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imasallstars · 9 months

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INTERDIMENSION FESTIVAL: IDOLM@STER★♥LOVE LIVE! UTA GASSEN

Information regarding the first IJIGEN FES 2023 live has been revealed! The live will occur in the TOKYO DOME on the 9th and 10th of December 2023. This first fes will feature three branches of IDOLM@STER performing with four branches of Love Live!

The voice providers participating in this stop are as follows:

DAY 1 ONLY

IDOLM@STER CINDERELLA GIRLS 　Kotomi Aihara (Shiki Ichinose), Hiromi Igarashi (Anzu Futaba), Asami Takano (Frederica Miyamoto), Yuki Nakashima (Yuuki Otokura), Yuko Iida (Kanade Hayami), Honoka Inoue (Nanami Asari), Sumire Uesaka (Anastasia), Aya Suzaki (Minami Nitta), Miyu Tomita (Akira Sunazuka), Ru Thing (Syuko Shiomi), Teru Ikuta (Natalia), Hina Tachibana (Nagi Hisakawa), Nanami Yamashita (Yui Ohtsuki) IDOLM@STER MILLION LIVE 　Haruka Yamazaki (Mirai Kasuga), Azusa Tadokoro (Shizuka Mogami), Machico (Tsubasa Ibuki), Momo Asakura (Serika Hakozaki), Kotori Koiwai (Tomoka Tenkubashi), Atsuki Nakamura (Roco Handa), Emi Hirayama (Reika Kitakami), Yui Watanabe (Nao Yokoyama) IDOLM@STER SHINY COLORS 　Karin Isobe (Kogane Tsukioka), Chisa Suginuma (Mamimi Tanaka), Anna Yamaki (Sakuya Shirase), Shio Watanabe (Yuika Mitsumine), Yuina Mizuki (Kiriko Yukoku), Honoka Kuroki (Amana Osaki), Ryoko Maekawa (Tenka Osaki), Noriko Shibasaki (Chiyuki Kuwayama), Yuu Wakui (Toru Asakura), Rio Tsuchiya (Madoka Higuchi), Saran Tajima (Koito Fukumaru), Miho Okasaki (Hinana Ichikawa), Azusa Shizuki (Nichika Nanakusa), Aya Yamane (Mikoto Aketa)

DAY 2 ONLY

IDOLM@STER CINDERELLA GIRLS 　Ayaka Ohashi (Uzuki Shimamura), Ayaka Fukuhara (Rin Shibuya), Sayuri Hara (Mio Honda), Amina Sato (Arisu Tachibana), Tomoyo Kurosawa (Miria Akagi), Hana Tamegai (Risa Matoba), Makoto Koichi (Haru Yuuki), Asaka Imai (Chie Sasaki), Natsumi Haruse (Kaoru Ryuzaki), Misaki Kuno (Nina Ichihara), Yuri Komori (Koharu Koga), Mina Nakazawa (Yukimi Sajo), Maki Hanatani (Kozue Yusa) IDOLM@STER MILLION LIVE 　Aimi (Julia), Miku Itou (Yuriko Nanao), Ibuki Kido (Kana Yabuki), Arisa Kori (Kaori Sakuramori), Yuri Komagata (Sayoko Takayama), Rie Suegara (Fuka Toyokawa), Saki Minami (Tsumugi Shiraishi), Rikako Yamaguchi (Rio Momose) IDOLM@STER SHINY COLORS 　Hitomi Sekine (Mano Sakuragi), Reina Kondo (Hiori Kazano), Mayu Mineda (Meguru Hachimiya), Hiyori Konno (Kaho Komiya), Haruka Shiraishi (Chiyoko Sonoda), Mariko Nagai (Juri Saijo), Wakana Maruoka (Rinze Morino), Akiho Suzumoto (Natsuha Arisugawa), Yuki Tanaka (Asahi Serizawa), Eri Yukimura (Fuyuko Mayuzumi), Sayaka Kitahara (Mei Izumi), Rina Kawaguchi (Luca Ikaruga), Haruna Mikawa (Hana Suzuki), Rena Ozawa (Haruki Iketa)

