#Either I watch someone be Wrong on the internet or listen to Jason get trashed

[plotbunny-bundle]

Everytime I see this pop up on my Youtube recs I think: “Nightwing. But I’m not going to watch because I don’t want to be mad.”

[theworstbob]

yellin’ at songs: 5.12.2007 & 5.13.2017

the songs that debuted on the billboard chart this week and this week ten years ago

5.12.2007

6) "I'll Stand by You," Carrie Underwood

I completely understand why so many people bought this. I don't think my life was improved by having heard this? But, y'know, it wasn't as melodramatic as I was expecting, maybe I picked the wrong video but it's just a nice well-sung acoustic cover of a song which I'm sure was construed as inspirational for the Idol Gives Back thing (and remembering that this was Idol Gives Back this week, yup, mm-hmm, definitely watched the wrong video), I'm glad there wasn't a thousand things happening, but like 2007 is supposed to provide a nostalgic rush, either consider a song we all knew and loved/hated back in the day or uncover a classic, and listening to this is just... Unnecessary?

8) "Never Again," Kelly Clarkson

The first line of this song is, "I hope the ring you gave to her turns her finger green," which is a hell of a thing to say. One can assess all the reasons why this is the only Kelly Clarkson single to chart in 2007 -- hey remember ten years ago when a record label could win a PR battle with a female artist seeking creative autonomy? Good times! -- but honestly, there's nothing wrong with this song on its own, this is a pretty superb, dark-as-hell break-up song, but it's also the sixth or seventh consecutive Kelly Clarkson breakup song? Like, her discography to this point is "A Moment Like This" and then a shitload of break-up songs, some anthemic, some mournful, and while I get why they would be sick of Kelly Clarkson break-up songs -- worth noting her next big hit was “My Life Would Suck Without You” -- if the 2007 public wasn't willing to hear the dark version of the kind of song Kelly Clarkson does extremely well, that's on them. This song is rad, and while I'm probably not gonna go back and listen to My December, I'm figuring that album is prolly a jam.

28) "Icky Thump," The White Stripes

...Do I have to like this song? I get that I agree with it, and I get that The White Stripes area thing people who like music tend to like, and this is the most I ever enjoyed The White Stripes' whole, y'know, thing (this and “My Doorbell”), but I don’t want to like this song. It’s just, I dunno, Jack White’s this whole person, and I don’t like engaging with that person?

56) "Up to the Mountain," Kelly Clarkson ft./Jeff Beck

yes just like the carrie underwood thing this was a very good american idol performance and like i wanna be snarkier but last week 2007 handed me seven country dude songs and, just, i would take a thousand american idol performances before another week with that many country dudes. given the alternative, this is the greatest thing i could have ever possibly heard.

65) "Signal Fire," Snow Patrol

So like, I graduated high school in 2007, right? That's kind of the connection to these songs, like, these songs would have been the soundtrack to my high school experience if I had friends who listened to pop and/or rap radio. (Hence all the buttrock appreciation in these posts. Like, real talk, Shinedown is a terrible band to which I have such a profound nostalgic connection that I routinely have to rewatch their videos just to be 100% sure that particular Southern rock band doesn't have any Confederate flags in them.) So there's a 10-year reunion coming up which I'm probably not going to go to, but like imagine a 10-year high school reunion. You see your friends. You love your friends! You are all very successful and beautiful! You see the people you hated. You greatly enjoy how fat they got and cheated on they were! You go to the punch bowl for some delicious, fruity punch, and you see the person that sat behind you in chemistry. They seem OK. You mention the crazy weather you've been having recently, and they agree, the weather is crazy. This song is that social interaction. It's a nice Braffcore song that I wasn't thinking about then and am not presently thinking about now.

78) "You Raise Me Up," Josh Groban & The African Children's Choir

...Yeah, so like, no? Thank you! But, no, I'mma sit this one out. I understand that we want different things out of life. I will not get in the way of this song's goals, and I will not invite it to impede mine. But thank you so much for bringing this to me!

84) "If I Was Your Man," Joe

I refuse to actively engage with this song on the grounds that even coming up with this angle for a capsule review required more thought and effort than was put into the writing and recording of this song. This is a middle slider in song form. They couldn't even be bothered to give this artist a name. "Joe." Joe doesn't even stand for anything, he's just a fucking guy named Joe who wants to date someone and enjoy all the attendant benefits. Sometimes, you hear a song, and you're taken to an amazing world or shown a new aspect of life or filled with the inspiration needed to tackle the day's problems, and this song is like, "Meet Joe! Joe's a dude who has a crush on someone," and Joe doesn't say anything or even wave his hand to acknowledge you. He just sits there, moving nothing.

93) "I Don't Need a Man," The Pussycat Dolls

"I don't need a hand if it only wants to grab one thing." In addition to the world, the 2016 presidential election also ruined my ability to enjoy a 10-year-old Pussycat Dolls song. Also, Kara DioGuardi. It makes sense that Kara DioGuardi and Donald Trump would describe the female anatomy in equally clumsy ways. Maybe there was no way for Kara DioGuardi to know that, ten years after this song was published, the term "grab" could reference something other than the ass when used in reference to a woman's body, but she's bad and this song is trash so I'm definitely going to hold it against her.

