littleeyesofpallas · 5 months ago
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pulling a random paper sleeve from the trash bag they've been sleeping in, my first salvage of the day is... The original 1984, "Glass Mask"/GLASS no Kamen, adapting the classic 1970s manga of the same name, by Suzue Miuchi. (And right behind it two DVDs of the 2005 remake)
The original manga started running in Hakusensha's Hana to Yume/"Flowers & Dreams" shoujo magazine(and later its, now defunct, supplementary magazine, Bessatsu Hana to Yume) in 1976 --The magazine itself started in 1974-- and ran until 2012 (with a little gap between 2006 and 2008) when it was put on its now indefinite hiatus. With over 50million copies sold across 49 volumes, it is one of the best selling shoujo manga of all time. Especially impressive considering Hakesensha is a bit of a runt of the litter in terms of big manga publishers; they're not exactly "small" but they don't stack up anything close to the big hitters like Shueisha, Kodansha, of Shogakukan.
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The 1984 anime was by Studio Eiken, whom are kind of all but forgotten these days. They really peaked between the 80s and 90s, but were responsible for a handful of real foundational classics. They did Tetsujin-28 and 8-Man, which were of course the basis for early American anime imports Gigantor --one of the early giant robot series-- and Tobor The 8th Man --which would go on to influence the creation of Robocop, and get a shout out in Big O.(the electric eel episode is an almost shot for shot remake of an 8-Man episode.)
The director of the original TV series was Gizaburo Sugii who is himself a real monolith of the early anime industry. He was an animator on White Snake Legend/Hakuja-den(Panda and the Magic Serpent in English) an early anime film adapting the Chinese Lady Whitesnake myth, often cited as part of what inspired Hayao Miyazaki to become an animator. Gizaburo, like Osamu Tezuka, for whom he worked, was himself inspired by the Japanese theatrical release of Disney's Bambi. He was also an animation director on the original Tetsuwan Atom/The Mighty Atom (aka Astroboy in English). He's been a key figure behind a bunch of classics, often sports series, and in Mushi Production's Animerama film trilogy, as well as a few iterations of Lupin III and Street Fighter, but perhaps his most uniquely enduring work was as the creator behind Night on The Galactic Railroad, adapting the 1934 Kenji Miyazawa novel.
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The 2005 series had a different kind of big name behind it: Mamoru Hamatsu. He may not have been a godfather to the art or the industry, but he was no slouch as far as pop culture hits go. He's the director behind the original Dirty Pair and Urusei Yatsura, Yoroiden Samurai Troopers aka Ronin Warriors, all of which had substantial success in English release, and some big but slightly B-list giant robot series like Giant Gorg and King of Braves GAO GAI GAR.
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xbuster · 7 months ago
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Glass Mask (1984) dir. Gisaburou Sugii
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tokyostreetlights · 4 months ago
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From “Dororo to Hyakkimaru,” directed by Gisaburou Sugii (1969)
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grovey · 4 years ago
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Kenji Miyazawa’s Night on the Galactic Railroad (1985, dir. Gisaburou Sugii)
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motoko-memories · 4 years ago
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Genji Monogatari . Sugii Gisaburou . 1987
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belialhaematemesis · 4 years ago
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Random Lore Fragment of the Day no. 13 (RLFOTD #13)
The tale of Genji Monogatari and the cherry blossom leitmotif
Tied to the Buddhist themes of mortality, mindfulness and living in the present, Japanese cherry blossoms are a timeless metaphor for human existence. Blooming season is powerful, glorious and intoxicating, but tragically short-lived - a visual reminder that our lives, too, are fleeting.
In Japanese culture, sakura as the embodiment of beauty and mortality can be traced back centuries. A fallen cherry blossom or petal, it’s believed, symbolized the end of their short lives. We also see Genji losing several of the women he’s interested in. Most of them die around early April, when the cherry trees are in bloom. He seems to see the cherry blossom as some sort of a demon. He does suffer a lot seeing all those women leaving him one way or another.
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rieshon · 6 years ago
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Winter 2019 Season Preview
I can't believe it's another goddamn year. 2019 marks my fifteenth year of watching anime, which fucks me up to even write. The about 540 anime I've seen in the intervening years doesn't even feel like that many when I think about how I've literally spent half my life watching these Chinese girl cartoons. Onwards and upwards, I guess.