DAY 1&2

AQOURS (LOVE LIVE! SUNSHINE!!) 　Anju Inami (Chika Takami), Rikako Aida (Riko Sakurauchi), Nanaka Suwa (Kana Matsuura), Arisa Komiya (Dia Kurosawa), Shukai Saito (You Watanabe), Aika Kobayashi (Yoshiko Tsushima), Kanako Takatsuki (Hanamaru Kunikida), Aina Suzuki (Mari Ohara), Ai Furihata (Ruby Kurosawa) NIJIGASAKU SCHOOL IDOL CLUB 　Aguri Ohnishi (Ayumu Uehara), Mayu Sagara (Kasumi Nakasu), Kaori Maede (Shizuku Osaka), Miyu Kubota (Karin Asaka), Natsumi Murakami (Ai Miyashia), Akari Kito (Kanata Konoe), Coco Hayashi (Setsuna Imura), Maria Sashide (Emma Verde), Chiemi Tanaka (Rina Tennoji), Moeka Koizumi (Shioriko Mifune), Shu Uchida (Mia Taylor), Akina Homoto (Zhong Lanzhu). 　Support Member: Hinaki Yano (Yu Takasaki) Liella! (LOVE LIVE! SUPERSTAR!!) 　Sayuri Date (Kanon Shibuya), Liyuu (Keke Tang), Nako Misaki (Chisato Arashi), Naomi Payton (Sumire Heanna), Nagisa Aoyama (Ren Hazuki), Nozomi Suzuhara (Kinako Sakurakoji), Akana Yabushima (Mei Yoneme), Wakana Okuma (Shiki Wakana), Aya Emori (Natsumi Onitsuka), Yuina (Wien Margarete), Sakura Sakakura (Tomari Onitsuka) HASUNOSORA SCHOOL IDOL CLUB 　Nirei Nozomi (Kaho Hinoshita), Kokona Nonaka (Sayaka Murano), Nina Hanamiya (Kozue Otomune), Kotoka Sasaki (Tsuzuri Yugiri), Kanna Kan (Rurino Osawa), Kona Tsukine (Megumi Fujishima)

#event rundown

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starlight-time-machine · 1 month

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Week in Review

03/17/2024 – 03/23/2024

Sunday

Week 6 of missing Cipher Academy.

Finally got around to watching the new Drag Race episode, and it was fine. At least it was better than last week… Plane Jane trying so hard to read Dawn was funny, when I also thought that Plane’s dress was pretty basic and barely even fit the brief. The mini challenge was fun – it seems like they’re going to make this a regular thing going forward, and I think that’s a good idea. It really showcased how well Sapphira knew the other girls lol The maxi challenge was also okay…I did have to skip Mhi’ya and Dawn’s presentation because I can’t stand secondhand embarrassment, but the others did relatively well. I know a lot of people were up in arms about how Plane and especially Q should’ve won, but I found their set a little…overly rehearsed and over the top to the point of being alienating. And their jokes were just okay. Sapphira and Nymphia also had pretty okay jokes, but Sapphira’s charisma just draws people in, and I think that’s what gave her the edge. And, if I’m being really honest, it’s extremely funny to see Q so shocked at Sapphira winning, and it looks like there’ll be an entertaining fight about it next week. The Mhi’ya and Morphine lip sync was…interesting…the cape throw was certainly a move… It was a nice cap on the Mhi’ya and Morphine rivalry storyline, I suppose, but as a lip sync it just felt awkward to watch.

Watched Nijigasaki’s 4th Live, Love the Life we Live while I did some reading, and it was pretty cute. This batch of solos were all decent, and I loved seeing Shu Uchida performing – she looks like she’s having a lot of fun and is super in her element. Seeing Akina Homoto perform is also great, and Lanzhu hasn’t had a bad solo so far. The cat ears for Happy Nyan Days were cute, the Santa capes for Twinkle Town were cute, and the Osaka-ben for MIRACLE STAY TUNE was fun. A decent live overall.

Manga Sunday time! Undead Unluck continues to deliver on the lore and the stakes raising – it’s hard to imagine actually losing anyone in this loop after the failure of the last loop, so I’m glad to see Tozuka finding ways to still make each victory feel earned and against insurmountable odds, because otherwise the victory lap would go on for way too long. I’m excited to see what Language can do, and how Nico and Ichico will counteract her. This loop looks like it’ll be a battle of wits between the two Round Tables, and that’ll be a blast to watch play out.