99) "Sexy Lady," Yung Berg ft./Junior

...I am going to applaud this song for having the audacity of using a "Diamonds Are Forever" sample. Like, Kanye doesn't own the rights to the song, and it's a completely different beat, but it's still kinda weird to turn on a song and say, "Oh, hey, someone used that song as a sample in a song I like a lot more!" And like how are you going to use the "Diamonds Are Forever" sample on a song that isn't about diamonds at all? The song doesn't mention jewely of any kind. Like, I don't know, maybe Yung Berg has always been famously anti-consumerism and I just never bothered learning that about him, but if you're a pop/rap artist in 2007, and you're going to take a sample from an iconic song about material goods, hey, I'm not a songwriter, but maybe write verses about material goods? This is as weird as a song can be without having an ounce of originality.

100) "Wipe Me Down," Lil Boosie ft./Foxx & Webbie

One weird thing about 2007 songs is, so like, when I listen to a song with, say, Lil Yachty on the track, I hear every single disgusting thing Lil Yachty has to say about the things he wants to do to a woman, and which parts of the woman he would prefer to do them to. And then you listen to a 2007 track, and there'll be half a verse missing because the record label was scared that their video would be deleted from the internet if they said the n-word. Apart from the unnecessary censorship, I dunno, this was kind of the standard Southern-pop/rap song. Repetitive to the point you just give in and enjoy it, not really about anything in particular, just annoying enough to be memorable but not annoying enough to be appreciated ironically. There were always gonna be dry spells. 2007 is very much in one, Kelly Clarkson notwithstanding.

The Top 20! With infinitely more Kelly Clarkson than ever before! 20) "When I See U," by Fantasia (4.21.2007) 19) "Movin' On," by Elliott Yamin (3.17.2007) 18) "U + Ur Hand," by P!nk (1.13.2007) 17) "Doe Boy Fresh," by Three 6 Mafia ft./Chamillionaire (1.20.2007) 16) "Breath," by Breaking Benjamin (4.14.2007) 15) "Stolen," by Dashboard Confessional (4.21.2007) 14) "Beautiful Liar," by Beyonce & Shakira (3.31.2007) 13) "Cupid's Chokehold," by Gym Class Heroes ft./Patrick Stump (1.13.2007) 12) "The River," by Good Charlotte ft./M. Shadows & Synyster Gates (2.10.2007) 11) "Say OK," by Vanessa Hudgens (2.17.2007) 10) "Alyssa Lies," by Jason Michael Carroll (1.13.2007) 9) "Never Again," by Kelly Clarkson (5.12.2007) 8) "Get Buck," by Young Buck (4.14.2007) 7) "And I Am Telling You I'm Not Going," by Jennifer Hudson (1.13.2007) 6) "Thnks fr th Mmrs," by Fall Out Boy (4.28.2007) 5) "Candyman," by Christina Aguilera (1.13.2007) 4) "Because of You," by Ne-Yo (3.17.2007) 3) "Umbrella," by Rihanna ft./Jay-Z (4.28.2007) 2) "Dashboard," by Modest Mouse (2.17.2007) 1) "The Story," by Brandi Carlile (4.28.2007) Alright. 2007 had a bad week. 2017 didn’t fuck up Kendrick week. Is it gonna fuck up Paramore week?

5.13.2017

44) "There's Nothing Holdin' Me Back," by Shawn Mendes

So before I even listen to a single note, the inconsistency of the title's abbreviations has me peeved. Why would you abbreviate one word but not the other? Is one g much more special than the other? Does Shawn Mendes pronounce the g in nothing, but not the g in holding? Because I've heard Shawn Mendes sing, I'd be surprised if he hits the "th" and the "ld" in those words. /// You know what? I'll give it a "not as bad as the title." I don't come away from this song having made any new conclusions about the world or Shawn Mendes as a person, so I can't really argue that this was worth the three minutes of my life it took, but it's not Joe-level nothing, so hey! It has that going for it!

64) "Lust for Life," by Lana del Rey ft./The Weeknd

I'm not here to make a judgement call about the modern adolescent experience in relation to the one I went through. I think this song is fine, it's actually kind of great in a way I'm not gonna bother to place, but I think that it's worth noting that the modern teen's "Hot in Herre" is this. There's a lot of value in a sad song with the "take off all your clothes" refrain, again I dug this, but I didn't dig it enough to try to figure out why that might be, because I'm just thinking about what a jam "Hot in Herre" is and how I think I've heard like maybe two great party jams over the course of this project. We had "Run Up," you guys. The teens don't want to party. And, I mean, why should they, it's rough out there, maybe they deserve to just shrug when they see their boyfriend approach and say, "Huh, he got a little cooler. Le sigh."

