#Bomben auf Monte Carlo

[peterlorres21stcentury]

How did u watch bomben auf Monte Carlo? I want to watch it but I can't find a version with English subtitles :(

I'm very glad you asked. :)

I did not do the translation, I just ripped the SRT file from a Youtube video that was taken down some time ago. It isn't perfect, but it works well enough. One day I might go back to improve the subtitles as best I can.

[peterlorrefanpage]

Heinz Ruehmann, Peter Lorre, and Hans Albers in Bomben auf Monte Carlo (1931).

A German musical comedy film! Peter Lorre as Pawlitschek has, alas, only a tiny amount of footage - but how adorable is that sailor costume?

A lower-res still with Heinz Ruehmann, Peter Lorre, and Hans Albers in Bomben auf Monte Carlo (1931).

Heinz Ruehmann and Peter Lorre with a different hat, Bomben auf Monte Carlo (1931).

Info:

"Tagged as a screen menace, Lorre claimed he was offered dozens of villainous roles after M. 'I wanted to do them,' he later recalled, 'but the attitude of the public made me think. Here they were trying to type me. Once you are typed your field is limited and your screen life is apt to be short.'

"Intent on demonstrating his versatility, he turned down picture after picture until a comedy turned up. Bomben auf Monte Carlo (Bombs on Monte Carlo, 1931) afforded him both comedy and caricature, although on a small scale. In the supposedly true story of a ship captain’s efforts to win his crew’s back pay at a casino in Monte Carlo, Lorre played the chief engineer, relegated to the role of cook. Emerging from the galley holding a large ladle, he quizzes, with 'cannibalistic innuendo,' according to editor Paul Falkenberg, 'Guess what I am making beef goulash out of, gentlemen? Well? Well?'

"Thinking it was children, audiences laughed at what appeared to be a sardonic reference to M. 'Out of the beard of a billy-goat,' he retorts. In his remaining moments on the screen, he clowns, mugs, and even sings." - The Lost One: A Life of Peter Lorre

[faustiandevil]

Depression makes a man do stupid things and here is what I did. Peter Lorre tier list, all movies (well the ones that were available online and in a language I could understand), all characters ranked in a highly scientific way. Feel free to defend your blorbos, but know this I’m right, you’re wrong, SHUDDUP!! (This is a reference I hope y’all get, but in any case do feel free to defend your blorbos I wanna hear y’alls takes.)

My reasonings under the cut. Enter, but be warned it truly is my twisted sick mind down there. If you scroll down long enough to see the Shining reference, I love you.

Bildreporter Johnny (F.P.1 antwortet nicht): No, no, no, no, no, no! Highly unfuckable look! Why does he look like an old man and a baby at the same time??? I can’t do this!!

Mr. Kentaro Moto (Mr. Moto Series): Racism. I’m sorry, I can’t. Absolutely hate it. Shit tier. Same goes with the movies. I only really liked Mr. Moto’s Gamble, which I found out was actually a Charlie Chan script asdfghjkl

Stephen Danel (Island of Doomed Men): Slave owner. Killed a monkey. Was kind of okay with his wife tho, until the end, I guess they needed a reason to off him.

Roderick Raskolnikov (Crime and Punishment): I’m putting him down on the list, because I read Crime and Punishment and the movie is way too ‘Murican. Already the names were bastardized and as someone who loves Russian literature I just can’t deal with that shit. He was okay, but ehhh… (The 1970 movie is way better, and Taratorkin is the best Rashkolnikov, fucking fight me.)

Nikolai Zaleshoff (Background to Danger): Again, butchering Russian names. Not even a patronymic. Kind of a caricature as well with all of the vodka drinking. And again he gets shot and for what??

Sergeant Berger (The Cross of Lorraine): I’m stronger. I will resist. The scene where he blows the cigarette smoke into the guy’s face and kicks him does things to me. I will admit. But that man is a nazi and I cannot in good consciousness put him anywhere else, but shit tier.

Captain Chang (They Met in Bombay): Glark Cable tolerable?? In my movie?? More likely than you think. Did not like the racism again. The beard is nice, so he goes slightly higher than shit tier.

Baron Ikito (Invisible Agent): He gets put in a slightly higher tier than shit tier only, because of the last line in the movie that made me very very gay. “I can make an honorable man out of you” like you can’t make him say shit like that I’m already a weak little homosexual!!