RuriDragon is more of the same…once again the dialogue writing is really verging on cringe and alien for me, and for such a story light/character driven narrative, it’s making me want to drop the series entirely… Okay, one more week, and then I’ll decide.

LMAOOOOOOOOOOOOOOOOOOOOO OKAY I TAKE IT BACK…OR RATHER, OSHI NO KO SAVED ITS ENERGY PULLING ALL THOSE PUNCHES JUST SO THIS ONE WOULD LAND LIKE A TRUCK… I mean, I do appreciate Aqua and Ruby’s relationship on a level of like, it must be somewhat comforting to Aqua to see a patient he failed in his past life living out her dreams now…but man, I have no idea how they’ll move forward with this storyline or resolve the incest of it all… Are we to expect that Aqua and Ruby are actually…lovers now? And that they’re just going to go through their whole lives hiding this relationship from the world…? I imagine Aqua will put an end to it eventually, but Ruby doesn’t seem like she’ll ever give up, so…? And man, if this movie came out in the real world I feel like there’d be people pushing to stop its release due to the on-screen actual incest kiss LMAO Well…either way, I’m in it for the long haul just to see how the story ends, so. Also side note but the art was really cute this chapter. They were really building up to this, huh.

Magilumiere fine.

Chainsaw Man… The Guillotine Devil’s design is super cool.

Woah… One Piece… seeing the Five Elders in their true monstrous glory is amazing… I especially like Bakotsu, the skeletal horse. But wow, this truly feels like an all-out war at this point.

Godddddd that was the best SpyFam chapter in a long while…I actually laughed out loud at the comedy for once, and the climactic payoff was so moving… It’s enough for me to want to do a livetweet of the chapter: I love Loid practically breaking his arm to marionette Anya around, and her childish need to show off just added to the comedy. The obstacle course was also cute, complete with Anya’s secret talent of “moving weirdly.” And then there’s Loid panicking at the quiz, only for Anya to obviously excel – but I do appreciate that she would’ve gotten the last question even without her mind reading (in this moment, at least), because she’s genuinely gotten to know Damian better. This whole competition thing was pretty silly, but it was a nice way to find an excuse for Damian and Anya to dance because Damian’s pride would’ve never let him do that otherwise. AND THEN SUDDEN HENRY/MARTHA SHIP FODDER????? I guess I should’ve expected it since they’re both named characters who are single and of the same age bracket, but damn I didn’t expect to actually be fed…I love seeing weird side pairings, and Martha’s super cool, so this was a fun surprise. AND THEN THE DAMIANYA DANCE it’s so cute… Loid leaving Anya to handle the situation on her own because he trusts her… Damian and Anya actually having a private conversation without their usual hostility or tsunderism or friends butting in with their own assumptions… Damian letting some cracks in his armour show and Anya noticing this… ANYA DECIDING TO TELL HIM SHE CAN READ MINDS AHHHHHHHHHHHHHHHHHHHHHH THIS IS THE MAJOR STATUS QUO SHIFT I WAS DESPERATELY WAITING FOR!!!!!!!!!!!!!!!!!!!! Of course Damian wouldn’t believe her right away, but I hope to god it doesn’t take another hundred chapters for him to be like “wait…this literally explains everything about why she’s so weird.” It’d be so cool if he and Anya could share this secret, and maybe they could even help each other out if they ever face something like the bus jacking again… Anya’s weakness has always been that she doesn’t have the skillset to effectively use the crucial information she can gather, so if Damian could help her strategize, I think that would make for some really fun developments. But for now, I’m just glad we seem to be moving forward.

