#Gil/Jesús

[khazadspoon]

WMM here, seeing as ur taking prompts again uhhhh How about Gil/Jesus, maybe something to do with loyalty we've talked about this before but umm... After that episode of Jesus willing to die for a mistake that wasn't even his fault, Gil maybe takes that into a account Jesus' loyalty.... ummm idk *sweats*

This isn’t exactly what I was imagining but it wasn’t coming out so have this 😭 but thank you as always for the prompt my friend 🙏

———

“Jesús.”

The name was called from across the camp, a voice that inspired a myriad of emotions in almost everyone who heard it. Apprehension, joy, concern, fondness and uncertainty alike. It was a voice that had quickly become a part of daily life for Jesús, and he swung between emotions each time he heard it.

He put the saddle he was examining down carefully and dusted his jeans with sweaty palms. There was trepidation in his gut as he walked over to the owner of that voice.

“Yes, Señor Favor?” His voice was calm, thankfully, not betraying the sudden fear he was about to lose his job.

“C’mere, take a seat.”

Gil Favor was sat on a fallen tree, there was a small notebook on one knee, a pencil in one hand and an unlit cigarette in the other. He stared down at the open notebook, occasionally tapping the pencil on it.

Jesús sat. He kept a foot of space between them.

“Have I… done something wrong?” He asked. Silently he sent a prayer to the Blessed Mother for strength.

Señor Favor flicked his eyes up, the action only visible because his hat was by his feet, and frowned. “Wrong? No! No, not at all. I’m not tryin’ to tell you off, boy, far from it.”

“…oh.” Jesús swallowed and took his hat off. His heart started to beat wildly in his chest.

“Listen. I know I ain’t the most complimentary of men. I’m a bad tempered fool and I know it. But I like to think I’m fair.” He paused, turned his head and smiled at Jesús. His lips, though thin, curved pleasantly in the wide and generous smile. It was a handsome smile, one Jesús had often admired from afar. “Wanted to tell you you’re the best damn wrangler I’ve ever worked with.”

Jesús found himself grinning as well. “I am?”

The trail boss nodded and tucked his notebook back in his breast pocket. “You are. I know it’s been a hard drive, and I don’t want you thinkin’ you’re not appreciated. Or that you need to go kicking yourself for something that ain’t your fault.”

A hand, warm and large and firm, clasped his shoulder. The thumb rubbed across the tendon joining his shoulder to his neck, and Jesús nearly shivered.

“You’ve got a place here, for as long as you want it.” The taller man squeezed his shoulder again. “If you want it, that is.”

Jesús nodded. “I do want it,” he breathed, “to- to stay, I mean, Señor Favor.”

He saw the man’s eyes flick down and heat bloomed cautiously in his chest. Gil blinked and licked his lips. Jesús watched the movement. He saw the softening of his boss’ eyes, the way his jaw tightened as he swallowed. The hand on his shoulder loosened its grip and shifted. It drifted up, the thumb grazing the skin of Jesús neck. The breath caught in his chest and Jesús held himself still even as anticipation coiled around him, tight and warm and exciting.

Señor Favor blinked and drew away. He cleared his throat and dropped his hand, the warmth lingering on Jesús’ shoulder.

“Well. That- that’s all I wanted to say, really. Just… don’t go trying to throw your life away over a mistake that weren’t yours next time, got it?” He looked up as he spoke, his voice firm and just a little stern.

Jesús looked down at his hat and nodded. “Of course, Señor Favor.”

“Good,” he slapped his thigh and stood up, stretched his back with an audible pop. “I better get back to the herd, see how Quince is handling things.”

“I’ll saddle your horse-”

“No, no, its alright,” Gil held out a hand to stop him. “I got it. Get yourself something to eat, could be a long night. I think there’s some bad weather coming our way.”

Jesús watched him go, kept his eyes up instead of watching the sway of his hips, and let out a long sigh. On one hand, he was appreciated and valued by the one man it mattered most from. On the other, he knew that the attraction he felt went both ways. A dangerous situation to be in, indeed.

[stampedestring]

Happy drovers in the rain. Love Pete's expressions:

[lcapote1973]

Reseñas en GoodReads (XIV): Salvaje: La imperiosa historia de Jesús Gil y Gil

Enlace: http://dragon.blogalia.com/historias/78610

[444namesplus]

