#Gauthier Dance Company

[arcimboldisworld]

Gauthier Dance Company: The Seven Sins - Theater Winterthur 14.04.2023

Gaulthier Dance Company: The Seven Sins - Theater Winterthur 14.04.2023 #Tanz #SidiLarbiCherkaoui #aszurebarton #marcosmorau #marcogoecke #hofeshshechter #sashawaltz #sharoneyal #theaterwinterthur #rezension #ballett #ericgauthier

Eine der bekanntesten deutschen Kompanien ist mit drei Vorstellungen zu Gast im Theater Winterthur: Die Gauthier Dance Company – beheimatet im Theaterhaus Stuttgart – zeigt die grossartige Produktion “The Seven Sins”. ERIC GAUTHIER hat es geschafft, sieben namhafte Choreographen zu verpflichten, die jeweils eine “Todsünde” beisteuern: SIDI LARBI CHERKAOUI, ASZURE BARTON, MARCOS MORAU, MARCO…

[mitchbeck]

HARTFORD WOLF PACK SWEPT IN CHARLOTTE BY CHECKERS

HARTFORD WOLF PACK SWEPT IN CHARLOTTE BY CHECKERS By: Gerry Cantlon, Howlings CHARLOTTE, NC - North Carolina has not been friendly territory for the Hartford Wolk Pack and proved it again by dropping their second straight contest at the start of the 2022-23 season with a 3-1 loss to the Charlotte Checkers at the Bojangles Coliseum. Like the Aerosmith tune, “Same Old Song and Dance," the trip down South sent them to an abysmal Tar Heel State record of 1-16-1-1. Their only win was the final game of last season. This game was even throughout the first period as the Pack goalie, Dylan Garand, answered the best opportunities that came his way. Garland and Mark Gudaz for Charlotte were both making their seasons' first start. Charlotte’s Patrick Giles, a former Boston College winger, tested Garand halfway through the period. About two minutes later, it was ex-CT Whale Michael Del Zotto from off the right side and was stopped with a Garand glove save. Jonny Brodzinski saw his backhand attempt on Guzda denied several minutes later. Then a shorthanded bid was repelled by the big netminder. Charlotte broke through late on the man advantage at 17:50 as Connor Bunnaman got behind Matt Robertson and put it past Garand for a 1-0 lead. Chris Tierney, who played well in both games, earned the primary assist. In the second period, each roster put 12 shots on the opposing netminder, but no goals were scored. Turner Elson of the Wolf Pack had a quality chance squashed by Guzda. But he was not alone in flashing the leather as Garand denied Logan Hutsko and Patrick Giles again two minutes later at 8:47. With 3:11 remaining in the period, Tanner Fritz was stopped by Garand. Her turnaround to deny Alexei Heponiemi, then John Ludvig had a late block off a Patrick Khordorenko bid to keep the Pack off the board. The Pack had two chances late with seven seconds to go Guzda kept from denting the twine. In the third, Charlotte got its second again on another special team’s goal. At 6:52, Riley Nash popped in his first tally of the season in front of the net Garsnd made the first save on Anton Lectschu before the Czech rookie and last night’s hero, causing him to be untouched by either defender was able to slip his shot under Gararand. Lucas Carlsson just back from their locker room for repairs and got the whole play started from the beginning at 6:52. The Pack’s Elson and then Trivigno tried to get one past Guzda but were unsuccessful. Meanwhile, Henry Bowlby, set up in front of Garand and was able to get off an effective e-bid gobbles up after a three-on-one failed for the Checkers. Then Santuu Kinnunen tallied at 17:23 his first into the empty net as coach Kris Knoblauch chose to pull Garand early for an extra attacker, but got nothing. Kinnunen was the leading defenseman in scoring in Finland last year. The Wolf Pack finally broke the shutout bid of Guzda, the game’s first star, as Elson converted Will Cullye’s pass for his first at 19:56. The Wolf Pack return where they will kick off the home portion of their season against the Scranton Wilkes-Barre Penguins at 7.  NOTES -For the second game in a row, Will Cullye led the Pack with four shots, this time sharing it with Elson. -Ex-Sound Tiger Michael Dal Colle becomes 109th AHL’er to head to Europe and 16th to Finland as he signed with TPS Turku after being cut by Ottawa. -Del Zotto played, but former Yale goalie Alex Lyon did not dress. Chase Priskie (Quinnipiac University) played for the Checkers. -All the rehab work done on the Bojangles Arena was overseen by the late Davin “Dave” Olson, who passed away suddenly six months ago in Corpus Christi, Texas on a part-time gig after being unceremoniously let go by Gale Force Holdings- the parent company of the Carolina Hurricanes,’ their former affiliate. Olson had run the Hartford Civic Center Coliseum (nee XL Center) and the New Haven Coliseum in his career LINES: Brodzinski-Gauthier-Cullye Henriksson-Trivigno-Rempe Fritz-Elson-Pajuniemi Khordorenko-Gettinger-C.J. Smith Emberson-Welinski Scanlin-Robertson Harpur-Skinner Dylan Garand Louie Domingue HARTFORD WOLF PACK HOWLINGS Read the full article

[gramilano]

The Seven Sins - Gauthier Dance shines a spotlight on vice

Seven major choreographers some together to create pieces for Gauthier Dance's The Seven Sins, which will also be broadcast.

The Seven Sins rehearsal with Marco Goecke – Luca Pannacci, photo by Jeanette Bak The first rehearsals started last autumn and since the beginning of the year the Dance Company Theaterhaus Stuttgart has almost exclusively focused on one of its most ambitious productions to date: The Seven Sins, with world premieres by Aszure Barton, Sidi Larbi Cherkaoui, Sharon Eyal, Marcos Morau, Sasha Waltz…

[faimrpg]

Name: Ghislain Gallois Age: 26 Occupation: Merchant Suggested Faceclaims: Alejandro Speitzer Pronouns: He/Him Currently: Taken

YOU HUNGER FOR —

Survival. You have always aspired for more. It was something drilled into you by your father -- you could present him the world on a platter, and he would ask for the sky alongside it. Never let yourself become satisfied, he would warn, and you took it to heart. All of your life, you have looked at Calandre's golden throne and wondered, in the back of your head, what it would take to get it. If you'd have that sort of strength. You barely have the will to run your father's shipping company from the docks of Val Faim, though, and struggle with the iron will it takes to ensure those beneath you are doing things right. You’re too soft hearted -- even Etienne Marais has said so. The name Gallois has been revered, since it's usually followed by a trail of money, but you worry you will be nothing but a failure. Alain Gauthier also has your head on a swivel: he has proposed that Calandre is unfit for the throne, something you don't know if you agree with entirely, and that should you aid him in achieving his goals -- whatever that might be, you've been kept in the dark -- he'll keep your struggling business afloat. You're interested, but all you really want is to keep your head above water.

CONNECTIONS

Agrippine: You’ve been thoroughly impressed by their agility and skill. You don’t struggle with gambling, exactly, but you’re not great at it either. Everyone who’s placed their bets on Agrippine has won, however, and that includes you. So you’ve made a risky move on the chessboard and have offered to sponsor them. They get decent quartering (although they still sleep above The Lion’s Mane, for reasons that elude you entirely), all the fineries in the world they could dream of, and the best care provided to their horses on your dime. The thing is, the two of you don’t get along very well. They’re distant, and you’re not good with people.

Violaine Geroux: You’d talked yourself into loving them, and that’s never a good sign. You’d put the feelers out for marriage assuming no one would take you up on your offer, but the Geroux family had jumped at the chance. You know the Gerouxs, and they’re not the worst off, but your father was displeased at the offer, and… that’s why you took it. Yes, it’s horrible and petty, but the look on his face had been worth it. The beginning was rocky, although after a while you found yourself enjoying your time with them, enjoying going to bed with them, enjoying dancing at their side, believing the things they whispered into your ears. They’ve made you steelier -- just not steely enough. They’re not satisfied, and the both of you know it. You think asking them outright what they want from you would be the easiest way out. It’s just not how things are done.

Sainte Cadieux: Your knelt for them, once, in the way they kneel now for Odeline. You think of your time together with equal parts fondness and terror. Fondness, because they might have been the only person you’d fallen in love with, and terror, because your fling had started off with almost losing your head. Seeing them at the Summer Palace all these years later, walking the grounds of the gardens and trying to stave off boredom -- it’d shaken you, made you reconsider what it is you’re truly after in this life, and maybe what they’re after as well. They don’t seem happy here. It pains you to see it.

[hallmark-movie-fanatics]

Hallmark Actor Spotlight - Jill Wagner (Part 1)

Autumn Dreams (2015) 

Directed by Neill Fearnley 

Written by Laurie Stevens 

Starring Jill Wagner, Colin Egglesfield, Rachel Hayward, Ken Tremblett, Bill Dow, and Matty Finochio 

Originally premiered October 3, 2015 on the Hallmark Channel, part of Fall Harvest 

Synopsis: 

Young and madly in love, Annie Hancock and Ben Langdon plan to move to New York City from their rural hometown in Iowa. After they elope at the local chapel, Annie’s father, Hal, urges Annie to stay. Though Annie plans to meet Ben the next morning at the bus station, she never makes it because Hal has a heart attack. In the chaos surrounding Hal’s heart attack, no one realizes that the signed annulment papers never make it in the mail.

