#Fritz Fassbinder

[cavidtrau098]

did some drawings

I love this podcast so much

[rwpohl]

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flieg ich durch die welt ... 

[notesonfilm1]

THE TENDERNESS OF THE WOLVES/ Die Zärtlichkeit der Wölfe (Ulli Lommel, West Germany, 1973)

[determinate-negation]

i saw M recently. that movie is so good. any recommendations similar to it? i know its kind of a dumb question considering its fritz lang but i'd like your rec!

ahh i havent seen it yet but ive been meaning to!!! so probably cant give you the best recommendations but i do love fritz lang. have you seen any of his other films? metropolis is one of my favorite movies. the third man might be a bit similar to M, so ive heard. if you like german directors and german language film in general i really like rainer werner fassbinder and volker schlondorf.

[filmaticbby]

Aries: Tarantino, F. F. Coppola, Andrea Arnold, Eric Rohmer, Edgar Wright, Ruben Östlund, Josh Safdie, David Lean, Andrei Tarkovsky, Michael Haneke, Martin McDonagh

Taurus: Wes Anderson, Orson Welles, Sofia Coppola, Lars von Trier, Terry Zwigoff, George Lucas, Robert Zemeckis, John Waters, Frank Capra

Gemini: Fassbinder, Hideaki Anno, Makhmalbaf, Agnès Varda, Alex Garland, Clint Eastwood, Yorgos Lanthimos, Aaron Sorkin, Ken Loach, Alexander Sokurov, Giuseppe Tornatore

Cancer: Abbas Kiarostami, Wong Kar-wai, P. T. Anderson, Mike White, Ari Aster, Ingmar Bergman, Krzysztof Kieślowski, Paul Verhoeven, Robert Eggers, Béla Tarr, Mel Brooks, Ken Russell, Sidney Lumet, Kinji Fukasaku

Leo: Alfred Hitchcock, Greta Gerwig, Alain Robbe-grillet, Kubrick, Wes Craven, Taika Waititi, Luca Guadagnino, Christopher Nolan, Polanski, Sam Mendes, Richard Linklater, Nicolas Roeg, James Cameron, Pablo Larraín, M. Night Shyamalan, Iñárritu, Gus Van Sant, Peter Weir, Wim Wenders, Maurice Pialat

Virgo: Tom Ford, Joe Wright, Paul Feig, Dario Argento, David Fincher, Brian De Palma, Baz Luhrmann, Tim Burton, Friedkin, Takashe Miike, Noah Baumbach, Werner Herzog, Elia Kazan, E. Coen

Libra: Julie Dash, Almodóvar, Jacques Tati, Ang Lee, Michelangelo Antonioni, Ti West, Walerian Borowczyk, Nicolas Winding Refn, Satoshi Kon, Kenneth Lonergan, Michael Powell, Jacques Tati, Steve McQueen, Denis Villeneuve

Scorpio: Mike Nichols, Barry Jenkins, Charlie Kaufman, Céline Sciamma, Tsai Ming-liang, Jean Rollin, Scorsese, Louis Malle, Luchino Visconti, François Ozon, Julia Ducournau

Sagittarius: Sion Sono, Cassavetes, Raj Kapoor, Steven Spielberg, Eliza Hittman, Terrence Malick, Ozu, Alfonso Cuarón, Gregg Araki, Larry Charles, Judd Apatow, Kathryn Bigelow, Lenny Abrahamson, J. Coen, Jean Luc Godard, Diane Kurys, Ridley Scott, Lynne Ramsay, Woody Allen, Fritz Lang

Capricorn: Larry Clark, David Lynch, Harmony Korine, Damien Chazelle, David Lowery, Mary Harron, Sergio Leone, Todd Haynes, Pedro Costa, Gaspar, Noe, Fellini, Joseph Losey, Miyazaki, John Carpenter, Steven Soderbergh, Michael Curtiz, John Singleton, Vertov

Aquarius: Jim Jarmusch, John Hughes, Darren Aronofsky, Jodorowski, Michael Mann, Derek Cianfrance, Alex Payne, Truffau, Eisenstein, Tone Hooper

