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[avatar-state-kate]

No that Barbie gendered criticsm post was in specific reference to a post where someone accused people—critical of the Barbie movie for being a commercial/just Not being indie arthaus groundbreaking cinema—of being misogynistic because “no one does this for transformers or marvel” (which seems misogynistic as well. Comic books aren’t “for boys” dolls aren’t “for girls” but the way these products are being marketed to us as freethinking adults is perhaps something we should question)

Oh, I got that, my tags were more in reference to the "consumerism seems girl-coded and military propaganda boy-coded" bit. That joke format implies that people are projecting gendered stereotypes onto something, except the idea of their being a gender link to these properties is by design - Barbie is being marketed to women and girls, and the cultural idea of what women and girls do/should like and Marvel is marketed to the cultural idea of what men and boys do/should like.

I'm not disagreeing with OP of that post, I'm disagreeing with the idea that there is no gendered level, especially with what is being marketed - consumerism is much more aggressively marketed to women ("women be shopping", the pink tax, women as responsible for household shopping etc.) and the military is marketed more to men. I think this level of analysis is being ignored in favour of calling anyone excited for the Barbie movie stupid for not knowing it's an ad. Which that's a case-by-base basis, definitely most people are going in uncritical but that's true of most media so I wouldn't call anyone out here for being especially stupid.

But yeah, people have always pointed out that toy brand shows are just ads, and we have been complaining about the military-industrial complex in film, but also with everything when its a "girl" (and like again this is marketing, I never liked barbie or girl toys as a child so like my girlhood isn't being represented here, and maybe the idea that brands get to decide what girlhood and boyhood is is a more interesting discussion) property the analysis gets weird - like you have good faith criticism and then people being much more aggressive then the conversation might need.

Like the movie hasn't come out yet and we have already gone from the over-praising the thing to backlash/hatred of the thing - again both phases have genuine and reasonable arguments to them - be excited for a movie with practical sets in a CGI cinema landscape, to see some of our biggest stars together, to see a movie that looks fun- be critical of a film that is a 2-hour long commercial for a doll brand, be critical of a film that supports rampant consumerism and the beauty industry - but the intensity is...a lot already, again for a movie we haven't actually seen yet

TLDR: I don't think it is sexist to critique this movie, or the existence of criticism or a backlash is wholly sexist, however, like with most things parsing out where the genuine feelings stop and sexism ramps them up is an impossible thing to parse. I can believe this while also feeling like anyone trying to say there is no gender element is wrong - like it's Barbie, a toy that even girls who don't play with Barbie are told is representative of their childhoods - like gender analysis is called for but just maybe not the one that is happening.

[tonguesofdestruction]

George A. Romeros “Die Nacht der lebenden Toten” in 4K und im Kino am 31. Oktober 2022

George A. Romeros “Die Nacht der lebenden Toten” in 4K und im Kino am 31. Oktober 2022

Der Horror-Meilenstein von George A. Romero kommt bald in in 4K-restauriert ins Kino und wird im Home Entertainment Bereich verfügbar gemacht. “Die Nacht der lebenden Toten” aus dem Jahr 1968 gilt als genreprägender Meilenstein. In der Info heißt es zum Event und zum Release: “Pünktlich zu Halloween kommt der schwarz-weiße Horror-Kultfilm am Montag, den 31. Oktober exklusiv in einer…

[futurecatfood]

Miss Interpretation

Graphite on paper

18.7 x 26 cm

2017

I set up a print-on-demand shop on arthaus: https://myarthaus.com/collections/celeste-groenewald

Check it out if arthaus is your print-on-demand shop of choice :) 

[taudalpoi]

Father-Son Bonding

collage by @taudalpoi

Shop: RedBubble | Society6 | InkTale | Curioos | ArtHaus

[voidsettle]

Warm Flanders

Indulging our traveling desire and continuing the newly developed tradition of European Christmas markets, we bought tickets to Belgium. This trip had its peculiarities - and a unique aftertaste. Welcome to the capital of Europe!