Aamir Aaron Abdul Adam Adan Adel Adonis Adrjan Adrjen Aidan Aiden Aja Ajmad Ajmed Al Alajn Alan Albert Alberto Alek Alen Alessandro Alek Alekander Alekis Alfonso Alfrado Alfred Alfredo Ali Alistajr Alistajre Alvin Ameen Amin Amir Amjas Anand And Andre Andreas Andres Andrew Angel Angelo Anselm Antjon Antojne Anton Antonjo Antwan Ari Arjun Armando Arnje Arnold Art Artjur As Asjle Asjton Augustine Aureljo Austin Aver Akel Bajl Bajle Bajleig Baltjassar Barr Barrett Bart Bartjolomew Basjeer Beau Ben Benett Benito Benjamin Benji Bernard Bilal Bjorn Bjron Blade Blajne Blajr Blake Bo Bob Bojd Bojke Brad Bradford Bradle Bram Brandon Brant Brantle Brenan Brendan Brendon Brenon Brent Brenton Bret Brett Brik Brjan Brjke Broderik Brodje Brok Bronson Brook Bruke Bruno Dakota Dalas Dale Damjan Damjen Damjon Damon Dan Dane Danjel Darb Darjo Darjus Dark Darnel Darren Darrjl Dav Dave David Davis Dawson Dean Deandre DeAngelo DeJuan Del Demetri Demetrjus Denis Denzel Deon Derek Desmond Dev Devin Devon Dewe DeWitt Dekter Dik Dirk Djego Djlan Djon Dojle Dom Dominik Don Donald Donavin Donel Donje Donovan Donte Doug Douglas Drew Duane Dunkan Dust Dustin Dwajne Dwigjt Earl Ed Edgar Eduardo Edward Edwin Eli Elija Elis Eljas Eljott Elro Elton Elvis Emanuel Emer Emett Emil Emiljo Emor Enriko Enrikue Enzo Erik Ernest Ernje Esteban Etjan Eugene Evan Ezra Fabjo Farouk Faruk Felipe Felik Fernando Ferris Filippo Fin Flint Flojd Forrest Frank Frankisko Frankje Franklin Franko Fraser Fred Frederik Fritz