68) "Attention," by Charlie Puth

Not gonna lie: when I saw that Shawn Mendes and this dude were on the ledger for this week, I thought the milquetoast white boy army was gonna ruin this W for Paramore. I thought the weight these two idiots would add to 2017 would give the W to a week in 2007 with a Kara DioGuardi joint. But just like the Shawn Mendes song, this was acceptable! In fact: I would give this a B-! It's not as drastic a zag as when Ed Sheeran dropped "Sing," but this is reasonably funkier, a degree of funk which I never would have thought Charlie Puth capable of achieving. I think this song might be his ceiling, I can't imagine having as good a time with Charlie Puth as I did with him here (especially now that the element of surprise won't be in play), but, y'know, solid three and a half minutes. Not the worst!

87) "do re mi," by blackbear

Ah, so THIS is where we were keeping the unexceptional white boy! I knew he had to be hiding somewhere! This is the song you write you have completely purged your life of everyone who told you that you weren't clever. This is the song you write after having no one around to tell you that the fact of a curse word isn't edgy on its own. "Do re mi fa so fuckin' done wit' ya" is a garbage line because the shock is being solely derived from the use of the f-word, and that can only get ya so many times; by the time he repeats it for the sixth time, you'll think it's do re mi fa so lame he couldn't think of anything cooler to do with the conceit than recite the scale then swear. You're a songWRITER, dude! You tellin' me you could only think of one pun based on the scale? OSCAR HAMMERSTEIN AIN'T GOT THE MONOPOLY ON SCALE-BASED PUNS, YA KNOW. SO MANY OTHER WORDS BEGIN WITH FA. TRY HARDER.

90) "Hard Times," by Paramore

gosh this song fucking rules. y'all mind if i'm just a boy writing a diary for a second? because this is a song about me. i'm someone with a defeatist attitude, i'm the exact sort of person who meets hard times by giving up, and that's what this song is, it's a song about giving in and feeling defeated. they're not looking back on low points in their life and saying, "gosh, can you believe we made it?" they're sinking deeper and deeper still into a depression and saying "how the fuck do we survive," and that's such a beautiful sentiment, especially in the trump era, where i'm sure a lot of us are still shellshocked and feel the task is too tall. but they're putting this happy, energetic face on it, this song is this bouncy uptempo jam about being incredibly depressed, because it's easier to pretend you don't need help than it is to ask. i love this song. i don't care if it falls off the chart next week, it's the new #1.

93) "My Girl," by Dylan Scott

...I think I'm just feeling generous today. I'm willing to give this a "didn't mind it." Am I amazed that they just keep finding new dudes to make this exact country song? Yeah. But, it's like the Shawn Mendes song, there just isn't enough in here for me to react negatively to. The Eminem reference is probably the most exotic shoutout in country music going, and especially refreshing because I'm still angry at "Johnny Cash" from last week, and the dude has the bass country voice going, he has that earth-shaking twang instead of that nasal fuckboy twang a lot of these dudes got going on. It wasn't as engaging as that "Hurricane" thing from a couple months ago, so I'm still gonna call it bro country, but this is probably the least I'll ever mind bro country. Congratulations, Dylan Scott! Of all the bro country chucklefucks, you have emerged as the least chucklefucky!

Top 20! Only one new entry! It’s an important one. 20) "Guys My Age," by Hey Violet (2.11) 19) "Heatstroke," by Calvin Harris ft./Young Thug, Pharrell Williams & Ariana Grande (4.22) 18) "Yeah Boy," Kelsea Ballerini (3.4) 17) "You Look Good," by Lady Antebellum (4.22) 16) "The Heart Part 4," by Kendrick Lamar (4.15) 15) "Selfish," by Future ft./Rihanna (3.18) 14) "Slide," by Calvin Harris ft./Frank Ocean & Migos (3.18) 13) "Now & Later," by Sage the Gemini (2.25) 12) "DNA." by Kendrick Lamar (5.6) 11) "It Ain't Me," by Kygo x Selena Gomez (3.4) 10) "Craving You," by Thomas Rhett ft./Maren Morris (4.22) 9) "That's What I Like," by Bruno Mars (3.4) 8) "Chanel," by Frank Ocean ft./A$AP Rocky (4.1) 7) "Run Up," by Major Lazer ft./PARTYNEXTDOOR & Nicki Minaj (2.18) 6) "Green Light," by Lorde (3.18) 5) "ELEMENT." by Kendrick Lamar (5.6) 4) "Despacito," by Luis Fonsi ft./Daddy Yankee (2.4) 3) "Issues," by Julia Michaels (2.11) 2) "iSpy," by KYLE ft./Lil Yachty (1.14) 1) "Hard Times," by Paramore (5.13) May you last longer than “Run Up,” “Hard Times.” 

Who won?

2017. Neither had a great week, apart from one exceptional song from both sides. “Hard Times” is simply better than “Never Again,” is what it comes down to. And now: 2017 has the lead for the year! 2017: 4 2007: 3 Looking into the future, 2007 has four songs. 2017 will be entering “Young and Menace” probably. ...I already don’t like next week.