#I thought it was pretty cool is the pro- and epilogue were like Rose talking to him and the story itself is like a retelling of his story

[doodles-with-noodles]

Here are some more! This is fun :D

What magic powers do your characters thst have magic have?

Those that don't have a magic power, which power do you think would fit them most to have?

What is the Mistletoe project for? Why did they want to kill people?

Why'd Cecil fake his death? Just, like, for fun? Or was he trying to get away from someone?

Who killed Baldur?

Is there an archivist in your muesum archives or are they all archivists? Is there a head archivist? BASICALLY WHAT ARE THEIR ACTUAL JOBS

Where do your characters live?

Character that is the most famous in their world.

Character that you've drawn the most (You can guess)

What is the first real low point of any of your characters during the story?

Have you made AUs for any stories? I'd like to hear about them if you do!

Thanks!

Mathildis and Dagny are the only main characters that have naturally given powers, which is manipulation of natural science (follows rules or theories). They only have it under control if they completely understand it- testing out stuff that is not completely proven is forbidden and could lead to a suppression of powers. Mathildis lays his powers heavily in the laws of physics, the main thing he did before he actually understood it was producing light. Dagny uses Chemistry to understand hers. People that are truly in control of their powers are mostly scientists- although no one understands everything and it’s limits are what their body can bear. Maybe 0.01 % of population have naturally given magic. Other characters use artifacts that mostly can only execute one function. In the museum archives, they use written- out spells that can be performed by everyone.

I don’t know for certain, but Maura would probably have some sort of protective magic, Ed illusion, and Norna something like telekinesis. Else, I think others would have powers based on their jobs or none.

WARFARE! It’s to be ahead of the enemy and end the war.

I haven’t entirely thought it out, but someone wanted him out of the way because he is supposed to carry on his father’s legacy, and so he just went „nope.“

“Baldur“ is functions as a sort of symbolism for Mathildis. „Loki“ is Treeve. So Loki (Treeve) essentially „kills“ Baldur (Mathildis’ old self) with the „Mistletoe“ (the bomb based upon his own powers/theories)

The „archive“ stuff is based upon the fact that museums have archives stuffed with things that aren’t currently exhibited, which have SOMETHING to do with their story. The characters themselves are part time historians, part time protectors of the mortal realm since white ppl sniffing around old Egyptian stuff during the great expedition times lead to the boundaries between the living and the dead being damaged and now stuff leaks through. It’s an actual, public job in their universe btw.

Most of the mind burglars are in America (the American effect 🥲) and museum archives ppl too. The mind burglars live in a their cool little warehouse criminal base. Museum archives just live in a provided housing complex like the just graduated losers they are. Baldur‘s death ppl live… somewhere. Fantasy world yanno. Their story spans a very long time- one thing that‘s certain is that they live in dorms in their student era. The Kilmoores live in a heavy industrialized city that has a haven and a river maybe?

Mathildis. He‘s done a lot of crazy stuff at the end of his storyline and does a lot of theoretical stuff with other peers, but mostly keeps to himself and only really gets bothered by his curious students and either gives cryptic warnings or beats them away with a ruler (not really he likes them too much). The only person he ever truly talks to about everything is journalist student Rose because she’s stubborn as hell and reminds him of his best friend Dagny. The whole story being told is basically him telling her.

Umm Malik I think.

Jules when she realizes she can‘t cross the river of the dead to see a beloved person again; Malik when he finds out he isn‘t supposed to be alive and is literally just a soul stuffed into a body; Cian when he realizes he‘s become a completely different, messed up person, can‘t hear very well anymore and gets socked by PTSD; Mathildis when the project meant for intimidation kills and he goes and destroys it and actually survives and now has to live with what he‘s done and Treeve‘s betrayal; Cecil when he finally gets the revelation that his father never truly loved him and now left him out in the open; and Norna, struggling with having left her old life behind (although she really does love her new criminal family)

I don’t really think I do, actually. Most of my stories do have elements that change over time, but they’re always one, solid storyline. The closest it could come would be describing a time before their story started.