Pisces: Pasolini, Sean Baker, Paul Schrader, Bernardo Bertolucci, Benny Safdie, Jacques Rivette, Bunuel, Luc Besson, David Cronenberg, Spike Lee, Rob Reiner, Mike Mills, Sebastián Lelio, Jordan Peele, Ron Howard, Robert Altman

[byneddiedingo]

Brad Davis and Franco Nero in Querelle (Rainer Werner Fassbinder, 1982)

Cast: Brad Davis, Franco Nero, Jeanne Moreau, Laurent Malet, Hanno Pöschl, Günter Kaufmann, Burkhard Driest, Roger Fritz, Dieter Schidor, Natja Brunckhorst. Screenplay: Rainer Werner Fassbinder, Burkhard Driest, based on a novel by Jean Genet. Cinematography: Xaver Schwarzenberger, Josef Vavra. Production design: Rolf Zehetbauer. Film editing: Rainer Werner Fassbinder, Juliane Lorenz. Music: Peer Raben.

It's tempting to make jokes about Rainer Werner Fassbinder's last film, Querelle, which does sometimes look like a staging of Billy Budd designed by Tom of Finland. But for all its often overheated, overstylized, absurd moments, there is a a deep sadness at the core of the film. It was made, after all, at the beginning of the age of AIDS, from which its star, Brad Davis, would die. And even though it misses the poetry of the novel by Jean Genet on which Fassbinder and Burkhard Driest based their screenplay, it contains the essential sympathy for transgressors and outcasts that marks the work of both Genet and Fassbinder. That it no longer has the power to shock -- you can see far more outrageous images and situations on TV any night of the week -- almost works to its benefit. It has become a period piece almost before its time, but to say that it's "dated" is to miss the point. Querelle reflects an age of repression: The central character of the film is Franco Nero's Lt. Seblon, dictating his lust for Querelle into his tape recorder, watching the less-inhibited society of Lysiane (Jeanne Moreau), Nono (Günther Kaufmannn), and the others who circle around Querelle like moths, swooping in for satisfaction and sometimes getting their wings singed. Is it a good film? No. The performances -- especially Davis's, whose line readings are sometimes amateurish -- don't measure up. The interpolated religious symbolism feels trite. The narrative, especially when it involves Gil and his double, Robert (Hanno Pöschl), is confusingly handled. But is it worth being annoyed and disappointed by? Absolutely.

[francescaderochefort]

Introduction/Who am I?

Okay, so since I’m back on here again in the ongoing exodus, I thought I’d better do an introductory post for anyone who wants to follow as well as refresh old friends and followers. Open to new friendships so feel free to send me asks, reply, or whatever if you want to talk.

Francesca (Fran, Frankie for short)

Englishwoman

Lesbian, f4f

Cat person (see previous bullet)

I enjoy writing although I’m aware I’ll probably never be published so it’s mostly just something I do for my own personal catharsis and expression.

Night owl

Haute couture enjoyer

Learning French (c. B1, B2 reading level), want to learn European Portuguese, Spanish, Latin, Dutch, interested in language acquisition more broadly

I’ve always been a voracious reader so some favourite authors, poets and essayists: Sappho, Gustave Flaubert, Charles Baudelaire, Arthur Rimbaud, Théophile Gautier, Gérard de Nerval, Marcel Proust, Alain-Fournier, Jorge Luis Borges, Camilo Castelo Branco, Yukio Mishima, Jean Genet,  Anaïs Nin, Novalis, Simone Weil, Jacques Lacan, Plato, James Joyce,  Emily Brontë, Jane Austen, Oscar Wilde, George Orwell, Vladimir Nabokov, John Donne, F. Scott Fitzgerald, Emily Dickinson, Fyodor Dostoevsky. My favourite novel (and maybe favourite work of art full stop) is Madame Bovary.