Fifteen years later, Annie is running her family’s farm, and is engaged to her childhood friend, Joe. She is shocked when she receives divorce papers from Ben. Annie travels to New York to meet with Ben and get to the bottom of these divorce papers, in so doing, discovers that their annulment papers were never filed fifteen years before. In addition to Annie’s upcoming wedding date putting a ticking clock on this problem, Ben’s wedding to fiancé Jovanna – a very aggressive New Yorker – is only days away!

Ben and Annie go to court to pursue an expedited annulment with the help of Ben’s lawyer friend, Tony. After an emotional day in court, the judge decides not to grant the rushed annulment. Annie must stay in town through the week to finalize the divorce. Ben decides to lie to Jovanna, go through with the wedding as planned, and switch the papers later.

When Jovanna meets Annie, she is a bit threatened by the pretty country girl, but plays nice. The two go wedding dress shopping, and Jovanna even invites Annie to their wedding and rehearsal dinner.

Jovanna leaves town on an unexpected business trip, giving Annie and Ben more time to spend together. Ben shows Annie the sites, fills her in on his past 15 years, and reconnects with his former love. Both love having the other back in their lives. While reminiscing about what could have been, Annie and Ben share a romantic kiss. Because they are both in relationships, Annie rushes out after the kiss, torn between guilt and her love for Ben.

At Ben and Jovanna’s rehearsal dinner, Annie receives a call from Joe telling her she needs to rush home for a farm emergency. She bids farewell to Ben and leaves New York. Ben, deeply affected by her visit with a renewed love for Annie, cancels his wedding to Jovanna. He still appeals to the judge for an expedited divorce, though, so that Annie can be free to marry Joe.

When Annie returns from her trip to New York, her feelings for Ben help her realize that what she has with Joe is not true love. Annie ends her engagement with Joe. Meanwhile, Ben misses Annie deeply, so when his friend Hector tells him about financial trouble Annie is having on the farm, he decides to take the opportunity to help her.

Ben makes a spontaneous trip back to Iowa to surprise Annie. He runs into Joe, who tells Ben that he and Annie are no longer engaged. Ben asks Annie to dance, and it is as though no time has passed since they were married 15 years ago. Just as they are about to kiss, Tony shows up with the court-approved divorce papers. Ben and Annie rip the papers up, and decide to get remarried at the Harvest Festival in front of their hometown family and friends. 

Christmas Cookies (2016) 

Directed by James Head 

Written by Robert Tate Miller 

Starring Jill Wagner, Wes Brown, P. Lynn Johnson, Chris Gauthier, Tiera Skovbye, Barclay Hope, Jim Thorburn, Tom Tasse, and Amelie Eve Folkers 

Originally premiered November 13, 2016 on the Hallmark Channel, part of Countdown to Christmas 

Synopsis: 

As the holidays approach, Hannah Harper (Jill Wagner), a young businesswoman who’s lost her Christmas spirit, strives to advance her career at National Foods, a large New York corporation known for adding small companies to its long list of acquisitions. Meanwhile, in the quaint Upstate New York town of Cookie Jar, Jake Carter (Wes Brown), a charming former attorney who inherited his Aunt Sally’s homemade Christmas cookie business, contends with thecompany’s impending bankruptcy. When National Foods decides to buy out Aunt Sally’s Cookie Company, Hannah is sent to Cookie Jar to broker the deal, disappointing her well-to-do boyfriend, Gavin (Jim Thorburn), who begs her to return to Manhattan in time for him to “show her off” at a formal Christmas party.

When she arrives in Cookie Jar, Hannah meets Jake, who holds off on selling Aunt Sally’s upon learning the deal requires relocating the company to Buffalo, where the current employees would not be able to retain their jobs. As a frustrated Hannah tries to convince Jake that selling is in his best financial interest, the small town’s Christmassy charm awakens childhood holiday memories within her. Before long, Hannah starts to fall in love with Cookie Jar — and begins to have feelings for Jake — as she spends time with locals and enjoys the town’s Christmas traditions. Eventually, Hannah realizes that relocating Aunt Sally’s Cookie Company be devastating to the town and its residents. But when her boss (Barclay Hope) storms into town demanding she close the deal by Christmas — and Gavin shows up proposing marriage — the young businesswoman must choose which life and love she truly desires, and find a way to save Aunt Sally’s before this Christmas becomes its last.

[mysticseasons]

Over 500 hours showcasing our athletes and the world's best on Radio-Canada and RDS

October 31, 2017, Montreal

On Friday, February 9, the opening ceremony will be held for the OLYMPIC WINTER GAMES PYEONGCHANG 2018. Radio-Canada, Canada’s official broadcaster for PYEONGCHANG 2018 in partnership with RDS, the official specialty channel, invites French-speaking audiences to take a front-row seat to the performances of Canadian athletes and the world’s best, with over 500 hours (559 hours) of Olympic programming on ICI Radio-Canada Télé (344 hours) and RDS, RDS2 and RDS Info (215 hours), from February 9 to 25, 2018.

Some 3,000 athletes will be competing in 15 disciplines, including the 200-odd members of the Canadian team. Many of them are medal hopefuls, including Justine Dufour-Lapointe and Mikaël Kingsbury in freestyle skiing; Érik Guay in alpine skiing; Marianne St-Gelais and Charles Hamelin in short-track speed skating; Ivanie Blondin in speed skating; Tessa Virtue and Scott Moir in figure skating; Alex Harvey in cross-country skiing; Kailie Humphries in bobsledding; Mark McMorris and Sébastien Toutant in snowboarding; and, of course, our men’s and women’s hockey teams.

NOVEMBER 1, 2017: 100 DAYS to go TO PyeongChang 2018!

One hundred days before the Olympic Games begin, on Wednesday, November 1, the second hour of MÉDIUM LARGE on ICI RADIO-CANADA PREMIÈRE will be devoted to PyeongChang 2018. On ICI RDI,Marie-José Turcotte will host À 100 jours deS jeux olympiques de PyeongChang 2018, on Wednesday, November 1, at 8 p.m. During this special program, she’ll take the pulse of the Canadian team as its members gear up for these Olympic Winter Games. She’ll introduce us to Canada’s Olympic hopefuls and, together with our analysts, will examine their chances of stepping onto the podium. Executive Producer: Luc Lebel

20–22 HOURS A DAY ON ICI RADIO-CANADA TÉLÉ

ICI Radio-Canada Télé will be offering 20–22 hours of live and repeat programming every day, so audiences won’t miss any of our athletes’ performances and comments. On Friday, February 9, Marie-José Turcotte will give audiences a glimpse of what lies ahead, and will follow the opening ceremony with Patrice Roy (live broadcast from 5 to 8:30 a.m., repeat from 6:30 to 9:30 p.m.). She will also be on hand for the closing ceremony with Dominick Gauthier on Sunday, February 25(live from 6:30 to 9:30 a.m., repeat from 5:30 to 8 p.m.).

Every night, Marie-José Turcotte, covering her 15th Olympics, will host the coverage in prime time as the day of competitions gets underway for our athletes over in Pyeongchang. The figure skating,

snowboarding, freestyle skiing and alpine skiing events will be presented primarily in the evening. The evening coverage will also spotlight men’s and women’s hockey games and key competitions. The morning coverage, starting at 5 a.m. with host Guy D’Aoust, will feature short-track and long-track speed skating. The morning program will also include coverage of the bobsleigh, skeleton, luge, ski jumping, cross-country skiing, biathlon and curling events.

Programming will be offered in five time slots, with five anchors:

Marie-José Turcotte will present the competitions from 7 p.m. to 1 a.m. during the week, and from 6:30 p.m. to 1 a.m. on the weekend (from 8:30 or 9 a.m. to 3 p.m. in Pyeongchang). Diane Sauvé will present from 1 to 5 a.m. (from 3 to 7 p.m. in Pyeongchang). Guy D’Aoust will present from 5 to 10 a.m. (from 7 p.m. to midnight in Pyeongchang). Martin Labrosse will be on the air from 10 a.m. to noon with a roundup of the day’s performances in the company of athletes, analysts and personalities. Alexis de Lancer will bring viewers the day’s highlights from 12:30 to 4 p.m. during the week, andfrom 12:30 to 5 p.m. on the weekend (nighttime in Pyeongchang).

A seasoned team of commentators and analysts will follow each of the disciplines. In addition, two special analysts will be on location to comment on PyeongChang 2018 and all the competitions: Special analyst during Sochi 2014 and Rio 2016, Dominick Gauthier will be back to provide his insights on Team Canada’s daily performances, while Kansas City Chiefs football guard Laurent Duvernay-Tardif will have the opportunity to satisfy his curiosity and share his fascination with Olympians. He’ll speak to athletes and the people in their lives to gauge their state of mind in the hours leading up to and following a competition. In addition, Jean-René Dufort will be back at the Olympic Games with his special take on PyeongChang 2018 and life in Korea.

