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fayewonglibrary · 4 years

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1994-2020: Faye Wong Advertisements (2020)

On August 19th, Faye Wong was officially announced as the newest global spokesperson for the underwear brand NEIWAI, which shocked the industry.

What’s interesting is that underwear advertisements are usually extremely sexy and show a lot of skin. But because it’s the heavenly queen, it became a high-class style of sexy. The heavenly queen’s image on the posters is quite covered up and her poses are elegant and comfortable as usual. It is rumored that Faye Wong's endorsement fee is sky high.

The former brand models Maizi and Du Juan gave the impression of coolness. Faye Wong is definitely the master of this temperament to the extreme.

The press release by NEIWAI said that they aim to "explore the freedom of body and mind in a more pioneering, profound and international way." Indeed, the endorsement of the heavenly queen suddenly added a touch of international style and high-class to this domestic brand that was founded on Taobao not long ago. It gives that feeling no matter what the cost is.

You must know that Faye Wong has always been very picky about advertising. Before NEIWAI, she accepted an offer to be the global spokesperson for Helena Rubenstein in 2019. Last December 7th, L'Oréal Group's top luxury beauty brand Helena Rubenstein announced that Faye Wong became the first global spokesperson for its brand.

I still remember the queen attended the promotional event in all white and wrapped her head in a golden scarf. Her skin looked smooth and firm. The most impressive thing was that her facial features were more beautiful than even when she was young. It was surprising. After all, the queen is over 50 years old.

I could see that she was in a very happy mood, chatting and laughing with the host on stage. She described this cooperation as proof that it was love at first sight. The flawless firm skin of the heavenly queen can help a beauty counter to sell thousands of bottles of expensive product.

For so many years, Faye Wong was sought after by advertisers for her image as a high-end, avant-garde, free spirited woman of a new generation. Her manager once proudly said that their main job was rejecting offers. Faye Wong’s advertisements are notoriously sparse and also notoriously expensive.

Today, let’s take a look at the advertisements by the Heavenly Queen since her endorsement debut from 1994 to the present day. It can be seen that her strategy is "less is more". The big brands she has cooperated with, of course, pay well. Ease is another important criteria for her to choose a job.

The advertisements that Faye Wong has received over the years reveal the changes in the status and mood of the queen. Of course, we can also see the changing of the times from her advertisements. Popular brands that are still ongoing, but some brands have completely ceased to exist. The changes and the rise and fall of a brand is really interesting.

1994-1997

Avant-garde idol, trend setter for the youth.

In 1994, Faye Wong released her iconic hit "Sky" making her the free spirited idol of the young generation. That year she received an advertisement for Just Gold.

At that time, the Hong Kong-based gold jewelry company was preparing to enter the Taiwan market. In order to abandon the old and outdated feel of the past style, this brand, hoping to find young customers, wisely found a budding singer who was also ready to enter the Taiwanese market. Back then she was called Wong Jing Man.

In the advertisement, Faye Wong read the narration in her beautiful languid voice. The whole concept seemed to be very trendy and forward-thinking, making women suddenly realize they do not need to wait for men to buy them gifts and gold jewelry. They can own it on their own initiative. It was the new idea of feminism that women rely on their financial strength to satisfy their inner desires.

Just Woman, Just Gold; Real Woman, Real Gold. Faye Wong's life attitude of being courageous to live her own life fits the brand's pursuit of "real woman" characteristics. The following year, the brand also specially designed the "Fei collection" with the theme of "true", "beauty" and "life".

Coincidentally, the Virgin Atlantic advertisement of the same year also took a fancy to Faye Wong's distinctive personality.

At that time, Faye Wong's performance in the movie "Chunking Express" left a deep impression on people, and in the advertisement, she also had a similar short haircut, various styles, and she even had airplane props. She swayed her body and narrated in Cantonese. This advertisement made the top ten of Asia TV in 1995 and won the most popular TV commercial female star award.

In the ad for Virgin Atlantic's direct flight from Hong Kong to London, she used her hearty laughter to inspire people to take off whenever they pleased.

Faye Wong became a big hit in 1996 and appeared on the cover of Time Magazine. She became the second Chinese artist and the first Chinese singer to appear on the cover. She was called one of "The Divas of Pop".

Faye Wong willingly lived in a Beijing hutong for love, married Dou Wei, and gave birth to her daughter Dou Jingtong in January of the following year. The old photos of the two riding horses in Yesanpo bared witness to years of love.

Marriage and childbirth did not affect Faye Wong’s status. In October 1997, Motorola hired Wong Kar-wai to direct and spent 60 million on a large production to shoot her StarTAC (Palm Treasure Series) commercial. Anyone who has experienced that era knows that Motorola had a monopoly on the mobile phone market.

But with the advent of smartphones, after 2013, Motorola long lost its momentum. Motorola’s headquarters in Beijing has been downsized repeatedly. The era of holding a Motorola in one hand is gone forever.

Although shooting only lasted for 5 days, it was a huge collaboration: big name stars, director Wong Kar Wai, cinematographer Christopher Doyle, and designer William Chang. It was a movie level production. And the actor was Asano Tadanobu who was popular in Japan at that time. Reportedly, the reason for seeking him back then was because his hair was messy enough to match with Faye Wong.

The whole commercial lasted less than 30 seconds, but it was full of Wong Kar-wai's individualism and uniqueness. It is considered the most unusual commercial advertisement. And Faye Wong, whose pay was as high as six figures per hour, had only two lines: "Moshi Moshi".

Photographer Wing Shya also shot a set of print advertisements. Ah Fei as seen through the lens was smart and playful. With brilliant colors, it is entirely worthy of blockbuster art.

1999—2003

The fast-moving market adores the unconventional idol

In 1999, Faye Wong divorced the talented Dou Wei, which caused a commotion in the entertainment industry.

Pepsi spent 8 million Hong Kong dollars to invite Faye Wong, making her the first Asian female singer to endorse Pepsi. You must know that Pepsi’s strategy for so many years was aimed at the youth market. The stars they have invited over the years were the most popular among young people.

At that time, the commercial "Wish" depicted Ah Fei returning to an elementary school and seeing a little girl who resembled herself when she was a child. She recalled the scenes from when she was a child, expressing the theme: as long as you work hard, your wish can come true. The commercial song "Spectacular" was co-written by Faye Wong and Zhang Yadong, and included on the album "Only Love Strangers".

The following year's "Starry Sky Infinite" was a collaboration with Aaron Kwok. One was the god of water and the other was the god of ice. In the hot summer, the collision of ice and water brought coolness and pleasure.

Everyone remembers this poster. The heavenly king and queen who were still youth idols back then sang the commercial song "Starry Sky Infinite" together.

Faye’s styling in the ad now seems very ahead of its time. It was bold and creative. Whether it was the mini skirt with fishnet stockings or exaggerated color eye shadows, it is fashionable and cool at any time.

Also at that time, the theme song "Eyes On Me" of the classic game "Final Fantasy VIII" became popular in Japan. The song made the top ten of Japan's Oricon charts and Faye Wong also became a Japanese J-Phone mobile phone spokesperson.

As we all know, Japanese brands prefer their own artists, so Faye Wong's ability to break through and occupy a space is enough to prove her strength.

The six commercials that J-Phone shot for her at that time were all very advanced and full of new ideas.

The following year, she starred in the Japanese TV series "Usokoi" on Fuji TV. She worked with Takaichi Nakai and became the first Chinese artist to star in a Japanese drama as the main heroine. Unfortunately, the ratings were lower than expected.

At the beginning of 2000, Faye Wong became the spokesperson for Head & Shoulders and it was rumored that the remuneration at that time was 32 million Taiwan dollars (about 8 million Hong Kong dollars).

The commercial contained 6 cool styles. The production cost was as high as 15 million. The jingle was her newly created song "Chanel", which was intoxicating and psychedelic.

What’s interesting is that she cut her hair super short when she attended the press conference. When asked by reporters whether this style would conflict with being the spokesperson, she replied in a way that is still so cool, "Don't you need to wash short hair?"