Panorama of Bruges from Belfry (I assume, the point where Brendan Gleeson's character jumps off in the movie 'In Bruges'

I don't know how we chose Belgium - but it all started with just Brussels, and then grew to another three towns. I suspect we may have a psychological condition.

After Brussels, Bruges was an obvious addition to the trip. Possibly the most well-known of tourist destinations in Belgium, it features a well-preserved medieval town so quaint like it crawled out of a fairy tale.

The movie 'In Bruges' (a nice piece of popularized arthaus) added to the fame of the place. The town in this flick is a character of its own - it serves as the premise and the plot twist, it helps to make hard choices and aids the protagonist. Besides, the film has gorgeous cast. Seriously, look it up if you've never seen it - or rewatch if you have.

Being in Belgium (and, more importantly, its northern part, Flanders - probably the most history-heavy region), I absolutely had to see Antwerp. Ghent was a curious little addition that we didn't plan - but that happened between Bruges and Antwerp just because we had time and opportunity. Stay tuned for more.

Brussels: Art and Chocolate

Rue de la Chaufferette/Lollepotstraat, LGBTQ art street in the inner City of Brussels

Brussels is a weird city. Commonly I enjoy places that don't mind you roaming the streets (think Rome, Bangkok, New York). Brussels is however different. It etched into my memory as grey and rainy (I barely got a chance to snap a photo), and multifaceted to the point of utter incomprehensibility.

That is partly on national communities. Our free-tour guide mused on the immigration agenda of the city: nearly 80% of the current population (first and second generations) are not native to Belgium. The city, being the administrative and political center of Europe, is the very definition of a cultural melting pot.

Only a day before we arrived, French workers had a strike against ever-growing prices - thus all of Brussels was covered in barricades (not sure about the name, but something like Cheval de frise or knife-rest (aka Spanish rider) obstacles; all cold metal and barbwire, brutal).

But Brussels also flaunts its historic heritage and celebrates its art. The whole city is covered in street art - most notably scenes and characters from comics and statements in favor of LGBTQ community. Street decorations and overhead lamps of different designs and splendor turn the city into an exhibition of light.

Altmejd, 2015. Musees royaux des Beaux-Arts de Belgique/Koninklijke Musea voor Schone Kunsten van Belgie

The more traditional artistry is spread within the cluster of museums of Mont des Arts/Kunstberg, most notably the Royal Museu of Fine Arts that features both old masters (David, Rembrandt, Rubens - and a whole hall and Google-partnered tour program dedicated to Bruegel) and new masters (some of my beloved Impressionists including Van Gogh, Serat, Gaugin, and a couple of Rodins). Another pearl, Magritte's museum is just down the stairs.

We've also followed one of the most bizarre quests I've ever had, looking for all three pissing monuments of Brussels - the symbol-status Manneken Pis, his female version Jeanneke Pis and a non-fountain canine variation Het Zinneke. Belgian people are weird.

We had some hysterical fun trying to decipher one of the ads on a bus stop. It claimed certain Subea was the best gift for your loved ones on Christmas. Passersby undoubtedly believed us crazy as we tried to identify the thing - and never came close to guessing. Look it up, it's hilarious.

Blue street art, Brussels

Built on the time-tested principles of trading cities, Brussels preserves the tradition of market squares. In early December, the downtown is covered in Christmas towns and motley crowds, framed in softly shimmering lights. It's full of flavors of waffles with cream, and frites, and gluhwein, and seafood, and sausages.

Brussels is full of cyclists (even more so than Copenhagen), full of churches, and homeless, and nationalities - cuisines, skin tones, languages. The signs duplicated in French and Dutch do not help location purposes in any significant way.

Nevermind the confusing feelings I developed for Brussels, there is one thing I should mention with firm praise - chocolate. Walk the streets and have a cup of hot chocolate - it's literally chocolate of your choice melted in hot milk. Eat warm Liege waffles topped with chocolate and cream. Buy a set of (regular) chocolate boxes with discount - or pay a visit to Galeries Royales Saint-Hubert to learn about chocolate as art. It's expensive, yes, but oh is it worth every cent!