1 Girly Air Force: Oh fuck yes. Sukasuka is still the best LN I've read, but Girly Air Force is far and away my favorite and it should be obvious why: it's got cute girls, it's got airplanes, it's got cute girls who ARE airplanes! The story is surprisingly well-done and if Satelight's adaptation is on point this could be a pretty good show. Phantom is best girl and Izawa Shiori sounds perfect as her, so we've already got that going for us.
2 Endoro~!: Okay, so Release the Spyce was bad. That's not Namori's fault, though, 'cause the characters were still adorable. This is Namori's next try at being an anime character designer, and it definitely looks better than Spyce ever did. Cute girl lighthearted fantasy is definitely a good genre (it's why I played Priconne for as long as I did despite the game being terrible) and the pastel colors all over this show tell me I'm home. Kaori, director of one of the best cute girl anime of the last decade, Yuyushiki, helms the project and venerable Studio Gokumi animates. Yeah, this is AOTS.
3 Kouya no Kotobuki Hikoutai: Based Tsutomu is BACK, babey! Somehow, this is his first TV project in three years (after the lackluster Mayoiga) though he's obviously been hard at work making more of Garupan as slowly as possible and probably also working on that Shirobako movie that's in the oven. I'm sure it's hard being an anime god. It's definitely disappointing that this is a full CG anime, but the fact that it's about planes and being made by Tsutomu is enough for me to overlook that fact. It's not quite the Daisan Hikou Shoujotai anime we've all been waiting for, but it's close enough.
4 Ueno-san wa Bukiyou: I have a hard time believing this will be anything but comedy of the season in three months' time. The excerpts from the manga I have seen are amazing, and the trailers have been brilliant as well. Plus, Serizawa Yuu in the lead role, and it also has one of the surest signs of a comic hit (at least in my book) which is the male lead also being played by a girl―Tanaka Aimi in this case. The character designs definitely capture tugeneko's unique style. This should be great.
5 Watashi ni Tenshi ga Maiorita!: Clearly this is the spiritual successor to Uzamaid. Perverted channee hnnngs over some cute lolis? That's almost always good. Said lolis look incredibly adorable, and the protagonist will be played by the always-brilliant Ueda Reina, who should shine in a role like this. It's definitely hard to imagine this one missing.
6 Kakegurui XX: I never expected this show to get a sequel, but I'm sure not complaining about it. Everyone's favorite hot Akagi expy is back, babey. I can't wait to see some more sexy gambles. Hearing Hayamin's lewd voice is worth the price of admission by itself, and it looks like there are new hot channees coming by the truckload in this second season. Sign me the fuck up.
7 Gotoubun no Hanayome: I'm mad at this show because I thought Ayaneru was supposed to play all five heroines, but apparently that was just for a commercial for the manga and they cast five different people for the actual anime. I wanted to hear quintuple Ayaneru! This show still looks like a good harem, though, and of course does still provide one Ayaneru. The rest of the cast are no slouches either, and despite the Ayaneru presence I think Ayachi's character looks like the best girl.
8 Domestic na Kanojo: Schoolteacher romance anime!?! FUUUCK YES. This is exactly what the doctor's been ordering. The Hiyocchi-voiced sensei looks adorable (as all anime teachers should be) and I am just 100% here for what is happening. There's also another cute girl, but, just give me Hina-sensei and I'll be happy.
9 Date A Live III: Hard to believe the original DAL anime was almost six years ago. I stopped following the series closely when DAL2 was bad, but I'm still excited for this new sequel. The girls are still great and so is the premise, they just need to actually have money to make a good anime this time around. Happily, J.C. Staff have been pegged to animate this time instead of the perenially inconsistent Production IMS, with the principal creative staff (including director Motonaga Keitarou) still intact. So it should be pretty good!
10 Kemurikusa: Yes Tatsuki, yes tanoshi! I still haven't seen Kemono Friends so I can't speak personally to Tatsuki's alleged genius but I have seen some of his short anime he posts online and they're always brimming with atmosphere, so I'm excited to check this out.
11 Mahou Shoujo Tokushusen Asuka: The latest in a seemingly endless line of anime that ask, 'How can we take the concept of magical girls but make it edgy?' Okay, I admit, the idea of magical girls who wield Kalashnikov rifles is actually pretty great... It just depends on how seriously the show takes itself, because this is not a concept that should be played straight. Strike The Blood's Yamamoto Hideo is set to direct, and STB was a show that definitely knew how to toe the line between serious action and lighthearted antics, so hopefully it will be good.