If the advertisements for the above high demand products were expected, Faye Wong's acceptance of the following brand is more interesting now.

In 2003, Baleno spent 5 million a year to invite Faye Wong to become a spokesperson. Baleno was first known as a Hong Kong brand. In 1996, it was sold to Guangzhou Deyongjia Group and then regarded as a mainland brand.

But it was willing to spend money to invite the most popular celebrities to endorse. At its peak, it had 4,000 stores in the Mainland. Andy Lau and Faye Wong were invited to be spokespersons.

The phrase "brand, Baleno" caused everyone to laugh.

Ah Fei shot the posters and could manage all kinds of exaggerated makeup as always. At that time, Li Jianhui once wrote about the influence of Faye Wong on Baleno - hiring her was an upgrade for the entire brand.

The following year Faye Wong became the spokesperson of Louis Vuitton in the Asia-Pacific region. A series of print advertisements shot that year now looks very advanced. She is lying sexily and lazily on a white sofa, and her poses exude a different charm with each different set of clothes. The Heavenly Queen had such magical powers and her cool expression enchanted people.

2004—2005

Getting older and moving towards the high-end market

Which brand was Faye Wong most responsible for helping to enter China? There is no doubt that it is Celine. It is Faye Wong who brought this French brand into the hearts of every Chinese woman who loves fashion.

In October 2004, at the age of 35, Faye Wong attended Celine's 2005 Spring/Summer Fashion Show in Paris as a close friend of the brand.

The queen’s photoshoot on the streets of Paris expressed her attitude towards life. She exuded self-confidence and self-reliance even when she was just standing.

In early 2005, Faye Wong appeared on the cover of the Hong Kong edition of "HARPERS BAZAAR" wearing Celine.

The magazine’s fashion spread was a blockbuster for Celine - just by simply sitting at a dining table, revealing her slender legs. The styles were both casual and fashionable. This photoshoot perfectly fits Celine's brand aesthetic with Faye Wong's own personality: cool and sassy.

She also wore Celine's 2005 spring and summer collection and participated in the opening ceremony of the new store in Hong Kong.

For the next ten years, Faye Wong’s favorite was simply only Celine. She took brand promotional photos. She went to fashion week to participate in brand events. She was photographed in major magazine editorials. Even in her private birthday celebration, she wore none other than Celine.

Celine's fashion style fits her own personality. She appreciates the brand's neutral, functional, and concise design concept, and its pursuit for a free and comfortable attitude of living.

Just as she always dared to love and hate, in the Spring of 2005, it was reported that she and Li Yapeng were about to marry.

It was also at that time that she had her first skin care product endorsement, Jovell. At the time, it was reported that Jovell paid tens of millions to invite her to become a spokesperson in Asia.

The Heavenly Queen was over thirty and her perfectly maintained face couldn’t not be used as a skincare platform.

This commercial was based on her daily work environment, with pure English narration. In April, she also attended the brand's launch event in Hong Kong. She maintained an awkward and polite smile, but she did not accept interviews during the whole process.

The endorsement was not satisfactory. Jovell, a brand used by so-called Hollywood stars, applied for liquidation after the defendant defaulted on a loan at the end of 2005. They were desperate to invite the queen to help out. They wanted to take advantage of this momentum to come back to life, but unfortunately could not in the end. Because of the company’s liquidation, there was no money for payment. Faye Wong's management company issued a lawyer's letter to claim 4 million Hong Kong dollars in remuneration, and it went to the High Court.

2005-2011

Coming back is not easy At the end of May 2005, Faye Wong’s manager, Katie Chan, confirmed to the media that the Queen had started an "indefinite rest".

On July 28th of the same year, Faye Wong and Li Yapeng married in a low-key banquet in Beijing. The wedding photos taken at Tianshan were only revealed many years later in a Smile Angel Foundation promotional video.

Faye Wong retired for four full years because of her marriage and newborn daughter, during which she only sang theme songs for a few movies. There was always news that she was going to make a comeback, but in the end it turned out to be nothing.

Until 2009, on the 20th anniversary of Faye Wong's debut, news confirmed that she was about to come back to endorse a shampoo brand. The sky-high price discussed was higher than Jackie Chan. It was also reported that it was because of Li Yapeng's failed businesses that the Queen had to return to make money.

The rich and powerful Bawang Group gave enough money and not much additional conditions. The two sides hit it off quickly, which also kicked off the first wave of Faye Wong's successful comeback. In 2010, the queen made a triumphant comeback. At the beginning of the year, she returned to the Spring Festival Gala stage after 12 years and sang "Legend". At the end of the year, she held 10 sold out concerts.

She became the brand ambassador for the newly launched Chasing series shampoo under Bawang. Shooting shampoo ads was already familiar to the heavenly queen.

Although the brand positioned itself as mid-to-high end, the commercials were not very flattering. Heavenly Queen wore a cheongsam with a huge lotus leaf hem and neckline, walked slowly like a scallop princess. The whole advertisement fell flat.

It can be said that this was a low period for the heavenly queen. Whether or not it was satisfactory, it was a means to make money. But I have to say that Faye Wong's role in the brand was still very obvious. The products turned out to be famous all over the country.

Although money is earned, the risk of advertisements is also high. First, in 2010, a Hong Kong weekly magazine slandered Bawang shampoo for containing carcinogens and the herbal line of shampoo endorsed by Faye Wong was also not spared from testing. The star’s credibility was questioned for a while.

It took Bawang six full years to sue for defamation. In the end, they won the lawsuit, but only received a compensation of 3 million. However, the accumulated losses caused by the damage to its reputation over the years reached 1.7 billion.

Then at the end of 2014, it was reported that the intermediary claimed the fee from Faye Wong. When the case came to an end, the intermediary who originally claimed 3.35 million received only 600,000 compensation. Although the queen was cautious, she was sometimes not 100% insured. It was inevitable that there would be disputes.

2012-2020

Safe and easy money is the priority In 2012, she endorsed a dairy brand with sky-high prices. Yili Jindian Organic Milk, which focuses on high-end dairy products, coincides with Faye Wong’s status as a queen. The brand used her super popularity and influence to broaden its appeal and greatly increase sales.

Faye Wong’s commercials could be seen everywhere on major TV stations and variety shows. The contents of these advertisements contained similar features of natural innocence and quality.

The beautiful grassland featured in the commercial is located in the Shin Kong Chao Feng Ranch and Resort in Hualien, Taiwan. It was also called "Faye Wong Prairie" after the commercial became popular.

She has been cooperating with Jindian for nearly ten years and each year's commercials are considered by fans as a new opportunity to see their idol again. This year's newest commercial was no longer limited to the grassland, but used light and shadow effects and it was just perfect.

In recent years, Faye Wong was really low-key.

The protection and mystery of her private life has deepened the public's desire and imagination of her, so that every public appearance of hers causes an uproar and there are always speculations about how big a bargaining chip is used to invite her to appear.

She has also been questioned a few times about making money. For example, the biggest public backlash came from her Fantasy Music concert at the end of 2016, which caused controversy because of the high ticket prices.

This was her return to the stage after her 2012 tour ended. The cheapest ticket was as high as 1800 and the most expensive ticket was 7800. This triggered an "anti” storm and she was accused of marketing and money-making. Although the organizer clarified afterwards that the production cost could not be reduced because of technical requirements such as global live streaming, the public did not buy it.

After 18 years, she participated in her first variety show, Hunan Satellite TV's "Phantacity", where she was rumored to have been paid hundreds of millions of dollars. The news at the time stated that "the investment of the program is more than 300 million, of which 150 million is used to invite a certain heavenly queen." Of course, they also say that the top price of super first-line talent like Faye Wong is worth it.

When the MC He Jiong questioned her on the show, "Why did you want to come here?", she still answered so bluntly, "Because it’s easy."

It really was easy. Just sitting and talking can make you money.

