#I think its super cool that they thought to interweave the well scene with his backstory in the LA! Its gotta be 100% purposeful!

[pyrrhicprose]

Hey guys so I was rewatching OPLA and uh.

They really carried that well theme through huh?

[battlestar-royco]

IT'S BEEN 84 YEARS. LET'S TALK ABOUT NETFLIX'S SHADOW AND BONE.

8.7/10 ⭐️

spoilers for everythingggg under the cut! i'll be discussing its merits as an adaptation vs as a show, characters and plots, and the overall aesthetic and magic/world.

SHOW VS ADAPTATION:

i say this as someone who knows all the books very well and has been in the fandom for nearly a decade, so i'm biased. but. s&b functions better as an adaptation than as a standalone show. alina's plot moves so well, and satisfyingly renders so many iconic scenes and sites from s&b. the worldbuilding is also pretty easy to fall into, with a forgivable amount of voiceover/infodump. and, hurting budget aside, i mostly liked this visual interpretation of the gv.

(sidebar: the in-universe racism... doesn't work. i tried to view it in good faith but imo it was very heavy-handed. if it was framed like, "wow it's a SHU WOMAN saving the world!!!" it might've been better, but it's just racism without recompense. and it's a terrible look to make other characters of color racist. i just. why?)

as for the crows, however... i'm just not sure how strong they'll be for new viewers? i totally understand why they were included, and i really like certain connections the show made between the two series. it was a great decision to introduce the druskelle in the first Cut scene, and showing nina as a ravkan spy.

the new crows stuff felt in character, but i think the show is at its height when it sticks to the books. the first couple episodes switching between tgt and proto-soc gave me whiplash, but luckily it got more organic as it progressed. if i didn't know and love all the crows before going in, i wouldn't be that invested in them based on season 1. aside from a couple fantastic scenes, it really felt like the writers were trying to make fetch happen for like 4 episodes before they figured out what to do with everyone. plus, ravka is such a different vibe from ketterdam--tonally, sartorially, technologically, etc they didn't totally feel like the same world. it was pretty jarring. although i prefer the duo to the trio, s&b is alina's story and she is That Bitch who walked so the crows could fly. so i didn't hate their inclusion but the shoehorned content did at times disservice both plots, imo.

CHARACTERS:

way too many, which is yet another consequence of smushing everyone into one season.

MAL/ALINA/DARKLING: first and foremost, and i PROMISE i'm not saying this just to be a hater, but there needed to be less malina. i'll be the first to say that show!mal really has what book!mal wants. the new pre-fold scenes were so good. li and renaux have amazing chemistry, and their laughter over stolen grapes was a highlight. his stag plot was also good. THAT SAID, there were way too many keramzin flashbacks and malina parallels like.. 🤢🤢why do they want us to love mal so much. for what. they only needed the teacup scene but they clearly thought they were doing something with micro-aggressions and that meadow shot they showed like 6 times. knowing mal's original character, and how they scrubbed his show counterpart almost to the point of flawlessness, he's just never going to be my fave even though i do respect what they did with him. also, why were there like 5 fake deaths for this dude? boring.

the darkling was great. ben barnes knows what the fuck he's about, and he funneled manipulation and charisma into every scene. as for the backstory: at first i really wasn't feeling it, but i eventually did warm up to it and i'm so glad they showed it because oh god the cut and the creation of the fold were SO FUCKING ICONIC. also, love love love the baghra development. WE LOVE TO SEE OLD WOMEN/MOMS WHO AREN'T "EVIL"/"CORRUPTED" BY THEIR MAGICAL POWERS!!!!!!! BITCH! it didn't have to be 12 minutes long though.

i honestly don't have much to say on alina. jml was excellent in her role and very true to the book. without her book narration she feels much more consistently written.

TRILOGY CHARACTERS: i really felt the lack of genya and zoya. genya's character and actress are perfectly layered and effective, even though their roles are relatively minor. i'm so looking forward to her razrushost moment, but i wish they'd laid more groundwork for it. (and i hope throw out the wig and just dye her hair next season.) also like. WHY KEEP THE IRRELEVANT MEAN GIRL/DARKLING THIRST PLOT FOR ZOYA??? AFTER ALL THE EFFORT THEY PUT INTO IMPROVING MAL? they sacrificed so much for malina at the expense of other characters. finally, it was interesting how they decided to kill marie. i love the tailor magic flex. but also they clearly just did that to emotionally manipulate us and connect the crows so. hm.