Executive Producer: Luc Lebel Chief Editor: Chantal Léveillé Producers: Catherine Dupont and François Messier

Finally, our correspondent Anyck Béraud and reporter Pascal Poinlane will provide daily news updates related to PyeongChang 2018.

ON RDS, RDS 2 AND RDS INFO

RDS, RDS2 and RDS Info will offer 215 hours’ live coverage of the Olympic Winter Games, depending on the schedule of the various events to be shown on all three channels.

Claude Mailhot, who covered his first Olympics Games at Montreal 1976 and has over 40 years of experience as a sports broadcaster, will be the main anchor on RDS each day during peak viewing hours.

RDS, RDS2 and RDS Info will present all the key moments from events such as speed skating, ski jumping, biathlon, cross-country skiing, hockey, curling and more.

The opening and closing ceremonies of the Olympic Winter Games PyeongChang 2018 will be broadcast on RDS.

ON RADIO-CANADA.CA AND MOBILE APPS

Radio-Canada.ca/jeuxolympiques is where Internet users can catch all the PyeongChang 2018 action. Not only will they be able to watch and listen to all our TV and radio programs; they’ll also have access to over 2,500 hours of competition live coverage. Fans can choose to watch among up to 7 events available at the same time, enjoying the Olympic Games experience to the fullest. They can also watch part or all of the ceremonies and competitions in catch-up mode, check the results and medal count, read the bios of Canadian and international athletes, and get reports and news on the Olympic Winter Games and South Korea. All content can be accessed via the mobile app,downloadable prior to PyeongChang 2018.

Fans can also download a virtual reality app to watch 360-degree videos of the ceremonies and certain competitions, as if they were there.

ON ICI RADIO-CANADA PREMIÈRE

Reporter Robert Frosi will be on location for the duration of PyeongChang 2018. Every day, he’ll discuss our athletes’ performances and share the latest Olympic news on GRAVEL LE MATIN and MÉDIUM LARGE radio shows. Reporter Maxime Coutié will also be on hand to contribute to radio newscasts.

Throughout the Olympic Winter Games, host Pierre Brassard will share his special take on the event with radio listeners and offer a different perspective on the Olympics in two programs from PyeongChang 2018, on Saturday, February 17 and 24, from 4 to 5 p.m.

Serge Bouchard and Jean-Philippe Pleau will explore the theme of competition and the issues it raises in two episodes of C’EST FOU, on Sunday, January 28 and February 4, from 7 to 8 p.m. Host Jacques Beauchamp will look at the Olympic Games and Korea from a historical perspective, as part of a special week of AUJOURD’HUI L’HISTOIRE, from Monday to Friday, February 5 to 9, from 8 to 8:30 p.m.

Every Monday on Radio-Canada.ca/premiereplus, Marie-José Turcotte and Robert Frosi will co-host a podcast to catch up with the friends and family of the athletes before they leave for their respective competitions at PyeongChang 2018.

ATHLETE PORTRAITS ON ICI RADIO-CANADA TÉLÉ

This four-part series will turn the spotlight on athletes likely to shine at PyeongChang 2018. The episodes will air on Saturday, from 12:30 to 1 p.m. on ICI Radio-Canada Télé, between January 13 and February 3, 2018:

Érik Guay, encore plus vite (January 13): Profile of the most decorated alpine skier in Canadian history. His tenacity, professionalism and need for speed made him the world’s best in 2016, at the age of 35.

Alex Harvey et cie (January 20): Alex Harvey was born with cross-country skis on his feet. Through talent and determination, he has risen up the ranks of his sport, garnering two world titles. But his Olympic story remains to be written. Fully aware of the reasons for his unsuccessful performance in Sochi 2014, he has found the support he needs to win a medal at PyeongChang 2018.

Le goût de l’or (January 27): After capturing gold in Vancouver, ice dancing duo Tessa Virtue and Scott Moir had to settle for silver at Sochi. After taking a two-year break, changing coaches and moving to Montreal, they’re ready to be crowned again.

Le trio (February 3): X-Games stars Mark McMorris, Sébastien Toutant and Max Parrot, who turned in stellar performances at Sochi 2014, will have two snowboarding challenges at PyeongChang 2018. How hungry are the three Canadian athletes for medals at these upcoming Olympic Winter Games? Researchers: Manon Gilbert, Olivier Pellerin Producers: Éric Santerre, Jérôme Voyer-Poirier, Vincent Tremblay

*A detailed program schedule will be available subsequently.

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(x)

[lovenyri]

Tomorrow for our first class of our 7 week workshop we will be learning about "Yanvalou" which happens to be the late Viviane Gauthier's favorite dance because it requires full body engagement from the tips of the toes to the crown of the head. It is the foundation of all folkloric movements. It is reminiscent of the movement and flow of water or the serpent... I'll expound more upon those details in class 😉 #ToutSePa #WeekOne #Yanvalou #DoWhatYouLove #HaitianFolklore (at Alpha Omega Theatrical Dance Company)

[ofmichel]

status: closed for @ofregis date: 5th of maccius, 936 location: explosion site

Michel has had to extract several thorns from his side across the time he’s spent as Commander. Annoyance is not an unfamiliar feeling. Nor is irritation. After the explosion, there’d been a distant undercurrent of fear, and after being put on glorified fucking clean-up duty (which is something to do, but not the kind of task he particularly enjoys) and having to hold the hand of every single noble who’d walked through expecting answers, however... Irritation doesn’t quite cut it.

It’s dancing around anger, now, which is why he’s grateful that his time here is coming to a close. They’re just finishing up with the little details, getting the last of the stone and metal scraped away, picking apart remnants of personal belongings. Henri’s body had been nigh unrecognizable, but it was removed shortly after the event had occurred. He still hasn’t gotten the chance to examine the situation thoroughly enough for his liking: everything is too up close. Looking at it with any kind of logical distance has been impossible, since it’s sitting directly in front of him.

But there are no words to explain the way he feels when he sees Régis, rooting through the edge of the rubble like Michel hasn’t posted several guards at several places to keep people out. He’s called over by one of his men, explaining that the man wouldn’t just leave. He can already feel the headache starting to bloom at the base of his skull, even as he is brought to meet him. “Aveline,” Michel calls, because his fall of grace officially revoked his title, at least in the Commander’s eyes. Being in the company of Alain Gauthier means very little to him. “What the fuck do you think you’re doing?”

[dneurin]

Sujets - Sylvain Huc. Short version from Cie Divergences / Sylvain HUC on Vimeo.

Sujets is a performance with programmatic title : bodies are indeed those of subjects to study, observe, measure, scrtutinize. Reduced to their only existential condition, the subjects of this quintet attempt to build a reversed mythology, nost past, but to come. Which bodies can we build today to imagine those of tomorrow ? From a meticulous observation, we focus on details, stealthy movements, postures and images that avoid a single narrative or psychological dimension. These hominids give themselves to a strange contemplation. Naked, full of appetite, pulsions and desire, they build their own humanity. Bodies are structuring a hypnotic, obsessive and enveloping performance.

Cast : Choreography : Sylvain Huc Created with : Gauthier Autant, Juliana Béjaud, Constant Dourville, David Malan, Mathilde Olivares Dancers : Gauthier Autant, Juliana Béjaud, Constant Dourville, Mathilde Olivares, Daan Vervoort Assistants : Mathilde Olivares, Fabrice Planquette Light designer and sound engineer : Fabrice Planquette Music : Alessandro Cortini Creation for Montpellier Dance Festival 2018 Coproduction : with the support of Montpellier Danse 2018, creative residency at the Agora, international city of dance, with the support of the BNP Paribas Foundation, l’Usine Centre national des arts de la rue et de l’espace public (Tournefeuille / Toulouse Métropole). With the support of the Place de la danse CDCN de Toulouse Occitanie, Les Hivernales CDCN d’Avignon, Le Gymnase CDCN | Roubaix – Hauts de France, Sala Hiroshima of Barcelone and Institut Français of Barcelone and SPEDIDAM. ............... Company Divergences is subsidized by the Ministry of Culture / Regional Direction of Cultural Affairs for the Occitanie / Pyrénées Méditerranée. The Company also receives grants from the Région Occitanie / Pyrénées Méditerranée, the Departemental Council of the Lot and the Community of Communes Cazals-Salviac.