Break a chocolate bar of preference - dark works best - into pieces, add to the cup and pour with hot milk. Stir until it melts. Enjoy the taste of Belgium.

St Michael and Gudula Cathedral, Brussels

What to see in Brussels:

Grand Place

Brussels Town Hall

Residence of the Dukes of Brabant

Maison du Roi/Broodhuis

Manneken Pis

Jeanneke Pis

Het Zinneke

Bourse/Beurs (stock exchange)

Galleries Royales Saint-Hubert

St Michael and Gudula Cathedral

chapelle de la Madeleine/Magdalenakapel

Mont des Arts/Kunstberg

Musees royaux des Beaux-Arts de Belgique/Koninklijke Musea voor Schone Kunsten van Belgie (Musee Oldmasters, Musee Magritte, musical instruments museum)

Royal Palace

Parc de Bruxelles/Warandepark

eglise Notre-Dame au Sablon/Onze-Lieve-Vrouw ten Zavelkerk

eglise royale Sainte-Marie/Koninklijke Sint-Mariakerk

National Basilica of the Sacred Heart

Atomium

Royal Palace of Laeken

Bruges: The Belfry and the Waffle Houses

Rozenhoedkaai, Bruges

Belgian capital is the least Flemish city among those I've visited. Bruges, on the other hand, seems to bear the imprint of one of the richest regions of medieval Europe. The town is neat and cute, full of waffle houses with stair-step facades, all red brick and yellowish stone. The streets are carefully crafted and well-groomed; they stretch in slow curves, and the houses crowding each side chant their stories to the tourists in a never-ending lullaby.

Houses plaster all over each other - it feels like each street has only one building that was actually constructed with 4 walls. The rest figured 'hey, here's a perfectly good empty wall right there, with nothing attached, why not stick to the side'.

The whole country is like that, one of the signature traits of Belgium, alongside angry cyclists and painted waffle houses.

Before walking to the main attraction (Belfry, naturally), we've decided to have a glass of beer in Halve Maan, one of the oldest breweries in town. We were pleasantly surprised by the sleepy emptiness, the fireside couches and craft beer (I've never had an 11° beer before, it felt almost as a shot of whiskey). In a slumbery, sheepish haze we walked around the Minnewaterpark with its swans and gardens dipped in green moisture.

Minnewaterpark. After the rainy, grey-ish Brussels, Bruges met us with sun-through-the-clouds and warmth worthy of mid-October. I finally got out my camera and snapped my way through the cute medieval city

The territory of Bruges is covered in canals - no wonder it's called the small Venice of the North, and the centuries-old architecture covers the town in a romantic blur. Even the long queues of Belfry (one person in, one out, and around half a hundred waiting for their turn) didn't disturb our dreamy mood. The view from above maps the whole town on the palm of your hands, and the stone parapet is covered in numbers and names of cities with arrows pointing the direction.

Carillon, a fascinating musical instrument that has several dozen bells connected to play melodies. The Belfry carillon plays a different melody every quarter of an hour

Belfry is gorgeous at sunset, especially observed from Grote Markt - towering, starkly contrasted against the fading skies.

Bruges is probably best-known for its streets - after you've seen the main attractions, there's no clear itinerary, but just wander around and get lost in the medieval brick labyrinth. You can visit the old windmills - each with its own unique name - and the corner of Groenerei, which is less romantic in winter but still a nice place for a romantic rendezvous. Or just roam the streets and inhale the ambiance of this old town that looks like it jumped straight out of a fairytale with enchanted castles, simplistic plotline where good always conquers evil and a set of enjoyably cardboard characters.

Sometimes it's fun to experience something so far from real life. Can't disagree with the philosophic view of Fiennes's character from 'In Bruges'.