Hilary Cummins (The Beast With Five Fingers): This may be a surprise, but listen, hear me out, I have reasons. I cannot deal with an Astrology bitch. Like, yeah I also like to read my horrorscope every now and then, and I’m a Satanist, but I don’t vibe with that shit, he is too obsessed. Not every gay is gonna be into Asstrology. Also I cannot moan the name Hilary while giving this man dick without thinking of the Clinton woman. Also Cummins??? That’s an OnlyEnemies name. PS. The movie was bad when the hand turned out to be fake.

Julius O’Hara (Beat The Devil): Oh, no I’m not vibing with the hair again. I’m not into it. Loved his bullshitting, even if he is not very good at lying.

Conseil (20,000 Leagues Under the Sea): Liked seeing him together with my rich successful uncle Lukács, and had some nice fits in the movie, but it’s only slightly above shit tier. Saw tentacles, but got nothing. Absolutely disappointed.

Ahmed (Five Weeks in a Balloon): Racism again. Love his rainbow colored pants. The fez does nothing for me. Because of the earring he gets put higher than shit tier.

Pawlitschek (Bomben Auf Monte Carlo): He’s cute. He knows how to cook. Its fucking goulash of course, but ugggh fine I’ll eat it. Look I love you I’ll eat it. Fucking tourist food that no self-respecting Hungarian is going to touch. It’s just fucking soup.

Otto Fuesslli (What Women Dream Of): He is adorable. Clearly faking that piano play, but he sings like an angle. Docking points for being a cop tho. I’m sorry, but in this house we ain’t fucking cops.

Maj. Sigfried Gruning (Lancer Spy): Okay, I’m conflicted. Not sold on the hair, or the mustache, but I’m a military man, I love a uniform, he has a sword. (Babygirl you wanna see my sword~?) Uhhh… he also doesn’t do much in the movie.

Louis ‘The Dope’ Monteau (I’ll Give a Million): Adowable. A dumb baby. And that is why he only gets put in mid tier. Too cute for my taste. Still good for him and all the other poor homeless guys for pulling off the scam of the century on the rich bastards. Respect.

Polo (I Was An Adventuress): Same problem with Louis. He has too much boi energy. Every time I see that image where he looks up with them big ol’ eyes all I can think about is that meme the “Bitch use your words I don’t speak bottom”.

The Stranger (The Stranger on The Third Floor): Okay… uhm… this is a though one… There’s not much info on The Stranger, we don’t even know his name, we only know that he is mentally ill and killed a man. We all have our faults. I mean in this day and age who isn’t mentally ill and killed at least one person. So… mid tier. Like his scarf tho.

Paul Hyde (Mr. District Attorney): The way he got shot was bullshit. What the fuck was that about?? I hardly even remember this movie.

Joel Cairo (The Maltese Falcon): Okay… I gotta confess… I fucking hate the Maltese Falcon. There I said it. It just rubs me the wrong way that in book context and Hays code movie context Joel is gay and gets beaten up the most. Like finally a highly canon gay one for me and I get this home of phobia. Fuck this. Also I do not like Bogart and I think this movie started it lol.

Pepi (All Through the Night): I’mma get shit for this. But… but… hear me out… sometimes a man thinks with his dick and not with his brain. This is one of them. When he shows up at the bar, dressed up all nice, smoking his little cigarette… I’m weak. And yes I know he is a nazi, but I could fix him. I could fuck the fascism out of him. If not… well… //cocks gun// Mid tier, because I can’t put him higher than that. If not for the fascism he would be A tier.

Jan Bernazsky (The Conspirators): I remember nothing from this movie. I think he was a red herring. He goes in mid.

Slimane (Casbah): Casablanca the musical. Getting very gay vibes from Slimane. Why are you a detective? To catch other men. To hold them close after you shoot them. Wow faggy. Anyway, a bit conflicted and had to dock points, because again cop.

Toady (Rope of Sand): I only watched this movie, because Claude Rains is the same height as me and I was hoping to see them stand next to each other, so I can visualize the height difference. Got a very nice homosexual cig lit scene from it. I have no recollection of the movie besides that scene, but he looks fine.

Japanese Steward on the S.S. Carnatic (Around the World in Eighty Days): I can’t fuck a man on a boat I’ll get sea sick.

Kurt Bergner (The Buster Keaton Story): Were you channeling some other asshole director from your life? You looked like you knew what you were doing? Anyway, would fuck just so I could get my start in the movie industry, but this relationship ain’t gonna last longer than a headline.

Brankov (Silk Stockings): Glorious Technicolor~ I have issues with this movie. It’s the inferior Ninotchka. The Russian names are once again butchered. The dancing is nice. Go white boy, fuck up the dance floor!! Nothing else to say about it really.