[dancewithmeplano]

NHPR Folk Songs and Dance Calendar 2.25.18

>Wild Eagles Blues Jam at the Stone Church ~ Newmarket, NH ~ 7:30pm

>Bluegrass Jam at McNeill’s Brewery ~ Brattleboro, VT ~ 8:30pm ~

>Celtic Music Jam at Harlow’s Pub ~ Peterborough, NH ~ 7:30pm ~

>Old Time Country, Gospel & Bluegrass Jam at the Old White Church ~

Ctr. Tuftonboro 6:30pm ~ 603-569-3861

>Hoot Night at Wildcat Tavern ~ Jackson Village, NH ~ 7pm ~

>>Irish Session at Bagitos Bagel & Burrito Café ~ Montpelier, VT ~ 2pm ~

>Celtic & Old Timey Music Jam at DelRossi’s ~ Dublin, NH ~ 6pm ~

>The Squid Jiggers or Dave Rowe at Bull Feeney’s ~ Portland, ME ~ 8pm ~ 207-773-7210

>Hoot Night at the Wildcat Tavern ~ Jackson Village, NH ~ 7pm ~

>Live Irish Music(Family Friendly) w/Various Musicians including

Jordan Tirrell-Wysocki and Jim Prendergast   at the Stone Church ~

>Bluegrass Jam at Harlow’s Pub ~ Peterborough, NH ~ 8pm ~

>Traditional Irish Place at the Salt Hill Pub ~ Newport, NH ~ 6pm ~

>Open Irish Session at Beara Irish Brewing Company  ~ Portsmouth, NH

First  Sunday of every month:

Wednesday, February 28, 2018

>Big Bill Morganfield (son of Muddy Waters) and Jason Ricci (Blues) at Capitol Center for the Arts ~ Concord NH ~ 6pm ~  https://ccanh.com/events/

>Footings (Eric Gagne and Elizabeth Fuchsia and others, blended genres) at Bass Hall, Monadnock Center for Culture and History ~ 19 Grove St.  PO Box 58  Peterborough, NH 03458 ~ 603-924-3235 https://monadnockcenter.org/

Friday, March 2 through Sunday, March 4, 2018

>March Mandolin Festival at Concord Community Music School ~ 23 Wall Street, Concord NH

Performers include: Marla Fibish, Will Patton, Matt Shipman, and David Surette, with special guest Susie Burke

>March Mandolin Festival concert featuring Marla Fibish, Will Patton, Matt Shipman, and David Surette, with unique guest Susie Burke  at Stone Church Music Club ~ Zion’s Hill, Newmarket, NH  ~ 7pm  ~ http://www.stonechurchrocks.com  603-659-7700 or 603-659-6321 soozendave@surfglobal.net

>Tom Rush at the Firehouse Center for the Arts ~ Newburyport, MA ~ 8pm ~ 978-462-7336, http://firehouse.org/

>Del (McCoury) & Dawg (David Grisman) at the Capitol Center for the Arts ~ Concord, NH ~ 8pm ~ 603-225-1111

>March Mandolin Festival concert featuring Marla Fibish, Will Patton, Matt Shipman, and David Surette, with special guest Susie Burke at Concord Community Music School, ~ 23 Wall St. Concord NH ~ 7:30pm  ~ http://www.ccmusicschool.org   603-228-1196 soozendave@surfglobal.net

>Tom Rush at the Firehouse Center for the Arts ~ Newburyport, MA ~ 8pm ~ 978-462-7336, http://firehouse.org/

>Aine Minogue, Celtic Harp and Vocals at Immanuel Episcopal Church ~ 20 Church Street, Bellows Falls VT ~ 7:30 ~  http://stonechurcharts.org/

>Jordan Tirrell-Wysocki  (Songs of Emigration -Traditional Irish) at First Baptist Church ~ Plaistow NH ~ 12 noon ~ 603-382-5843

>Tracy Grammer at Me & Thee Coffee House ~ Marblehead, MA ~ 781-631-8987,

>Jeff Warner Songs of Old New Hampshire at the Orford Congregational Church ~ Orford, NH  ~ 7pm ~ 603-353-9307

Wednesday, March 14, 2018

>Jordan Tirrell-Wysocki  (Songs of Emigration -Traditional Irish) at Goodlife ~ 254 North State Street, Concord NH ~ 12 noon ~ 603-228-6630

>Saint Patricks Fiddle Frenzy with all the Red Fox Band at Immanuel Episcopal Church ~ 20 Church Street, Bellows Falls VT ~ 7:30 ~  http://stonechurcharts.org/

>Kip Ferguson at Acoustic Café, Wadleigh Memorial Library ~ Milford, NH ~ 7pm ~ 603-249-0645,

>St. Patrick’s Day Party w/ The Jordan Tirrell-Wysocki Trio at The Stone Church ~ Newmarket, NH ~ 8pm ~

Wednesday, March 21, 2018

>J.P. Cormier at Red & Shorty’s House Concerts ~ Dover, NH ~ 8pm ~ 603-

Friday, March 23 through Sunday, March 25, 2018

>>Downeast country Dance Festival ~ Topsham, Maine

Include:Notorious with caller Adina Gordon, Velocipede with caller John McIntire, Frigate with caller Dugan Murphy

>Zydeco Revelators at Bass Hall, Monadnock Center for Culture and History ~ 19 Grove St. ~ PO Box 58 ~ Peterborough, NH 03458 ~ 7:30pm ~ 603-924-3235 https://monadnockcenter.org/

>Masters of the Celtic Harp: Gráinne Hambly & William Jackson at Immanuel Episcopal Church ~ 20 Church Street, Bellows Falls VT ~ 7:30 ~  http://stonechurcharts.org/

Wednesday, March 28, 2018

>>2 Old Friends (Emery Hutchins & Jim Prendergast) at Wiggin Library ~ Stratham, NH ~ 6:30pm ~

>David Surette and Susie Burke at Chandler House Concerts ~ Andover MA ~ potluck 6pm, concert 7pm ~ boehmerc1103@gmail.com for more info

>Charlie Daniels Band (Country and Bluegrass) at Capitol Center for the Arts ~ Concord NH ~ 6pm ~  https://ccanh.com/events/

>Robinson and Rohe (Singer-Songwriter Duo) at Immanuel Episcopal Church ~ 20 Church Street, Bellows Falls VT ~ 7:30pm ~  http://stonechurcharts.org/

>Mud Boots and Black Tie Gala (music by Downeast Soul Coalitio0n) at Chocolate Church ~ 804 Washington Street, PO Box 252, Bath, Maine 04530-2617 ~  ~  207.442.8455 ~7:00pm  ~ https://www.chocolatechurcharts.org/

>Peter Yarrow at the Firehouse Center for the Arts ~ Newburyport, MA ~ 8pm ~

>>2 Old Friends (Emery Hutchins & Jim Prendergast) at Along the Way Coffeehouse ~ Ipswich, MA ~ 7pm ~

>Frank Wallace (Guitar) Birthday Party at Immanuel Episcopal Church ~ 20 Church Street, Bellows Falls VT ~ 7:30pm ~  http://stonechurcharts.org/

>>NEFFA Festival ~ Mansfield, Massachusetts

Over 200 performers like: Lisa Greenleaf, Bluestockings, Mystic Seaport Chantey Singers, Tony Saletan, and many more. Participatory festival. Equal parts dance and song.

>Hilton Park at Acoustic Café, Wadleigh Memorial Library ~ Milford, NH ~ 7pm ~ 603-249-0645,

>Banbury Ale: Party Music in 17th Century Britain at Bass Hall, Monadnock Center for Culture and History ~ 19 Grove St. ~ PO Box 58 ~ Peterborough, NH 03458 ~ 7:30pm ~ 603-924-3235 https://monadnockcenter.org/

>Jim Rooney, Pat Alger & Chris Brashear at Deb’s House Concerts ~ Chesham, NH ~ potluck 6:00pm concert 7pm ~

(check site for more info closer to the date. . This event Might Have Been in 2017 instead of 2018)

>Ellis Paul at Red & Shorty’s House Concerts ~ Dover, NH ~ 8pm ~ 603-

>Ellis Paul Songwriting Workshop at Red & Shorty’s House Concerts ~ Dover, NH ~ 2pm ~ 603-

Thursday, June 7 through Sunday, June 10, 2018

>Sea Music Festival ~ Mystic, Connecticut

Performers include: Walter Askew — California, Matthew Byrne — Newfoundland, Judy Cook — Ohio, FUNI (Bára Grímsdóttir and Chris Foster) — Reykjavík, Iceland, Sara Grey and Keiron Means — Maine and New York, Jim Mageean and Pat Sheridan — England and Ireland, Mara (Brigitte Kloareg, Katell Kloareg and Yuna Léon) — Carnoet, Bretagne, France w/Mary Ann Roberts out of Wales (initially from Trinidad), Dan Milner — New York, Lee Murdock — Illinois, Lynn Noel — Massachusetts, Norman Kennedy — Vermont & Scotland, 3 Fragrant (Max Cohen, Lui Collins & Donna Hébert) — Massachusetts, Steve Turner — England, The Vox Hunters (Armand Aromin & Ben Gagliardi) — Rhode Island, Dan Zanes — New York City.

Friday, June 8 through Sunday, 10, 2018

>Roots on the River ~ Bellows Falls, Vermont

Performers include: Miss Guided Angels, Bayou X, Low Lily, Starline Rhythm Boys, Mary Gauthier,  Vance Gilbert, Alicia Howe, The Conclusion of America, Roger Marin, Freebo, Hayley Reardon, Nora Jane Struthers, The Black Lilies, The Slambovian Circus of Dreams , and many more

Wednesday, June 13 through Sunday, June 17, 2018

>Blistered Fingers Family Bluegrass Festival ~ Litchfield, Maine

Performers include: Blue Highway, Michael Cleveland and Flamekeeper, Darve Parmley and Cardinal Tradition, The Little Roy and Lizzie Show, Dan Paisley and the Southern Grass, Dave Adkins Band, Zink and Company, The Misty Mountaineers, Tony and Heather Mabe, The Baker Family, Backwoods Road, The Gibson Brothers, Ralph Stanley II and the Clinch Mountain Boys, and more.