What to see in Bruges:

Kasteel de la Faille

Sashuis

Minnewaterpark

Sint-Janshospitaal-Memlingmuseum

St Salvator's cathedral

Church of Our Lady (featuring Michelangelo's Madonna met Kind)

Bonifaciusbrug

the Four Horsemen of the Apocalypse

Rozenhoedkaai (the most photographed spot in Bruges)

't Brugse Vrije

City Hall

Basilique du Saint-Sang

Brugge markt

Belfry and Market Halls

Provinciaal Hof

Jan Breydel en pieter de Coeninck memorial

St James's church

Jan Van Eyck memorial

windmills (de Coelewey, de Nieuwe Papegaai, Sint Janshuismolen, Bonne Chiere)

Sint-Annakerk

Gronerei

Train Tales

​Belgium is unexpectedly bad at doing trains. We heard the first bell as we tried to get out of Brussels. The Northern train station has a clear division between two worlds. The ground floor belongs to hobos and (most probably) unemployed immigrants - this is the world of half-light, scary coughs and little noises, empty food wrappings, garbage, people wrapped in multiple layers of dirty blankets and coats. The upper floors are obviously European, well-lit, with shops, 24/7 information desks and wending machines. The contrast is so stark that it's frightening.

(Under)ground floors of Antwerpen-Centraal

Yet this was but a warning. For some unknown reason, the schedule of Belgian trains is really complicated - we couldn't make sense of it using just timetables and scoreboards. This was a shock for me specifically - I just went to Italy a month prior, where I didn't even need to talk to anyone to understand where to buy tickets and how to get from point A to point B.

Obviously we were not alone confused by the whole system - by the machine selling tickets, a nice lady was spending her working hours explaining stupid tourists how this works. She offered us a ticket we didn't consider - it could take us to 10 destinations (we needed 6, and decided to spend 2 more for a short detour to Ghent before Antwerp; profit).

The complications started when we failed to notice the class of the coach we were boarding. Truth to be told, there was a number '1' on the side - but the inside didn't look any different from second class, so I'm not sure what's the deal. 10 minutes into the ride, a railway employee walked in and aggressively started to demand extra payment to 'upgrade' our tickets - about 10 euro per person. None of us were allowed to leave the first class coach for the second.

The thing about that whole situation was: of all the people in the coach, only one woman was aware of its first class status. The rest were bewildered and looked like lost tourists (some of us surely were) who forgot to check the number on the side of the carriage. Which, frankly, didn't feel like the people's fault. A Spanish family nearly started a brawl with the guy - which earned my compassion but also a portion of solid mirth.

Hilarious experience - but also quite frustrating. Not too fond of Belgian train system.

Ghent: The Castle and the Histrionic Weather

Gravensteen, Ghent

I didn't expect this short detour would turn out this satisfying. Don't get me wrong, there's not much to do in Ghent in the evening. In a manner traditional for the whole country, life dies away after 6PM. As nightfall covers the streets, the shops and restaurants close, and the whole city seems deserted. There are some late passersby, some groups of youth and random tourists but they're not common, especially further from downtown.

But the architecture is spectacular nonetheless. Korenmarkt (basically, central square) with Church of Saint Nicholas is the heart of the city. The sites are mostly all on the same line - Stadhuis Gent and Belfort, Saint Bavo cathedral and a couple of nearby 'palaces' that were actually residences of (very) wealthy merchants, and Saint Michael's church on the other side of Korenmarkt, across the Leie river.

It was enjoyable to just wander the empty streets quite aimlessly, bumping into architectural sites curious things here and there

Gravensteen is exactly the prototype you imagine when someone says 'a castle'. It's the type of medieval structure you drew as a kid, with the battlements and turrets. This is where a valiant knight came to rescue a fair maiden from an evil king. It's The Ultimate Castle.

In yet another plot twist, the weather in Ghent was unpredictably fun. It made us giggle at its hysterical fits.

Rain, wind and damp autumnal warmth changed each other in bizarre epileptic seizures.

One moment, it decided to rain - and the downpour started as soon as we opened our umbrellas. 2 minutes later it all stopped as if nothing happened. Ten minutes passed - and terrible gusts of wind that nearly knocked us down. Sure enough, soon it was warm and mellow again. Best advice when the weather is in such a theatrical mood: keep an umbrella with you at all times.

The walk from the city center to the train station is quite long, about an hour. But at least the building of the train station is worth exploring - it has great inner decorations all over the ceiling that imitate medieval style. Outside, by the largest bike parking I've seen after Copenhagen's sleeping districts, a sad man was playing his wistful sax; there seems to be something about Belgium and saxophones.