CROWS: speaking of! the crows storyline felt a little like filler. honestly i wish they waited to roll crows into later seasons. i'd prefer little foreshadowings about them, a la the druskelle cameo or the references to nina and matthias. introducing the crows so soon makes the ice court heist feel less special. the recruitment was super tight and pragmatic, so this felt a little fluffy/fanservicey. kaz also comes off as sooooo old again. especially without the vulnerability of his book counterpart, he just seems like a 40-year-old in a 20something body.

i was pleasantly surprised to find jesper my favorite crow. like wow.... second amendment rights for jesper fahey only!! i like all the crows but book!kanej are my faves by a long shot. they felt a bit stiff tbh, like the actors were a little uncomfy with each other and/or their exposition-heavy lines. however, the one scene that felt EXTREMELY kanej to me was when they killed that dude in the church holy fuck oh my god. WE STAN AN ANGSTY BATTLE COUPLE WHO ARE BOTH DEAD INSIDE. highlight for sure.

and i actually kinda loved helnik? i know helnik is controversial for very valid reasons, but i thoughy their dynamic was fantastic and they were among the strongest performers. it was much less overwhelming than the constantly interweaving kaz/inej/jesper imo. they need to fire their location scout though. those green screen mountains and beaches were um. interesting.

aesthetic and magic:

i really hope they get a bigger budget for costumes, cgi, and sets next season! the keftas are serviceable, but they look a little cheap at times. i will also never forgive ANY of the crows' hats. it's mostly just a personal aesthetic thing but god i fucking hate them. the darkling was best dressed, but in general i liked the ravkan look more than the kerch. why were the crows always in the most elaborate getups? why couldn't they just chill in their waistcoats??? they never seemed relaxed in the way alina and co did; the clothes never felt worn or broken in.

favorite sets: the darkling's room, the crow club, all the grisha tents, the matthias/nina ship, the church where inej killed the squaller, outdoor fountain where they told the story of the black heretic. the lighting was almost always right for each scene, and there was so much detail in every one of them.

THE MAGIC WAS SO COOL! my greatest beef is alina's light--it often looked so fake, and it washed out jml. oftentimes it was fluorescent or blue, and it was used as a forcefield or orb. it's supposed to be sunlight bro. what is so hard about that? the darkling's magic looked good, other than the fold. i've always imagined the fold more like a huge black fog rather than a literal wall. so that was a bit game of thronesy, but not terrible.

and can we talk about the amplifiers? amplifiers are my personal favorite gv lore but season 1 barely gets into them. they never mention the bear zoya slew, nor do they establish the unique strength of the stag, sea dragon, and firebird. BUT THE ANTLER COLLAR FUSED INTO ALINA'S SKIN WAS SUPER DARK AND MACABRE AND I KINDA LIKED IT? ALTHOUGH I HAVE TO WONDER HOW TF IS SHE GONNA SLEEP???

if you made it this far, thanks so much! that's all i have for today.

[gra-sonas]

Currently airing its second season and already renewed for its third, The CW’s Roswell, New Mexico continues to push the story of alien siblings attempting to live peacefully in the town of Roswell to new places even perhaps for fans of the original Roswell. MICHAEL VLAMIS discusses working on the show, the complexities of his character, Michael Guerin, the many (MANY) other projects on his plate and more!

watchtivist: To start off, congratulations on the success of the show! How cool that you’re heading into season three now!

MICHAEL VLAMIS: It’s crazy, I remember when I got the call that I was going to be on the show in the first place. It’s the role that changed my life and it really set me up for all the other things going on in my life. I remember getting that call, crying in a public place. So jacked up! And now all of a sudden, it’s like no big deal. I watched the episode last night (episode 207) on the TV and I get reminded it’s a big deal when I talk to my parents after every episode and hear their thoughts. Just the fact that they get to see their son miles away on television once a week. I appreciate you saying that because sometimes it feels like this is something we’re doing now, but definitely taking those moments to be grateful and the fact that we have season three is amazing.

W: It’s really great, especially in this landscape where shows don’t really get to dig into things. It’s gotta be exciting!

MV: Definitely.