Sunday, July 15 through Sunday, July 22, 2018

>Earth Fellowship Center Ukulele Workshop and Festival art Earth Fellowship Center ~ Albany NH ~ http://worldfellowship.org/ -LRB-603-RRB- 447-2280 ~ featuring Molly and Daniel Watt

>Garnet Rogers and Archie Fisher at Peterborough Players ~ Peterborough, NH ~ 7:30pm ~

Note: Most dance locations Need clean soft-soled sneakers and do not

Allow street shoes. Partners not required.

>FYI: Dance occasions in May, 2017 and later are recorded with this Google Calendar:

>Contra dance w/ assorted Callers & Musicians at the Town Hall,

>Clogging   at Dance In Motion Dance Studio ~ Randolph, Vt. ~ 6:45

>Scottish Country Dance /w Loren Wright directing at The Church of the

Good Shepherd ~ Nashua 7:00 PM ~ 603-891-2331 or

>Scottish Country Dance /w Bernard McGrath resulting at The

Westminster Center School ~ Westminster 7:30 PM or

>Contradance at the Richard W. Black Center, Hanover, NH, 7 PM,

>Scottish Country Dance /w John Bartholomew leading, Bill Tobin and Gary Apfel

At The Town Hall ~ Fairlee, Vt. ~ 7:00 PM ~ 603-353-4647 or

>Line Dancing at the Gilford Public Library ~ Gilford, NH ~ 9am ~

>Scottish Country Dance at The Community Parish House ~ Greenland,

>Set Dancing Lessons & Practice Dance at the Durham Universalist

Church ~ Durham, NH ~ 7pm ~ 603-749-1038, www.seacoastsetdancers.org

>Contra Square Dance at the Tamworth Townhouse ~  Tamworth, NH ~ 8

PM ~ July & August ~ 603-323-8023 (maybe not in Winter)

>Circle Dance at Neskaya ~ Franconia, NH ~ 3:30pm ~ www.neskaya.com

>Line Dancing at the Starr King Unitarian Meeting House ~ Plymouth,

_______________________________________________________________________________

Monday, February 26, 2018

>Clogging at the Dance in Motion Dance Studio ~ Randolph, Vt. ~ 6:45 PM, workshop 6:00 PM ~ 802-522-2935, Greenmtnclogger@aol.com

>Contra dance w/various Callers & Musicians at the Town Hall ~ Nelson, NH ~ 8PM, 603-827-3044 or

Wednesday, February 28, 2018

>Line Dancing at the Gilford Public Library ~ Gilford, NH ~ 9am ~ 603-524-6042

>Contradance at the Richard W. Black Center ~ Hanover, NH ~ 6:45 PM, 781-385- 1480

>Scottish Country Dance / /w Loren Wright leading at The Church of the Good Shepherd ~ Nashua, NH ~ 7:00 PM ~ 603-891-2331 or nashuascd@comcast.net

>Scottish Country Dance /w John Bartholomew leading, Bill Tobin and Gary Apfel at The Town Hall ~ Fairlee, Vt. ~ 7:00 PM ~ 603-353-4647 or GaryApfel@MyBluelight.com

>Scottish Country Dance /w Bernard McGrath leading at The Westminster Center School ~ Westminster, Vt ~ 7:30 PM ~ 603-352-9371 or 802-463-3078 kjh@sover.net

>Contra & Scandinavian Dance w/ Steve Zakon-Anderson & Moving Violations at the Guiding Star Grange ~ Greenfield, MA ~ Scandi 8pm, contra 8:30pm ~ 403-549-1913

>Scottish Dance /w Bill Tobin leading at The Town Hall ~ Lancaster, NH ~ 7:30 PM ~ 802-751-7671 or 1btobin@together.net

>Scottish Country Dance at The Community Parish House ~ Greenland, NH ~ 8:00 PM ~ 603-773-9795 or ljstravel@attibi.com

>>Conventional Square Dance at the Town Hall, Wentworth, NH, 8 PM, 603-764-9993

>Contra w/ George Marshall & Wild Asparagus at the Guiding Star Grange ~ Greenfield, MA ~ wkshp 8pm, dance 8:30pm ~

>Contradance at the Town Hall ~ Deerfield, NH ~ 8PM ~ 603-463-4182, 603-679- 1915

>Circle Dance at Neskaya ~ Franconia, NH ~ 3:30pm ~ www.neskaya.com 603-823- 5828

>Line Dancing at the Starr King Unitarian Meeting House ~ Plymouth, NH ~ 4pm ~ 603-536-1179

>Clogging at the Dance in Motion Dance Studio ~ Randolph, Vt. ~ 6:45 PM, workshop 6:00 PM ~ 802-522-2935, Greenmtnclogger@aol.com

>Contra dance w/various Callers & Musicians at the Town Hall ~ Nelson, NH ~ 8PM, 603-827-3044 or www.monadnockfolk.org

>Line Dancing at the Gilford Public Library ~ Gilford, NH ~ 9am ~ 603-524-6042

>Contradance at the Richard W. Black Center ~ Hanover, NH ~ 6:45 PM, 781-385- 1480

Organizer: NHPR Folk Show Dance Calendar

>Scottish Country Dance / /w Loren Wright leading at The Church of the Good Shepherd ~ Nashua, NH ~ 7:00 PM ~ 603-891-2331 or nashuascd@comcast.net

>Scottish Country Dance /w John Bartholomew leading, Bill Tobin and Gary Apfel at The Town Hall ~ Fairlee, Vt. ~ 7:00 PM ~ 603-353-4647 or GaryApfel@MyBluelight.com

>Scottish Country Dance /w Bernard McGrath leading at The Westminster Center School ~ Westminster, Vt ~ 7:30 PM ~ 603-352-9371 or 802-463-3078 kjh@sover.net

>Circle Dancing at the Milford Unitarian Church (Every dance is taught and beginners are welcome. No partners needed) ~ Milford NH ~ 7:30pm ~ Contact is Mary Kuhn and her telephone number is 603-487-2732. Mail maryfloyd@mfire.com

>Scottish Country Dance at The Unitarian Church ~ Keene, NH ~ 7:30 PM ~ 603- 352-3237 or tantrim@keene.edu

>Scottish Dance /w Bill Tobin leading at The Town Hall ~ Lancaster, NH ~ 7:30 PM ~ 802-751-7671 or 1btobin@together.net

>Scottish Country Dance at The Community Parish House ~ Greenland, NH ~ 8:00 PM ~ 603-773-9795 or ljstravel@attibi.com

>Contradance at the Wescustogo Hall ~ North Yarmouth, ME ~ Potluck at 7:30, Dance at 8:30pm ~ 207-233-4325 or fiddle103@yahoo.com

>Contradance w/ Northern Magic, David Millstone calling, Tracy Hall, Norwich, VT.,7:45 PM All Dances are taught, beginners welcome clean, soft-soled sneakers demanded, 802- 785-4607 or rbarrows@cs.dartmouth.edu

>Contra at Old Town Hall ~ 1800 RT-140, Gilmanton Ironworks, NH ~ Together: Burt Fientuch & Bill Zucker. Gale Wood; Deadly~ 8:00 PM ~ 603-267-7227 603-793-5296 gtomwood@gmail.com

>Contra at The First Unitarian Society ~ Exeter, NH ~ 8:00 PM with workshop at 7:30 PM ~ 603-679-1915

Friday, March 23 through Sunday, March 25, 2018

>>Downeast country Dance Festival ~ Topsham, Maine

Include:Notorious with caller Adina Gordon, Velocipede with caller John McIntire, Frigate with caller Dugan Murphy

The post <p>NHPR Folk Songs and Dance Calendar 2.25.18</p> appeared first on dance withme plano.

from dance withme plano http://www.dancewithmeplano.com/nhpr-folk-songs-and-dance-calendar-2-25-18/

[8unginfo]

♫ Schwanensee – Swan Lakes - 4 x neu im Theaterhaus

Swan Lakes: Eric Gauthier hatte die Idee, den „alten Schinken

Schwanensee“ neu zu interpretieren mit den Choreografen Cayetano Soto, Marie Chouinard, Marco Goecke und Hofesh Shechter. Sein Auftrag: „Schwanensee in der heutigen Tanzsprache, ihr habt alle Freiheiten“ Schwanensee und „Modern Dance“ Dummerweise hatte er sich Choreografinnen ausgesucht, die bisher nur Modern Dance getanzt hatten. Schwanensee kannten sie nicht, dem wurde aber mit Videos vom Bolschoi und der Royal Opera nachgeholfen. Jede der vier Choreografinnen hat ihre Eindrücke in eigenen Stücken verarbeitet. Eine Einführung wurde extra nicht ins Auge gefasst, damit jede Besucherin ihre eigenen Interpretationen behält. Auch ich habe lange gerätselt, welche Verbindung es zwischen Schwanensee und den vier Choreografien gibt.