What to see in Ghent:

Korenmarkt (basically, central square)

Church of Saint Nicholas

Saint Michael's church

Gravensteen

Stadhuis Gent

Belfort

Saint Bavo cathedral

Antwerp: The Train Station and the Sky

Antwerpen-Centraal Train Station, Antwerp

After the grey cold rain of Brussels and the crazy run of tourist-packed Bruges and (devastatingly) empty Ghent, Antwerp was all sunshine and warmth. Easily the most enjoyable time I've had in Belgium.

Antwerp is a mild, soft city, quite self-indulgent - it has less tourists than either Brussels or Bruges - and completely immersed in its own thoughts. Traces of the eternal, undying energy that preserves big cities can be found everywhere.

First things first, we went to see the jewel of Antwerp's sightseeing itinerary - Antwerpen-Centraal, the main train station of the city. It has 4 floors, with trains arriving on each of them - it is really impressive, especially as the whole structure is sunlit through the ribbed glass roof and the underground floors are dipped in orange-and-purple lights, the true impressionist study of light and color.

Antwerp has a clear itinerary, as if the city was built with the idea of easy navigation in mind. Starting from Antwerpen-Centraal and past the diamond district, the shopping streets of Antwerp start and run right to the heart of the city, Grote Markt. The walk there is short if one ignores the detour sites like the beautiful neoclassical Bourla theater with round-ish colonnade façade, the house of Rubens turned museum, the oldest house in Antwerp build circa 1480, completely wooden and still inhabited, or the baroque St Charles Borromeo church, which simplistic interior is decorated with astonishing woodwork.

The notorious diamond district of Antwerp is located right beside the train station. History has it that it all started with shops opening here so that rich people coming to Antwerp to buy diamonds could keep their incognito and leave as soon as the deal was sealed, without the need to visit the town.

Grote Markt and the nearby Groenplaats are connected with a short street that features another pearl of Antwerp, the Cathedral of Our Lady. This majestic Gothic temple is narrowly surrounded by the old houses of trading guilds glued to its every side. You cannot actually see the side walls of the Cathedral (which is another trademark feature of Flemish towns - a dead giveaway that trade was of utmost importance, and that secular and religious matters were closely connected).

Grote Markt itself looks just like other main squares in Belgium - a lot of space adapted for Christmas markets during this time of year, crowded by waffle houses with gilded statues and inscriptions dating back to the Autumn of the Middle Ages, and towering Brabantine Gothic spire, the cynosure of the city.

Stroh violin player. Stroviol is a popular instrument of street musicians, seen all over Flanders

The next thing I was agitated to see was Sint-Annatunnel - a 1/2 km tunnel under the riverbed, fully built for walking on foot, riding on bicycles and even for motorized vehicles. The escalators are wood-paneled and lacquered, the photos on the walls tell the history of construction of the tunnel as one descends.

Quay along river Scheldt, shipyard and windmills

On our way to MAS, we've taken a turn into the Antwerp red lights district. As I was quite shamelessly staring at the girls (literally) displayed in the windows, my friend surprised me, hilariously paying attention to some nesting boxes on a random tree instead. Some way to explore the city.

Don't miss on the chance to visit MAS museum. For a tourist, it's a golden opportunity: free entrance to the rooftop with stunning night panorama of Antwerp lights. From up above, the lights on the windmills twinkle red, painting an ominous image in the night skies. The walls of the interior are covered with posters of modern art (sometimes inspiring, sometimes hilarious, sometimes frightening). Besides, MAS is open till 10 PM, a rare case for Belgium.

MAS pays the oddest homages, and one of them is to Harry Potter franchise: the building features floor 9 and 1/2.

While on the roof of MAS, the pragmatism and commercial genes of Flemish people deliver nothing but pure delight. The nearby houses host advertisements for the visitors of the museum: cafes and restaurants ornament their awnings with offers of hot drinks and rich meals.