Cinema is my other great passion and one I’ve spent the last few years particularly delving into - some favourite directors/auteurs: Carl Dreyer, Michael Powell (& Emeric Pressburger), Manoel de Oliveira, Alfred Hitchcock, Howard Hawks, Yasujiro Ozu, Francis Ford Coppola, Brian de Palma, Raoul Ruiz, Douglas Sirk, Josef von Sternberg, Ernst Lubitsch, Erich von Stroheim, F.W. Murnau, Fritz Lang, Claude Chabrol, Éric Rohmer, Jean Renoir, Max Ophüls, Eugène Green, Rainer Werner Fassbinder, Luis Buñuel, Pedro Costa, Luchino Visconti, Val Lewton, Dario Argento, Ingmar Bergman, Nagisa Oshima, Wojciech Has. My favourite film is A Matter of Life and Death (1946).

My favourite actresses: Isabelle Huppert (in love with her), Catherine Deneuve, Sophia Loren, Joan Crawford, Barbara Stanwyck, Susan Hayward, Marlene Dietrich, Isabelle Adjani, Sissy Spacek, Vivien Leigh, Penélope Cruz, Fanny Ardant, Monica Bellucci, Emmanuelle Béart, Sandrine Bonnaire

Favourite music: Erik Satie, Claude Debussy, Serge Gainsbourg, Sergio Mendes, Miles Davis, John Coltrane, Charles Mingus, Herbie Hancock, Ella Fitzgerald, Billie Holiday, Dusty Springfield, Nina Simone, Carpenters, Stevie Wonder, Prince, Kate Bush, Cocteau Twins, Björk, Talking Heads, The Cure, Boards of Canada, Joy Division, New Order, The Velvet Underground, Massive Attack, Portishead, Manic Street Preachers

Also enjoy art/painting, aesthetics, fashion, memes, food and (maybe too much) drink. Lots more that I can’t think of at the moment so maybe a sequel in the future when I feel like being inward-looking again?

[jessebyron]

My 2024 Movie Watch List

A bit of a tall order, but here is my movie watching goal for 2024: to watch every listed film on Sight & Sound’s/BFI’s 100 Greatest Films from 2022 (the most recent version of the list). I was gonna do this last year, and watched two of them, but just didn’t keep up with it. There’s quite a few on this that I’m excited for, especially in the bottom half. I have a lot to watch through, but hopefully I’ll have time to do some posts/write ups after a few of them.

100 Greatest Films

95: Once Upon a Time in the West by Sergio Leone, 1968 (Italy, US)

95: A Man Escaped by Robert Bresson, 1956 (France)

95: The General by Buster Keaton + Clyde Bruckman, 1926 (US)

95: Black Girl by Ousmane Sembène, 1965 (Senegal, France)

95: Tropical Malady by Apichatpong Weerasethakul, 2004 (France, Thailand, Germany, Italy, Switzerland)

95: Get Out by Jordan Peele, 2017 (US, Japan)

90: Parasite by Bong Joon-Hoo, 2019 (Republic of Korea)

90: Yi Yi by Edward Yang, 1999 (Taiwan, Japan)

90: Ugetsu Monogatari by Kenji Mizoguchi, 1953 (Japana)

90: The Leopard by Luchino Visconti, 1963 (Italy, France)

90: Madame de… by Max Ophuls, 1953 (France, Italy)

88: The Shining by Stanley Kubrick, 1980 (US, UK)

88: CHUNGKING EXPRESS by Wong Kar Wai, 1994 (Hong Kong)

85: Blue Velvet by David Lynch, 1986 (US)

85: The Spirit of the Beehive by Víctor Erice, 1973 (Spain)

85: Pierrot le fou by Jean-Luc Godard, 1965 (France, Italy)

78: Histoire(s) du Cinéma by Jean-Luc Godard (France, Switzerland)

78: A Matter of Life and Death by Michael Powell + Emeric Pressburger, 1946 (UK)

78: Modern Times by Charlie Chaplin, 1936 (US)

78: Sunset Blvd. by Billy Wilder, 1950 (US)

78: Céline and Julie Go Boating by Jacques Rivette, 1974 (France)

78: A Brighter Day Summer Day by Edward Yang, 1991 (Taiwan)

