#I’m not gonna risk it by putting my ko-fi link on art that is fan art of media related to the struck companies

[mc-tummy-blur]

Realized it’s the 36th anniversary for The Lost Boys (released July 31, 1987) a.k.a the movie that fundamentally changed me as a child (in a queer way)

Usually I link my ko-fi to my art pieces but considering this is a movie distributed by Warner Bros., I’m not gonna cause even though I just draw for fun for a small amount of followers, I don’t wanna risk making money from this post specifically (as unlikely as it is). I don’t know how strict the lines are for fan content that are made by the companies being struck right now (both for new media and old media), I just know that you can’t take any deals that a company tries to make with you in order promote current work for the companies being struck. However, considering I want to work in the industry one day, I’m not going to risk it by putting the ko-fi link directly onto this post. I’m only using this fanart to express my love for how this movie was written and acted, as it is filled with so much queer subtext, iconic comedic lines, and genuinely scary moments. This movie would not be a cult classic without the writers and actors involved, and considering this movie is on streaming sites like Netflix, those actors and writers should be paid for what they are worth, and I want to express that.

[deliriumsetin]

So here’s the thing...

I’m really freaking hard to scare. Unlike my cat that just booked it into another room when our UPS guy dropped a package off at the door. Perfect timing, Percy. Perfect timing...

Anyways! I have NOT had a good scare in probably two decades. No matter what fiction I pick up that promises to chill and thrill me, neither happens.

Now keep this in mind.

As of right now I am launching a business and yes, this will tie into the weird opener. Be patient, please.

I am launching Vox et Liber, a publishing house for ALL kinds of stories and ALL kinds of voices. I started working on this in November 2019, what do you mean that was only 8 months ago?! I originally thought the publishing house up after learning a bunch of facts about the publishing world over the summer.

VeL publishing will be a new kind of publishing and I can say that with 100% confidence because I am building this beast from the ground up, with the help of @hazandlouwho​, my fiance, and a few other amazing people!

Because this business is getting started independently, which means no investors, we are working with a VERY small amount of cash reserved for start up. Initially all works will be published digitally. We do plan on launching a Kickstarter in September/October to get enough funds to keep this going and to do it right which means getting stories published physically and sold to both indie bookstores and Barnes and Noble. Please be on the look out for that.

If any awesome people want to donate to help us not break my own personal bank, which will be easy to do since Covid-19 forced me to quit my job working with the public because I’m high risk and unemployment has kept me in limbo for going on 3 weeks, you can tip us on Ko-Fi by clicking here. ALL donations and funds raised go towards launching VeL and all projects under the VeL umbrella.

Bringing it around to the scares. VeL is launching our first project and we need all you awesome writers’ help. As of today we are opening submissions for our first ever anthology, Graveyard Visits. It’s horror with the theme of marginalized voices written as Own Voice fiction. Meaning stories written by marginalized groups with their marginalized groups as main characters.

Submissions are going to be open from July 1st until August 12th 11:59pm EST. Stories are expected to be between 2.5k-5k words in length. We will be paying $.02 per word as well as giving you a digital copy of the anthology. Submission Guidelines can be found here.

Now the whole me being hard to scare; I want to be scared. Submit your best, your scariest, and most bone-chilling stories.

Also, not so subtly gonna add a nudge to @thebibliosphere​ because I feel like she might have something up her sleeve. If not for this anthology then definitely our erotica one that will be announced later this summer.

We also have a podcast series in the works but I will do another post on that once I or my awesome soon to be brother in law (that’s STILL weird) have a moment to do up some graphics.

Click below for my rant on why traditional publishing right now is a soul sucking leech on EVERYONE.

On average with hardcover books an author is lucky to make $1.50 off each one sold and that’s only AFTER they sell enough to cover their advance. I also found out the average advance is like 3k per book. Some (not including the wicked big names who get a shit ton more) can get as high as 5k but others can get as low as a 1k. An author is lucky to see that twice a year (selling 2 books) because they have to spend time MARKETING book 1 instead of writing book 2. 