Swan Lakes Marie Chouinard (c) Photo Jeanette Bak Meine ganz persönlichen Eindrücke und Verbindungen zum Schwanensee:

Swan Lakes: Swan Cake – Hofesh Shechter

1. Akt - Prinz Siegfried feiert seinen 21. Geburtstag. Mit seinen Freunden feiert Prinz Siegfried ausgelassen seine Volljährigkeit. Sie tanzen so lange, bis die Königinmutter kommt und ihn ermahnt,  ab jetzt nicht nur zu feiern, sondern auch Pflichten zu tragen. Als erstes sollte er sich eine Frau suchen → weiterlesen Nach den Kostümen zu urteilen sind wir in einer Hippiekommune gelandet. Ich interpretiere es einmal als das Fest des jungen Prinzen. Seine Volljährigkeit soll gefeiert werden. Alle Freunde sind eingeladen. Gleich zu Beginn kommt Partystimmung auf. Einige Tänzerinnen klatschen im Takt und animieren das Publikum zum Mitklatschen – das lässt sich keine Zuschauerin entgehen.

Swan Lakes - Hofesh Shechter (c) Photo Jeanette Bak Freude, Ausgelassenheit, aber zwischendurch auch Disziplin. Die Sause scheint zum Schluss aus dem Ruder zu laufen. Mit einem immer lauter und schneller werdenden „da-da-daa, dadada-da-daa!“ – der Rhytmus aus dem „Tanz der kleinen Schwäne“ – eskaliert die Stimmung. Mensch hört nicht die harmonischen Tschaikowski-Klänge, sondern einen überlauten Kopfschmerz-Disco-Beat. Bei lautem Geknatter sinken die Feiernden auf die Knie, kommen aber gleichmäßig wieder hoch und sind zum wiederholten Male die vergnügten jungen Leute von vorher

Swan Lakes: Le Chant du Cygne - Le Lac

2. Akt – Siegfried entdeckt die Schwanenprinzessin im Schwanensee und schwört ewige Treue. Um Mitternacht, bei glitzerndem Vollmondlicht, erreichen die Freunde einen See, auf dem sie reiche Beute vermuten. Fasziniert beobachten sie die schwimmenden Schwäne – der berühmte Schwanentanz... → weiterlesen Eindeutig sind die kleinen Schwäne zu erkennen an den strubbeligen Boris-Johnson-Frisuren der Schwanenküken; ein Tutu, das an Sonnenschirme an tropischen Stränden erinnert und an einer Hand den Handschuh mit dem Schnabel. Den strecken sie immer in die Höhe, sobald sie brav eine Formation bilden.

SwanLakes Marie Chouinard (c) Photo Jeanette Bak Sie schreien ihren Frust heraus. Sie klagen ihre Vergewaltiger an. Sie wollen sich so frei bewegen, wie sie möchten. Sie sind keine Spielbälle der Männer, lautet ihre Botschaft.

Swan Lakes: „UNTITLES FOR 7 DANCERS“ Cayetano Soto

3. Akt – opulentes Fest mit Vorstellung der Brautbewerberinnen und falscher Schwanenprinzessin und schwarzen Schwänen. Das rauschende Fest zur Volljährigkeit des Prinzen ist in vollem Gange, als die Königinmutter ihm eine Auswahl von sechs Kandidatinnen als künftige Braut vorgestellt. Mit jeder tanzt er, aber entscheiden kann er sich nicht für eine – zum Ärger seiner Mutter. Als ein unbekannter Gast mit seiner Tochter erscheint... → weiterlesen Schwarz ist die Bühne! Schwarz sind die Kostüme der Tänzer! Eine zweite Haut, die nur den Kopf und die Finger frei lässt. Das macht sich bei tanzenden Paaren bemerkbar. Dann blitzen plötzlich Hautfarben auf Rücken oder Schenkeln. Das sorgt für Abwechslung. Die Tänzer sehen aus und bewegen sich wie verlorene Seelen, die irgendwo im Nirwana gelandet sind, ohne sich auszukennen. Sie laufen umher, haben selten Kontakt zu den übrigen. Dabei vollführen sie die schönsten Kunststücke. Wenn sie tatsächlich zusammenkommen, sieht das sehr zufällig aus. Sie kleben etwas aneinander, haben sich nichts zu sagen, schauen sich kaum an. Das Stück dauert exakt 20 Minuten. Es läuft eine digitale Uhr mit Minuten und Sekunden rückwärts ab als ein 20-Minuten-Abschnitt aus der Ewigkeit. Verdammt in eine schwarze Zeit, bei der keiner weiß, wie lange das noch gehen mag – trostlos.

Swan Lakes - Cayetano Soto (c) Photo Jeanette Bak Die Musik ist stampfend gleichmäßig, aber mit aggressiven Höhepunkten. In dieser Zeit treffen mehrere Schwarzgekleidete aufeinander und gehen genau so unmotiviert auseinander – trostlos!

Swan Lakes: Shara Nur – Marco Goecke

4. Akt – Siegfried, Odette und die vielen Schwäne verzweifeln. Siegfried erkennt seinen Irrtum. Große und kleine Schwäne tanzen traurig um das Paar herum. Für das Ende bestehen verschiedene Varianten... → weiterlesen Wie in der Modoration von Eric Gauthier zu hören war, handelt es sich um einen See in Russland. Diejenigen, die hineinspringen, kommen gelb wieder raus. Ansonsten ist die Choreografie ein echter Goecke – also wie immer. Abgehackte Bewegungen bis in die Fingerspitzen – besonders hektisch in diese.

Swan Lakes - Marco Goecke (c) Photo Jeanette Bak Es muss ein verseuchter See sein. Insofern passen die Bewegungen. Die Schwimmenden / Badenden / Schwäne waren eindeutig zu lange im See. Sie sind durch eine eingefangene Virus-Variante nicht einfach nur gelb geworden, sondern zusätzlich rosa. Sie werden von Schüttelfrost gebeutelt, alleine, zu zweit oder zu mehreren. Ungesunde Zuckungen, zum Bemitleiden. Wie Gauthier vorher sagte, hat Goecke einen Teil von Björks Musik selbst gesungen, um Gema zu sparen. Das stellte ich mir aufgrund der Erzählung als Höhepunkt vor. Lustig war das dann aber doch nicht – im Gegenteil. Eine Szene bleibt im Gedächtnis als anrührendes Erlebnis. Ein Mann (Siegfried?) und eine Frau (Schwanenprinzessin?) finden zueinander. Sobald eine/r es geschafft hat, seine/ihre Hand auf die die Schulter der/den Partner/in zu legen, hört das Gezappel auf und die Hand wird ruhig. Es ist beruhigend, die Verwandlung eins nach dem anderen mitzuerleben. Liebe und Vertrauen hilft über Nervosität und Krankheiten hinweg. Das könnte doch eine neue Schlussvariante im Schwanensee werden – aufbauend und zukunftsweisend. SWAN LAKES im Theaterhaus Stuttgart Gauthier Dance//Dance Company Theaterhaus Stuttgart: SWAN LAKES Aufführung am 3. Juli 2021 Eine Produktion von Theaterhaus Stuttgart Mit Uraufführungen von Marie Chouinard, Marco Goecke, Hofesh Shechter, Cayetano Soto 3sat zeigt "Swan Lakes – Gauthier Dance" am Samstag, 28. August, um 21.00 Uhr in Erstausstrahlung. Mehr Beiträge zum Ballett Schwanensee Read the full article

[aletheiaonline]

Teatro RegioTorino, debutto della Gauthier Dance//Dance Company

TORINODANZA FESTIVAL 2017 SI CHIUDE CON IL DEBUTTO IN PRIMA ITALIANA DELLA COMPAGNIA TEDESCA GAUTHIER DANCE COMPANY CON TRE PEZZI DEI COREOGRAFI HOFESH SHECHTER, SHARON EYAL E GAI BEHAR, OHAD NAHARIN

Venerdì 1 dicembre 2017, alle ore 20.45, al Teatro Regio si chiude l’edizione 2017 di Torinodanza con il debutto della Gauthier Dance//Dance Company Theaterhaus Stuttgart impegnata, in prima…

[lovenyri]

TONIGHT at 7.00pm (70 E4th St) Isabelle Morse (with the big curly hair) @izz__m will be teaching our Ibo class! Trust, this is not the one to miss ✨ I took this video last year while she danced in a Gede Zarenyen piece as part of a tribute performance to Viviane Gauthier, choreographed by the amazing Jean Appolon of @jaebostonhaiti #DoWhatYouLove #HaitianCulture #Folklore #ToutSePa #KnowYourMagic #Ayibobo #AyitiNanKayLa (at Alpha Omega Theatrical Dance Company)

[earlrmerrill]

Producing Artistic Director - Theatreworks, Colorado Springs

THEATREWORKS, on the University of Colorado, Colorado Springs campus, is a professional theater company located on this growing campus. THEATREWORKS will move into their new theatre in the $60,000,000 multi-theatre Ent Center when it opens in early 2018. Designed by NY theater designers Hardy Collaborative, the THEATREWORKS space is a fully flexible theatre seating 250 people. With a budget approaching $2M, THEATREWORKS is the leading producer of classic and contemporary plays in the region. The PAD will bring vision, creativity and energy to this leadership position. The full position description can be found here: http://ift.tt/2sMLle2Colorado-Sp

Led by founder Murray Ross, the University of Colorado Colorado Springs (UCCS) established THEATREWORKS as a community outreach program in 1975. THEATREWORKS presented its earliest productions in a converted classroom space, with two to three shows each year. Over the past forty-two years, THEATREWORKS has grown into the premiere professional theatre in the Pikes Peak Region, with a $1.7 million budget, a cumulative annual audience of more than 23,000, and a venerated suite of activities, including seven fully-produced mainstage shows, educational opportunities for youth, and outreach programs for local communities that are not as fully engaged with university theater programs. THEATREWORKS is one of only two Actors’ Equity Association theatres in Colorado Springs and one of only seven in the state.