What to see in Antwerp:

Antwerpen-Centraal

diamond block

Leysstraat 32-34 and 27 (twin buildings)

Meir (shopping street)

Rubenshuis

Bourlaschouwburg

Boerentoren

Sint-Carolus Borromeuskerk

Groenplaats

Cathedral of Our Lady

Grote Markt

Brabo fountain

Stadhuis Antwerpen

Het Steen and Lange Wapper memorial

Sint-Annatunnel

Stoelstraat 11 (the oldest house of Antwerp)

Sint-Pauluskerk

Schipperskwartier (red lights district)

MAS museum (rooftop viewpoint)

What to eat:

chocolate (in all forms, whether it's box of finest pralines, a chocolate bar, or a cup of hot chocolate)

waffles (fillings vary; I personally prefer dark chocolate and whipped cream. Belgian people however have plain waffle with sugar powder)

beer (one of the oldest and most important produces of the region; brewing beer is fine art here)

frites (basically French fries, but don't call them that - it's offensive, given the fact they were not invented in France; the locals still hold their grudge over the matter)

mussels (Brussels specialty, usually go with frites on the side)

Flanders As It Is

Wandelterras Noord, quay of Antwerp, near Sint-Annatunnel. The sun gave us its last warmth of the day as we strolled along the Antwerp quay, the dark silhouettes of seagulls scattering sunbeams as we scared them off the railings

The towns of Flanders are easily recognizable. The main square is always called 'Grote Markt'; the combination of a cathedral (usually of Our Lady), a stadhuis and a belfry impending over the town is mandatory. Old houses of stone (and sometimes even wood), with stepped roofs and intricate ornaments. Waffles and chocolate on every corner, infinite varieties of beer in any pub. Add cyclists during the day or bicycle parking at night, cobblestone streets, a culture co-depending with trade - and you have a perfect portrait of a Flemish city.

It was a little vacation we all need from time to time - not spectacular but fun, warm and surprisingly full of color in this grim, gray time of the year.

[luciwest]

One of many reasons I'm especially excited about the "3 from Kenwood" photography exhibit at @creativegrape_ (Opening Reception: Sun 6/5, 4pm) in collaboration with the Historic Kenwood Artist Enclave @aehkstpete is that I finally get to show some of my non-nature photography offline and in a fine art setting. The "How Long Is Now" street art and the Tacheles building have so much meaning to me and many. It just got more meaningful to me when Sallie, an artist I deeply admire and who has become a friend, recently chose that photo out of all of my work as a gift. The Tacheles (Jewish: speaking truth) building in East Berlin was once the central office for the SS. When the wall came down and I first visited, it was an artist squat and party destination with the entire back wall missing. When I moved to Berlin in the 2010s and took this photo, it was an official cultural building Arthaus Tacheles with artist studios, shops, exhibit spaces, cafe... and across the street from one of the biggest Jewish synagogues in Berlin. Much to feel and think about. Because: how long is now? Swipe to see how the photo looks in the show at Creative Grape (although since then we've already made some more tweaks to the display). Or even better: come to the art opening on Sunday with live music, gallery talk, and delicious drinks and food - and lots of artists and friends. 3100 3rd Ave N, St. Petersburg, FL June 5th, 4pm #streetart #howlongisnow #tacheles #berlinstreetart #vintageberlin #streetphotographyworldwide #streetartberlin #stpeteartist #urbex #berlinartist #galleryopening #artistlife #fineartphotographer #aehkstpete (at Creative Grape) https://www.instagram.com/p/CeWgIc_uhvv/?igshid=NGJjMDIxMWI=

[kivaayo]

Here a few place you can find my art Visit shop and enjoy! #pictorem #pictoremgallery #arthaus #artpal #artpalartist #abstract #graffi #contemporary #modern #art #artistoninstragram (at Saskatchewan, Canada) https://www.instagram.com/p/CPgUddvgv7v/?utm_medium=tumblr

[arthausmusik]

IL TROVATORE | 150 YEARS WIENER STAATSOPER | Opera | ARTHAUS MUSIK from Arthaus Musik GmbH on Vimeo.