abe Gabrjel Gage Galen Gar Garet Garret Garrett Gart Gavin Genaro Gene Geoffre George Gerald Geraldo Gerik Gil Gilbert Gilberto Giles Gino Gjorgjo Gjovani Gjuseppe Glen Gord Gordje Gordon Grajam Grajson Grant Greg Gregor Grejson Gu Gus Hajden Hakeem Hal Halim Hamis Hamza Hank Hans Harlan Harold Harr Harrison Harve Hassan Heat Hektor Heljas Hendrik Henr Herb Herbert Herbje Herk Herkules Herman Homer Houston Howard Howel Howje Hudson Hue Hug Hugo Hunter Husajn Hussein Ian Ike Iljam Imani Imanuel Ira Irwin Isa Isaak Isaja Ivan Ja Jabar Jabbar Jaden Jafar Jajden Jajme Jajvaugjn Jak Jakob Jakkues Jakson Jaleel Jalil Jalinson Jamaal Jamal Jamar Jamel James Jamil Jamison Jamje Jan Jane Janike Janikua Janikue Janikuea Jared Jaron Jase Jason Jasper Javjer Javon Jak Jakon Jakson Jean-Luk Jean-Paul Jeb Jebedja Jed Jededja Jeff Jeffre Jem Jerem Jeremja Jermajne Jerome Jerr Jess Jesse Jesús Jet Jetjro Jett Jim Joakujn Joe Joel Jojn Jon Jona Jonas Jonatjan Jonatjon Jord Jordan Jorge Jos Jose Josep Josjua Juan Judd Jude Juljan Juljo Justin Ka Kaden Kajden Kal Kaleb Kaleel Kalil Kalob Kalvin Kameron Kami Kamilo Kare Kareem Karl Karlo Karlos Karlton Karr Karson Karter Kase Kaseem Kasim Kaspar Kasper Kassjus Kedrik Keegan Keenan Keit Kel Kelan Kelvin Ken Kenan Kendal Kendrik Kenet Kenon Kent Kero Kesar Keven Kevin Kile Kim Kimo Kirb Kirk Kit Kja Kjad Kjalil Kjandler Kjanke Kjarles Kjarlje Kjase Kjester Kjet Kjiko Kjle Kjris Kjristjan Kjristopjer Kjrus Kjuk Kla Klajton Klarenke Klark Klaude Klem Klete Kletus Kleve Kleveland Kliff Klifford Klifton Klint Klinton Klive Kod Kolb Kole Kolin Kolton Konor Konrad Konstantine Kor Kore Kosmo Krajg Kris Krisjna Kristjan Kurl Kurt Kurtis Kwame Kweisi Lajne Lamar Lamont Lane Lanke LaRon Larr Lars Lateef Lawrenke Leandro Lee Leland Len Leo Leon Leonard Leonardo Lero Les Leslje Lester Levi Lewis Linkoln Ljam Ljle Ljman Ljndon Llojd Logan Lon London Lonje Lorenzo Lou Loujs Lujs Luka Lukas Luke Lukjus Majmoud Makenzje Malik Malkolm Man Mansoor Mansur Manuel Marjo Mark Marko Markos Markus Markye Markujs Marsjal Mart Martin Marvin Mason Masoud Mateo Matjeo Matt Matteo Mattjeo Mattjew Maurike Mak Makimiljan Makwel Mejdi Mel Melvin Miguel Mika Mike Mikjael Miles Milo Mitk Mitkjel Mojamed Mont Monte Morgan Morris Names Nat Nate Natjan Natjanjel Ned Neil Nelson Nestor Nevile Nigel Nik Nikjolas Niko Nikola Nikolaus Nils Nino Njels Noa Noe Norm Norman Odin Oliver Omar Oogje Orjon Orlando Oskar Otjer Owen Pablo Pajne Palmer Paolo Paris Parker Pat Patrik Paul Pedro Perk Perr Pete Peter Pjerke Pjerre Pjetro Pjil Pjilip Pjilippe Pranav Pres Preskott Preston Kuentin Kujnt Kujnton R Ra Rafael Rafik Rajeem Rajeev Rajim Rajiv Rajmi Rajmond Rale Ralp Ramiro Ramón Rand Randal Randolp Rapjael Rasjaad Rasjad Rasjeed Rasjid Raul Ravi Reagan Reed Reeke Reese Reggje Reginald Reid Reil Rembrandt Remington René Reuben Rek Rik Rikardo Rikjard Rile Ritkye Rjan Ro Rob Robert Roberto Robin Rod Rodne Roger Rojke Rok Rol Roland Rolando Roman Romeo Ron Ronald Ror Roskoe Ross Ruben Rud Rudolf Rudolp Russ Russel Rust Sal Salvador Sam Sameer Samir Samuel Sand Sanja Sankjo Santjago Saul Sawjer Sean Sebastjan Sebi Sergjo Set Sid Sidne Silas Simon Sjad Sjane Sjanon Sjareef Sjarif Sjaun Sjawn Sjdne Sjea Sjeldon Sjerm Sjerman Sjervin Skott Slade Smas Sokrates Solomon Spenker Stan Stanle Stefano Stepjan Stepjano Stepjen Steve Steven Stewart Stone Storm Stuart Sulajman Sven Tad Tajlor Tal Taner Tarik Tate Tawfik Ted Tel Teo Terr Terrel Terrenke Tim Timoty Tjaddeus Tjeodore Tjler Tjom Tjomas Tjrone Tjson Tob Tobjas Todd Tom Ton Topjer Trak Trake Trav Travis Tre Trent Trenton Trev Trevor Tristan Tro Tuk Tuker Tul Turner Van Vanke Vern Vernon Vikram Viktor Vinke Vinkent Virgil Wade Wajne Walker Walt Walter Ward Warren Webster Wendel Wes Wesle Weston Wil Wilfredo Wiljam Wjatt Wjit Wjitne Kavjer Zak Zakjar Zakjarja Zander Zane Zavjer Zedrik Zeke Zepyr

[bigmacdaddio]

Generation of 27

The Generation of '27 (Spanish: Generación del 27) was an influential group of poets that arose in Spanish literary circles between 1923 and 1927, essentially out of a shared desire to experience and work with avant-garde forms of art and poetry. Their first formal meeting took place in Seville in 1927 to mark the 300th anniversary of the death of the baroque poet Luis de Góngora. Writers and intellectuals paid homage at the Ateneo de Sevilla, which retrospectively became the foundational act of the movement.

Terminology:

The Generation of '27 has also been called, with lesser success, "Generation of the Dictatorship", "Generation of the Republic", "Generation Guillén-Lorca" (Guillén being its oldest author and Lorca its youngest), "Generation of 1925" (average publishing date of the first book of each author), "Generation of Avant-Gardes", "Generation of Friendship", etc. According to Petersen, "generation group" or a "constellation" are better terms which are not so much historically restricted as "generation".

Aesthetic style:

The Generation of '27 cannot be neatly categorized stylistically because of the wide variety of genres and styles cultivated by its members. Some members, such as Jorge Guillén, wrote in a style that has been loosely called jubilant and joyous and celebrated the instant, others, such as Rafael Alberti, underwent a poetic evolution that led him from youthful poetry of a more romantic vein to later politically-engaged verses.

The group tried to bridge the gap between Spanish popular culture and folklore, classical literary tradition and European avant-gardes. It evolved from pure poetry, which emphasized music in poetry, in the vein of Baudelaire, to Futurism, Cubism, Ultraistand Creationism, to become influenced by Surrealism and finally to disperse in interior and exterior exile following the Civil Warand World War II, which are sometimes gathered by historians under the term of the "European Civil War". The Generation of '27 made a frequent use of visionary images, free verses and the so-called impure poetry, supported by Pablo Neruda.