Abdul (The Sad Sack): Mon petite~! If I justified Pepi being in mid-tier, I can do the same for Abdul. He was eager to kill Jerry Lewis’ character and I think the movie would have benefited from it. Still he can’t go higher, because of the… ehh… Hollywood racism. He would be top fucking tier otherwise.

Skeeter (The Big Circus): Not into clowns. (A contradictory statement. If you know you know.)

Montresor (Tales of Terror): I’m in a predicament, because I’m a cat lover and this man was mean to a cat. He is very hot tho. Sorry, babes, but you gotta go into the mid rankings. Also fix your alcohol problem, I cannot let Freud win.

Hans Beckert (M): Okay, this is going to be controversial putting the child murderer so high up on the list, but consider this. He is so pathetic when he gets thrown down the stairs that I just can’t not fuck him. I’m also willing to look past that besides murder he also probably did other things too (yeah that’s a bit harder to get past eugh…). The murder I’m fine with tho. I’m very often locked in a train car with screaming children and I mean that would make anyone start whistling the tune of Edvard Grieg’s In the Hall of the Mountain King. My dick could fix him, but if he wants to murder a child every now and then. I’m all for it.

Redakteur Stix (Die Koffer des Herrn O.F.): This man fucks. And I do mean HE fucks. Polo and Louis wish they were like Stix. He goes into A tier for terrorizing a whole town, getting laid, and getting the girl. Would you like to get the boy as well, hun~?

The General (Secret Agent): This look is absolute horrid… I fucking love it. For someone who is known to be a mustache lover I don’t ever want to see Peter with one. (I’m the one who wears the mustaches in this relationship.) This is an exception tho. It’s a gay disaster look. It’s so bad it’s hot. Extra points for the earring. (The ending to that movie was absolute bullshit tho. General your gun!!)

Prof. Sturm (Nancy Steele Is Missing!): I love it when he is a manipulative little bastard. Also he could have gotten away with it if it weren’t for someone having morals and loving his stolen adoptive child. Absolutely disgusting. The mustache and the glasses combo are acceptable (even if he looks like one of my high school teachers).

M’sieu Pig (Strange Cargo): The other incel. I’m docking points, because for most of the movie I had to watch Clark Gable be a misogynist and I already hate him. All this just to eyeball Peter Lorre… Anyway I would make that piggy squeal. A tier, but only because he shows off a bit of chest hair.

Fenninger (You’ll Find Out): Not particularly fond of this look. I like it better when his hair is a bit messy. Is one third of an evil gay polycule, so points to that. And also the long cig holder. Very gay, hun. And who can forget the og teeth. Would still drag my tongue across those chompers I don’t care what anyone says. (Mainly, because I also have similar fucked up looking messy teeth.)

Signor Ugarte (Casablanca): I’m putting him only in A tier, because he killed nazis at the start of the movie and is a desperate little homo, which is a trait I very much relate to. But Bogart… really… honey you could do so much better. Seriously y’all look me in the eye and tell me that Bogart is hot, when he plays these asshole characters. I’ll wait. Besides I’m right here. I’m ready to top you babe.

Marius (Passage To Marseilles): Love a man who is honest and proud of his professional achievements. And is very much good with his hands hello~ Dies (seriously why???) while fighting nazis. A bit of a scraggly look, but I love it. I also had to look up pics for this and turtlenecks make any man look slutty… and sir… your tits!! I need to feel them through the fabric~ Or just in general~

Dr. Einstein (Arsenic and Old Lace): He is a cute pathetic little meow meow. I want to (the following sentence had to be censored due to violating the Hays code). I am putting him only in A tier, because he is too popular, but I feel like that’s a personal bias.

Johannes Koenig (Hotel Berlin): Again a nice scraggly look. I love it~ He does get his shit together by the end and that’s good, but I wish he’d kept the five o’clock.

Contreras (Confidential Agent): I love a man who hates his job. So relatable. He does a big no no with being a sellout to the fascists, but he gets his just desserts and surprising doesn’t die from a gun, but a heart attack (and they pull a Weekend at Bernie’s with his corpse later on). He is really pathetic and I cannot control myself.

Johnny West (Three Strangers): //heavy breathing// I want him!! Finally a romantic role!! Babygirl yes!! I know you could do it!! If only you also took the money!!!!!!!!! For that last one he goes into A tier and not higher.

Gino (The Chase): Show off more of that chest hair, slut!! I would also not let this man drive (not that I can either). Besides babes the backseat has more space~

Nick (Quicksand): Blackmailing is fun when it’s not happening to you~ Also if we get together I could probably play the games for free. That’s a plus.

