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#Generally in my stuff. I associate flowers with positive things. like kindness. love. or innocence
sl33pyst4r5 · 2 years
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Yeah, they deserve that. No thorns, only roses.
(I started drawing this right after I saw those tags, so thanks for the idea @ashyronfire)
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x0401x · 5 years
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Flower Symbolism in Tsurune
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The amount of plant representation in this franchise has considerably increased with the release of the DVDs and KyoAni’s latest spring campaign, so it seems more than appropriate to make this kind of post right now. This post has been bettered thanks to @bowcrazy. Most of the symbolisms refers to individual characters, so I’ve separated them by the official character line-up order.
I’m gonna start with the ones that represent everybody.
Yesterday-today-tomorrow: I’m guessing that this one is the flower that appears during the opening and ending. They seem to also be the ones appearing behind Minato in the DVD bonus artworks as well, so I’ll get to them below soon enough.
Iris: This one is mentioned twice in the novel, and in one of those mentions, they seem to refer to the Kazemai boys. It has many meanings, the most common ones being faith, hope, wisdom, courage, valor and admiration. In Japanese flower language, they’re associated with good news, glad tidings and loyalty. Gifting someone with irises normally means “your friendship signifies so much to me”, and they’re often used in Japan on Boys’ Day.
Now, the flowers below are the ones shown behind each of the characters in the artworks that come with the DVD/Blu-ray sets.
Sen & Man
Amaryllis: Stands for pride and self-confidence. Its message is “if you’ve got it, flaunt it”, and boy, are the twins arrogant. But here’s what’s truly interesting about this flower: it’s normally associated with one-sided feelings, lmao. The red ones, like most red flowers, are linked to passion and love, be it requited or not. I really wanna try to pretend that Senichi staring at Shuu in that artwork instead of ahead like his brother is doing has absolutely nothing to do with this, but damn, it’s hard. I won’t lie; this kind of depiction of the Kirisaki trio (literally every single thing about it) had been on my official art wishlist for a long time.
Shuu
Tulip: Its general significance is “perfect, enduring love”, but there’s also a variety of other meanings to it:
Undying passionate love, whether the passion is spurned or returned
Royalty and a regal nature
Forgotten or neglected love
Abundance, prosperity, and indulgence
Charity and supporting the less fortunate
There’s probably no better flower to describe Shuu’s character. The undying love surely refers to archery *cough* and Minato *cough*. He does have a regal, noble-like nature, and has been overflowing with talent from the very start. The neglected love might be a reference to his family, but it might also apply to Shuu hitting a wall at the end of volume 1. The part about charity and supporting the less fortunate is probably an allusion to Shuu growing softer and helping out the twins after Manji gets target panic. Moreover, the tulips behind Shuu in that artwork are white, which are used to claim worthiness.
Nanao
Osmanthus: The flowers that represent the Kazemai boys have very similar meanings and I’m pretty sure that’s on purpose. The osmanthus signifies happiness, good fortune and prosperity. This flower is known for being attention-grabbing due to its strong scent, and that may refer to Nanao’s popularity with girls. It’s also nicknamed “emperor’s flower” and “emperor’s jasmine” in some languages, which might be a reference to how Nanao is depicted as prince-like in the novel.
Kaito
Cornflower: This one also stands for good fortune and prosperity. However, it has a special focus on friendship as well, and considering that “friendship” is the keyword of Kaito’s character arc, it only makes sense. This flower comes in a variety of colors, but there are only blue and pink ones behind Kaito. The main people of Kaito’s character arc and development other than Kaito himself are Nanao and Seiya, so the colors surely represent the two of them respectively. The fact that the crushing majority of the flowers is blue is without doubt a purposeful detail.
Ryouhei
Peony: Yet another good fortune and prosperity flower. They also carry the meaning of bashfulness. The ones behind Ryouhei are red, which is considered a symbol of luck. The message of peonies is “striving to act honorably” and “sharing one’s love with others to improve their lives as well”.
Sunshine child exists to bless everyone. No news here.
Seiya
Daisy: This one has different meanings depending on its variations, but the generally accepted meanings are innocence, purity, new beginnings and true love. Giving daisies to someone also normally means that the sender might be keeping a secret.
Daisies are often used to represent motherhood as well. The ones behind Seiya are English daisies, which are often paired with primroses in order to symbolize motherly love.
Minato & Masaki
The symbolism resolving around these idiots comes in a set and it’s literally impossible to separate them since one either also applies to the other or is about one’s feelings regarding the other.
I’ll start with the flowers on the DVD/Blu-ray’s artworks.
