#I'm trying to include a subplot in there to tie things together

[geekgirles]

Disclaimer: I am well aware of the content of the Bible Leaks. However, I will not be addressing them. If you are reading this and have read the leaks as well, please, refrain from pointing out any spoilers from them out of respect to fellow fans that chose not to spoil themselves.

With that out of the way...

Um...could we please take a moment to talk about what just happened, whatever the fuck that is, please?

If you've known me enough, then you must surely know I despise Lila Rossi. As a character, as a villain, if she were a real person I might literally bite her head off... I wholeheartedly believe she is the source of about 75% of the salt in this fandom, given most salt takes on other characters are a direct result of their actions whenever she's around.

Just her mere presence in an episode is enough to sour somewhat my viewing experience.

And even I think her character deserved better than the bullshit they're trying to pull.

Can we please agree that the whole Three Mothers and Three Identities thing is some major ass-pull????

Where the fuck does that even come from?!?!

It makes no sense, it comes completely out of the blue, and it all just comes off as some poorly woven plot to make a literal 14-year-old look worse than a grown ass abusive father terrorising a city and its inhabitants.

And you might say, "Well, Geeks. It doesn't come exactly out of the blue... There was the whole Other Mum from Risk and Different Room in Perfection thing. That's gotta count as foreshadowing."

And though I admire your efforts, I'm afraid I must insist that if that is supposed to be foreshadowing, then it's bad foreshadowing.

This doesn't feel like foreshadowing, but like some hastily added details they had to include like, "Oh, damn! That's right; we're supposed to be trying to go somewhere with this girl! I know, let's just give her a different mum and room in different episodes. That'll do it."

By the way, this also contradicts some key aspects which ultimately undermines the whole thing. Such as the fact that Lila Rossi is part of the Agreste Brand, so it makes absolutely no sense as to why someone who is clearly not Mrs. Rossi would take her to the train station. Because as evidenced by the Illusion father-teacher conference, Mrs. Rossi is indeed the woman that appeared in Heroes’ Day.

(Also, Lila was introduced as Gabriel's muse in Ladybug by Alec, though now I'm not sure if she's ever been addressed as Lila Rossi on public appearances such as Risk, but it still feels contradictory) (I don't know, maybe I'm being too nitpicky with this, but it' just feels so contradicting. I swear, I have a point and I will elaborate on it in the future)

But in the end, the reason why this fails to be proper foreshadowing is that Lila is too much of an absent character for it to properly work. Seeing as, out of 4 seasons before the current point in time, she's only really been in the spotlight/relevant in, what, 6 episodes????

It doesn't feel like a twist we should have seen coming, but as a rushed, groundless subplot that has nothing to do with her previous appearances nor does it tie itself with any of her previously shown traits other than her being a liar.

Which instead of expanding on her character, ultimately reduces it to one-dimensional levels.

I discussed this in a different post forever ago, but in my honest opinion, proper foreshadowing or, at least, character placement, would have been if Lila had shown signs of knowing Alya is Rena Rouge. Why? You may ask. 

Simple.

Because Lila has been shown in two different episodes, in different seasons, to have been paying attention closely and jealously to the things going on around her home. Namely, Ms Bustier’s class doing things together at the park which is right below her window while she was stuck at home because, for some reason, she refused to go back to school. 

As we all know, Alya first transformed into Rena Rouge in the park. It would have been the perfect explanation as to why Lila never once tried taking glory for Rena’s actions under the guise of being Ladybug’s best friend—because of course she would entrust her best friend with a miraculous! Just like it would have been the perfect chance for her to try to get closer to Adrien once more by claiming something along the lines of, “Though Ladybug overreacted, she has a tendency of doing that because we can’t forget the backhanded comments, we agreed to change my superhero identity into one that would be safer from Hawk Moth!”

Instead, by having Lila somehow pull off the triple identity con without a single warning in six years, what they are doing is robbing her of a believable reason for the way she acts!

Let’s take Chloé, for instance. 

Chloé’s actions are not excusable. Regardless of how terrible Audrey is, or how badly she neglected her before hopping on to the Enabling Train alongside André, that is never reason enough to be a bully and a total brat to absolutely everyone around you. 

However, Chloé’s reason for the way she acts makes perfect sense within context. She is not just your typical rich spoiled brat. She is a rich spoiled brat whose father is in a position of power and whom she has completely under her thumb, which results in André’s power over Paris becoming Chloé’s. And thus, whenever someone confronts her on her terrible behaviour, as long as they are not in equal footing with her (like Adrien or Kagami), she can just have her dad take care of the situation and potentially have that person or their parents/relatives’ lives ruined. 

Essentially, Chloé’s character amounts to a spoiled brat in a position of power who’s constantly throwing temper tantrums. And yet, this aspect of her personality has gradually been explored over the seasons. 