W: One of the questions we received from Twitter was about if this role, that of Michael Guerin, has led you to acquire any particular skill set (or sets) for it.

MV: Oh wow, that’s interesting. Season one made me pull out my guitar again. Which was actually really cool because I got like not good at guitar, but decent where I could play a few songs. In college, I borrowed someone’s guitar and later got my own and played a bunch. Then for years, I got so focused on trying to make it as an actor, writing and auditions, that I stopped playing it. The show forced me to really go out of my comfort zone and even though it was easy things like songs with four chords or strumming patterns, sometimes depending on shooting schedules and if they got switched around, I’d learn something three hours before going to set. We’d wrap super late sometimes and I’d come home and dig in with my guitar. It’s definitely helped me brush up on that. I haven’t played the guitar on season two, so I’m probably back to where I was. [Laughs]

W: With the violent circumstances making up Michael’s background, he kind of starts out with that “looking out for number one” approach to things and season two we’re seeing Michael’s growth and him realizing when it’s perfectly ok for him to let people in and reprioritize based on that. What has that been like for you in terms of tackling the role? What would you say is the next phase of the growth for him?

MV: I think number one in tackling it was that I had no idea that the character was this complex in the beginning. I knew he was hiding his sexuality and who he really is, which is an alien. I knew that something had happened to him in the foster system growing up and he didn’t have the best upbringing. As the seasons have developed, everything has made a lot of sense. I’m sure Carina (Adly MacKenzie) knew from the moment she got the opportunity to do the new Roswell , so the way that it was written in the beginning, I was never surprised where it led me. And even with not being surprised, it’s been really cool to just see what they’ve given me to jump into. It’s kind of helped me deal with some of my trauma as a kid, and my trauma is not near what Michael Guerin’s was. I definitely had my moments, just as we all do with our families. Not feeling good enough or just hiding certain things about you because you’re afraid of who you are and people wouldn’t understand you. The complexities of the character have really helped me also look into who I am. Because I need to figure out a way into every script, every scene and the character. It helps me strip things away and boil down to “Ok, who was thirteen-year-old, chubby, Michael Vlamis and now I’m this way. What was that growth like?” Figuring out my own personal growth helps me elevate that character, Michael Guerin.

With where we’re going next, I can’t say too much because he already has some changes coming towards the end of the season. It’s very interesting to see everyone’s theories online, some are correct and some are way off.

I saw in last night’s episode they finally revealed the junkyard owner, Walt, was the little boy from the flashbacks and people were speculating that really early on! That was really cool to see people getting validation in their theories because I love seeing those online. When it comes down to it, I want the dude to be happy with one of these lovers. I don’t know who that’s going to be. Everyone always asks who I’d rather be with and I can’t really even say that, even if I had one, because they’re both so different. I think Maria (Heather Hemmens) and Alex (Tyler Blackburn) are both good for Michael at different times in his life. I know Tyler is going around telling people that that’s what he wants in season three and I let him run his mouth and hope that his new love interest in the show crashes and burns. [Laughs] I would like him to be in a good relationship, a happy relationship, but at the same time, I’m so excited to do the work on the days where my mother is dying, my brother is in a coma or I’m getting my heart ripped out. I love those scenes so much, as happy as I want and think Guerin deserves to be, I love the drama on the show. So, a little bit of heartbreak won’t hurt me.

W: Right, that makes sense. The question was going to be what would you want to see for Guerin in season three and beyond but you basically answered that! You want him happy. [Laughs]

MV: I’d love to see that. I would like to further expand his journey of putting that spaceship back together. I would love to see where that goes. I don’t even know if The CW has the budget to do that and take us to outer space or something but I think that’d be so cool. To find out about that and their home planet.

W: I mean, The CW has The 100 and DC Comics shows! Space isn’t a new place for The CW.

MV: That’s true! So maybe right now we’re willing it into existence. We’re manifesting it.

W: Actually, bringing up spaceships. Given that we live in the craziest of times and the Pentagon officially released videos of UFOs - Has that been something you’ve talked about with any cast or crew members?