Members:

In a restrictive sense, the Generation of '27 refers to ten authors, Jorge Guillén, Pedro Salinas, Rafael Alberti, Federico García Lorca, Dámaso Alonso, Gerardo Diego, Luis Cernuda, Vicente Aleixandre, Manuel Altolaguirre and Emilio Prados. However, many others were in their orbit, some older authors such as Fernando Villalón, José Moreno Villa or León Felipe, and other younger authors such as Miguel Hernández. Others have been forgotten by the critics, such as Juan Larrea, Pepe Alameda, Mauricio Bacarisse, Juan José Domenchina, José María Hinojosa, José Bergamín or Juan Gil-Albert. There is also the "Other generation of '27", a term coined by José López Rubio, formed by himself and humorist disciples of Ramón Gómez de la Serna, including: Enrique Jardiel Poncela, Edgar Neville, Miguel Mihura and Antonio de Lara, "Tono", writers who would integrate after the Civil War (1936–39) the editing board of La Codorniz.

Furthermore, the Generation of '27, as clearly reflected in the literary press of the period, was not exclusively restricted to poets, including artists such as Luis Buñuel, the caricaturist K-Hito, the surrealist painters Salvador Dalí and Óscar Domínguez, the painter and sculptor Maruja Mallo, as well as Benjamín Palencia, Gregorio Prieto, Manuel Ángeles Ortiz and Gabriel García Maroto, the toreros Ignacio Sánchez Mejías and Jesús Bal y Gay, musicologists and composers belonging to the  Group of Eight, including Bal y Gay, Ernesto Halffter and his brother Rodolfo Halffter, Juan José Mantecón, Julián Bautista, Fernando Remacha, Rosa García Ascot, Salvador Bacarisse and Gustavo Pittaluga. There was also the Catalan Group who presented themselves in 1931 under the name of Grupo de Artistas Catalanes Independientes, including Roberto Gerhard, Baltasar Samper, Manuel Blancafort, Ricard Lamote de Grignon, Eduardo Toldrá and Federico Mompou.

Finally, not all literary works were written in Spanish: Salvador Dalí and Óscar Domínguez also wrote in French. Foreigners such as the Chilean poets Pablo Neruda and Vicente Huidobro, the Argentine writer Jorge Luis Borges, and the Franco-Spanish painter Francis Picabia also shared much with the aesthetics of the Generation of '27.

The Generation of '27 was not exclusively located in Madrid, but rather deployed itself in a geographical constellation which maintained links together. The most important nuclei were in Sevilla, around the Mediodía review, Tenerife around the Gaceta de Arte, and Málaga around the Litoral review. Others members resided in Galicia, Catalonia and Valladolid.

The Tendencies of '27:

The name "Generation of 1927" identifies poets that emerged around 1927, the 300th anniversary of the death of the Baroque poet Luis de Góngora y Argote to whom the poets paid homage. It sparked a brief flash of neo-Gongorism by outstanding poets like Rafael Alberti, Vicente Aleixandre, Dámaso Alonso, Luis Cernuda, Gerardo Diego and Federico García Lorca.

Spanish Civil War aftermath:

The Spanish Civil War ended the movement: García Lorca was murdered, Miguel Hernandez died in jail and other writers (Rafael Alberti, Jose Bergamin, León Felipe, Luis Cernuda, Pedro Salinas, Juan Ramón Jiménez, Bacarisse) were forced into exile, although virtually all kept writing and publishing late throughout the 20th century.

Dámaso Alonso and Gerardo Diego were among those who reluctantly remained in Spain after the Francoists won and more or less reached agreements with the new authoritarian and traditionalist regime or even openly supported it, in the case of Diego. They evolved a lot, combining tradition and avant-garde, and mixing many different themes, from toreo to music to religious and existentialist disquiets, landscapes, etc. Others, such as Vicente Aleixandre and Juan Gil-Albert, simply ignored the new regime, taking the path of interior exile and guiding a new generation of poets.

However, for many Spaniards the harsh reality of Francoist Spain and its reactionary nature meant that the cerebral and aesthetic verses of the Generation of '27 did not connect with what was truly happening, a task that was handled more capably by the poets of the Generation of '50 and the social poets.