What’s scary about this is that this is a real-life issue. There are people all over the world getting away with their actions (regardless of how severe they are) because their families have money, power, connections...

Lila, par contrast, gets her character simplified each passing episode she’s featured in. 

We’ve gone from all the possibilities we were offered back in Volpina—Lila indeed just being a new girl trying to make friends but being afraid of rejection, her hating Ladybug while liking Marinette, a possible redemption, her becoming a legitimate villain in her own right rather than the narrative bending over backwards to try convince us she is not a threat even though she is barely featured at all...— to a character whose entire schtick is “Oh, look at me! I’m evil and a liar!”

As I said earlier, one-dimensional levels of character depth. 

The funny thing, though, is that Lila actually had a believable reason for the way she acted, and they are choosing to completely negate that and refuse to give their character any depth in favour of making her as malevolent as possible!

As I said with Chloé, please remember that reason does not mean excuse.

With that out of the way, let's remember how early seasons and especially Oni-Chan went out of their way to establish, or at the very least, hint at Lila being someone who most likely started lying to make herself feel special and make up for the lack of attention she was receiving at home. 

Unfortunately, as time went by, her desire to be the centre of attention and liked, never mind if she never actually put the effort to deserve any of that, far outweighed any original good will and desire for friendship and genuine connections. While the implications that her mother giving her everything she wanted in hopes of making up for her absence further soured her personality until she became the lying, petty, attention-seeking spoiled brat we know today. 

This, coupled with her desperation to be seemed and, more important, feel more special than she actually is gave us a legitimate reason as to why some petty liar would go as far as to ally herself with a terrorist.

Is it troubling behaviour? Undoubtedly. But Lila's never been shown to be a very stable individual. If the early running gag of her throwing things around when angered is any indication.

...

Um...

...esto...

...what exactly is she missing if she’s suddenly been conning three different, completely unrelated women into thinking she’s their daughter? A good psychiatrist?!?!

(I apologise for talking about a minor’s state of sanity, but you’ll have to agree with me that the writers are the first ones portraying kids as literal monsters here). 

And you might say, “You might be overthinking this, Geeks. After all, it’s a superhero show; you can’t expect it to be realistic.”

And once again you would raise a very valid point. Hell, God knows I wouldn’t watch half the things I do if they were realistic. However, it is imperative that we make a distinction: 

Fiction doesn’t have to be realistic, but it must be convincing.

And there is nothing convincing about a 14-year-old having three different identities because of how good a liar and manipulator she supposedly is. 

Marinette pulls off impressive, crazy feats every single day? That is convincing because we see repeatedly how Marinette has both a complexity addiction due to a need to control things to calm her anxiety, and the fact that what ultimately saves the day is her natural quick-thinking and creativity, not to mention the fact that she has superpowers.

Chloé gets to expel people just by threatening to call her dad, the Mayor? Again, it is convincing, and probably even realistic, because she is in a position of power and, unlike Lila, her actions are appropriate in the sense that they are outlandishly cartoonish.

Lila...she doesn’t have that. 

Maybe it's just me, but I just can't seem to buy the excuse that any responsible mother would be okay with their underaged daughter "going to Africa to deal with poachers" all by herself, especially in the middle of the school year. Just like I have the feeling many parents would at least be apprehensive at the idea of their teenage daughter becoming such a public figure as both a model and the face of the Alliance rings.

But hey, maybe those are just signs of me having the potential to become an overprotective mother in the future. Instead of, you know, one of the most atrocious cases of the Adults Are Useless trope I've ever seen.

Nevertheless, as of right now Lila doesn’t even have much depth. And I’m not saying she needs some sob story that will make us feel sorry for her, no. You don’t need to make a villain sympathetic for them to be a good villain. After all, Frollo from the Hunchback of Notre Dame has no sympathetic traits nor does he have a sad backstory whatsoever and he is still one of the best Disney villlains ever. 

So what am I supposed to do with Lila? What, do I have to wait until season 6 comes around and retrospectively reveals she’s not a teenage girl at all but some sort of ancient witch who lures people in with her syren song and feeds off of their adoration for her?

At this point it just feels like the writers are so desperate for adding shock value, that they forget to add anything of value.

[peony-pearl]

Cleaned up sketches for the ‘Jee confronts his Earth Kingdom-born old man because he finally has something to say about what happened to his mom because learning about her traumatized him so much he cut off his topknot which was a big deal for him bc he was raised around Fire Nation culture because his dad shoved him into a Fire Nation orphanage after he proved himself to be a Firebender even though he willingly married a Fire Nation teenager after blackmailing her family and then she died giving birth to Jee and he didn’t shed a single tear’ fic currently called Smokeheart.