"150 Jahre Wiener Staatsoper" is available here >>AHM.lnk.to/Wiener-Staatsoper

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This box contains the 8 outstanding operas: Alcina, Ariadne auf Naxos, Carmen, Don Giovanni, Elektra, Il Trovatore, Lohengrin and Turandot

150 Years Vienna State Opera that means 150 Years impressive opera events featuring the greatest conductors of all time, high-class opera stars and the unique Vienna State Opera Orchestra. The „First Building on the Ring“ was once opened with Mozart’s Don Giovanni on 25 May 1869. Since that time the international leading Vienna State Opera advanced to an opera house with a massive repertoire, spanning Baroque to New Music. On the occasion of the 150th anniversary of the Vienna State Opera this magnificent edition combines eight operas in one dazzling box with worldwide famous singers like Plácido Domino, Cheryl Studer, Eva Marton or José Carreras as well as legendary maestro such as Herbert von Karajan, Riccardo Muti, Claudio Abbado or Marc Minkowski and presents stagings from renowned directors like Franco Zeffirelli or Herbert von Karajan. A come together of the giants on music scene. Experience four decades opera history from the Vienna State Opera on 11 DVDs.

Catalog No.: 109395

[chocolateheal]

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[arthausmusik]

IL TROVATORE | 150 YEARS WIENER STAATSOPER | Opera | ARTHAUS MUSIK from Arthaus Musik GmbH on Vimeo.

"150 Jahre Wiener Staatsoper" is available here >>AHM.lnk.to/Wiener-Staatsoper

Follow Arthaus Musik on: FACEBOOK facebook.com/arthausmusik/ INSTAGRAM instagram.com/arthausmusik/ TWITTER twitter.com/arthaus_musik WEBSITE arthaus-musik.com/ JPC-Shop https://bit.ly/2NiZmzi PRESTO CLASSICAL - Shop: https://bit.ly/2ZiGsej

This box contains the 8 outstanding operas: Alcina, Ariadne auf Naxos, Carmen, Don Giovanni, Elektra, Il Trovatore, Lohengrin and Turandot

150 Years Vienna State Opera that means 150 Years impressive opera events featuring the greatest conductors of all time, high-class opera stars and the unique Vienna State Opera Orchestra. The „First Building on the Ring“ was once opened with Mozart’s Don Giovanni on 25 May 1869. Since that time the international leading Vienna State Opera advanced to an opera house with a massive repertoire, spanning Baroque to New Music. On the occasion of the 150th anniversary of the Vienna State Opera this magnificent edition combines eight operas in one dazzling box with worldwide famous singers like Plácido Domino, Cheryl Studer, Eva Marton or José Carreras as well as legendary maestro such as Herbert von Karajan, Riccardo Muti, Claudio Abbado or Marc Minkowski and presents stagings from renowned directors like Franco Zeffirelli or Herbert von Karajan. A come together of the giants on music scene. Experience four decades opera history from the Vienna State Opera on 11 DVDs.

Catalog No.: 109395

[arthausmusik]

ELEKTRA | 150 YEARS WIENER STAATSOPER | Opera | ARTHAUS MUSIK from Arthaus Musik GmbH on Vimeo.

"150 Jahre Wiener Staatsoper" is available here >>AHM.lnk.to/Wiener-Staatsoper

Follow Arthaus Musik on: FACEBOOK facebook.com/arthausmusik/ INSTAGRAM instagram.com/arthausmusik/ TWITTER twitter.com/arthaus_musik WEBSITE arthaus-musik.com/ JPC-Shop https://bit.ly/2NiZmzi PRESTO CLASSICAL - Shop: https://bit.ly/2ZiGsej

This box contains the 8 outstanding operas: Alcina, Ariadne auf Naxos, Carmen, Don Giovanni, Elektra, Il Trovatore, Lohengrin and Turandot

150 Years Vienna State Opera that means 150 Years impressive opera events featuring the greatest conductors of all time, high-class opera stars and the unique Vienna State Opera Orchestra. The „First Building on the Ring“ was once opened with Mozart’s Don Giovanni on 25 May 1869. Since that time the international leading Vienna State Opera advanced to an opera house with a massive repertoire, spanning Baroque to New Music. On the occasion of the 150th anniversary of the Vienna State Opera this magnificent edition combines eight operas in one dazzling box with worldwide famous singers like Plácido Domino, Cheryl Studer, Eva Marton or José Carreras as well as legendary maestro such as Herbert von Karajan, Riccardo Muti, Claudio Abbado or Marc Minkowski and presents stagings from renowned directors like Franco Zeffirelli or Herbert von Karajan. A come together of the giants on music scene. Experience four decades opera history from the Vienna State Opera on 11 DVDs.