This was a highly anticipated show that invited a large number of stars. But since the post-production process is too boring and many technical highlights couldn’t be shown on the TV screen, the freshness of the first two episodes faded and the following episodes were weak. Even Faye Wong could not save the ratings from declining. However, her performance in the last episode fulfilled fans' dreams.

Every time someone asks: is Faye Wong short of money?

Nonsense! Who is not short of money? The heavenly queen is human. She also needs to make money to pay for living expenses, including children's tuition and so on. Children’s education, the monetary cost of maintaining her own high standard of living (nanny, maintenance, self-care, etc.), and preparations for retirement, these all cost money.

Therefore, it is not difficult to see that the advertisements taken by the Heavenly Queen ten or more years ago were lively, interesting and creative. But after her comeback in 2009, they have been more grounded in a sense of reality. The long-term ten-year contract like Jindian Organic Milk is more worry-free and comfortable.

There is no longer a need to tailor songs for advertisements. You can easily make money by showing your face and narrating. Why not do it? It’s safe, worry-free, and comfortable. These are the benefits of advertising.

Of course, some people ask, why does only Faye Wong have such an influence in the advertising industry? It seems that you can pay anyone to stand there. Why don’t her contemporaries have such influence?

This only further proves that Faye Wong's body of work is excellent. She had continuous creativity and was always fresh. As the goddess of the music industry, she has been influential several times. Faye Wong is the only super queen recognized by audiences on both sides of the strait. By gaining a big market, it is the simplest answer to this question.

Secondly, Faye Wong has an unparalleled personality. Her charm lead her to become an era’s rising female power and a new generation female legend. In layman's terms, she has lived the life that everyone wants, which is why she can bless the brand.

Her personality and charm is her brand premium. Her international style and her unconventional life are also her brand premium. This is why TV stations and merchants are willing to spend sky-high prices to invite her, because they can use their own efforts to upgrade the brand's profile.

As for making money, Faye Wong is also a human being, not a god. Like you and me, she has to work in life.

As for the so-called lowering herself to common mortals, as she herself once said, "I am not as perfect as you think and I admit that sometimes I can't tell the true from the false." And sometimes mistakes are inevitable.

For 26 years, Faye Wong chose her advertisements. When watching these advertisements, we clearly saw time fly past us at a fast speed. The light and shadows were dazzling, and I sighed.

What can we say? The era has chosen Faye Wong and Faye Wong has accompanied us in every era.

She can do whatever she wants, since she has already given us beautiful moments in music.

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SOURCE: NETEASE // TRANSLATION BY: FAYE WONG FUZAO

#2020

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rz-jocelyn · 5 years

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@ryuji7117

Ah, yes. It's been 4 years since then, huh. [1] From Japan to Shanghai [2], Guangzhou [3], India [4], Paris [5], Macau [6], Bangkok [7]

Various music programmes [8], Kouhaku Uta Gassen [9]

Ah, somehow, it makes me feel movedー. Somehow, because it makes me feel really moved

I will upload some treasured photographs. Or rather, I only have these left.

At any rate, truly, thank you very much.

I'm looking forward to Utaawase. [10]

NOTE:

[1] Sato Ryuji has performed as Kashuu Kiyomitsu since the Musical Touken Ranbu's first ever performance, which was the "Musical Touken Ranbu ~Trial Performance~" in 2015. Along with the other members of Team Sanjou with Kashuu Kiyomitsu, his first performance in the franchise opened on October 30, 2015.

Since then, including the "Musical Touken Ranbu Member Premium Live" performance, Ryuji has participated in 12 out of 19 of the franchise's productions.

[2] Ryuji has performed in Shanghai for his solo tour as Kashuu Kiyomitsu during the "Musical Touken Ranbu Kashuu Kiyomitsu Tanki Shutsujin Asia Tour" performance and as a member of Team Shinsengumi with Hachisuka Kotetsu during the "Musical Touken Ranbu ~Bakumatsu Tenrouden~" performance.

[3] Ryuji has performed in Guangzhou with the rest of the Musical Touken Ranbu cast during the "Musical Touken Ranbu ~Shinken Ranbu Sai 2017~" performance.

[4] Ryuji has performed in India as a member of Team Shinsengumi with Hachisuka Kotetsu at the India Gaming Show 2017.

[5] Ryuji has performed in Paris as a member of Team Sanjou with Kashuu Kiyomitsu at the Japan Expo Paris 2017 and during the "Musical Touken Ranbu ~Atsukashiyama Ibun 2018~ Paris" performance.

[6] Ryuji has performed in Macau for his solo tour as Kashuu Kiyomitsu during the "Musical Touken Ranbu Kashuu Kiyomitsu Tanki Shutsujin Asia Tour" performance.

[7] Ryuji has performed in Bangkok for his solo tour as Kashuu Kiyomitsu during the "Musical Touken Ranbu Kashuu Kiyomitsu Tanki Shutsujin Asia Tour" performance.

[8] The music programmmes that Ryuji has performed on includes:

"CDTV Special! New Year Eve Premier Live 2018 → 2019", which is a big annual music programme where he performed on with the rest of the Musical Touken Ranbu cast

"SONGS OF TOKYO", as a member of the special Touken Danshi team Formation of TOKYO

"MUSIC FAIR", also as a member of a specially formed team

"Shibuya Note", as a member of both Team Sanjou with Kashuu Kiyomitsu and Team Shinsengumi with Hachisuka Kotetsu

"MUSIC JAPAN", as a member of Team Sanjou with Kashuu Kiyomitsu

[9] In 2018, the cast of the Musical Touken Ranbu was invited to perform at the "69th Kouhaku Uta Gassen", which is the biggest music programme in Japan.

Along with the other members of Team Sanjou with Kashuu Kiyomitsu, Ryuji was invited to attend the Kouhaku performers announcement press conference, and he was also the spokesperson at the press conference.

To watch a video of the press conference, please refer to this post: HERE

[10] The "Utaawase" that Ryuji is referring to here is the "Musical Touken Ranbu ~Utaawase Ranbu Kyouran 2019~" performance that is scheduled to run later this year.

#Musical Touken Ranbu #Toumyu #Sato Ryuji #Kashuu Kiyomitsu #Touken Ranbu #Lyn Translates #Twitter #Translation

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newstfionline · 6 years

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Epic Battles, Palaces and Concubines: A Chinese Studio’s Vast World of Fantasy

By Steven Lee Myers, NY Times, Dec. 2, 2018

HENGDIAN, China--If you are going to make a movie in China today about ancient warriors defending a mythical kingdom or a partisan resisting the Japanese occupation in the 1930s, or involving any variation of that staple of China’s entertainment industry--the back-stabbing concubine drama--chances are you are going to make it in Hengdian.

The city is home to Hengdian World Studios, which claims to be the world’s largest outdoor movie and television lot.

To call it a “lot” is an understatement. It is not one lot, but 13 of them, scattered over 2,500 acres in and around what was once a sleepy farming village nestled in the hills of Zhejiang Province, in central China.

There are other studios in China--Shanghai Film Park, for example. Only in Hengdian, though, will you find a faithful recreation of the palace of Qin Shi Huang, who ruled in the third century B.C. near what is today known as Xian, or of the capital of the Northern Song dynasty, which reigned from the 10th to the 12th centuries.

There is even a Forbidden City that is not only startlingly realistic, but also only a little bit smaller than the real thing in Beijing.

The one thing that might seem to be missing from its huge front gate is the photograph of Mao Zedong--except that the gate was constructed to look as it did during the Ming dynasty, not the later version known since the 17th century as Tiananmen.

“These scenes today no longer exist,” said Guo Huizhong, a director, as he filmed a war drama, whose title roughly translates as “The Last Bodyguard,” inside a building reconstructed as an opera house from the first half of the 20th century.

Moviemaking blurs the distinction between reality and fantasy, and Hengdian World Studios arguably does that better than any other place on Earth.

“This is where the empress committed suicide,” a studio assistant, Xu Hailei, explained as she guided an open cart through the faux Forbidden City, which, even up close, is pretty convincing.