12 Kaguya-sama wa Kokurasetai ~Tensai-tachi no Ren'ai Zunousen~: Though I'm a long-established devotee of the Church of Blondenblu, black hair and red eyes is pretty close behind as far as I'm concerned, so this show's titular Kaguya-sama definitely looks good. Plus that forehead! There's also a nice blondenblu girl voiced by Hanabee. Looks like a cute romantic comedy.
13 Manaria Friends: Yeah, this is finally happening after years of development hell, apparently being produced entirely in-house by Cygames and their animation studio CygamesPictures. From what I hear, this is supposed to be a lot different from the mainline Bahamut anime: kind of nichijou-kei, and apparently gay as hell. Cute girl and her demon girlfriend? Yep, sign me the fuck up.
14 Circlet Princess: It's always good when the "story" tab on your show's website is under construction when your show starts in like two weeks. This is apparently based on a DMM web game, but the writer and designer is Kio Nachi, who was responsible for the game and anime of the way-better-than-it-should-have-been Ao no Kanata no Fourhythm, so it might be good. The voice cast is a star-studded assemblage of veterans like Gotou Mai, Nabatame Hitomi, and Mizuhashi Kaori... With the turnover in the seiyuu industry as of late it's nice to see that vets like this can still get main-cast roles and aren't just relegated to playing the moms of the latest 18 year old darling. But I digress.
15 Boogiepop wa Warawanai: Otherwise known as Boogiepop Phantom in the West, this is the latest classic property to get the remake treatment. I've always meant to watch the original, but never did. Boogiepop was one of the original series to start the modern "light novel" movement, and I've always heard great things about it, but other than that I really know nothing about the story so I'll be going in blind. I'm sure Ao-chan and Oonishi will be great in it at least.
16 Rinshi!! Ekoda-chan: I have no idea what Ekoda-chan is about (other than it's a 4koma manga) but this adaptation looks like it's some art. Apparently every episode will have both a different director and a different actress playing the titular Ekoda-chan. Presumably, we are about to See Some Shit. Names set to direct episodes include some names like Sugii Gisaburou (Touch, Ginga Tetsudou no Yoru) and Mochizuki Tomomi (Ranma 1/2) and Kitani Yoshitomo (GaoGaiGar) so we're definitely in for something.
17 Egao no Daika: It's time for your seasonal dose of robot anime with hot girls in it. It's going to be awhile until I can see a show like this again and think "Gridman was better," but hey, this one's got some hot girls in it too. This is brought to us by longtime mecha anime guy Suzuki Toshimasa, who was responsible for a recent sentimental favorite of mine, Rinne no Lagrange. The character designs are the work of Nakamura Naoto, who also did the job on High School Fleet. That show was notable more than anything for having an incredibly large and diverse cast of incredibly cute girls, so that's a good sign.
18 Pastel Memories: This show has nothing to do with Plastic Memories, but that doesn't stop be from thinking of that every time I see the title. If you immediately suspect it to be a social game adaptation after seeing the art and logo, you would be extremely correct. The key visual on the show's homepage does not inspire confidence, but the animation looks fine in the PV at least. As a genre, "cute girls from social games fighting monsters" generally produces rubbish, but I appreciate that the action at least looks to be hand-drawn in this one. The show does have Rieshon in it, who I feel like I haven't heard in ages, so that's nice.
19 Bermuda Triangle ~Colorful Pastrale~: I've always been on record as saying mermaid girls suck because they don't have legs, and I still stand by that. Why should I get excited about a cute girl anime if there's no ftmm to ogle??? I'll still watch it cause it promises to be a nichijou-kei cute girl anime (and there's a channee mermaid who wears hoop earrings which almost makes up for the lack of legs) but I'm not going to be happy about it damnit.
20 Minitoji: It's some kind of SD Toji no Miko spinoff. I'm sure I'm in the minority just like, in general, but I really enjoyed Tojimiko so I'm happy enough to see this being made. It looks like the protagonist from the (truly dreadful) mobile game adaptation is making an appearance, so I guess that thing is making enough money to have this produced... Hey, if I get to see more of Hiyori-chan being gay, I'm down.
21 Tate no Yuusha no Nariagari: It's light novel anime. When the show's "characters" page is half dudes it's never a good sign, especially for a show in this genre. Probably the most interesting thing about it is that Kevin Penkin, who did the fantastic music for 2017's Made in Abyss returns to anime work here... But it will probably be in service of a lame, too self-serious fantasy plot with lots of dudes grimacing.