Keep in mind fiction hardcovers are generally sold between 19.99 (usually YA) or 29.99 (usually adult). Wicked big difference, huh? I get there’s a lot that goes into making a book, trust me I do but the split between should leave the authors getting around $4 per copy instead of less than $2. That $2.50 is just extra that the publishing house takes because it can.

Then there are the mass paperbacks which an author gets paid 50 damn cents per copy. Yes, those books retail for anywhere between 7.99 and 14.99 per book and sell way faster than hardcovers. Take it from an ex-bookseller.

Most books take on average 500 to 1,000 hours of work put into them before they even get handed off to the publisher for the FIRST time. At minimum that author sees an hourly return wage of $6 which is BELOW the United fucking States shit-tastic minimum peasant wage. We devalue the arts so fucking much- arg! But that can be a separate rant for another day.

Then after doing more research I realized just how off balanced the publishing world STILL is in the year of hell 2020. Don’t believe me click the link. Sarah Park Dahlen did a great article with a great graphic on it. 

As of 2015, yes I’m paraphrasing to continue to rant, children’s books had ALMOST more books about anthropomorphic cars, household items, and animals than there were books about Black kids, Asian Pacific kids, Latinx kids, or Native American/First Nation kids combined. Talking teakettles and their kindred got a whopping 12.5% while if you add up all the groups above you get 14.2%. None on there own beat out the freaking Easter Bunny! Of course books about White kids are the highest at 73.3%. Yes, this was as of 2015 but as an avid reader who reads middle-grade and up books for fun I can tell you nothing much has changed. Books about black kids maybe SLIGHTLY higher since the BLM movement (fuck yes progress!!) but I’d be heartstoppingly shocked if they beat out talking fucking trucks.

And that’s just race. From what I gathered with all the publishing houses less than 100 books with LGBTQIAP+ main characters are published each year. Wtf? And among that as of 2015 55% percent are about cisgendered males and 31% are cisgendered females. (Thank you @malindalo​, you are awesome and I’ve enjoyed meeting you at the Boston Teen Author festival the last few years.) So, just focusing on those 2 first letters, huh? I want to read a story about a kickass transwoman that has to deal with transitioning WHILE demons have torn their way out of hell. That would be badass! Holy shit, someone trans write that!

Same goes for people that live with disabilities whether they are physical or mental, including mental illness and neurodivergents like myself. If you haven’t figured out by this rant just how ADHD I am than you might need an ADHD in your life. My brain works differently and I would have killed growing up to read about characters that have to deal with what I deal with. We have Percy Jackson now and his all ‘verse but it’s not enough and it wasn’t published until I was on my way to college.

All that aside we now have all the bs coming out about what’s been going on in traditional publishing. About all the dickweeds that have been using their power and pull to sexually harass new authors, most often the new authors are young women. I unfollowed people and canceled a pre-order because fuck that shit! Also, I don’t give a fuck how big a name someone is if the hate they spew makes all their trans fans collectively feel like shit for not believing the simple fact that transwomen are women then they deserve to get dropped like the bag of shit they are. TERFs can fuck right off. 

All the publishing bs has made me more determined to get VeL off the ground because no, no, no. We’ll have none of that. All the listed above reasons can go play in traffic. We will be paying our authors better and taking care of them from day 1. We will be making sure our catalog is so damn diverse that you’d have to be looking at the wrong website to not find a story that you can’t see yourself in and lastly, if we hear of any of our authors pulling a Myke Cole or a Sam Sykes than they are dropped. It is in the best interests of our authors futures that they aren’t shitbags. /end rant

If y’all have any questions about anything of this, I think my dms are open or if I’m wrong just tag me. My days lately have been chained to my shit dell computer with one or both cats pinning me to the couch. I finish this up as Percy settles in on my legs. Also, thunderstorm is starting up and both are sleeping through it? If only I could be so lucky when the fiance and I have kids...