“She jumped from there,” she went on, describing a historical fact of 18th-century China--the death of Empress Fucha--but also a pivotal scene in one of the most sensational dramas of the year, a 70-episode epic, “The Story of Yanxi Palace.”

“Yanxi Palace” streamed on iQiyi, China’s version of Netflix, from July to August, and continues to do so in China and dozens of other countries. It has been streamed 20 billion times, and its staggering popularity has influenced everything from fashion to the debate over China’s struggling #MeToo campaign.

It has also attracted more visitors to Hengdian, which distributes maps and postcards showing the sites where the series was filmed, including the building of the title, which means the Palace of Prolonged Happiness.

Ye Yunfeng, 24, came with her boyfriend from Lishui, a city not far to the south, because she wanted to see the hall where the emperor’s Grand Council met.

“The details of this show are very good,” she explained. “Many details, like the clothes, the headdresses and the backdrops, are in line with history.”

The serial’s creators, and its fans, judging from comments posted online, credit its success in large part to the attention to historical detail.

“The cost of actors and actresses are not expensive,” said Yang Le, the chief executive officer of Huanyu Film, the Beijing production company that produced “Yanxi Palace.”

Instead, the producers spent their budget on artisanal embroiderers to recreate the dresses and flowered headdresses of the era--3,000 outfits, some of which are on display in the company’s office in Beijing.

Yu Zheng, a screenwriter and producer of “Yanxi Palace,” said he wanted to convey an aspect of China’s “intangible cultural heritage”--combined with “the pacing of an American television series.”

“People in our generation are all watching American and British television series,” said Mr. Yu, who is 40, “but actually there are many traditional cultures in China that are very worthy of being promoted to the world. We have a lot of beautiful things.”

That is the illusion Hengdian World Studios was created to sustain.

The studio was founded in 1996 by one of China’s first billionaires, Xu Wenrong. His Hengdian Group made a fortune in electronic components in the early years of the country’s capitalist transition.

When an acquaintance needed a location for a film, “The Opium War,” about China’s humiliating loss to Britain in the 19th century, Mr. Xu agreed to build one from scratch in the company’s hometown.

Since then more than 2,400 films and television series have been made at the studio, including 337 between January and October this year.

On a recent visit, there were 15 projects being shot at the same time, requiring studio organizers to juggle schedules and enforce deadlines.

There are 400 distinct spaces where filming can take place, covering the entire breadth of China’s history, its culture and its architecture.

Two areas recreate Guangzhou and Hong Kong as they looked in the 19th century, built for “The Opium War,” and another reproduces the Imperial Summer Palace, which was sacked by British and French soldiers in 1860. Its ruins are preserved in Beijing.

There is also a recreation of the Communist Party’s wartime base in Yan’an and a replica of a Buddhist temple whose original on a hill nearby has since been closed to the public.

“Many people learn history through television dramas,” said Zheng Junnan, a production assistant for another concubine melodrama set in the Qing dynasty.

“I don’t read books often,” he explained.

Mr. Zheng, like many in Hengdian, is a transient; he moved to Hengdian for the duration of shooting.

There is a sort of union hall in the town center where people play cards and shoot pool while waiting for the chance to get parts as extras. And epic battles need lots of extras.

Another lot, “The Exposition City of the Ming and Qing dynasties,” is a reconstruction of ancient buildings that were torn down in nearby parts of China and hauled to Hengdian.

There are scores of courtyard temples, houses and other structures, including a wooden tower from Nanjing. Each is marked with plaques describing their origins and “date of migration.”

The theater house where Mr. Guo was filming “The Last Bodyguard” was a reconstruction of an 18th-century building from Anhui Province, with the region’s distinctive southern architecture.

It wasn’t his first choice, he said, but other sets in the studio were already booked, so he made do, decorating the stage in the style of the 20th century, and bringing in opera singers from Beijing.

Yuxuan Honghao, a 26-year-old actor on the set of another series about concubines set in the Qing dynasty, said the attention to historic details had not always been a priority in the past but “The Story of Yanxi Palace” is already encouraging others to follow.

“The things in history books are one-side; they are only textual,” he said. “Films and television dramas can restore Chinese history as much as possible, and people can see what it was like.”

#China #Hengdian #Chinese studio #Chinese movies

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aliworldtrade · 3 years

Link

Guangzhou Tianye Silicone Rubber Technology Co., Ltd.

86-020-29138797 18819805600

402, No. 142, South Of Xinxin Avenue, Xintang Town, Guangzhou, Guangdong, China

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architectnews · 3 years

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ZHA Close Up – Work & Research Exhibition

ZHA Close Up – Work & Research Exhibition MAM Shanghai, Chinese Architecture Event, China Images

ZHA Close Up – Work & Research Exhibition

11 May 2021

ZHA Close Up – Work & Research at MAM Shanghai

Design: Zaha Hadid Architects

ZHA Close Up – Work & Research Exhibition in Shanghai

at MAM Shanghai, China

26 June – 15 September 2021

Photographs by Hufton+Crow

MAM Shanghai presents the first exhibition of Zaha Hadid Architects in mainland China, with a retrospective display of projects dating from 1982 to today.

Beijing Daxing International Airport building, China, design by Zaha Hadid Architects: photograph © Hufton+Crow

Defined by a timeline of Zaha Hadid Architects (ZHA) formative works in China, ‘ZHA Close Up’ at MAM Shanghai explores the pioneering research and interconnecting relationships that unite their projects around the globe, detailing the technological innovations that are transforming how the studio imagines, designs and constructs built environments.

CECEP Headquarters, Shanghai, China, design by Zaha Hadid Architects: Render by Negativ.com CECEP Headquarters Shanghai

Running from 26 June – 15 September 2021, the exhibition examines the evolution of Zaha Hadid Architects’ buildings over the last 40 years—from the flowing urban spaces of the MAXXI Museum of 21st Century Art in Rome (2010) and Leeza SOHO in Beijing (2019) to the studio’s ground-breaking projects currently in development across six continents—demonstrating a consistent desire to innovate and inspire.

Founded by the late Zaha Hadid in 1979, Zaha Hadid Architects (ZHA) redefined architecture for the 21st century with a repertoire of projects that have captured imaginations across the globe. Hadid was a major figure in the world of architecture and the first woman to receive the Pritzker Architecture Prize in 2004. She first travelled to China in 1981 at the very beginning of her career. Like her birthplace Iraq, carved by the Euphrates and the Tigris, China’s natural landscapes and urban settlements have been shaped through history by its great rivers and waterways. Travelling from north to south, visiting many Chinese cities to experience its art and architecture, Hadid studied the methods that embed its historic architecture within the great theatre of natural landscapes.

2 Murray Road, Hong Kong, China, by ZHA: image © Arqui9 2 Murray Road Building

ZHA’s competition-winning design for the Peak Club in Hong Kong (1982-1983) manifests Hadid’s investigations into the fluid relationships between building and site, interior and exterior, architecture and engineering. Defined by the topography of the surrounding mountainside, in this and later seminal projects such as the Guangzhou Opera House (2010) and Beijing Daxing International Airport (2019), ZHA’s work echoes the coherence of the nature in an organic architectural language generating unrivalled spatial experiences that are intuitive to navigate and recognised around the world.

‘ZHA Close Up’ explores the journey of four decades of experimentation that are inscribed within ZHA’s architecture and has seen their designs become more spatially inventive, more structurally efficient, more technologically advanced and more environmentally sensitive with each new design and positions their work at the forefront of architectural practice.

Beijing Daxing International Airport, China, design by ZHA: photo © Hufton+Crow

Showcasing projects that have received highest honours from civic, professional and academic institutions worldwide, ‘ZHA Close Up’ will present the studio’s pioneering research to improve how the industry designs and constructs:

Sustainability- the application of detailed environmental analysis and geometry optimization techniques to maximize efficient design with less waste and consumption of resources.

Computation & Design- collaboration with the world’s most respected scientific institutions to develop innovations in robotics, artificial intelligence and digital fabrication.