Catalog No.: 109395

[arthausmusik]

TURANDOT | 150 YEARS WIENER STAATSOPER | Opera | ARTHAUS MUSIK from Arthaus Musik GmbH on Vimeo.

"150 Years Wiener Staatsoper" is available here >>AHM.lnk.to/Wiener-Staatsoper

Follow Arthaus Musik on: FACEBOOK facebook.com/arthausmusik/ INSTAGRAM instagram.com/arthausmusik/ TWITTER twitter.com/arthaus_musik WEBSITE arthaus-musik.com/ JPC-Shop https://bit.ly/2NiZmzi PRESTO CLASSICAL - Shop: https://bit.ly/2ZiGsej

This box contains the 8 outstanding operas: Alcina, Ariadne auf Naxos, Carmen, Don Giovanni, Elektra, Il Trovatore, Lohengrin and Turandot

150 Years Vienna State Opera that means 150 Years impressive opera events featuring the greatest conductors of all time, high-class opera stars and the unique Vienna State Opera Orchestra. The „First Building on the Ring“ was once opened with Mozart’s Don Giovanni on 25 May 1869. Since that time the international leading Vienna State Opera advanced to an opera house with a massive repertoire, spanning Baroque to New Music. On the occasion of the 150th anniversary of the Vienna State Opera this magnificent edition combines eight operas in one dazzling box with worldwide famous singers like Plácido Domino, Cheryl Studer, Eva Marton or José Carreras as well as legendary maestro such as Herbert von Karajan, Riccardo Muti, Claudio Abbado or Marc Minkowski and presents stagings from renowned directors like Franco Zeffirelli or Herbert von Karajan. A come together of the giants on music scene. Experience four decades opera history from the Vienna State Opera on 11 DVDs.

Catalog No.: 109395

[arthausmusik]

CARMEN - 150 YEARS WIENER STAATSOPER | Opera | ARTHAUS MUSIK from Arthaus Musik GmbH on Vimeo.

"150 Years Wiener Staatsoper" is available here >>AHM.lnk.to/Wiener-Staatsoper

Follow Arthaus Musik on: FACEBOOK facebook.com/arthausmusik/ INSTAGRAM instagram.com/arthausmusik/ TWITTER twitter.com/arthaus_musik WEBSITE arthaus-musik.com/ JPC-Shop https://bit.ly/2NiZmzi PRESTO CLASSICAL - Shop: https://bit.ly/2ZiGsej

This box contains the 8 outstanding operas: Alcina, Ariadne auf Naxos, Carmen, Don Giovanni, Elektra, Il Trovatore, Lohengrin and Turandot

150 Years Vienna State Opera that means 150 Years impressive opera events featuring the greatest conductors of all time, high-class opera stars and the unique Vienna State Opera Orchestra. The „First Building on the Ring“ was once opened with Mozart’s Don Giovanni on 25 May 1869. Since that time the international leading Vienna State Opera advanced to an opera house with a massive repertoire, spanning Baroque to New Music. On the occasion of the 150th anniversary of the Vienna State Opera this magnificent edition combines eight operas in one dazzling box with worldwide famous singers like Plácido Domino, Cheryl Studer, Eva Marton or José Carreras as well as legendary maestro such as Herbert von Karajan, Riccardo Muti, Claudio Abbado or Marc Minkowski and presents stagings from renowned directors like Franco Zeffirelli or Herbert von Karajan. A come together of the giants on music scene. Experience four decades opera history from the Vienna State Opera on 11 DVDs.

Catalog No.: 109395