78: Sátántangó by Béla Tarr, 1994 (Hungary, Germany, Switzerland)

75: Spirited Away by Mayao Miyazaki, 2001 (Japan)

75: Sansho the Bailiff by Kenji Mizoguchi

75: Imitation of Life by Douglas Sirk, 1959 (US)

72: L’avventura by Michelangelo Antonioni, 1960 (Italy, France)

72: Journey to Italy by Roberto Rossellini, 1954 (Italy, France)

72: My Neighbor Totoro by Hayao Miyazaki, 1988 (Japan)

67: The Red Shoes by Michael Powell + Emeric Pressburger (UK)

67: Metropolis by Fritz Lang, 1927 (Germany)

67: Andrei Rublev by Andrei Tarkovsky, 1966 (USSR)

67: La Jetée by Chris Marker, 1962 (France)

67: The Gleaners and I by Agnès Varda, 2000 (France)

66: Touki Bouki by Djbril Diop Mambéty, 1973 (Senegal)

63: The Third Man by Carol Reed, 1949 (UK)

63: Goodfellas by Martin Scorsese, 1990 (US)

63: Casablanca by Micahel Curtiz, 1942 (US)

60: Daughters of Dust by Julie Dash, 1991 (US)

60: La dolce vita by Federicio Fellini, 1960 (Italy, France)

60: Moonlight by Barry Jenkins, 2016 (US)

59: Sans Soleil by Chris Marker, 1982 (France)

54: The Apartment by Billy Wilder, 1960 (US)

54: Sherlock Junior by Buster Keaton, 1924 (US)

54: Le Mépris by Jean-Luc Godard, 1963 (France, Italy)

54: Battleship Potemkin by Sergei M. Eisenstein, 1925 (USSR)

54: Blade Runner by Ridley Scott, 1982 (US, Hong Kong)

52: News from Home by Chantal Akerman, 1976 (France, Belgium)

52: Fear Eats the Soul by Rainer Werner Fassbinder, 1974 (Federal Republic of Germany)

50: The Piano by Jane Campion, 1992 (Australia, France)

50: The 400 Blows by François Truffaut, 1959 (France)

48: Ordet by Carl Th. Dreyer, 1955 (Denmark)

48: Wanda by Barbara Loden, 1970 (US)

45: Barry Lyndon by Stanley Kubrick, 1975 (US, UK)

45: North by Northwest by Alfred Hitchcock, 1959 (US)

45 The Battle of Algiers by Gillo Pontecorvo, 1966 (Italy, Algeria)

43: Stalker by Andrei Tarkovsky, 1979 (USSR)

43: Killer of Sheep by Charles Burnett, 1977 (US)

41: Rashomon by Akira Kurosawa, 1950 (Japan)

41: Bicycle Thieves by Vittoria De Sica, 1948 (Italy)

38: Rear Window by Alfred Hitchcock, 1954 (US)

38: Á bout de souffle by Jean-Luc Godard, 1960 (France)

38: Some Like It Hot by Billy Wilder, 1959 (US)

36: M by Fritz Lang, 1931 (Germany)

36: City Lights by Charlie Chaplin, 1931 (US)

35: Pather Panchali by Satyajit Ray, 1955 (India)

34: L’Atalante by Jean Vigo, 1934 (France)

31: 8 ½ by Federico Fellini, 1963 (Italy, France)

31: Psycho by Alfred Hitchcock, 1960 (US)

31: Mirror by Andrei Tarkovsky, 1975 (USSR)

30: Portrait of a Lady on Fire by Céline Sciamma, 2019 (France)

29: Taxi Driver by Martin Scorsese, 1976 (US)

28: Daisies by Vĕra Chytilová

27: Shoah by Claude Lanzmann

25: The Night of the Hunter by Charles Laughton, 1955 (US)

25: Au hasard Balthazar by Robert Bresson, 1966 (France)

24: Do the Right Thing by Spike Lee, 1989 (US)

23: Playtime by Jacques Tati, 1967 (France)

21: Late Spring by Yasujirō Ozu, 1949 (Japan)