MV: I haven’t talked to any of the cast or crew members about it but I’m pretty sure we’re all feeling the same way about it, we’re all excited for any new information. I’ve been interested in aliens since I found out Tom Delonge from Blink 182 was a major conspiracy theorist and loves everything about UFOs and alien artifacts, that search for if there’s life outside of our own. I always thought that was so cool, going back to fourth grade listening to “Aliens Exist” by Blink 182. I want that to be the case, I want that to be real. I think life would be far more interesting and I’m always trying to believe in the most interesting things because it just furthers the imagination. I haven’t talked about it with them but now that you’ve mentioned it, I’ll shoot off a text.

W: The show hasn’t shied away from increasingly difficult topics like the foster system, immigration, citizen’s rights, abortion, etc. Is there an area you’re hoping the show either continues to explore or adds going forward?

MV: I would’ve answered this question so differently two years ago but now I would say something with the LGBTQ community really responding well to the show has really furthered me as a human being and opened up my mind to what people who are made to feel “outside of the norm” go through. I personally don’t think or feel that they are. I think it’s ridiculous the taboo that society has placed on sexualities over the years. The fact that we give marginalized voices a platform to come forward and see that what they’re going through, other people are going through. That it’s ok, it’s love and that’s all that really matters at the end of the day. It’s so special to me. The more that we can tackle that, it really comes down to my character and Tyler’s character having a great relationship. That might mean that Lily Cowles’ character, Isobel, is still going to Planet 7 and seeing what’s out there. I think it’s cool how we normalize that, it’s not a big deal. I live in LA right now, and people, they experiment, they’re fluid. They’re interested and the more you find out about yourself, the more you know, the more comfortable you are with yourself. I think that’s a really important topic that I want to further.

I think we’ve done a really good job with the idea of what an immigrant is and what an immigrant looks like. I think we tackled the abortion scenes, I would’ve never thought that was something on our show. It’s very hard because the writers find a way to interweave everything in. I haven’t had the time to sit back and think “what else?” because every week has been something new.

W: That’s a great answer, it’s true. The show has covered a lot of topics and it’s doing very well.

MV: The abortion episode was insane, Carina fought for those shots of Lily’s legs bloody and she didn’t want to shy away from the graphicness of the scene. And I think that was important, to be really truthful to that.

W: Incredibly. This season resurrected Rosa (Amber Midthunder) from a pod years later, which is similar in a way to Captain America or Han Solo being unfrozen. With time having gone on, she’s having to adjust and in her own way, catch up to 2020. Let’s say you were able to suggest 1-2 things that someone should undoubtedly know about in 2020, what would it be? Is it a book, movie, show, certain type of food? What’s something you’d for sure put on that “must haves/dos” list of things or experiences?

MV: Oh wow, you’re really making me think about this! I can’t help but think about it as if it was me in that scenario and I would say something that I was really fortunate enough to do ten years ago, which was scuba dive The Great Barrier Reef. I think it’s so sad that it’s deteriorating at such a rapid rate because of pollution. I’m sure some natural causes. A lot of people fighting climate change will say natural causes and I can understand and see both sides to that, but I know that we definitely contribute to that. That was one of the most spectacular things I’ve ever seen. And if someone wasn’t able to see it the way I saw it, I haven’t been down there since so I don’t actually know what it looks or feels like now. But that was one of the first moments in my life where what I was experiencing…the world felt so big. Not in a way it felt just traveling. In a way it felt magical, that something like this can just exist and has existed much longer than we’ve ever been around. I’ve had that with hiking the second largest glacier in the world. All these feelings with nature have really expanded my mind and my horizon of the potential and possibilities. Realizing we’re very small, we’re here for a short amount of time. Let’s cherish it.

Traveling to these places that have just been so affected, I think that’s very important because of what it did to my mindset.

W: I loved that answer, you made it ecofriendly and everything. That was wonderful!

MV: My sister studied environmental science at the University of Illinois, so I gotta keep her mind. But I really do believe that. Maybe that’s something I want to see in the show too! Go into some climate change.  I don’t think we’ve touched that really, have we? Each side has arguments.

W: Each episode of Roswell, NM is titled after a famous ‘90s song. What’s your favorite or what would you consider the most iconic ‘90s song or band/musician?