University of Colorado, Colorado Springs University of Colorado Colorado Springs is the fastest growing campus in the University of Colorado system. The campus is located on 550 acres in northeast Colorado Springs. From the campus, you have a spectacular view of the Front Range of the Rocky Mountains, including Pikes Peak, the 14,115-foot mountain that inspired the song "America the Beautiful."

Approximately 12,000 students enrolled in the fall of 2016, with almost 5,000 students participating in programs and instruction offered through online courses. The campus is currently building the Ent Center for the Arts, a $70 million project that will house THEATREWORKS in a new state-of-the-art flexible Dusty Loo Bon Vivant Theater, the UCCS Music Program, Theatre & Dance Program, the 240-seat Chapman Foundations Recital Hall, the 786 seat Shockley-Zalabak Theater and a new campus home for the Galleries of Contemporary Art in the Marie Walsh Sharpe Gallery. Additional learning and rehearsal spaces, a large lobby for public receptions and student engagement spaces are also planned. The Ent Center will open in early 2018. The University’s website can be found here www.uccs.edu.

Colorado Springs, Colorado Colorado Springs, at an elevation of 6,035 feet, is a city in Colorado at the eastern foot of the Rocky Mountains. It lies near glacier-carved Pikes Peak, a landmark in Pike National Forest, with hiking trails and a cog railway leading to its 14,114 feet summit. Colorado Springs boasts excellent weather with over 300 days of sunshine a year. It is a one hour drive from Denver and four hours from Santa Fe, New Mexico. Colorado Springs is commonly listed in the top 10 most desirable places to live in the US and is in the midst of dynamic growth including in the arts. coloradosprings.gov provides information and links to information on the area.

Colorado Springs has deep roots in the arts, envisioned by city founders as an oasis of culture and refinement amidst the untamed rugged landscape. In the first half of the 20th century, artists from around the country streamed in, establishing the Broadmoor Art Academy (BAA) and rivaling Taos, New Mexico as an art colony in the southwestern United States. Stunning avant-garde performances opened the Colorado Springs Fine Arts Center in 1936, featuring Martha Graham’s barefoot interpretations of esoteric modern dance, Eva Gauthier’s eccentric music, and mobiles designed by Alexander Calder filling the museum galleries and as the set for Erik Satie’s symphonic drama Socrate. This rich history serves as a foundation for the arts and arts supporters in the region to this day.

CURRENT ENVIRONMENT

THEATREWORKS is a professional theatre company that values the intellectual vitality of its university setting and resources. It is preparing to move into a new state-of-the-art theater in January 2018 in the Ent Center for the Arts. This has led to new strategic initiatives, namely increasing artistic capacity, fostering educational collaborations at the University, and creating partnerships with other community partners in order to broaden and deepen the impact and reach underserved audiences. More about THEATREWORKS can be found at its website here: http://ift.tt/1s62QTS.

POSITION RESPONSIBILITIES

The Producing Artistic Director is the artistic leader of THEATREWORKS who determines, oversees, and implements its artistic policies and vision. The Producing Artistic Director will develop programming for the season; support the operation and administration of the program to insure proper alignment with goals of UCCS Presents and the University; produce the THEATREWORKS season including selecting and securing creative teams for each production; oversee existing artistic programs; create new artistic and development initiatives; represent the organization to the community; work with the Advisory Board to ensure proper community alignment; assure programs are consistently presented in strong, positive image to relevant stakeholders; and work with the Executive Director of UCCS Presents and the Advisory Board to broaden and diversify sources of income including fundraising.

The Producing Artistic Director will report to the Executive Director of UCCS Presents, and will have the responsibility for programmatic leadership. They must articulate a vision for THEATREWORKS’ future that fully aligns with its mission; motivate staff, Board, and others to move collectively toward that vision; and, of course, build the working culture of the theatre, already strong, in a way that facilitates the best work of the staff. They will work collaboratively with the other artistic leaders that will share the Ent Center and work to create a strong team with the Ent Center staff as well.

There are certain roles in which the incoming Producing Artistic Director will be a key driver:

Position and Responsibilities

Create seasons of plays that continue a history of excellence and variety while embracing innovation; maintain the theatrical breadth from the classic to the new; and remain very attentive to both the current loyal subscribers and the desired larger audiences, especially including the young and diverse.

Gather together the finest creative teams possible from Southern Colorado as well as, when needed, from elsewhere.

Direct up to three productions per year.

Shepherd the productions, with thorough oversight of artistic excellence, and provide supervision and guidance for the production staff to assure that the shows are being produced within the mutually agreed upon budget parameters.

Be the most important public face for THEATREWORKS to its communities of supporters.

Be an active participant in major gift cultivation and solicitation, in concert with the Advisory Board, UCCS Presents Executive Director, and fundraising staff.

Engage collegially with the Advisory Board to inspire them with the work of the theatre and to support their efforts on THEATREWORKS’ behalf.

Support philosophically and guide the theatre’s education and community programs and their impact on the citizens of Southern Colorado.

Though there are no teaching obligations, the Producing Artistic Director should be an inspiring voice for students at UCCS and should foster relationships with all departments at the university, particularly the Department of Visual and Performing Arts.

Qualifications No one person will fully meet all these qualifications. The Search Committee will be assessing to what degree each individual come close to their expectations by evaluating the following factors:

Professional Experience

Proven artistic leadership capacity as demonstrated by prior roles in theatre companies; a successful track record as a theatre Artistic Director is preferred, but not required.

Demonstrated ability to inspire others through articulation of an artistic vision, and the decisions made about art and artists.

An aesthetic approach that makes clear that he or she can produce work that meets THEATREWORKS’ desire for the traditional classics and contemporary plays all produced at the highest level of artistic excellence.

A stage director of note and accomplishment.

Demonstrated belief and commitment to education and community engagement activities.

Demonstrated experience developing and managing artistic teams to devise, create and produce productions of quality and distinction.

Demonstrated ability to manage a budget that utilizes diverse revenue streams of earned and unearned income

At least five years’ experience in the non-profit operational and artistic development of an arts organization.

Personal Qualities and Values

Recognized and respected in the field of professional theater, and known to be artist-friendly and supportive.

Drive, tenacity, and fresh thinking.

A real appetite for growing audiences.

Demonstrated engagement with diversity.

A desire for collaboration, feedback, and general engagement with others.

Additional Requirements

The Artistic Director of THEATREWORKS is a senior management position. A baccalaureate is required and a master’s degree is preferred, though prior experience in a leadership position in an arts organization could substitute for educational experience.

Excellent interpersonal skills.

Excellent written and verbal communication skills.

COMPENSATION, APPLICATION PROCEDURE, AND START DATE

Although the final hiring decision will be made by UCCS Presents Executive Director, his decision will be informed by recommendations from the Search Committee which will oversee the search. The Committee, comprised of members of the Advisory Board, faculty, and staff, hopes to make recommendations by the fall of 2017 with the successful candidate onsite as soon as possible thereafter. The salary and very attractive benefits package will be competitive with other companies of comparable stature and size. Interested and qualified candidates, and recommendations of such individuals, are encouraged to submit, by email, a cover letter, résumé, four professional references (name, email, phone) and salary history/requirements to the consulting firm retained to conduct the search:

Management Consultants for the Arts, Inc. Attn: Stephen Richard By email: MgtConArts@gmail.com Subject Line: THEATREWORKS Producing Artistic Director Search

Article source here:Arts Journal

[nofomoartworld]

Hyperallergic: Required Reading

MASS MoCA will unveil what it’s claiming is the “world’s largest watercolor painting,” a 120-square-foot (8′ x 15′), site-specific commission by Barbara Prey. That’s quite a claim, though I do wish the painting was a little more exciting. (via MASS MoCA)

This article about a family “slave” in the US has been much discussed this week. Alex Tizon, who died at the age of 57 this year, writes about when he realized who the woman who lived with his family was. The whole story is chilling:

To our American neighbors, we were model immigrants, a poster family. They told us so. My father had a law degree, my mother was on her way to becoming a doctor, and my siblings and I got good grades and always said “please” and “thank you.” We never talked about Lola. Our secret went to the core of who we were and, at least for us kids, who we wanted to be.

After my mother died of leukemia, in 1999, Lola came to live with me in a small town north of Seattle. I had a family, a career, a house in the suburbs—the American dream. And then I had a slave.