Watched through the Karen Bee arc in Nisemonogatari, and it was…okay? I find it hard to follow some of Monogatari’s long winding conversations sometimes… Like, why does Araragi say that Karen’s conviction isn’t enough because she’s fighting for other people when he’s literally doing the same thing…? Why put down her self-sacrificing tendencies when Araragi was literally ready to give up his life to save a random vampire he just met…? And why was this enough to convince her to back down? I like Kaiki as a villain, and I like his jaunty little theme song and his tired sounding voice, but why did he agree to leave town so easily…? Maybe his motivations will be answered later on? Was he lying about leaving? But surely Araragi and Senjougahara would’ve realized that he was just saying he’d stop so that they’d leave him alone? It often feels like Monogatari is operating on a level of specificity and pedanticisim that leaves me feeling lost, because all this high-minded talk of being right or wrong or enacting the “right” kind of justice or enacting justice for the “right” reasons just feels sort of like…at a certain point, I’d rather see some actions being performed rather than long diatribes about how and why certain actions should be performed. I don’t know, I’ll go read some essays I guess, but I feel like I’m just not getting into the groove of Monogatari the way so many people seem to have done. I do like Araragi and Senjougahara’s insane little romance, though, and the way Senjougahara is so unrelenting but he accepts her anyway. Senjougahara and Hanekawa’s relationship is also interesting, and it seems like that branch of the love triangle will be explored further so I’m looking forward to it. And oh my god I’m so glad I watched things in novel order, because I would’ve been so much more confused if I hadn’t watched the Kizumonogatari films before this.

I do wonder, sometimes, if I’ll ever actually truly love Monogatari. I love Cipher Academy a lot, so I wanted to give Monogatari a shot as Nisioisin’s supposed magnum opus, but seeing people heap praise onto Bake and Kizu and not feeling particularly strongly about either of those series gives me pause… I guess it’s just like, none of the philosophical questions that Monogatari has posed so far actually interest me? I don’t really like altruistic to a fault protagonists who would do anything to help anyone no matter what, and that’s literally Araragi’s biggest character flaw. And the show supposedly explores this flaw of his, but so far it hasn’t really given him any lasting consequences. And while I can relate to Hanekawa in certain ways, (and honestly some parts of her emotional turmoil parallel mine a little too well) I still haven’t really gotten emotionally invested in her…perhaps because I tend to just compartmentalize and move on, while her compartmentalizing comes back to haunt her. And now Nise’s theme of real versus fake feels so boring…it seems obvious to me that after a certain point, if one’s tangible features and or actions are indistinguishable between real and fake, then it doesn’t matter if one had the intention of being a fake. In other words, intentions mean little in the face of tangible reality and how one’s actions actually affect others. This seems fairly basic, but it looks like we’re going to take 11 whole episodes to spell it out, so it feels a little frustrating. I don’t know…I really want to like Monogatari, but it’s just not hitting.

Did some reading of the second book in Pseudonymous Bosch’s Secret Series, If You’re Reading This It’s Too Late, and…I guess if I were to make comparisons to Mysterious Benedict Society again, it would be this: in Benedict it feels like the kids are rising to the challenge of the adults and the real stakes they pose, but in the Secret series it feels like the adults are lowering themselves to the kids’ levels in order to give them a fair shot. It’s satisfying to read Benedict to this day because the kids have to be genuinely resourceful and clever enough to not just solve puzzles but to social engineer their way out of harrowing situations with what resources they have. In the Secret series, the adults may threaten the kids’ lives, but as long as the kids conveniently know rope escape tricks or have some special gadget or can solve a basic riddle, they’ll succeed. It’s just not as compelling to read…but I’m a bit stuck because I actually own the third book in this series (childhood birthday gift) so I feel the need to read through the entire thing to see if I still like it. Granted I’m still in the first half of this book, but already the puzzles don’t feel that well thought out – first off, why give Max-Ernest a literal magic decoder that would either render all puzzles moot or require a “oh it won’t work for This puzzle because of this or that,” rendering it useless?? Just don’t put it in the book… Secondly, you’re telling me that Cass has perfect pitch (so that she could sing the song accurately to Yo-Yoji) AND she takes oboe lessons, but didn’t even think to transcribe the notes to see what they said until the resident new kid mentions being in a band???? God, I had issues with Baccalario’s Century series and Andrew Clements’ Keepers of the School series, but at least they had some puzzles that felt like actual challenges instead of just being solved by happenstance or extremely basic lateral thinking. Also I wish Cass and Max-Ernest had some more personalized motivations as to why they’re doing all these things – just wanting to go on an adventure and become a part of a cool secret society isn’t enough…at least Century had one of their friends in mortal peril and Keepers had their whole school at stake. Also also I always liked how in Benedict, the kids being key agents in the plan to the save the world seemed to pain Mr. Benedict due to the danger it would put them in, but there was good reason as to why only children could’ve done it, and they went into the plan knowing the risks. Here, Pietro all but shoves the Magic Item du Livre at Cass and gives her some vague “only you can do it” platitude before seemingly throwing her into the deep end with the Midnight Sun, who already know where she and her friends and family live and could harm her at any time. (Speaking of which, what was the point of sneaking into her house and retying the floss she had set-up as a detection mechanism if you’re just going to leave her torn up sock puppet on her bed anyway…) I know it’s pathetic to complain so much about a children’s book, but hey other children’s books have done it better, so why can’t this one? Kids (and weird adults like me) deserve good literature too.