21: The Passion of the Joan of Arc by Carl Th. Dreyer, 1927 (France)

20: Seven Samurai by Akira Kurosawa, 1954 (Japan)

19: Apocalypse Now: by Francis Ford Coppola, 1979 (US)

18: Persona by Ingmar Bergman, 1966 (Sweden)

17: Close-up by Abbas Kiarostami, 1989 (Iran)

16: Meshes of the Afternoon by Maya Deren + Alexander Hackenschmied, 1943 (US)

15: The Searchers by John Ford, 1956 (US)

14: Cléo from 5 to 7 by Agnès Varda, 1962 (France, Italy)

13: La Règle de jeu by Jean Renoir, 1939 (France)

12: The Godfather by Francis Ford Coppola, 1972 (US)

11: Sunrise: A Song of Two Humans, 1927 (US)

10: Singin’ in the Rain by Gene Kelly + Stanley Donen, 1951 (US)

9: Man with a Movie Camera by Dziga Vertov, 1929 (Ukrainian SSR, USSR)

8: Mulholland Dr. by David Lynch, 2001 (France, US)

7: Beau travail by Claire Denis, 1998 (France)

6: 2001: A Space Odyssey by Stanley Kubrick, 1968 (US, UK)

5: In the Mood for Love by Wong Kar Wai, 2000 (Hong Kong, France)

4: Tokyo Story by Yasujirō Ozu, 1953 (Japan)

3: Citizen Kane by Orson Welles, 1941 (US)

2: Vertigo by Alfred Hitchcock, 1958 (US)

1: Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles by Chantal Akerman, 1975 (Belgium, France)

[borispfeiffer]

Am 10.11.2023 enden die https://randnotizen.online/ aus Geldgründen. Danke fürs Lesen!

Von da an kostet die tägliche Veröffentlichung auf den Social-Media Kanälen 10 Euro. Die sparen wir uns für neue Bücher ;)

www.Verlag Akademie der Abenteuer

Danke an:

Aiga Rasch Bildband, Akademie der Abenteuer, Akademie der Abenteuer von Boris Pfeiffer, Alexander Bichler, Alltagsbeobachtungen, Andreas Schlüter, Andy Siege, Anita Rehm, Anka Rahn, Anna Tortajada, Anne Jaspersen, Antje Jortzik-Paschek, Augsburg, Autor, Autorin, Balkonien, Bar, Berlin, Berlin Wilmersdorf, Buchautor, Buchserie, Cappucciono, Clara Zetkin, Darlington Road Kids, Das ist nicht so – das ist ganz anders, Donnerwetter, Dragonfly, Drdjuck, Eiszeit, Erwin Grosche, Erzähltes Leben, Fantasie, Felix Huby, Florian Meigen, Freiheit, Fritz Fassbinder, Fritz von Thurn und Taxis, Fuchs, Fünf Asse, Fußball, Fußball-Elfen, Fußballelfen, Gedanken, Gedicht, Gedicht und Graphik, Gereimtes Leben, Gerhard Gemke, Geschichten aus dem Leben, Glossen, Graphik, Graupel, Grosches Weltlexikon, Gudrun Wiebke, GVA, GVA Göttingen, Hagel, Hans Christian Rüngeler, Hartwin Gromes, Hennen, Henry A. Selkirk, Ingrid Widiarto, Irene Margil, Janice Paschek, Jugendbuch, Kakaopulver, Katzen, Kinderbuch, Klimawandel, Kurzi Shortriver, Leben, Löwe, Ludwigkirchplatz, Lula hebt ab, Maryam Andaz, Matthias Bogucki, Metin Kirimtay, Michèle Meister, Nasrin Siege, Paderborn, Paintress Poet, Quer durch Deutschland und die Welt, Randnotizen, Rätselfrage, Schneeflöckchen, Schneeflocken, Sportasse, Sportreportage, Storytelling, Supermarkt, Torsten Löschmann, Traum, Träume, Unsichtbar-Affen, Unsichtbaraffen, Veränderung, Verlag, Verlag Akademie, Verlag Akademie-der-Abenteuer, Verlag Berlin, Weltbeobachtungen, Witz