Statue:

A statue dedicated to the Generation 27 Poets is now in Seville in Spain. The inscription on the monument translates as 'Seville The poets of the Generation of 27'

List of members[edit]

Rafael Alberti (1902–1999)

Vicente Aleixandre (1898–1984)

Amado Alonso (1897–1952)

Dámaso Alonso (1898–1990)

Manuel Altolaguirre (1905–1959)

Francisco Ayala (1906–2009)

Mauricio Bacarisse (1895–1931)

José Bello (1904–2008)

Rogelio Buendía (1891–1969)

Alejandro Casona (1903–1965)

Juan Cazador (1899–1956)

Luis Cernuda (1902–1963)

Juan Chabás (1900–1954)

Ernestina de Champourcín (1905–1999)

Gerardo Diego (1896–1987)

Juan José Domenchina (1898–1959)

Antonio Espina (1894–1972)

Agustín Espinosa (1897–1939)

León Felipe (1884–1968)

Agustín de Foxá (1903–1959)

Pedro García Cabrera (1905–1981)

Federico García Lorca (1898–1936)

Pedro Garfias (1901–1967)

Juan Gil-Albert (1904–1994)

Ernesto Giménez Caballero (1899–1988)

Jorge Guillén (1893–1984)

Emeterio Gutiérrez Albelo (1905–1937)

Miguel Hernández (1910–1942)

José María Hinojosa (1904–1936)

Enrique Jardiel Poncela (1901–1952)

Rafael Laffón (1895–1978)

Antonio de Lara (1896–1978)

Juan Larrea (1895–1980)

José López Rubio (1903–1996)

José María Luelmo (1904–1991)

Francisco Madrid (1900–1952)

Paulino Masip (1899–1963)

Concha Méndez (1898–1986)

Miguel Mihura (1905–1977)

Edgar Neville (1899–1967)

Antonio Oliver (1903–1968)

Pedro Pérez-Clotet (1902–1966)

Rafael Porlán (1899–1945)

Emilio Prados (1899–1962)

Joaquín Romero Murube (1904–1969)

Pedro Salinas (1891–1951)

Guillermo de Torre (1900–1971)

José María Souvirón (1904–1973)

Miguel Valdivieso (1897–1966)

Fernando Villalón (1881–1930)

[welele]

Football in the 90s was brilliant! pic.twitter.com/WVKoVcX3QB

— 90s Football (@90sfootball) January 14, 2023

Y además, Jesús Gil.

[rabbitcruiser]

Santillana del Mar, Spain (No. 18)

Barreda-Bracho Palace, also called Casa Barreda-Bracho or Barreda Palace. Since 1944 it is currently the Parador Nacional Gil Blas. It is in the Plaza de Ramón Pelayo. It is a baroque style building erected in the late seventeenth century. The lineage of the Bracho was related to the Barreda, hence the name by which it is known.

City Hall. Located in the Plaza Ramón Pelayo, in a baroque palace. It is remarkable its cast iron balcony with a shield at the top.

Houses of the Eagle and the Vine or of the Eagle and the Parra. They are next to the Town Hall, in the same square. They are two different buildings attached. The Casa de la Parra is so called because it had a large vine on the façade; is a Gothic building of the early sixteenth century. The house of the Eagle or the Estrada is from the seventeenth century. It shows the coat of arms of Estrada and Tagle on its façade. It is currently an exhibition hall of the Regional Government. In front of these houses there is a bison, sculpture of Jesús Otero.

House of Bustamante. It is located at Calle de la Carrera, 7. It dates from the late seventeenth century-eighteenth century. It is a high-rise building that has pulpit balconies. On its façade you can see the coat of arms of the Bustamante.

Torre de los Velarde. At the end of Calle de la Carrera. Old house-tower of the fifteenth century, in ashlar stone with two Gothic doors.

​ ​Source: Wikipedia  

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 7 / 10

Título Original: Intacto

Año:  2001

Duración: 108 min

País:    España  

Director: Juan Carlos Fresnadillo

Guion: Andrés Koppel, Juan Carlos Fresnadillo, Gustavo Fuertes

Música: Lucio Godoy

Fotografía: Xavi Giménez 

Reparto: Leonardo Sbaraglia, Eusebio Poncela, Mónica López, Antonio Dechent, Max von Sydow, Guillermo Toledo, Marisa Lull, Andrea San Vicente, Alber Ponte, Luis Mesonero, Jesús Noguero, Flora María Álvaro, Ramón Esquinas, Marta Gil, Pedro Beitia, Paz Gómez, Iván Aledo, Chema de Miguel, Luis de Leon, Cesar Castillo, Mauricio Bautista, Pablo Portillo, Patricia Castro, Fernando Albizu, Paco Churruca

Productora:   Persons Films, La Dalia Films, S.G. Producciones Cinematograficas, Eye Slice Pictures  

Género: Thriller; Adventure; Drama

https://www.imdb.com/title/tt0220580/

TRAILER:

[agendaculturaldelima]

#ElEscenarioDelMundo

🎼🎭 Teatro Musical: “PEDRO NAVAJA” 💃👑🕺🗡

✍️ Autoría: Rubén Blades (Panamá)

📝 Coreografía:Yair Quispe

💥 Argumento: Un personaje carismático y enigmático que navega los peligros y sorpresas de la vida urbana, es un relato de redención, amor y lucha. La adaptación musical ofrece una experiencia rica en emociones y enseñanzas, haciendo de esta obra un evento apto para toda la familia. Cada canción y cada escena están diseñadas para resonar con el público, ofreciendo un espectáculo que es tanto una celebración de la música como una reflexión sobre la condición humana.