ZH Social- investigation of the social interaction processes to be expected in the designed environments via agent-based simulations with differentiated agent populations and decision processes.

Analytics & Insights- data analytics and human behaviour modelling to design healthy and productive working environments that are tailor-made to overall and individual wellness.

Virtual Reality- demonstrating the remarkable possibilities immersive technologies will offer architects to collaborate and design in augmented reality.

The exhibition will also present Zaha Hadid Design (ZHD), formed in 2006 out of a need to create a separate platform to share Hadid’s distinct dialogue of contemporary design, although the ZHD portfolio encompasses 40 years of research. Today it is defined by Hadid’s inventive methodology and signature design in furniture, lighting and fashion which transcends boundaries and has a global following.

ZHD has partnered with iconic brands to create exceptional one-off and limited edition pieces which form part of some of the world’s most esteemed museum collections. Each piece effortlessly conveys immaculate craftsmanship and Hadid’s virtuosity with fluid geometry. Launched in 2014 under its own label, the ‘ZHD Collection’ further expresses Hadid’s vision in an uncompromising pursuit of excellence and non-conformity to define the acclaimed brand and ensure its timeless and revered presence within the design world.

Beijing Daxing International Airport building in China: photo © Hufton+Crow

Shai Baitel, Artistic Director of MAM Shanghai, said: “I am excited to include, as part of our interdisciplinary and immersive approach at MAM, this important exhibition, celebrating Zaha Hadid’s ingenuity. Hadid was an exceptional woman, and we are delighted to show our audience the development of her movement as a researcher, designer, and architect through various geographies and histories—and how this movement impacts the current innovative vision and work of Zaha Hadid Architects, following her untimely passing. Zaha Hadid Architects (ZHA) continues and expands on her legacy and MAM is proud to present this show, granting unprecedented insights into the vision of one of the most important architects of our time.”

Patrik Schumacher, Principal, Zaha Hadid Architects, said: “With this show we aim to present who we are close up, our depth of experience, our current preoccupations, and our aspirations for the future.”

MAM Shanghai is the largest contemporary art museum in Shanghai, measuring over 7,000 square meters. The state of the art museum located at the heart of Shanghai’s cultural mile along the Huangpu River is a premier institution for contemporary art with a global and multidisciplinary approach.

‘ZHA Close Up – Work & Research’ 26 June – 15 September 2021

MAM Shanghai Opening times : Tuesday – Sunday, 10:00 – 18:00, Last admission 17:30 Address: 4777 Binjiang Avenue, Pudong New Area, Shanghai

www.en.mamsh.org

About MAM Shanghai

The Modern Art Museum (MAM) in Shanghai, China, is an institution with a global and multidisciplinary approach, contributing to the education, knowledge and enjoyment of art through an immersive and engaging experience.

Its vast industrial architecture offers a versatile and dynamic space to connect shared cultures of the East and West. Located on the ‘cultural corridor’ of museums and galleries that runs along the riverside in the Pudong New Area, MAM, utilizes innovative methods to facilitate public participation and engagement with art.

www.en.mamsh.org

ZHA Close Up – Work & Research Exhibition images / information received 110521

Zaha Hadid Architects e-architect

Location: Shanghai, China, Eastern Asia

Zaha Hadid Architects Designs in China

Chinese Architecture Designs by Zaha Hadid Architects – selection below:

Tower C at Shenzhen Bay Super Headquarters Base, Shenzhen image courtesy of architectural office Tower C at Shenzhen Bay

Shenzhen Science & Technology Museum, Shenzhen, China rendering © Brick Shenzhen Science & Technology Museum

Xi’an International Football Centre, Xi’an render by Atchain Xi’an International Football Centre

Leeza SOHO, Lize Financial Business District, Beijing, China Design: Zaha Hadid Architects (ZHA) photograph : Hufton+Crow Leeza SOHO in Beijing

China Architectural Designs

Chinese Architecture Designs – architectural selection below:

Shanghai Architecture Designs – chronological list

Shanghai Architectural News

Chinese Architecture Designs – chronological list

Changzhou Culture Center Architect: gmp · von Gerkan, Marg and Partners · Architects photography © Schran Images Changzhou Culture Center Building

Gallery at Hongqiao World Centre in Shanghai image from architects Gallery at Hongqiao World Centre in Shanghai

Chinese Architecture

Chinese Architects

Chinese Buildings

Zaha Hadid Books

Zaha Hadid Architects – All Projects + Practice Information

Comments / photos for the ZHA Close Up – Work & Research Exhibition page welcome

Website: ZHA

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browsingcopy · 3 years

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Human+: The Future of our Species

On the way to Human+: The Future of our Species at Singapore’s ArtScience Museum, I came across an advertisement for “Singapore’s 1st Android Employment Agency” in an underground passageway. From Susan the Culinary Steward to Judy 2 the Tray Custodian, these bots are designed to meet your everyday cleaning needs. Walking across the molecular strands of the Helix Bridge, with a view that spans the durian thorns of the Esplanade arts centre, the glassy, metallic blue skyscrapers of the Central Business District to the curving white petals of the ArtScience Museum, I wondered, dare we dream of a hyperfuturistic, alt-dystopian world, or are we there already?

HUMAN+ invites you into a world of multivocality and polysemy. The show prompts us to expand our definitions of terms like posthumanism and transhumanism, raising questions on whether our heart valves or contact lenses have already transformed us, as the wall text suggests, into cyborgs. Aimee Mullins’ portrait by photographer Howard Schatz flaunts the aesthetics of her woven carbon-fibre prosthetics, modelled after cheetah legs. Next to the print, Mullins’ TED Talk The Opportunity of Adversity plays on a screen, in which she recounts her experience of looking up the word “disabled” in a 1982 edition of Webster’s New World Thesaurus. Synonyms like “crippled,” “useless,” and “wrecked” rolled off her tongue until she hit “mangled” and her voice broke. In spite of the prognosis that she would never walk, Mullins has gone on to sprint and jump in the Paralympic Games and catwalk down the Alexander McQueen runway, resisting a singular definition of her condition, transforming it into a plurality of forms and meanings.

Although some of the works have been shown at previous iterations of the exhibition in Dublin and Barcelona, the Singapore opening suffered a few kinks, suggesting that this latest version of HUMAN+ is not compatible with current operating systems. At the show, I felt like a Mars rover searching for signs of life. Like Elliott in E.T., I reached towards Moon Ribas’ Seismic Arm, expecting to feel haptic vibrations along the gold rind of the cybernetic sculpture, disappointed that there were no tremors or earthquakes happening in real time. The wall of googly, disembodied eyes comprising Louis-Philippe Demers’ Area V5: Interactive Social Robotics did not follow me, as promised, when I walked past. Do their eyes move only when I’m not looking? TEASE, a participatory installation by Nanyang Polytechnic students, remained just that. The boys on the digital screens yelped and moaned intermittently, instead of responding directly to touch through in-built sensors on the ear, foot and hand silicone replicas. A visitor even yanked the ear out of the socket of the wall in frustration. These bugs and glitches led me to wonder if all the machines had gone rogue, or someone had simply left a wire unplugged.

Lulled by Prague’s Empty room waltz floating out of a small dark room, I stumbled upon Whose Utopia? by Cao Fei. Filmed in a light bulb factory in Guangzhou, China, the three-part video begins with a montage of close-up shots of the factory production line. Without electricity flowing through, the light bulbs are absent of incandescence. Instead, they are lined up like soldiers on conveyor belts, the fragility of the glass juxtaposed by the dextrous metal claws that caress them. Through moving images, the artist seeks out poetic beauty in the daily grind and leaves the viewer untethered and free to elucidate meaning.

Cao Fei’s politically-driven and socially-engaged film shines a spotlight on the individuals of the industries, who have left their countryside villages to work in large cities. One factory worker dresses like a ballerina in a long white dress, twirling between rows of towering warehouse shelves. Another worker struts his electric guitar like a rock star, next to gas cylinders. The film ends with My Future is Not a Dream, a series of shots in which the factory labourers come to a standstill, while various cogs of the machinery continue to turn and churn in the background.