[sobreiromecanico]

A propósito de filmes de ficção científica sobre inteligência artificial

O Lisboa Film Festival 2023 (LEFFEST) terá um ciclo temático intitulado "A Inteligência Artificial e a Criação Artística - Onde estamos e para onde vamos?", com debates e com uma curta mas muito boa sequência de filmes em exibição, a saber:

Welt am Draht, de Werner Fassbinder (1973)

The Matrix, de Lana e Lilly Wachowsky (1999)

2001: A Space Odyssey, de Stanley Kubrick (1968)

Metropolis, de Fritz Lang (1927)

Her, de Spike Jonze (2013)

Frankenstein, de James Whale (1931)

Ouvroir, the movie, de Chris Marker (2010)

Wall-E, de Andrew Stanton (2008)

Ex-Machina, de Alex Garland (2014)

A.I., de Steven Spielberg (2001)

Sim, falta Blade Runner, falta Terminator, falta Ghost in the Shell, mas nem por isso deixa de ser uma bela lista de filmes. Vale sempre a pena ver 2001 no grande ecrã, e ando à espera de apanhar The Matrix - sem dúvida o filme que me apaixonou pela ficção científica - numa sala de cinema desde que o vi pela primeira vez, algures no ano 2000. A ver se é desta (se descobrir quando e como raio se compram bilhetes para isto)!

(EDIT: faltou dizer que o LEFFEST tem lugar em Lisboa - na Grande Lisboa, garantidamente - entre 10 e 19 de Novembro)

[lottereinigerforever]

Brad Davis on the set of Rainer Werner Fassbinder’s “Querelle” by Roger Fritz

[ozu-teapot]

Bremer Freiheit (Bremen Freedom) | Rainer Werner Fassbinder | 1972

AKA  Bremer Freiheit: Frau Geesche Gottfried - Ein bürgerliches Trauerspiel / Bremen Freedom: Ms. Geesche Gottfried - A bourgeois tragedy

[rwpohl]

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https://www.youtube.com/watch?v=p4xmMgpbMDw&t=2729s

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[cannibalguy]

The Vampire of Hanover: THE TENDERNESS OF WOLVES (Ulli Lomel, 1973)

The Vampire of Hanover: THE TENDERNESS OF WOLVES (Ulli Lomel, 1973)

The Tenderness of Wolves (Die Zärtlichkeit der Wölfe) is about the German serial killer and cannibal Fritz Haarmann. It’s not a documentary though, it’s an artistic interpretation of the story, and it’s a classic of the cannibal genre. Fritz Haarmann, a.k.a. “the Butcher of Hanover” or “the Vampire of Hanover”, was a German serial killer who sexually assaulted, murdered and mutilated at least 24…

[artofcinema]

all movies watched FEBRUARY 2020

A Few Good Men (1992, Rob Reiner) Blood Tea and Red String (2006, Christiane Cegavske) Citizen Kane (1941, Orson Welles) Color Out of Space (2019, Richard Stanley) Design for Living (1933, Ernst Lubitsch) Die Nibelungen: Siegfried (1924, Fritz Lang) Duck Duck (2019, Harmony Korine) (Short) Jeanne Dielman, 23, Quai du Commerce 1080 Bruxelles (1975, Chantal Akerman) Lola (1981, Rainer Werner Fassbinder) Nosferatu the Vampyre (1979, Werner Herzog) Portrait of a Lady on Fire (2019, Céline Sciamma) Rabid (1977, David Cronenberg) The Blue Angel (1930, Josef von Sternberg) The Garden of Words (2013, Makoto Shinkai) 
The Legend of Suram Fortress (1985, Sergei Parajanov) The Marriage of Maria Braun (1979, Rainer Werner Fassbinder) The Nun (1966, Jacques Rivette) The Staggering Girl (2019, Luca Guadagnino) Un Flic (1972, Jean-Pierre Melville) Written on the Wind (1956, Douglas Sirk)

[koma-kino]

Tenderness Of The Wolves - Ulli Lommel