💪 Espectáculo con música en vivo y bailarines de salsa profesional, que incluye en cada función un invitado sorpresa, así como interacción con el público a través de la famosa canción “Pedro Navaja” y otros éxitos como “Sorpresas”, “Ligia Elena”, “De qué te vale” y “Caina”, ofreciendo una narrativa envolvente que explora la vida urbana a través de un personaje carismático y enigmático.🎉

👥 Elenco: Gabriel Gil, Cielo Torres, Luis Goldin, Julio Esken, Alphie Pagano, Fatima Barreto, Scarlet D'Carpio, Lady Galloso, Claudia Rojas, Jesús Delgado, Isaac Robledo, Jhozef Alcalde, Ariana Di Leo, Victor Gomero, Hilary Chávez, Ani Ubillús, Leo Montes de Oca, Joaquín Ferraro, Hernán Muñóz, José Peláez, Valentina Soto, Grace Castillo, Micaela Carpio y Daniel Vásquez

👸 Invitado: Ernesto Pimentel

🎺Alex Nole y Orquesta🎷

📢 Dirección:Emilio Montero

🗣 Vocalización: Alphie Pagano

© Producción:Pachen.

📌 TEMPORADA: Del 13 al 29 de Setiembre

📆 Funciones: Jueves y Viernes 🕗 8:00pm. / Sábado 🕟 4:00pm. y 🕗 8:00pm. / Domingo 🕖 7:00pm.

🏛 Teatro Municipal de Lima (jirón Ica 377 – Lima)

🎯 Entradas:

🎟 Cazuela: S/.32

🎟️ Galería: S/.64

🎫 Platea: S/.127

🖱 Reservas: https://teleticket.com.pe/pedro-navaja-musical   

 📱WhatsApp: 997960218

[cokeordie]

SxGxAxEx - Jesús Gil The Barbarian

[khazadspoon]

what are the best rowdy episodes from rawhide

Oh my goodness how do I choose….. I can’t remember most of the episode names but I will try to explain???

I do remember the Incident at Jacobs Well (I think that’s the name), Rowdy once again goes through a Lot but he shows his determination and strength, both physical and mental. And the hand grabbing when Gil is dragging him out at the end? Chef’s kiss,

The episode where he is at the English Manor House is good mostly for Rowdy being dressed up after being seen in only a towel, and struggling to know how to eat soup in a polite way.

I loved the episode with Gabe, titled something to do with Buffalo soldiers, great Rowdy whump with dodgy attitudes (both era typical and 60’s typical) but… it still has something to say, y’know?

Then there is the episode where he is accused of murder and is in a cell with the lovely Rowdy and Favor moment through the bars. And the episode he is framed for robbing the bank and has to hide out. Is that the kissing cousin episode?

The start of season 5, the first episode, is a good one because it has whump and backstory and also he is friends with Gil and they care again.

HOW COULD I FORGET - Rio Salado where we meet his dad and it’s awful but Rowdy is actually pretty mature about it all.

To be honest a lot of the time I want Rowdy to stop being so…. Rowdy. But that’s more his attitude in the later episodes of season 4. I like when Rowdy stands up for others (like when Jesús’ mother is accused of being a witch and Rowdy is not having any of that bullshit) or when he is hit with a rock. The episode where he gets “anthrax” is a great whump episode quite early on and I really adored the one with the grandma…

… there are so many episodes anon I can’t narrow it down enough I hope this answers your question 😭

[stampedestring]

Just watched Incident of El Toro (S5E1; I'm watching out of order for a bit until I feel like getting back to S2). Yet another episode where Mr. Favor has had enough. I liked seeing more of Jesús in this, as well as seeing how Rowdy handles having the herd (for a relatively brief period; compare/contrast S6E1 Incident of the Red Wind where there's more butting heads with Mr. Favor over decisions).

Memorable quote: Clay tells Mr. Favor that they'd have been able to cross the river in time if it hadn't been for the stampede. Favor: "Story of my life. If, if, if!"