The question of “Whose Utopia?” provokes thought on the ethical issues of who is making and consuming lightbulbs, which can be extrapolated to systems for driverless cars or burrito- delivering drones. With advances in deep learning, do androids dream of electric sheep?

Science fictions and science factions have a history of dancing around each other. Yet, as the future of our species hurtles on, the HUMAN+ works, even the ones that do work, feel dated and contribute little to the flux of imaginative ideas across the fields of art and science.

____

Aligned with the spirit of this exhibition, I also attempted to use predictive text on my iPhone as a means of exploring a new form of art review:

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trademarkclick · 4 years

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Selena Gomez Files Lawsuit against ‘Clothes Forever-Styling Game’ Creators

By reason of world-wide reputation and recognition, a tremendous amount of value and goodwill is usually attached to the name as well as image of a celebrity. Not just that, a considerable amount of money is also linked with that acclaimed figure, making it extremely pertinent to offer some rights to such renowned personalities, allowing them to prevent a certain other from exploiting or using their name, without appropriate consent for the purpose of acquiring unlawful gains. Such rights, in common parlance, are usually regarded as ‘Publicity Rights’ also known as ‘Celebrity Rights’ in some nations. Although not exclusively provided under the Intellectual Property Laws of various countries, Publicity Rights have gained massive recognition in the IP field since past few years, protecting celebrities from unlawful and unauthorized application and usage of their name, likeness, photograph or image for commercial purposes.

Factually, in the year 2007, the Madras High Court upheld and observed the importance of Publicity Rights in India vide the landmark case Mr.Shivaji Rao Gaikwad v. M/S.Varsha Productions [2015 (62) PTC 351 (Madras)], thereby passing an injunction order against the film ‘Main Hoon Rajnikant’ on account of illegal and unauthorized usage of name of the Superstar of South, Mr Rajnikant.

Recently, the International icon and singer, Selena Gomez decided to sue Chinese mobile game Publisher, Guangzhou Fiedong Software Technology as well as British game developer firm, MutantBox Interactive Limited as a consequence of riding upon her goodwill by creating a like version of the acclaimed singer in the game Clothes Forever-Styling Game available at the Apple’s App Store.

It is contended that the developers of the infringing game acquire illicit gains by charging fees from the users for the virtual diamonds required to play the game. Moreover, the diamond packs in the game are available for purchase from basic amounts to $99.99. Wordings like “Interact with the most beautiful models and celebrities; the likes of Kardashian, Gigi, Beyonce, Taylor, and more will be dropping by and asking for YOUR fashion advise!” are used as promotional materials to attract maximum users.

Further, it is alleged that the fictional character created is an exact replica of Gomez’s picture displayed on the cover of Flare magazine. Neither did the creators approach the celebrity for consent nor did they inform her about such adopted likeness, the same fact has been made a part of the lawsuit filed along with the words, “Nor, if asked, would Gomez have consented to such use for the Game, which apparently relies on the unsavory practice of luring its users to make in-game purchases in amounts as much as $99.99 to fund imaginary spending in the Game and unlock features”.

The public figure is expecting a whooping amount of $10 million from the game-developers as damages for taking unfair advantage over her hard-earned and indisputable international reputation.

To read more IPR related articles, log on to - https://www.trademarkclick.com/education-blog/

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wallpaperpainter · 4 years

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Is Wallpaper Design Still Relevant? | Wallpaper Design

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Amanda Russell of Firespring installs a mural advised by Jon Humiston of Umbrella Photo Booth at Bryan East. Another has been installed at Bryan West.

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A Bryan Bloom agent poses for a photo in advanced mural at Bryan East that was advised by Jon Humiston of Umbrella Photo Booth. Another has been installed at Bryan West.

Jon Humiston hasn’t formed at his business back aboriginal March.

The aftermost advantageous gig for his Umbrella Photo Booth business was the Big 12 men’s basketball clash in Kansas City, Missouri. He got in one day of assignment there afore the tournament, like best added antic contest about the country, was canceled because of the coronavirus pandemic.

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“Within 24 hours, I absent about six months account of work,” Humiston said.

But the Lincoln man realizes he’s still bigger off than a lot of people, including a acquaintance of his who spent 13 canicule in a New York City hospital angry off COVID-19.

His friend’s acquaintance fabricated Humiston appetite to do article for front-line bloom affliction workers in Lincoln.

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Since his abilities are in photography, he came up with the abstraction of a selfie wall. He contacted Bryan Bloom admiral to see if they would be OK with the idea, and again he formed with bounded business aggregation Firespring to absolutely architecture and book the vinyl bank covering.

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Humiston said bloom affliction workers are beneath an astronomic bulk of accent because of COVID-19, and he’s acquisitive Bryan agents associates will booty pictures in advanced of the bank and column them on their amusing media sites application the hashtag #BryanHealth.

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bluemagic-girl · 5 years

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Exclusive: Foxconn eyes sale of $8.8 billion China plant amid trade war woes – sources

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TAIPEI (Reuters) – Taiwan’s Foxconn is exploring the sale of its new $eight.eight billion show panel manufacturing unit in China, individuals accustomed to the matter instructed Reuters, as demand for the product wanes amid an intensifying U.S.-China trade war.

FILE PHOTO: A motorcyclist rides previous the emblem of Foxconn, the buying and selling title of Hon Hai Precision Business, in Taipei, Taiwan March 30, 2018. REUTERS/Tyrone Siu/File Photograph

Foxconn, formally often known as Hon Hai Precision Business, is in talks to nominate banks to discover a purchaser for its liquid crystal show (LCD) manufacturing unit that’s being constructed within the southern Chinese language metropolis of Guangzhou, stated two individuals with direct data of the matter.

A sale would come at a fragile time for Foxconn, which has in depth investments in China, a big roster of U.S. shoppers that features Apple Inc, and is having to navigate a tough path amid the protracted trade war between Washington and Beijing. It might mark one of its largest divestments from China.

Foxconn’s discussions are at an preliminary stage and it has not but provide you with a price ticket for the so-referred to as Gen-10.5 facility specializing in massive-display screen LCDs, the sources stated, including a sale was not a surety.

“It’s not a straightforward sale and it may take some time,” stated one of the sources, citing tepid world demand for big-display screen LCDs.

Foxconn, in a written assertion to Reuters, stated: “As a matter of firm coverage, Foxconn doesn’t reply to market rumors or hypothesis.” The sources requested anonymity as a result of the deliberations are confidential.

U.S. President Donald Trump sharply raised the stakes within the bruising trade war with China and jolted world monetary markets by vowing on Thursday to impose a 10% tariff on $300 billion of Chinese language imports from September 1.

The trade war has disrupted expertise world provide chains in a significant means, forcing Foxconn to assessment its personal. That and slowing demand for big-display screen televisions and displays had prompted Foxconn’s administration to hunt a purchaser for the LCD plant, one of the sources accustomed to the administration’s pondering stated.

Questions had been additionally being raised inside Foxconn on the necessity for the Guangzhou venture. “Present crops are already not working at full capability … why want one other one?,” the supply stated.

The second supply stated the brand new manufacturing unit wouldn’t go into manufacturing till early October, which makes it much less interesting for patrons as a result of of the extra dangers as in comparison with an already working plant.

The Nikkei day by day reported earlier this 12 months that the corporate would delay most of its deliberate manufacturing in Guangzhou for a minimal of six months, however Foxconn stated the venture was on schedule.

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Dubbed the most important single funding ever within the southern metropolis by Chinese language media, Foxconn introduced the Guangzhou plant in 2016, hoping to begin operations by 2019 to satisfy an anticipated rise in demand for big-display screen TVs and displays in Asia in a problem to prime Chinese language show maker BOE Know-how Group.

The venture was primarily run by a three way partnership between the Guangzhou authorities and Japan’s Sakai Show Merchandise, a complicated panel manufacturing unit owned by Foxconn founder Terry Gou and Japan’s Sharp Corp, Foxconn’s show unit.