Paynter (Double Confession): This man was so desperate for approval. And y’all cannot tell me that he and Charlie weren’t a bit more than friends. Oh a man saves you and now you would do murders for him (except he’s a loser and is not okay with murder). Babe ditch him I would let you kill people for me. I’m not a pussy.

Dr. Karl Rothe/Dr. Karl Neumeister (The Lost One): Babygirl you have some deep rooted psychological issues that you should get checked out. Still, here’s my number. Call me, when you feel like choking me out, but not in a killing way. (Or maybe in a killing way, depends on how I feel.)

Colonel John Miguel Orlando Arragas (Congo Crossing): The straights looked at each other once and immediately kissed, so that set the tone for me. Anyway he is a cop, but he does do the right thing at the end, but still a cop. The uniform is nice. Doesn’t like his job much, so that’s kind of sexy. Eh, you know, what A tier. He is the exception. (I do hope he doesn’t expect me to say his entire name while I’m d(HAYS CODE) him down and making him swallow my (HAYS CODE).)

Nero (The Story of Mankind): Listen, I have some kinks… if you read my writings you know… I’m also drawn to a man with power, and money, and insanity. (I’m also really glad he didn’t have the chin beard like the real Nero, because that’s a deal breaker.)

Smiley (Scent of Mystery): Absolutely disappointed that this movie didn’t have a Dora the Explorer segment where the characters turn to the screen and ask the viewer if they can guess the mystery scent. Anyway hot. I love a man who knows how to be crafty regarding his job. Cheating, stealing, lying, all traits that make a honest Hungarian. Even stole someone’s wife just for the heck of it. Oh, honey~ Only A tier, because I can’t see this relationship going further than some fun in the backseat, but that’s probably enough.

Comm. Lucius Emery (Voyage to the Bottom of the Sea): He has a pet shark and wears a uniform. I’m already undoing my belt. This movie was… mmm… not good tho.

Dr. Adolphus Bedlo (The Raven): He is an abusive drunk parent. But he is so wet and pathetic. Frued won, I really am just gonna get together with someone who is like my dad (the real one not Béla).

Mr. Strangdour (Muscle Beach Party): He is the strongest man alive and yet I, his silly little kitten get to top him. My only problem with him is that I cannot for the life of me remember his name for some reason so I guess he just gotta deal with being called Sourdough and Stroganoff for the rest of his life. My concern is that his stupid kid is gonna walk in one day and go “Oh, you guys are wrestling, who’s winning? 8D” and I don’t want to deal with that.

Abbott (The Man Who Knew Too Much): He is evil, he is cunning, he has a neat little hair stripe just like me! Would also kill a child, which I personally don’t think is a terrible trait (as we saw earlier). Absolute snack! Baby I’ll be your dragon, I’ll be your right hand arm-man, your silly little homo eye candy!

Dr. Gogol (Mad Love): My favorite incel!! I wanna crack his bald head open with my canines like a hardboiled egg, call him a pathetic loser, and pin him against a wall and tongue him down! But seriously the man is the equivalent of a Reddit user, he has money tho, and if I could be his kept man, I wouldn’t mind.

Colonel Gimpy/Baron Rudolph Maximillian Tagger (Crack-Up): That scene where the plane is crashed into the ocean and his hair is wet and he looks up straight into the camera… //fans self// H-hewwo… daddy… sorry… daddy… sorry… Yeah, top tier. No question.

János ‘Johnny’ Szabó (The Face Behind The Mask): I refuse to use anything, but the correct Hungarian spelling, fuck you Hollywood. Kinda meh about him before the accident, way too happy and optimistic for my liking. I like a man who is bitter and ready to kill. Also something about masks just gives people a certain allure. Gets extra points for being the only Hungarian character Peter ever played and judging from the letter he writes back home, Johnny actually knows the language haha. I wouldn’t have to translate him my stupid memes, we could just switch back and forth. Domestic bliss.

Dr. Arthur Lorencz (The Boogie Man Will Get You): Top fucking tier! The most guy ever! He is a politician, he sells snake oil, he is a doctor, and also the town sheriff, cat lover, gay! Is there something this man can’t do! Love him!

Fritz Bercovy (The Constant Nymph): I know that in the book the character is supposed to be a very antisemitic caricature, but I think it was rewritten in the movie. Also I tried multiple times to check how old Toni is, but I only kept finding it for Tessa, so I’mma just gonna give him the benefit of the doubt and say that Fritz is not a groomer, unlike Lewis. With all that out of the way, I have a confessions to make. This character sent me over the edge and I did a Peter Lorre expy in my novel. I am weak. I saw him in the fur with the cane (and the whole club was looking at her) and… he really be doing boyfriend cosplay with one of my main characters. Also he has money and is willing to spend it on his SO, so… //twirls hair// I’d love to be a kept man~

Cornelius Leyden (The Mask of Dimitrios): This man was put on this wretched Earth to wear bowties and by Lucifer he makes them look good. Also he has little gray hairs on the side. And glasses!!! //heavy breathing// I need to make him scream my name all through the night!