22 Grimms Notes The Animation: Grimms Notes is a shitty social game so you can already see where this is going. It feels like a waste of my time to even write a preview for it since I know I'll be dropping this before the first episode is even over. At least it has a blondenblu girl, I guess.
23 Yakusoku no Neverland: Did you guys know noitaminA is still a thing? Remember when it was relevant? This is this season's noitaminA show and it looks like exactly the kind of thing I watch out of obligation because it looks like "art" and then drop even after saying I'll give the second episode a chance. The protagonist's face gives me bad juju. At least most of the male characters are voiced by girls since they're kids.
24 revisions: Enver Hoxha's least-favorite anime is brought to us by Netflix. It looks like, honestly, exactly what I expect from Netflix at this point. The CG animation doesn't look great (Shirogumi doing it this time, instead of Netflix stalwart Polygon Pictures) and it has the same kind of serious sci-fi feel as shows like A.I.C.O. Incarnation. Probably won't be that good, but these shows that strive to feel like Western cable thrillers have a bad habit of being pretty easy watches.
25 Virtual-san wa Miteiru: I don't think I actually want to watch this. I like to watch some virtuals sometimes but... No.
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otakunews01 · 8 years ago
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Nuevo vídeo promocional de los cortos del Anime Tamago 2017.
Los cortos se estrenarán en marzo.
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La Asociación de Animaciones Japonesa (AJA) comenzó la transmisión del segundo vídeo promocional extendido para los cuatro cortos escogidos del proyecto "Anime Tamago" (antiguamente "Anime Mirai") del 2017. Como en años anteriores, los cortos Anime formarán a jóvenes animadores en el puesto de trabajo como parte del "Proyecto de Formación Jóvenes Animadores" de la Agencia de Asuntos Culturales del Gobierno Japones. AJA también comenzó la transmisión de un vídeo promocional para los cortos.  
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Corto colaboración entre WAO Corporation, Studio Live y SSS-Studio
Titulo: "Zunda Horizon"
Director: Hiroshi Takeuchi
Productor: Kiyomitsu Aoki, Sakiko Okutsu
Diseño de personajes original: Ninico Edomura
Director de animación/Diseño de personajes: Risa Suzuki
Reparto nuevo:
Satomi Satou como Zunko Tohoku
Himika Akaneya como Kiritan Tohoku
Ibuki Kido como Itako Tohoku
Rika Momokawa como Usagi Chūgoku
Koyuki Tanaka como Metan Shikoku
Nozomi Nishida como Sora Kyushu
Maria Sashide como Chanko Ōedo
Ayano Hamaguchi como Tsurugi Chubu
Ayaka Imamura como Shinobi Kansai
Aoi Koga como Awamo Okinawa
Ayaka Shimizu como Meron Hokkaido
Yuina Itou como Zundamon
Zunko Tohoku puede volver cualquier mochi en deliciosos zunda mochi disparando con su Flecha Zunda. Junto con Kiritan Tohoku, Itako Tohoku, Usagi Chuugoku, Metan Shikoku y Sorara Kyushu, a ella le gusta comer zunda mochi mientras se llena de felicidad. Chanko Oedo conduce por el contrario la Fábrica de Natto junto con sus compañeros Tsurugi Chubu, Shinobi Kansai, Awamo Okinawa y Meron Hokkaido. Sin embargo, el zunda y el natto utilizan el mismo tipo de frijol, el edamame utilizado en el zunda y las semillas de soja utilizadas en el natto se cosechan en diferentes momentos, y el edamame es cosechado primero. Como resultado, los miembros de la fábrica de Natto tienen miedo de una disminución en la cantidad de semillas de soja cosechadas. Chanko envía a Awamo Okinawa y Hokkaido Meron a la casa de Zunko para asesinarla, pero un tercer poder hace su aparición.