RELATED: Some interesting responses:

"My Family's Slave" is now trending in the Philippines, where it's lunch time. I'm going to share a few interesting threads from Filipinos:

— Adrian Chen (@AdrianChen) May 17, 2017

Honestly I'm convinced 3/4 of you who are opining about the Tizon piece didn't finish reading it

— Sarah Jeong (@sarahjeong) May 17, 2017

Eudocia Polida was an enslaved person whose hopes and dreams we know filtered only through the service of others by system not choice

— Sydette (@Blackamazon) May 17, 2017

Read "My Family's Slave" &I just literally wanted to reach into the story and punch every fucker in the Tizon family, including the author.

— ✡️Josh Shahryar ☪ (@JShahryar) May 16, 2017

I hate Interview, which is a celebrity-obsessed rag full of starfuckers, but I do always love Antwaun Sargent’s perspective, so I really enjoyed his interview with painter Lynette Yiadom-Boakye:

SARGENT: One signature aspect of your painting is that the figure almost blends into its surroundings, because the earth tones of your backdrops are reflective of the character’s dark brown skin tones. There are a lot of things that are being signified but particularly there’s a critique of the hypervisibility, which Ralph Ellison talked about, that renders blackness completely seen and unseen. Is that part of the negotiation between the figure and its surroundings in your work?

YIADOM-BOAKYE: Maybe I think more about black thought than black bodies. When people ask about the aspect of race in the work, they are looking for very simple or easy answers. Part of it is when you think other people are so different than yourself, you imagine that their thoughts aren’t the same. When I think about thought, I think about how much there is that is common.

Robert Rauschenberg’s “Bed” (1955) piece includes a “stolen” bedcover from another artist:

But for the artist Dorothea Rockburne, the painting carries a more personal charge. She first met Rauschenberg during their student days at Black Mountain College, the fabled school near Asheville, N.C., that was briefly the epicenter of the American avant-garde. One day, Ms. Rockburne was in the college laundry room unloading her wash from the dryer when she realized that her patchwork quilt was missing. “The next time I saw it was at the Leo Castelli Gallery,” she recently recalled in a tone of disbelief, referring to the public debut of “Bed.” “My first thought was: Son of a bitch! We were close friends.”

Masha Gessen writes about the language of autocrats:

A Russian poet named Sergei Gandlevsky once said that in the late Soviet period he became obsessed with hardware-store nomenclature. He loved the word secateurs, for example. Garden shears, that is. Secateurs is a great word. It has a shape. It has weight. It has a function. It is not ambiguous. It is also not a hammer, a rake, or a plow. It is not even scissors. In a world where words were constantly used to mean their opposite, being able to call secateurs “secateurs”—and nothing else—was freedom.

“Freedom,” on the other hand, was, as you know, slavery. That’s Orwell’s 1984. And it is also the USSR, a country that had “laws,” a “constitution,” and even “elections,” also known as the “free expression of citizen will.” The elections, which were mandatory, involved showing up at the so-called polling place, receiving a pre-filled ballot—each office had one name matched to it—and depositing it in the ballot box, out in the open. Again, this was called the “free expression of citizen will.” There was nothing free about it, it did not constitute expression, it had no relationship to citizenship or will because it granted the subject no agency. Calling this ritual either an “election” or the “free expression of citizen will” had a dual effect: it eviscerated the words “election,” “free,” “expression,” “citizen,” and “will,” and it also left the thing itself undescribed. When something cannot be described, it does not become a fact of shared reality. Hundreds of millions of Soviet citizens had an experience of the thing that could not be described, but I would argue that they did not share that experience, because they had no language for doing so. At the same time, an experience that could be accurately described as, say, an “election,” or “free,” had been preemptively discredited because those words had been used to denote something entirely different.

Siobhan Burke is speaking out against imagery in dance that exploits women (including images of sexual violence):

By “images of violence against women,” I mean not just depictions of violent acts but also the kind of forceful partnering that’s become so ubiquitous, so gratuitous, so banal in ballet — the yanking, dragging, prying open of women’s bodies by men — both with and without a narrative pretext. Calling it out, as I did after seeing Angelin Preljocaj’s “La Stravaganza” (1997) for City Ballet in 2014, or Mauro Bigonzetti’s “Cantata” (2000), performed by Gauthier Dance in 2016 — feels as tiresome as watching it, and unpacking its history would take more space than I have here.

… My disappointment with “Odessa” led me to post a photo on Instagram — my favorite place to air an impulsive thought — with the caption “no more gang rape scenes in ballets, please.” (The photo was of my face, looking directly at the camera, wearing what I consider an “over it” kind of expression.) This prompted an expansive thread of comments, including by my colleague Alastair Macaulay, who had reviewed “Odessa” for The New York Times. He asked whether my call for “no more” was a call for censorship: “Must works of art only depict people behaving correctly?”

The answer, of course, is no. If artists want to deal with rape, gang or otherwise, as subject matter, they should, as they should grapple with any difficult issue. But they must really deal with it: Say something. Don’t just toss it in as one more incidental plot twist, one more exquisite thing to behold. Acknowledge its urgency, its complexity and the fact that to many in the audience, it may not be so abstract.

Documenta or Crapumenta?

Graffiti castigating the spectacle as “Crapumenta 14” soon appeared. “I refuse to exoticize myself to increase your cultural capital. Signed: The People,” has been a particular favourite. While Giorgos Kaminis, the city’s mayor, maintained Documenta was fantastic for tourism (as Aegean Airlines’ new and fully booked Kassel to Athens route has proved), critics complained that it amounted to the worst kind of crisis tourism.

“There’s anger because they haven’t taken circumstance into account,” says Nadja Argyropoulou, a curator in Athens. “Their theory is beautiful, radical and timely, but they didn’t mingle or take the leap into the everyday or address the reality here. Circumstance is what humbles theory and makes art as important as real life.”

For detractors, Szymczyk had become the embodiment of the corporate, neo-liberal order he professes to abhor, a purveyor of the worst kind of soft German power. Not only was the exhibition abstruse, it had committed the cardinal sin of omitting Greek artists and curators. “There are so many names,” Argyropoulou says. “People who should have been in it but were never approached. But please also write that we want them to succeed. If they fail, it is us who will be left with their ruins of contemporary art – and in a country that is continually looking to its past, with unresolved questions of identity, that would be disastrous.”

An obsessive fan found the source for the cover image of Radiohead’s OK Computer album (it’s a highway in Hartford):

    After looking at 2,000 scripts, 25,000 actors, 4 million lines, and analyzing them by gender, this is what Hanah Anderson and Matt Daniels (writing for the Pudding) found:

A tour of the new Foster Partners–designed Apple HQ, where the tech company even designed a special pizza box for employees:

For workers who want to take the café’s pizza back to their pods, Apple created (and patented) a container that lets air and moisture escape so the crust won’t get soggy. (via Wired)

Jack O’Donnell worked for Trump in the 1980s, and he reminds us that everything he’s doing is NOT a surprise:

After I resigned in April 1990, I wrote a book about my time with him, Trumped: The Inside Story of the Real Donald Trump, His Cunning Rise and Spectacular Fall, in 1991. In the book, I told stories about Trump’s leadership style that would come to echo his presidency years later.

I witnessed him make public phone calls that he insisted were private and use those conversations to humiliate and corner the person on the other end. I witnessed him demand loyalty from those who worked for him. I witnessed him make impulsive decisions as a result of his short attention span.

RELATED: Did you know Nixon wrote to Donald Trump in 1987? Presidential historian Michael Beschloss posted this:

Nixon writes to Trump, 30 years ago this year: http://pic.twitter.com/rKxHBXNuXO

— Michael Beschloss (@BeschlossDC) May 17, 2017

ALSO RELATED: A new poll suggests a majority of Americans believe Trump is a liar and wish Obama was still president. More data from Public Policy Polling:

Only 40% of voters approve of the job Trump is doing to 54% who disapprove. For the first time we find more voters (48%) in support of impeaching Trump than there are (41%) opposed to the idea. Only 43% of voters think Trump is actually going to end up serving his full term as President, while 45% think he won’t, and 12% aren’t sure one way or the other.

… By an 8 point margin, 49/41, they say they wish Hillary Clinton was President instead of Trump. And by a 16 point margin, 55/39, they say they wish Barack Obama was still in office instead of Trump.

And Time Magazine‘s new cover became a topic of discussion on social media. This is probably the funniest take on it:

@TIME Fixed this for you. *Turn on audio* http://pic.twitter.com/7soqnUZI7r

— Matthew A. Cherry (@MatthewACherry) May 18, 2017

Or did Time rip off Mad Magazine?

Once More, With Stealing Dept. TIME MAGAZINE RIPS OFF MAD MAGAZINE?https://t.co/dWYykrr4tJ http://pic.twitter.com/bfYrj2DpUb

— MAD Magazine (@MADmagazine) May 18, 2017

Required Reading is published every Sunday morning ET, and is comprised of a short list of art-related links to long-form articles, videos, blog posts, or photo essays worth a second look.

The post Required Reading appeared first on Hyperallergic.

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