Peter Lorre (Hollywood Canteen): That’s just my mans! That’s just my guy! That’s just my husband! My sweet cheese! My rotten soldier! My good time BOI! How could I not put him at the top? (Disclaimer: The only one topping that man is me ayyyy)

Marko (Black Angel): This man really cannot sit normally, huh. Anyway, he was hot, fruity, and a loving father. And the movie wasn’t bad either. I was actually rooting for the straights in this one.

Victor Emmric (The Verdict): Oh, he is husband material. He is a morbid little bastard, and is also romantic. A bit on the drunk side, but I don’t care. He’s hot. Would love to do art trades with him.

Kismet (My Favourite Brunette): This man is MY favourite brunette. My nasty boyfriend who holds me at knife point and spits in my mouth and calls me his bitch~ (Is that a knife in your pocket or are you just happy to see me~) I would also help this man get his citizenship.

Peter Lorre (Meet Me in Las Vegas): People who say that they are only into him when he is young and slim are weak as fuck. Oh, so just because this man is old and fat and his biological clock is not ticking anymore you don’t wanna try and get him preganant anymore??? Move over!! I’ll give this man evil milk (read: cum).

Commissioner Lamoret (Hell Ship Mutiny): I love a man who absolutely hates his job and just wants an easy life and is also willing to murder a child for it. We have so much in common~ And with my help, we would have gotten away with it. We’d be spending retirement in Bora Bora, baybeh.

Felix Gillie (The Comedy of Terrors): You see that man? That man, is my husband. We are married. He supports me and I support him. I would lie in the coffin that he made for me. I know that most peeps fall for him in Arsenic, well I’m different. I have the Father Issues and I want stability and I feel like Felix would give that to me.

Morgan Heywood (The Patsy): He was suffering, I was suffering, there was a collective suffering with this movie. Our meet-cute is me absolutely going feral and killing Jerry Lewis right in front of him. Our eyes lock as I’m covered in blood and the cops take me away. He falls in love with me right then and there. Conjugal visits right until the end of my life sentence.

Okay, y'all can go now~

[lyslily]

Peter Lorre Bomben auf Monte Carlo, Hanns Schwarz (1931).

[elcinelateleymickyandonie]

EDDIE CONSTANTINE.

Filmography

Movie theater

1950: Les chansons s'envolent

1953: Egypt by Three

1953: La Môme vert-de-gris

1953: Cet homme est dangereux

1954: Les femmes s'en balannt

1954: Avanzi di galera

1954: Votre dévoué Blake

1955: Ça va barder

1955: Je suis un sentimental

1956: Vous pigez?