Los tres cortos restantes del Anime Tamago 2017 son los siguientes:
Corto de Studio 4°C:
Titulo: "Red Ash -Magicicada-" (Red Ash -Gearworld-)
Director: Yuta Sano
Productor: Yuka Hisae
Director de animación: Yasuyuki Shimizu
Director de animación 3D/Diseño de personajes: Chiaki Imanaka
Reparto:
Yuuki Kaji como Beck
Rikumi Moriwaki como Tyger
Fumiko Uchiwara como Call
Youhei Hamada como Deny
Norito Abe como Safari
Masanori Takeda como Stripe
En un mundo futurista, los "Nanorace” (Nano Raza), personas cuyos genes contienen nanomáquinas que les otorgan habilidades especiales, son controlados y sufren el perjuicio de los "Purerace" (Raza Pura), los seres humanos normales. Beck, un cazador legendario con el poder de "Red Ash", tiene como objetivo continuar con el procedimiento quirúrgico para convertirse en Purerace. Junto al gran mecánico pero tímido Tyger, utilizan su máquina paralela para viajar al viejo mundo, haciendo trabajos peligrosos. Un día, de repente se encuentran con Call, una chica perseguida por el dúo de Safari y Stripe. Call, Beck y Tyger viajan juntos al mundo relojería. Pero Safari, Stripe, y su líder Deny, los persiguen tenazmente y están finalmente en condiciones de hacer su ataque a Beck y sus amigos.
Corto de Nippon Animation
Titulo: "Genbanojou"
Director: Takumi Douyama
Productor: Yuu Furukubo
Director de animación: Hirofumi Nakata
Diseño de personajes: Shin Takemoto
Reparto  
Katsuyuki Konishi como Genbanojou
Rina Sato como O-Natsu
Natsuki Hanae como Shinzaemon
Tamano Rina como Hana
Reiko Suzuki como Chiyo
En una tierra en forma de cono llamada Kikyougahara en la provincia de Shin, vive una chica llamada Hana. Ella es una chica dulce, que siempre piensa en su familia, en particular, su bisabuela Chiyo, a quien cariñosamente llama "Granny". Un día, un grupo de entretenimiento ambulante llamado Natsugawa Genzaemon pasa por el lugar, y los aldeanos les dan la bienvenida con gusto. Al terminar su actuación y recibir su reconocimiento, el líder del grupo le pide a Hana un poco de "oyaki", su comida favorita, y él se transforma en un zorro para su sorpresa. Resulta ser que el líder Genbanojou, y sus compañeros O-Natsu y Shinzaemon, son todos zorros que han asumido formas humanas. Genbanojou negocia a toda prisa con Hana, diciéndole que a cambio de mantener su secreto, él le concederá un deseo. Ella responde: "Quiero que Granny vea las flores de cerezos".
Corto de Studio Comet
Titulo: "Charanpo Land no Bouken"
Director: Shin Misawa
Productor: Shunichi Ozao
Director de animación: Tatsuo Honda
Diseño de personajes: Narumi Shimoji
Reparto
Chika Sakamoto como Kometora
Hitomi Ohwada como Pyon
Fukushi Ochiai como Gunma
Ikuji Nose como Profesor Akan
Taketora como Poncho
Sayaka Ohara como el Espíritu del Árbol Baobab  
En el otro extremo de los mares del Sur, donde nadie se había atrevido a ir, existe una isla llamada Charanpo Land. En el centro de la isla hay un árbol baobab gigante, que produce muchos huevos cada día. Dentro de los huevos hay alimentos, ropa y otras necesidades diarias. Los habitantes de la isla viven una vida sin preocupaciones, dependiendo de los huevos. Pero últimamente, los huevos han empezado a aparecer vacíos cada vez más, lo que hace que los habitantes se incomoden. Entonces, un día, con un estruendo, y una explosión de luces de arco iris, el baobab produjo un huevo de curioso aspecto. A la mañana siguiente, el jefe del pueblo Poncho dice a los habitantes que tienen que encontrar ese huevo. Ahora el tigre Kometora y un grupo de niños deben encontrar el huevo dentro del bosque.
El comité de selección de este año consiste en
Keisuke Iwata (Presidente de AT-X)
Mitsuko Okamoto (Universidad de las Artes de Tokio, Decano de Facultad de Cine y Nuevos Medios)
Gisaburou Sugii (Director de Anime)
Michiko Suwa (Productor ejecutivo del departamento de Anime de Yomiuri TV)
Ryousuke Takahashi (Director de Anime)
Toshiya Matsushita (Tokuma Shoten, Editor en jefe de Animage)
Hiro Maruyama (MBS, Tokyo Branch, Director asistente)
Masahiko Minami (Presidente de Bones)
El corto "Red Ash -Magicicada-" de Studio 4°C es el único corto en 3D CG en la selección. La compañía de juegos Comcept lanzó una exitosa campaña de recaudación de fondos Kickstarter para el proyecto con el lanzamiento de su juego Red Ash: The Indelible Legend el año pasado.