Jersey lily: Lilies carry a variety of meanings, but red ones stand specifically for passion. Jersey lilies, on their own, normally represent:
Perseverance and resilience
Happy memories
Brilliance, radiance
The messages of jersey lilies are “you have a lovely smile” (Minato would tell you about it, lmao) and “I look forward to when we meet once again”. Now the last one was a punch to the gut.
Yesterday-today-tomorrow: This one is also known as kiss-me-quick, and the irony is ridiculous. It’s a flower normally associated with the stages and the passage of time, as the name denounces. In Japanese flower language, it carries the meaning of:
Good fortune, just as everyone else
Inconstant, fickle person
Passionate
That’s a very Minato-like flower, considering how much he wavers and how open he is to doing the unexpected. The passion part goes without saying.
Now on with the novel stuff.
Oak: The trees surrounding Yata Shrine. It stands for wisdom and strength.
Bamboo: Minato compares Masaki’s shots with bamboo sprouts at some point. They symbolise resilience and inspiration.
Cherry blossom: The story begins with the first day of school, which means spring, which means cherry blossoms everywhere. There also seem to be cherry flower petals raining all over the DVD/Blu-ray artworks, which makes me believe that this flower applies to all the main characters. Still, Kirisaki doesn’t show up until the cherry blossoms are already gone, and Minato meets Masaki for the second time when the cherry blossoms are in full bloom, so I dare say the flower applies to both of them in a very particular way.
This flower is used to remind people that life is short yet beautiful, often represent gentleness and femininity, and symbolize the short-lived beauty of youth. They’re also an allurance to new beginnings and the start/renewal of a cycle, since they are a common symbol of the coming of spring. They’re usually an allegory for romance as well, but plot devices aside, I don’t think this one should be considered.
Azalea: Amongst other things, they mean “remembering your home with fondness or wishing to return to it”, “caring for yourself and your family”, “temperance and emotional evenness”, and “delicate/developing passion”. The part of remembering home with fondness and wanting to return to it definitely refers to archery, and I’m pretty sure that this is emphasized by the fact that the chapter of the novel in which azaleas are mentioned is titled “Home”. “Caring for yourself” surely refers to both Minato and Masaki, but “caring for your family” might refer to Masaki alone in this case, since he was shooting in order to send his grandfather’s soul to rest. Temperance and emotional evenness surely refers to Masaki alone, lmao. Delicate and developing passion, though, refers to the two of them without a doubt.
In Japanese flower language, the message of azaleas is “take care of yourself for me”. Now this is an extremely fascinating piece of information, because Minato and Masaki basically act like that with each other all the time, both conscious and subconsciously. Masaki is always giving Minato advice on how to improve not only his technique but also his life, and all Minato learns from him never fails to turn out useful for very personal matters, and normally serves as Minato’s trigger to solve each and every one of his problems. In contraposition, Minato never shies away from showing how important Masaki is to him, which always instigates optimistic changes on Masaki as a person and influences on big decisions in that have impact not only in his life but also on Minato’s (because literally everything one does affects the other at some point). In a way, one usually takes the initiative to care for himself after receiving positivity and affection from the other.
Spotted bellflower: Bellflowers are a symbol of gratitude and unwavering love. For some reason, the author specifies spotted bellflowers, which are known for their heart-shaped leaves.
Primrose: Minato seems to be holding a bouquet of primroses in the newest art for KyoAni’s spring campaign, and rather than representing him, they most likely represent his feelings. This one has the connotation of something special and of telling somebody you can’t live without them. Its main meanings are youth, love, new beginnings, rapture, new life, blindness, birth/rebirth and supertition, and if this shit doesn’t make y’all flashback at the speed of light to Minato and Masaki’s encounters at night in Yata Shrine, I don’t know what would.
But wait. It gets worse.
Primroses are a representation of the many stages of life, but they mostly stand for youth due to also representing the incapability to have a realistic image of the world when we are in love, as the initial moments of love have people in reverie and blind them a bit. Another meaning that it carries is the fact that there’s an end to each life on this planet. All of that seems to bring back not only the nights in Yata Shrine but also the truck accident and what happened afterwards.
These flowers also seem to apply to volume 2, since they symbolize our fallacies about love and other people, which both lead to disappointments and teach us important lessons. It also stands for protection and safety, and that might as well refer to the entirety of both volumes.
Victorians consider primroses as a symbol of bashfulness, inconsistency, young loves, and neglected merits. The message of primrose is “I cannot live without you”, and Minato literally can’t live without a certain somebody, so it seems legit enough.
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