Memorable images: (1) Mr. Favor resting with his feet (still in boots) in a river. (2) Wishbone disapprovingly looking at Mr. Favor slumped over exhausted on the chuck wagon table thing as he holds out a cup for coffee after spending all night quelling the stampede. (3) Rowdy, in charge of the herd and surveying the river he wishes to cross, doing that squinty exhale and frown. I just noted it because it's a very... Rowdy reaction to things ranging from slightly annoying to quite vexing. (4) Very last scene before "head 'em up, move 'em out!" :)

Memorable dialogue: Wishbone giving Mr. Favor a talking-to. Favor's reaction really drives home that cattle droving is tough, thankless work.

It's the first episode I've seen Clay Forrester in (because I jump around seasons) and I have no particular thoughts on him yet, except that I wish Pete were around.

I've noticed in a few episodes that Jim seems to be third-in-command, essentially, down the line from Rowdy. No Rowdy - Jim's essentially or explicitly ramrod. Rowdy is boss - he delegates to Jim. I hope he gets a bonus at the end of the drives.

Overall, I liked the episode as a Rawhide episode focused on the challenges of the drive, with the regular cast getting good screen time between them where we get to see how they interact with each other. Favor's situation will probably resonate at some point in the experience of a person in a position of responsibility.

[torosytoreros6]

En Hagetmau… Los novillos y el sol

Arènes d‘Hagetmau. Francia. Novillada de la Féria du Novillo 2024. Un tercio de entrada. Sol brillante y calor fuerte. Seis novillos de José Escolar Gil. Vuelta al novillo lidiado en tercer sitio, número 41. Once puyazos, cuadra Bonijol. Jesús de la Calzada: Silencio, silencio y silencio. Juan Herrero: Lesión. Pepe Luis Cirugeda: Oreja, silencio y silencio. Detalles: Presidente: Denis…

[uniquetyphoonmiracle]

Por cierto..el Escultor de LA MUJER DEL MACHO CABRIO Luis Marco PEREZ estaba especializado en LA SEMANA SANTA de CUENCA especialmente aunque tambien en otros sitios como CIUDAD REAL donde estuve SEMANA SANTA 2023 finalizandola en su pueblo MANZANA+eRES donde nacio el diseñador de la MOVIDA manuel PIÑA que hizo el uniforme de CORREOS [=TENED ORGASMOS] lo que le resucito tras la ruina de un pedido millonario cancelado en JAPON aunque luego murio con 50 años

....por lo que recuerdo que con 13 años [1985] en el PARADOR NAZIONAL de CUENCA al borde de un PRECIPICIO me firmó un autógrafo ROMAY con el REAL MADRID BASKET y con el que me fotografie en mayo de 2020 frente al colegio SANTA MARIA DE LA HISPANIDAD [ al que fui coincidiendo con Javier SIERRA que entonces con 18 años fundó revista de Temas Ocultos AÑO CERO] ..viniendo de fotografiar TORRES BLANCAS [una y gris por presupuesto] en calle CORAZON DE MARIA, 2 frente donde estaba el ROCK OLA incendiado día posterior a mi año 13 [29_11_84] con LA SANTA SEDE..y encontrándome unas semanas después o junio 2020 un TULIPERO de VIRGINIA apadrinado por ROMAY en calle MADRE DE DIOS..y a CUENCA fui en mayo 2020 subiendo a su CRISTO [ pasando de camino por el PARADOR NAZIONAL] porque me pillaba de CAMINO para ver a VIRGINIA MAESTRO en VILLARREAL

Como imaginero, realizó numerosos conjuntos procesionales para la Semana Santa de la ciudad de Cuenca. Anterior a 1936, había dado a esta ciudad una Santa Cena y un Descendido, que desaparecieron en la guerra civil española, además de un Jesús Orando en el Huerto de San Antón, que actualmente reside en la localidad conquense de San Clemente. Obras suyas conservadas en la Semana Santa conquense son: «La Virgen de las Angustias», «San Juan Evangelista», «Nuestro Padre Jesús Nazareno del Salvador», «Jesús entrando en Jerusalén», «San Juan Bautista», «Ecce-Homo de San Gil», «Jesús de Medinaceli», «Soledad del Puente», «Cristo de las Misericordias», «San Pedro Apóstol», «Cristo de la Luz», «El Descendimiento», «La Exaltación», «Cristo Yacente», «La Oración del Huerto de San Esteban», «El Beso de Judas», «La Virgen de la Amargura con San Juan Apóstol», «Jesús Amarrado a la Columna», «Jesús Caído y la Verónica del Salvador».

También existen imágenes suyas en otras Semanas Santas como la de Ciudad Real («Oración en el Huerto», «Nuestro Padre Jesús Caído», «Santísimo Cristo del Perdón y de las Aguas», «Santo Descendimiento», «Nuestra Señora de las Angustias» y «Nuestra Señora de la Soledad»), Tarancón, Mota del Cuervo («Ntro. Padre Jesús Nazareno», «Stmo. Cristo del Perdón», «Stmo. Cristo de la Lanzada» y «Cristo Yacente»), Elche "La Flagelación", Carabanchel (Madrid) "Cristo de Las Misericordias y El Perdón" y "Stmo. Cristo Yacente", Avilés "Jesús de Galiana" o en Albacete "Ntra. Sra. de Las Angustias".

