the integrity of designs across time and space.

Folding, envelopes, and shadows are not merely design elements but metaphors for how architecture engages with time. The envelope, in this context, holds not just the physical space but the intangible—shadows that represent the invisible forces at play in architecture: memory, culture, and historical weight. The shadow, in its fleeting nature, offers a counterpoint to the permanence of built forms, much like the document controller’s role in preserving architectural truth against the ravages of time.

This abstract honorus the versatile architect who, like Libeskind, navigates the tensions between time and memory, form and shadow, and the document controller who ensures that the architectural narrative remains honest. In doing so, they protect the sanctity of architecture as a living record—one where shadows and folds are not erasures but layers that enrich our understanding of history and its projection into the future. The architect’s war with time is ultimately a battle for the integrity of this unwritten document, where every preserved drawing, every shadow cast, becomes part of a larger architectural legacy that speaks to our shared heritage and future.

#ArchitectureHistory #DanielLibeskind #ArchitecturalLegacy #DINStandards #MemoryAndIdentity #ArchitecturalPhilosophy #TimeAndSpace #DocumentController #ShadowsAndFolds #BuiltHeritage #ArchitecturalIntegrity #EnvelopeOfShadows #ArchitectureAndTime #CulturalMemory #PreservingArchitecture

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Defending Local Identity: A Stand Against External Architectural Influence

"It grieves me to think that we require an American justice system in Wimbledon."

This response to the proposal for a Frank Gehry-designed concert hall underscores the discontent some feel about an extraordinary foreign architect imposing his vision on a place we call home.

While Gehry's vision for a state-of-the-art music center promises to transform Wimbledon and enrich London's cultural life, it is seen by many as an affront to our collective security and the greater good. The idea that an outsider, however talented, can dictate the architectural landscape of our community is troubling. This project, far from being a unique opportunity, represents a challenge to our local identity and autonomy. Our community deserves development that respects and reflects our values, traditions, and needs, rather than surrendering to external influences that may not align with our collective interests.

#LocalIdentity #ArchitecturalIntegrity #Wimbledon #CommunityValues #CulturalAutonomy #PreserveOurHeritage #LocalVoicesMatter #ArchitecturalSovereignty #ProtectOurHome #ResistExternalInfluence