"Zunda Horizon" se basa en un personaje original creado por SSS-Studio llamado Zunko Tohoku, para apoyar a las víctimas en la región de Tohoku, durante el terremoto y tsunami de Tohoku. Ninico Edomura creó el personaje, pero ella lo libero de derechos de autor, por lo que cualquier persona puede utilizar el personaje de forma gratuita sin necesidad de un permiso de SSS para hacerlo. Zunko Tohoku fue parte de una exitosa campaña de crowdfunding en 2013 para crear un software de Vocaloid para el personaje. SSS lanzó una exitosa campaña de crowdfunding para el personaje del año pasado para crear un Manga y un libro de ilustraciones.
Aparte de Studio 4°C, todos los estudios participantes son nuevos en el proyecto Anime Tamago. El corto entre WAO Corporation, Studio Live, y SSS-Studio es también la primera vez que un proyecto ha sido aceptado como una producción colaborativa. El corto de colaboración se centrará en el personaje mascota de Tohoku Zunko.
Todos los cortos se mostrarán en Marzo del 2017. 
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shirotdezainathings · 6 years ago
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DORORO TO HYAKKIMARU CUMPLE 50 AÑOS #shironodesaina #nekodemonio #CorporativoArcanos #Noticias #Dororo #Anime #50años
DORORO TO HYAKKIMARU CUMPLE 50 AÑOS #shironodesaina #nekodemonio #CorporativoArcanos #Noticias #Dororo #Anime #50años
El 6 de abril de 1969, se estrenó la primera adaptación animada de ‘Dororo’, obra de Osamu Tezuka, producido por Mushi Production. Tuvo 26 capítulos bajo la dirección de Gisaburou Sugii.
En la página de Myanimelist tiene una calificación de 7.27.
Sinopsis:
Daigo Kagemitsu hace un trato con demonios con tal de conquistar su país y a su primogénito le son arrebatados 48 partes de…
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newsintheshell · 6 years ago
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Il manga “Rinshi!! Ekoda-chan” diventa anime
Il debutto della serie è previsto per gennaio 2019.
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È stato recentemente aperto un nuovo sito internet per la serie anime “Rinshi!! Ekoda-chan”, nuovo adattamento dell’omonimo manga di Yukari Takinami. Il sito rivela che la serie avrà un formato particolare, con ognuno dei 12 episodi che verrà diretto da un regista diverso. Il debutto della serie è previsto su vari canali tv giapponesi per gennaio 2019.
Registi
Gisaburou Sugii (Genji Monogatari)
Ryousuke Takahashi (Hi no Tori)
Akitarou Daichi (Kamisama Hajimemashita)
Tomomi Mochizuki (Battery)
Shin Misawa (Capeta)
Takeo Takahashi (Citrus)
Yoshitomo Yonetani (Shokugeki no Souma)
Osamu Kobayashi (Beck)
Masayuki Kojima (Made in Abyss)
Akira Shigino (Osomatsu-kun (1988))
Hiroshi Nagahama (The Reflection)
Kouji Morimoto (18if)
La storia ruota attorno a Ekoda, proprietaria di un locale che svolge svariati lavori e vuole scoprire la vita notturna della città. Nonostante abbia un fidanzato, lei si sente più un tipo da relazioni sporadiche più che da storia seria. Considera le ragazze popolari (che chiama “uccelli rapaci”) il suo nemico naturale.
Il manga è stato pubblicato dal 2005 al 2014 sulla rivista Afternoon di Kodansha, e attualmente conta 8 volumi completi. L’opera ha già ispirato una serie televisiva nel 2011.
Elric
Fonte: MAL
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xbuster · 7 months ago
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Glass Mask (1984) ep1 dir. Gisaburou Sugii
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motoko-memories · 4 years ago
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Genji Monogatari . Sugii Gisaburou . 1987
Thinking through the red moon..
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belialhaematemesis · 4 years ago
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The tale of Genji Monogatari (1987)
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my-nichi · 9 years ago
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Guskou Budori no Denki (2012) by Gisaburou Sugii.
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gargarkindle · 12 years ago
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Rargh, so apparently there was a new Miyazawa Kenji movie directed by Gisaburō Sugii and I never heard about it. Thanks for keeping me apprised on moeblob OADs and not this, internet! I mean obvs. the next light novel with an entire paragraph for a title deserves its own wiki and themed convenience stores, while anything that could conceivably establish animation as a respectable literary medium should get shunted to the side. Miyazawa should have put some tsundere into his books if he wanted people to read them, amirite?
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xbuster · 7 months ago
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Glass Mask dir. Gisaburou Sugii
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