MV: For me, it was Blink 182! In the ‘90s that was me. I’m a big Conor Oberst fan, the lead singer of Bright Eyes. The fact I’m in a scene, now multiple scenes that play that song. They did it in season one and in season two, they play “First Day of My Life,” that has been so surreal to me because music has been so important to me as a kid. I haven’t told many people this. As a kid I’d make short films with my friends, a lot of people know that, but what they don’t know is that I would rip so much music from all these platforms. As a little 11 year old kid, I’d get as much music as I could to have thousands of songs on my iTunes and iPod. Not that I was going to listen to them, but that one day when I was making my own big movies, I’d have this database of music to select from. Back then there wasn’t Spotify and it wasn’t as readily available, and also I was a kid and that was my thinking! Music has such an influence on my life, but Blink 182 specially. All that angst I was feeling at the time as a kid, it’s really in Guerin and me, even though I handle it in different ways in real life. Feeling a little different or not understood, that was that music that would give me a release without being too intense or too Screamo. If a Blink 182 song is ever in a scene that I’m in, I can die a happy man.

W: [Laughs] Amazing. Alongside acting, you’re also a talented writer, director and producer. A screenplay that you co-wrote earned a spot on the Black List which was one of the coolest things I’ve ever read. Congratulations! Are there other projects you’re currently working on or maybe topics you’re considering for future screenplays?

MV: Thank you! Yeah, definitely! The new Nicolas Cage/Tiger King series, the creator of that is actually the showrunner of a TV show my writing partner and I created as well. So, we’re all really stoked about that. Dan Lagana, showrunner of American Vandal is making such a splash with this Nicolas Cage project that it’s helping our TV show get put together too. We’ve got the Black List/Mac Miller script, we have a “Halloween comedy” feature film that’s set up at Seth MacFarlane’s company right now. Hopefully that gets made. We have an “old lady comedy” that’s being read, taking a lot of good meetings on that. We’re writing our next movie right now, we’re probably going to finish the beat sheet. We do a very detailed, intense outline of the movie, scene by scene as if we were actually writing the script. Exterior, interior, every single scene in order, everything we want out of characters in the scene, what we expect to happen, some dialogue that maybe came to mind as we’re banging out the outline. Once we get to writing, we could bang out eight pages in a day. We finish scripts very quickly, so we’re writing a “mob action comedy” right now. So yes, I became a writer out of desperation and found some success with writing. It’s been really good. As a kid making short films, it wasn’t actually in script form.

The last four years I’ve been writing a ton and now it’s starting to pop off a bit. I love it. I produce my own movies too and it looks like we’re about to lock down distribution for the first feature film I produced and starred in called Five Years Apart, it’s got a pretty cool cast in it and I’m really pumped for people to see it, we have a really cool distributor, I’m 99% sure that’ll be our distributor but I don’t want to jinx it. We’ll see if that’s going to be Hulu, Netflix, small theatrical release, I’m not sure yet. As a first time producer I’m learning all that. We’re gearing up on producing our next feature too, we were planning on filming in Wisconsin this summer but things have changed with the conditions of the world.

Acting, producing, writing, directing and releasing another merch line. I’ve been staying busy during the quarantine!

W: Seems so! I saw the line and love the pops of color!

MV: Thank you! It’s been really good, honestly the feedback, I was very surprised with how it’s done. Compared to last year and the multiple drops, this year, we’re nearing a certain point in orders and products that we’ll have to produce within three days of being out. It’s been really cool. Last year we gave 100% of profits to a charity called Random Acts started by Misha Collins of Supernatural. And this year, I unfortunately can’t do 100% again, I made the point but learned the lesson in that we had no money for this next launch. [Laughs] I had to dig into my own pockets, which was fun and it’s all good, it’s a big creative project. This year Carina created this thing called The Little Alien, a Roswell fund for the Roswell crew that’s out of work right now. She’s been raising money through t-shirts and I’m going to donate some of our proceeds to them as well. They’re the heartbeat of the show, they’re the reason we get to be there every day and things go smoothly. We’re trying to take care of them at this time.

W: Amazing, intentions matter so that’s really cool to hear. Lastly, anything you’d like to say to those reading and watching?

MV: To those reading and watching, thank you from the bottom of my heart that you’re tuning in and giving me a platform to do what I love the most. And what I set out to do felt like such a dream that from the age of 12 to 20, I wasn’t acting and making movies. Dreams are just dreams until you realize that they are very plausible, and most dreams, I think, can be achieved given the right circumstances, opportunities and work ethic. Thank you for allowing me follow my dreams and I hope that I’m able to inspire you to follow yours.

~ WatchTivist