1956: Les Truands

1956: Ce soir les jupons volent

1956: L'Homme et l'Enfant

1956: Bonsoir Paris, bonjour l'amour

1957: Folies-Bergère

1957: Le Grand Bluff

1957: Ces dames préfèrent le mambo by Bernard Borderie

1957: Rendez-vous avec Maurice Chevalier number 1

1958: Incognito

1958: Hoppla, jetzt kommt Eddie

1958: Passport to Shame

1959: Du rififi chez les femmes

1959: The Treasure of San Teresa

1959: SOS Pacific

1960: Bomben auf Monte Carlo

1960: Comment qu'elle est

1960: Chien de pique

1960: Ravissante

1960: Ça va être ta fête

1961: Me faire ça à moi

1961: Mani in alto

1961: Cause toujours

1961: Cléo from 5 to 7

1962: Une grosse tête

1962: Les Sept Péchés capitaux

1962: Lemmy pour les dames

1962: Bonne chance, Charlie

1962: L'Empire de la nuit

1962: Nous irons à Deauville

1963: Les Femmes d'abord

1963: spider web

1963: À toi de faire ... mignonne

1963: Des frissons partout

1963: Rote Lippen soll man küssen

1963: Lykke og krone

1964: Comment trouvez-vous ma sœur

1964: Laissez tirer les tireurs

1964: Nick Carter goes tout casser

1964: Lucky Jo

1964: Ces dames s'en mêlent

1965: Faites vos jeux, mesdames

1965: Cent briques et des tuiles

1965: Alphaville, by Jean-Luc Godard

1965: Je vous salue mafia

1965: Nick Carter et le trèfle rouge

1966: Face up cards

1966: Residence for spies

1967: Ces messieurs de la famille

1968: À tout casser

1969: Les Gros Malins

1969: Lions Love

1970: Malatesta

1971: Warnung vor einer heiligen Nutt

1971: Eddie Geht Weiter

1973: Geen paniek

1974: Une baleine qui avait mal aux dents

1975: Souvenir of Gibraltar

1975: Der Zweite Frühling

1977: Bloedverwanten

1977: Le Couple témoi

1978: It Lives Again

1979: The third generation

1979: Bildnis einer Trinkerin

1980: Exit ... nur keine Panik

1980: Car-Napping - Bestellt

1980: The Long Good Friday

1981: Rote Liebe - Wassilissa

1981: Tango durch Deutschland

1981: Neige

1981: Oasis, by Burghardt Schlicht.

TV

1970: Eine Rose für Jane (TV movie)

1971: Supergirl - Das Mädchen von den Sternen

1972: Wir sind drei

1973: Welt am Draht) (miniseries) '

1977: Raid on Entebbe (TV movie)

1978: Zwei himmlische Töchter

1979: Victor (TV movie)

1981: Zwischen Mond und Sonne

1982: De bien étranges affaires

1982: The Tiger Brigades

1984: Rambo Zambo

1984: Phil Perfect's Adventure

1984: Série noire

1984: Quei trentasei gradini

1986: Pepe Carvalho

1986: Roncalli

1987: Frankenstein's Aunt

1988: Les Cinq Dernières Minutes

1989: Rivalen der Rennbahn

1989: Le Retour de Lemmy Caution

Theater

1951: La P'tite Lili, by Marcel Achard and Marguerite Monnot, A.B.C.

Créditos: Tomado de Wikipedia

https://es.wikipedia.org/wiki/Eddie_Constantine

#HONDURASQUEDATEENCASA

#ELCINELATELEYMICKYANDONIE

[peterlorres21stcentury]

Before I forget again, I added English subtitles to the 1931 film "Bomben Auf Monte Carlo." Peter has only a small role, but he manages to be extremely sunny and cute for his moments onscreen.

Let me know if you find any mistakes or general subtitle weirdness! I can change it pretty easily.

[peterlorrefanpage]

Peter Lorre Movie Timeline

Peter Lorre was never a “horror” actor. Horror was Hollywood’s unfortunate typecasting. If anything, he’d say of himself that he played roles of “psychological terror” - which takes intellect and insight. But he was also a gifted comic actor and took his turn as a romantic lead. Enjoy this marvelously nuanced, talented actor in his films below. 

I have linked to YouTube, archive.org, and ok.ru. 

===

UPDATE: Some of the links below have become defunct. If that happens, try this archive.org pack of movies. 

===

1920s

1929  Die verschwundene Frau (The Missing Wife) - Patient of a Dentist. (Silent film; Lorre was uncredited.) If you can source a copy, let me know!

1930s

1931  M - Hans Beckert - and - Lorre dubbing in English!

1931  Bomben auf Monte Carlo - Pawlitschek.

1931  Die Koffer des Herrn O.F. - Redakteur Stix (Editor Stix). Also located here.

1931  Mann ist Mann (A Man's a Man) - Galy Gay. Film of Bertolt Brecht's stage play. Here are clips.

1932  Fünf von der Jazzband (The Jazzband Five) - Car thief. You can buy it here.

1932  Schuß im Morgengrauen (A Shot at Dawn) - Klotz. If you can source a copy, let me know!

1932  Der Weisse Damon (The White Demon) - Hunchback (Film originally titled Rauschgift.) You can buy it here.

1932  Stupéfiants (Narcotics) - Le bossu. This is the French-language version of Der Weisse Damon. Peter Lorre speaks French!