The Japanese panel maker stated on Thursday it might construct a plant in Vietnam to make flat screens and digital gadgets to protect towards extra U.S. import tariffs on Chinese language items.

The worldwide show trade has been fighting a provide glut and tumbling earnings on account of moribund gross sales of televisions and smartphones, and the worsening trade dispute that might increase product costs and dampen client demand.

Sharp reported on Thursday a double-digit decline in revenue for the quarter ended June on account of sluggish tech demand.

Taipei-primarily based Foxconn stated in April that it remained dedicated to constructing a show plant and tech analysis services in Wisconsin amid rising skepticism concerning the destiny of the $10 billion venture. Trump had cited Foxconn’s Wisconsin plans as proof he was reviving American manufacturing.

However Foxconn is already below the highlight for having failed to date to satisfy job-creation targets in Wisconsin.

The corporate instructed Reuters earlier this 12 months it was reconsidering plans to make superior LCD panels at Wisconsin.

Reporting by Yimou Lee; Enhancing by Anne Marie Roantree and Muralikumar Anantharaman

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fuwenjunstudio · 6 years

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ARTNESS SYSTEM Interview with Fu Wenjun：Significant Contemporary Approach

by Asya Sevdalinova Dzhankova

Fu Wenjun, Chinese contemporary artist, was graduated from Sichuan Fine Arts Institute. He creates principally through the art media of conceptual photography, installation, sculpture and oil painting, and has put forward the concept of "Digital Pictorial Photography".

Fu Wenjun’s works embody his thinking and reflection on many issues related to the Eastern and Western history, culture and humanity, including the relationship between different cultures in the age of globalization, the heritage of traditional Chinese culture in a rapidly changing society, industrialization and urbanization in Chinese cities.

He has presented solo exhibitions at the Museu Europeu de Arte Moderno (Barcelona), the National Art Museum of China (Beijing), the Old Summer Palace (Beijing), at the Today Art Museum (Beijing), at theUnited Nations Headquarters (New York), at the Guangdong Museum of Art (Guangzhou) and at other international art organizations. His works are exhibited at significant international exhibitions, such as the Triennale dell'Arte Contemporanea, the 1st Asia Biennial / 5th Guangzhou Triennial, the XVIII Bienal de Cerveira, NordArt, the collateral exhibition of Biennale di Venezia 2013, entitled Voice of the Unseen Chinese Independent Art 1979 / Today.

Hello Fu Wenjun. Congrats to being selected as an interview artist. Could you please talk about your art background? You already selected many collection and opened many solo shows in all around. Do you work with your team?

Hello, first of all thanks for your appreciation on my art, and I am honoured to be interviewed.

I have worked on photography art for more than 30 years, and in recent years I put forward the art style Digital Pictorial Photography, a new art language and art school. Now with the focus on Digital Pictorial Photography, my art creation does cross over several disciplines, including oil painting, sculpture, installation and others.

I believe art creation is absolutely subjective, some impromptu things happen always. I work by myself, without a team. I don’t like that commercial art products seemingly produced by a factory. Each piece of artwork should be unique.

Which kind of creative inspiration does your art effected by? How do you convey messages with art?

I think almost everyone is curious about the question where the artist inspiration come from. But it’s really hard to answer. Not because I pretend to make it like secrets, just the artist sometimes does not know what inspires him to do like this, instead of like that. When the inspiration run into me, I could even don’t know. I just unconsciously follow the direction I believe could be right.

To me inspiration is a contingency in art creation. Compared with it, the knowledge of human society, history, culture, science and many other aspects, as well as artist’s attention and thinking on current social situation, development trends, problems are facing etc., would provide richer resources for his art creation.

Digital Pictorial Photography, a contemporary fine art photography style I create, integrates the pictorial features into photography art, and places dialogues with painting, sculpture, installation and other art forms, with my intention to extend the boundary of photography art. What’s more important, Digital Pictorial Photography is a photography art style developed from the base of Conceptual Art, so its focus is to deliver my concepts/messages of my thought and reflection about global or regional issues related to history, culture, human life, art, nature and so on. I always believe, a good artwork should be beautiful, but more important why should the artwork be there is that it could inspire people to think, possibly to the things people often get used to, but to think from another ignored point of view.

What are you currently working on?

From 12 October to 25 November Dairy Arts Center in the USA presents my solo exhibition, titled “Is It Photography?” It is true that when the visitors see my artworks, they can’t help to ask me the question, “Your photographs do not look like photography indeed. Is it photography?” Their reaction is not surprising. People have conceived of a set of standard on photography, which is deeply rooted in their mind and they make a judgement unconsciously when there is a photograph in front of them. However, I don’t think this is the unique way of photography. Photography art should have various ways of presentation. I have explored a lot on extending the boundary of photography art, to find much more fascinating possibility of photography art. At the same time, let people see these “new” photography art. What I am currently working on is having deeper thinking and doing further exploration of my Digital Pictorial Photography art.

Would you talking about your upcoming projects? What issues do you plan to produce?

In fact I have mentioned this above. At this moment my creation focus is Digital Pictorial Photography. Apart from its currently existing various ways of presentation, I am working on how to achieve more possibility which could touch deeper level of photography art, and the charm of this medium among the contemporary art. At the same time, I want my works to be more expressive on delivering my concepts and reflection towards various issues on the basis of a good integration with the style Digital Pictorial Photography, so as to have a breakthrough.

Could you please share your messages to global art market in your approach for artists who is new in the global art market?

Compared with regional art market, global art market would be wider and more complex. Someone said, do art is do business. I think it’s partly right. But artist is not businessman. Artworks do have the value as a commodity, but its artistic value is the value that other commodity don’t have. Therefore, I think being an artist, either emerging or established what he/she should insist on most and always is to treat art seriously, to do best on art, to persist on working hard, and to believe in art forever. The art exploration and creation will never stop.

#fuwenjun #art #artist #interview #digitalpictorialphotography

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happydfartchaos · 6 years

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paranoidjapandroid · 6 years

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It's terribly soft and refulgency. What is hair thread? Hair weft refers to raw materials that may be used for hair receiving and wig, and may be directly unwoven on the top. Our company has many grades of Brazilian hair thread. The paranoidjapandroid blogspot human brazilian hair Lace closure natural straight of 2A belongs to remy hair, underneath traditional nursing use its generation is regarding fr a year, it's pre-dyed black oil, it's tough to re-dye alternative colours, hair quality is impetuous, exstension isn't smart, however the value is affordable. this sort of crowd is appropriate for quality needs, and conjointly likes to alter. The Brazilian hair of 4A belongs to remy hair. underneath traditional nursing, its generation is regarding one and a [*fr1] to 2 years. it's a virgin hair in remy hair, incorporates a reversed head technology, and also the hair scales within the same direction, smart quality, no alternative chemical treatment, however it's tough to dye bright colours. The paranoidjapandroid blogspot human brazilian hair Lace closure natural straight of 5A belongs to virgin hair, within the traditional use of nursing its life is regarding 2 years.It has a decent form, smart physical property, simple coloring or perm, top quality and efficient. The Brazilian hair of 7A belongs to virgin hair, underneath traditional nursing use, its life are often quite 2 years. it's the best grade hair thread , moderate hair quality, no drawback with coloring and critical, hair length uniform, good range, full paranoidjapandroid blogspot human brazilian hair Lace closure natural straight, soft, smooth, and straightforward to dye. it's appropriate for prime quality crowd. Different varieties satisfy totally different teams of individuals. Using paranoidjapandroid weebly brazilian hair body wave is a good possibility for ladies UN agency desires constant hair styling however are cautious of the injury it would bring. The lace closure may be a false hair string with virgin Remy hair that's sometimes stitched or connected atop a completed cornrow braid. It permits for a multiple styling opportunities whereas protective your original hair beneath. The Installation method Lace closures are ofttimes designed with the identical medium density up to its hairline. to form a additional natural hairstyle, it’s a good thanks to skinny down the hairline mistreatment tweezers before attaching the piece. you would possibly conjointly use a gadoid fish comb to form a perpetual parting to the wires before stitching them onto your braids. For the cornrow basis, it’s vital that it's the identical mode or position wherever you propose to mistreatment the paranoidjapandroid weebly brazilian hair deep wave extension. As you sew within the closure, guarantee to align diametrically on prime of your natural scalp because it shows through the lace. you would possibly conjointly add a concealer or any resolution to the bottom makings in order that the lace matches the colour of your skin tone. 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Besides optimum hair styling, this hair extension sort conjointly eliminates the matter of exhausting color and texture combine. Lace closures are accessible in most textures of virgin Remy hair extensions, from Brazilian body wavesto silklike straight strands, that you would possibly without delay experiment with varied colours for your dream hairstyle. moreover, you merely must use a cap or wrap the paranoidjapandroid weebly brazilian hair natural straight extensions at midnight for its maintenance and you are sensible to travel within the morning. In choosing the simplest lace closure, perpetually invest within the real virgin Remy sort, that you would possibly get from noted vendors like Company.