Monday

Work

Tuesday

Work

Wednesday

Work

Thursday

I’ve been grinding this work thing nonstop with little sleep and about one meal a day, but I didn’t want to miss DunMesh Thursday…plus, Senshi would be disappointed with the way I’ve been living lol so I decided to splurge and order some chicken tikka masala, and the local Indian place was nice and gave me some free naan to boot. Unfortunately the episode itself was a little underwhelming…? I didn’t like some of the directorial choices like the weird trajectory of that one digital zoom or the lack of impact for Marcille’s dark magic…the blood bubbling up to form Falin’s body was cool, but I was missing some of the darkness and solemnity that the scene had in the manga. Also I’m so sad that Laios’ hug was also pretty nerfed, his expression was so complex and layered in the manga but the anime only gave it about one single second of airtime… The bath scene was also missing some of its subtle ominousness from the manga… I don’t know, the vibes in this episode were just off to me, it felt like Falin’s return sunk in way too easily. But it’s nice seeing more of who Falin actually is and how she fits into this group, and Laios subtly bragging in that older brother kind of way was so cute and demonstrative of their bond.

Read the latest chapter of Asada Nemui’s Living Dead – I don’t have much to say about it but I’m nervous for Nogami getting too close to the truth.

A Second Goodbye to You finally ended…what a disappointing story this turned out to be. Whatever vague time travel rules the mangaka established just get thrown out the window completely as Hinata jumps around and teleports to key moments and locations in order to prevent disaster (which makes all of his earlier struggles with getting to certain places as a teen or as a kid feel so pointless). And on top of all that, he gets to relive his high school days and Sora gets away from his parents somehow (even though Hakuraku no longer being a part of their lives really shouldn’t have affected this much), and everything just magically and conveniently works out for everyone. I think the earlier part of this manga was intriguing because it could often shock the reader with sudden violent twists, but when it came to actually explaining what was happening and people’s motivations, it just completely fell flat. OooOOoOh he’s EVIL because he loves DEATH and DYING and wants to turn it into ART like this is some 12 year old’s conception of a “crazy” bad guy. For annoying me so much, I’ll give it a 2/10.

Friday

Drag Race was okay…I kind of don’t get how these room design challenges relate to the skillset that a drag queen needs other than like, improv comedy I guess? Q being heated continues to be very funny, especially as Sapphira and Plane Jane get a team win. It feels like Nymphia’s chances of winning are slipping further and further away, but I hope I can be proven wrong. But also, to echo the words of literally every single tweet in the Drag Race tag today, they really set Dawn up with that song.

Daraku Kazoku-ron caught my eye for being an interesting take on the “two guys raise a kid together” BL – I normally don’t really like them when they’re overly fluffy and moe-focused, but this one has been enjoyable so far. I like that Meguru isn’t just a cute kid but a little surly, and has her own opinions on the situation and how her mother treated her. The two guys already having a history gives their inevitable relationship a stronger base to stand on, and there are some actual themes of self-improvement and scenes of the two trading their differing philosophies that I appreciate. I also like that they didn’t cheap out on Touma’s shady occupation and he’s actually a yakuza, which should make for some interesting story developments in the future. I’m looking forward to the rest of this one.

Saturday

Work ahhhhhhhhhhhghhhhhhhhhhh

#week in review #2024

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