1932  F.P.1 antwortet nicht - Bildreporter Johnny. 

1933  Was Frauen Traumen (What Women Dream) - Otto Fuesslli. Lorre sings! 

1933  Unsichtbare Gegner (Invisible Opponent) - Henry Pless. You can buy it here.

1933  Du haut en bas (From Top to Bottom) - Beggar. 

1934  The Man Who Knew Too Much - Abbott. [Alfred Hitchcock] Lorre’s first English-speaking role!

1935  Mad Love - Dr. Gogol. 

1935  Crime and Punishment - Roderick Raskolnikov. 

1936  Secret Agent - The General. [Alfred Hitchcock.]

1936  Crack-Up - Colonel Gimpy / Baron.

1937  Nancy Steele Is Missing! - Prof. Sturm.

1937  Think Fast, Mr. Moto (1) - Mr. Kentaro Moto. 

1937  Lancer Spy - Maj. Sigfried Gruning.

1937  Thank You, Mr. Moto (2) - Mr. Kentaro Moto. 

1938  Mr. Moto's Gamble (3) - Mr. Kentaro Moto. 

1938  Mr. Moto Takes a Chance (4) - Mr. Kentaro Moto. 

1938  I'll Give a Million - Louis 'The Dope' Monteau.

1938  Mysterious Mr. Moto (5) - Mr. Kentaro Moto. 

1939  Mr. Moto's Last Warning (6) - Mr. Kentaro Moto. 

1939  Mr. Moto in Danger Island (7) - Mr. Kentaro Moto. 

1939  Mr. Moto Takes a Vacation (8) - Mr. Kentaro Moto. 

1940s

1940  Strange Cargo - M'sieu Pig.

1940  I Was an Adventuress - Polo.

1940  Island of Doomed Men - Stephen Danel. 

1940  Stranger on the Third Floor - The Stranger. (Launched the film noir genre. Peter doesn’t appear for awhile, but when he does...)

1940  You'll Find Out - Fenninger.

1941  The Face Behind the Mask - Janos 'Johnny' Szabo. 

1941  Mr. District Attorney - Paul Hyde.

1941  They Met in Bombay - Captain Chan. You can buy it here.

1941  The Maltese Falcon - Joel Cairo. (Sydney Greenstreet pairing #1.)

1942  All Through the Night - Pepi. (This film is where Peter Lorre met his second-wife-to-be, Kaaren Verne.) Here’s a clip. And another.

1942  Invisible Agent - Baron Ikito. Available on this collection.

1942  The Boogie Man Will Get You - Dr. Arthur Lorencz.

1942  Casablanca - Signor Ugarte. (Sydney Greenstreet pairing #2.)

1943  The Constant Nymph - Fritz Bercovy. Lorre’s role was significantly cut in editing.

1943  Background to Danger - Nikolai Zaleshoff. (Sydney Greenstreet pairing #3.)

1943  The Cross of Lorraine - Sergeant Berger.

1944  Passage to Marseille - Marius. (Sydney Greenstreet pairing #4.)

1944  The Mask of Dimitrios - Cornelius Leyden. (Sydney Greenstreet pairing #5.)

1944  Arsenic and Old Lace - Dr. Einstein.

1944 The Conspirators - Jan Bernazsky. (Sydney Greenstreet pairing #6.)

1944  Hollywood Canteen (segment). (Sydney Greenstreet pairing #7.)

1945  Hotel Berlin - Johannes Koenig.

1945  Confidential Agent - Contreras.

1946  Three Strangers - Johnny West. (Sydney Greenstreet pairing #8; Joan Lorring pairing #1.)

1946  Black Angel - Marko.

1946  The Chase - Gino.

1946  The Verdict - Victor Emmric. (Sydney Greenstreet pairing #9; Joan Lorring pairing #2.)

1946  The Beast with Five Fingers - Hilary Cummins.

1947  My Favorite Brunette - Kismet.

1948  Casbah - Slimane.

1949  Rope of Sand - Toady.

1950s

1950  Quicksand - Nick.

1950  Double Confession - Paynter.

1951  Der Verlorene (The Lost One) - Dr. Karl Rothe / Dr. Karl Neumeister. Lorre’s directorial debut.

1953  Beat the Devil - Julius O'Hara.

1954  20,000 Leagues Under the Sea - Conseil.

1956  Meet Me in Las Vegas - as Peter Lorre (uncredited).

1956  Congo Crossing - Colonel John Miguel Orlando Arragas.

1956  Around the World in Eighty Days - Japanese Steward on S.S. Carnatic. 

1957  The Buster Keaton Story - Kurt Bergner. 

1957  Silk Stockings - Brankov. 

1957  The Story of Mankind - Nero. 

1957  The Sad Sack - Abdul. 

1957  Hell Ship Mutiny - Commissioner Lamoret.

1959  The Big Circus - Skeeter.

1960s

1960  Scent of Mystery (Smellovision!) - Smiley; re-released without Smellovision as Holiday in Spain.

1961  Voyage to the Bottom of the Sea - Comm. Lucius Emery.

1962  Tales of Terror: Montresor in "The Black Cat".

1962  Five Weeks in a Balloon - Ahmed.

1963  The Raven - Dr. Adolphus Bedlo.

1964  The Comedy of Terrors - Felix Gillie. 

1964  Muscle Beach Party - Mr. Strangdour (posthumous release). 

1964  The Patsy - Morgan Heywood (posthumous release).

See also:

Peter Lorre Television Show List

Peter Lorre Radio Show List

[peterlorres21stcentury]

Has anyone done a "[name of film] but it's only Peter Lorre" video? I'm tempted to do this but I know it would make me a bit sad, as some of his movies only feature him onscreen for like, five minutes when we all know he deserved the entire hour and a half.