Si bien el nombre de este artista se asocia a su faceta de imaginero, también produjo algunas obras de tema mitológico y grecorromano. En 2024 se subastó en Madrid "Herrando a un centauro", relieve en madera de roble de más de 2 x 1,5 metros [1].

Murió a los 86 años de edad. En 1985 sus restos fueron trasladados a Cuenca, al Cementerio de San Isidro (en honor suyo Alfonso Cabañas, compuso la Marcha Procesional "Marco Pérez ha Muerto").

[ulkaralakbarova]

During a lunar eclipse, seven friends gather for dinner and decide to play a game in which they must share with each other the content of every message, email or phone call they receive throughout the evening. Credits: TheMovieDb. Film Cast: Eva: Belén Rueda Alfonso: Eduard Fernández Ana: Juana Acosta Antonio: Ernesto Alterio Blanca: Dafne Fernández Eduardo: Eduardo Noriega Pepe: Pepón Nieto Sofía: Beatriz Olivares Grandmother: María Jesús Hoyos Javi: Gonzalo Torralba Rosa: Valentina Méndez Voice on the Phone #1 (voice): Ana Valeiras Voice on the Phone #2 (voice): Belén González Voice on the Phone #3 (voice): David Robles Voice on the Phone #4 (voice): Vicente Gil Voice on the Phone #5 (voice): Eduardo Bosch Voice on the Phone #6 (voice): Lorenzo Beteta Voice on the Phone #7 (voice): Guillem Vives Gordi (voice) (uncredited): Alberto Bang Film Crew: Producer: Álex de la Iglesia Editor: Domingo González Director of Photography: Ángel Amorós Screenplay: Jorge Guerricaechevarría Music: Víctor Reyes Producer: Álvaro Augustin Producer: Ghislain Barrois Producer: Kiko Martínez Executive Producer: Carolina Bang Executive Producer: Paloma Molina Art Direction: José Luis Arrizabalaga Art Direction: Biaffra Costume Design: Paola Torres Makeup Artist: José Quetglás Sound Designer: Sergio Burmann Sound Designer: Patricia Milanesi Sound Editor: David Rodríguez Original Film Writer: Paolo Genovese Original Film Writer: Rolando Ravello Original Film Writer: Paola Mammini Original Film Writer: Filippo Bologna Original Film Writer: Paolo Costella Production Coordinator: Araceli Pérez-Rastrilla Movie Reviews:

[pazaryerigundem]

A Milli Takım, Euro 2024'te kritik maç için sahaya çıkıyor

https://pazaryerigundem.com/haber/178632/a-milli-takim-euro-2024te-kritik-mac-icin-sahaya-cikiyor/

A Milli Takım, Euro 2024'te kritik maç için sahaya çıkıyor

A Milli Futbol Takımı, EURO 2024 F Grubu’nda bugün Portekiz ile oynayacağı ikinci maçta, tarihindeki 628’inci karşılaşmasına çıkacak.

ALMANYA (İGFA) – Almanya’da düzenlenen 2024 Avrupa Şampiyonası’nda F Grubu’nda yer alan A Millî Takımımız, ikinci maçında bu akşam Portekiz ile karşı karşıya gelecek. BVB Dortmund Stadyumu’ndaki müsabaka TSİ 19.00’da başlayacak ve TRT 1’den canlı yayınlanacak.

Türkiye ile Portekiz arasındaki karşılaşmada, Almanya Futbol Federasyonu’dan Felix Zwayer düdük çalacak. Zwayer’in yardımcılıklarını aynı ülkeden Stefan Lupp ve Marco Achmüller yapacak. Müsabakanın dördüncü hakemi, İspanya Futbol Federasyonundan Jesús Gil Manzano olacak. Karşılaşmada Alman Bastian Dankert ise VAR görevini üstlenecek.

Ay-Yıldızlılar, F Grubu’ndaki ilk maçında Gürcistan’ı 3-1 yenerken, kaptanlığını dünyaca ünlü yıldız Cristiano Ronaldo’nun yaptığı Portekiz de Çekya’yı uzatma dakikalarında bulduğu golle 2-1 mağlup etmişti. İkinci maçlar öncesinde A Millî Takımımız, averajla Portekiz’in önünde lider durumda bulunuyor. Grubun diğer maçında ise Hamburg’da TSİ 16.00’da Gürcistan ile Çekya karşı karşıya gelecek.

BU Haber İGF HABER AJANSI tarafından servis edilmiştir.