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aliworldtrade · 3 years

Link

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architectnews · 3 years

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Sisan Shuanglang Hotel, Yunnan Province

Sisan Shuanglang Hotel, Yunnan Province Interior Architecture, Chinese Building Development, Images

Sisan Shuanglang Hotel in the Yunnan Province

20 Apr 2021

Sisan Shuanglang Hotel

Architecture & Landscape & Interior & Furnishings: SYY design

Location: Main Street, Shuanglang Town, Dali City, Yunnan Province, China

Xie Ke, who often designs hotels, is also a veteran hotel enthusiast. He is willing to change his itinerary because of a destination worth being experienced.

In the Spring Festival of 2008, he drove to Dali with his partner Zhi Hongxin and other friends. Driving around Erhai Lake, they passed by ShuangLang, and a small hotel called “LADYFOUR” caused Xie Ke to change his travel plan and get to know his good friend, Baxun, the owner of LADYFOUR. Therefore, he sketched the rudiment of Sisan · Shuanglang.

If a festival presents a meeting point of the meaning of life, then a ceremony is the origin of the existence of a hotel. With its spatial orders, every hotel recombines the rhythms of experience and encourages people to pay attention to the dramatic details in their ordinary life and re-evaluate their lifestyle.

“LADYFOUR” has defined a ceremony for SISAN·SHUANGLANG, namely, completing the transition from noisiness to quiet and from secularity to relief by means of a central axis.

When Baxun hoped Xie Ke and Zhi Hongxin to build a new “LADYFOUR” for SISAN·SHUANGLANG on the basis of the original buildings three years ago, the designer Xie Ke decided to keep the original ceremony:

With 14 rooms at two floors, and their wide and diversified lake views, the design of SISAN·SHUANGLANG prevails over the interests-centered logic of other local homestays and hotels, and provides guests an enjoyable picturesque life.

Outside is the bustling main street of SHUANGLANG, and there is a restaurant and a bar surrounded by flowers at the front courtyard of SISAN.

Xie Ke’s individual elements, namely his personal signature design elements, such as white walls, old wood, hand-made ceramic tiles, and clear (refined) washed stone packaged the previous warehouses and shops, and constituted the first artistic part of the whole space.

Front Courtyard, Bar and Restaurant In the east-west courtyard, the sunshine differs from day to day in four seasons, but is as free and brilliant as we are in the space. The designer “personally felt the light on the spot, recorded it and actual feeling, and thus designed the light which is dancing in the courtyard of SISAN·SHUANGLANG”.

When SISAN·SHUANGLANG was designed, Chongqing’s KITCHEN COFFE KAH • WOOD’D and GAAGAA KITCHEN had already been in good operation. Persuaded by Baxun, Xie Ke expanded the menu of SISAN·SHUANGLANG.

After a door hidden behind a winding path, a blue stone arch and a fireplace with the rough texture which is specific for SISAN·SHUANGLANG, were brought into the lobby, becoming the exhibits and revealing the memory of “LADYFOUR”.

Under the strong sunlight of Dali, their gray tone allows every guest to immerse in great peace. Turning to the central axis of the space, they welcome a road with trees on its both sides and Erhai Lake which rushes far away at the end of the road.

Great design aims to present the world and natural landscape, instead of landscaping into studios popular for Internet celebrities or objectifying into pictures or images.

Responding to the nature, Xie Ke pursued the creation of an environment which is not limited in form, style or concept. He adjusted the relationship between space and nature by simply thinking to guide people to experience the changes of time at day and night in four seasons.

In the lobby of the hotel, is there the dark furniture and paintings by French artists and the series of photos, titled Nujiang River, by Luo Dan, a famous Chinese photographer, on the walls, which are matched with the melody of classical music.

Long-lasting Enjoyment in Life The light and shadow during day and the candlelight at night contrast with each other at SISAN·SHUANGLANG. On one side are these incoming or outgoing guests; on the other side is the quiet backyard and Erhai River. Staying at the guest room area in the backyard, people can take in Erhai River in a glance. Those white buildings give a wider view and outdoor staircases, balconies, terraces and wooden frames constitute a concave-convex and full picture.

Shaking tree shadows enrich the levels of walls. It has plenty of sunshine and rain in Dali, which makes it especially suitable for plants to grow. Every family has a clean and beautiful courtyard full of flowers. Xie Ke arranged various ecdemic flowers and local plants in the courtyard according to climate, which are prosperous in four seasons.

Each guest room is equipped with an independent courtyard or terrace, and certain of them with two small courtyards. Each room has a different view of Erhai Lake. For the designer, however, such natural lake or courtyard is only one dimension of the hotel experience. Xie Ke used multivariate and multi-dimensional experience, including seeing, listening, touching, smelling, and tasting, to create SISAN·SHUANGLANG into the pronoun of “happy time”

The atmosphere of these guest rooms is determined by its relationship with Erhai Lake. The rooms near Erhai Lake are bright and light-colored in terms of space, furniture and even the artist Li Jun’s “Impermanent Time” series works, and the boundless blue Erhai Lake is the most beautiful decoration for their space. The two largest suites not only embrace both the courtyard and Erhai Lake, but also are equipped with gray and black decorations, dark metal furniture, collected old furniture, Luo Dan’s photography art works titled Nujiang River, which calm down the whole atmosphere to allow people to have a peaceful state of mind and celebrate their rich wonderful sceneries in their eyes.

Sisan Shuanglang Hotel in Yunnan Province, China – Building Information

Address: Main Street, Shuanglang Town, Dali City, Yunnan Province (near the intersection of Yuji Island)

Building area: 1626㎡ Indoor area: 1362 ㎡

Architecture & Landscape & Interior & Furnishings: SYY design

Products and Brands (not less than 3) Part of the furniture: YIJI for one episode Restaurant: Extra Small Pavilion (Roof series) Plant: Jiu Li Yu Shan

Photography: Tantan / JLAP

Sisan Shuanglang Hotel, Yunnan Province images / information received 200421

Location: Main Street, Shuanglang Town, Dali City, Yunnan Province, China

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Pu Zao Restaurant, Tongde Plaza, Kunming Architect: Yiduan Shanghai Interior Design photograph : Xu Xu-Juns Pu Zao Restaurant in Yunnan

Museum of Handcraft Paper, Gaoligong, Yunnan Province, China Design: Trace Architecture Office photo : AKAA Museum of Handcraft Paper Yunnan Building

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Jilin Financial Centre Commercial Complex, Jilin Province Architects: Aedas image courtesy of architects office Jilin Financial Centre Commercial Complex Building

Industrial Service Centre in Jinwan Aviation City, Zhuhai Architects: 10 DESIGN image courtesy of architects office Industrial Service Centre in Jinwan Aviation City

Sanya Block 5, Hainan Province, Southern China NL Architects Sanya Block 5

China Southern Airport City , Guangzhou Woods Bagot China Southern Airport City Guangzhou

Chinese Buildings

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Website: China

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