[peterlorres21stcentury]

Peter made a lot of movies 🎦

This list is as much a resource for me as it is for all Peter Lorre fans! I'm reorganizing my physical media collection and curating all the PL films in particular, but I realized that my Internet Archive collection is incomplete. If you don't see a link to a particular film, it's because:

Titles in red mean that I DO NOT own either a physical or a high quality digital copy of this film.

Titles in blue mean that I DO own a physical or high quality digital copy, but I have not yet uploaded it out of plain forgetfulness.

I'll be working to upload as much as I can in the next few months. If you happen to have a link to a high-quality copy of any of the movies in red on this list, please let me know!

You may share this list widely, but remember some of these films are under an assumed name, hiding from the copyright gremlins. Shh. ;)

M (1931)

Bomben Auf Monte Carlo (1931)

Die Koffer Des Herrn O. F. (1931)

Der weiße Dämon (1932)

Fünf von der Jazzband (1932)

Schuß im Morgengrauen (1932)

Stupéfiants (1932)

F.P.1 Antwortet Nicht (1932)

M (English dub) (1932)

Unsichtbare Gegner (1932)

Du haut en bas (1933)

Les requins du pétrole (1933)

Was Frauen träumen (1933)

The Man Who Knew Too Much (1934)

Crime And Punishment (1935)

Mad Love (1935)

Crack Up (1936)

Secret Agent (1936)

Lancer Spy (1937)

Nancy Steele Is Missing! (1937)

Thank You, Mr. Moto (1937)

Think Fast, Mr Moto (1937)

I'll Give a Million (1938)

Mr. Moto's Gamble (1938)

Mr. Moto's Last Warning (1938)

Mr. Moto Takes A Chance (1938)

Mysterious Mr. Moto (1938)

Mr. Moto in Danger Island (1939)

Mr. Moto Takes A Vacation (1939)

Island of Doomed Men (1940)

I Was An Adventuress (1940)

Strange Cargo (1940)

Stranger on the Third Floor (1940)

You'll Find Out (1940)

Mr. District Attorney (1940)

The Face Behind The Mask (1941)

The Maltese Falcon (1941)

They Met in Bombay (1941)

All Through the Night (1942)

Casablanca (1942)

The Boogie Man Will Get You (1942)

Invisible Agent (1942)

Background to Danger (1943)

The Constant Nymph (1943)

The Cross of Lorraine (1943)

Arsenic and Old Lace (1944)

Hollywood Canteen (1944)

Passage to Marseille (1944)

The Conspirators (1944)

The Mask of Dimitrios (1944)

Confidential Agent (1945)

Hotel Berlin (1945)

Black Angel (1946)

The Beast With Five Fingers (1946)

Three Strangers (1946)

The Chase (1946)

The Verdict (1946)

My Favorite Brunette (1947)

Casbah (1948)

Rope Of Sand (1949)

Double Confession (1950)

Quicksand (1950)

Der Verlorene (1951)

Beat the Devil (1953)

20,000 Leagues Under the Sea (1954)

Around the World in 80 Days (1956)

Congo Crossing (1956)

Meet Me In Las Vegas (1956)

Hell Ship Mutiny (1957)

Silk Stockings (1957)

The Buster Keaton Story (1957)

The Sad Sack (1957)

The Story of Mankind (1957)

The Big Circus (1957)

Scent Of Mystery (1960)

Voyage to the Bottom of the Sea (1961)

Five Weeks in a Balloon (1957)

Tales of Terror (1962)

The Comedy Of Terrors (1963)

The Raven (1963)

Muscle Beach Party (1964)

The Patsy (1964)

[peterlorres21stcentury]

Subtitles complete! One day, it is my hope that O.F. will be properly restored, just like they did with the "FP1 Antwortet Nicht" bluray, but in the meantime I figured this film deserved a subtitle overlay. Next project will be adding both German and English subs to "Bomben auf Monte Carlo," yet another of Peter's films that needs a restoration someday. Anybody have contacts in film preservation?

[lyslily]

Hans Albers & Anna Sten Bomben auf Monte Carlo, Hanns Schwarz (1931).

[lyslily]

Hans Albers & Heinz Rühmann Bomben auf Monte Carlo, Hanns Schwarz (1931).