#Iobserve windows

[pinerwizards]

Iobserve windows

Binary monitoring writers using Java NIO.Bug fixes and improvements to code, performance, tests, build scripts,.Major refinements and extensions to TSLib and OPAD.Various samplers to collect data from the JVM.Migrated to Gradle for build automation.Trace analysis: automatic repair of broken traces.Example for monitoring traces in distributed applications based on the RESTful Netflix OSS RSS Reader Recipe, provided via container-based virtualization (Docker).Probes for collecting distributed traces in REST-based environments with Jersey.New reader and writer for Advanced Message Queuing Protocol (AMQP).Standalone tool for resource monitoring.New servlet filter to start the Sigar-based samplers (previously only a servlet for CPU, memory/swap).New probes and corresponding records for network and disk usage load average.Monitoring of system-level statistics based on the Sigar API:.Bug fixes and improvements to code, performance, tests,.Docker containers for examples (JPetStore livedemo, RSS example),.Jenkins-based continuous delivery pipeline integrated with GitHub.Migration to Atlassian Cloud (Confluence and Jira).Explicit support for HornetQ and OpenJMS.Refined architecture including minor (internal) API changes.Performance improvements in the monitoring component (including.Records provide API access to property names.Updated and new documentation are now located in the Kieker wiki.Updated the build system to provide separate bundles for all tools.Switched to Jenkins declarative pipeline.Replacing Jar file dependencies to Maven Central dependencies.Included Clover test coverage tool, migrated from FindBugs to.Shared tool features can be found in kieker-tools Restructuring of sub-projects tools have now separate projects and.Many cleanups and improved test coverage.The goal is to improve the dependency management. This is supposed to be a schematic example and other technology-specific Moved the Kafka readers and writers into a separate Gradle module.Ensuring support for Java 7, 8, 9, and 10.Introduced new data bridge tool, called collector.Added monitoring of database calls (including the SQL statement).Introduced new Kieker tool framework covering commandline andĬonfigurations file evaluation (see Writing Tools and Services).New TeeTime reader stages with common interface to use them in.Support for additional compression algorithms in the file writers.Monitoring support for Spring-based REST communication with AspectJ.Generic file writer supporting different compression types.New file system writer to replace the existing ones in the next.TeeTime-based infrastructure replaces the existing one. TeeTime-based framework and filters exist in parallel to theĮxisting infrastructure. Integration of a novel pipes-and-filter framework and filters in.Bug fixes and improvements to code, performance, tests, documentation,.Migrated the deprecated LaTeX-based user guide to Read The Docs ().Use of GitHub actions to test common platforms (Linux, Mac, Windows) and Java versions.Converted Kieker tools to multi-project builds.Replaced additional local Jar dependencies by using the Maven dependencies.Improved AspectJ probes, e.g., by introducing before/after advices for cflow pointcuts, OpenJDK 11 support.Added new analysis stages from the iObserve research project.Migration of analysis stages to the TeeTime-based Kieker analysis.Please refer to the Documentation for details on using Kieker. Starting with version 1.4, the Kieker ticket system contains details on the changes. This document summarizes changes made in all releases starting with 0.5.

[dritacircle]

Iobserve cedric windows

#IOBSERVE CEDRIC WINDOWS PROFESSIONAL#

iObserve also provides its famous Times Bar with times of UT, Local, (Modified) Julian Day and the Local Mean Sidereal Time of an observatory. The night itself can be scaled up and down, and shifted (if you need to observe during the day…). Of course, airmass curves can be compared and the date of the observing night can be slided up to easily match future observing runs. Once entered, its coordinates are automatically resolved and iObserve provides the trackable airmass curve, the closest (currently Landolt, UKIRT & UVESPOP) standard stars, aliases with ViziR links, the latest 100 ADS references, a way to easily change coordinates to celestial or galactic, for whatever epoch and units, and many other little niceties. IObserve ($12, Free Demo) is an app that I have developed to let you prepare your observations bringing a wealth of useful information by simply entering the name of an object.

#IOBSERVE CEDRIC WINDOWS PROFESSIONAL#

Having left research, I am now a professional Mac and iOS developer in a small start-up during the day, and an indie one during my evenings. Like many software, iObserve is the app I would have loved to have years ago, when I was a support astronomer in La Silla Observatory, in Chile. After more than a year of development, starting almost from scratch, iObserve is now a stable and complete app aimed at planning and performing professional astronomical observations. This is a guest post by Cédric Foellmi, the developer of a Mac App called iObserve.

[arcadepolh]

Iobserve cedric windows

IOBSERVE CEDRIC WINDOWS DOWNLOAD

The second one seeks to integrate cognitive and non-cognitive skills into that capacity. The first one takes into account the fact that infants and young children display this capacity, but lack conceptual-level cognitive skills.

IOBSERVE CEDRIC WINDOWS DOWNLOAD

( Download final version at ) We propose two adjustments to the classic view of shared intentionality (our capacity to share mental states of various sorts) as based on conceptual-level cognitive skills. Weak joint actions still require considerable cognitive abilities indeed. As a result, even if the links between individuals are seriously stretched, much is still shared among them. Although structurally weaker, this common knowledge has a richer content in weak joint actions. I then defend the relevance of common knowledge against several criticisms, point at an adequate weakening, and discuss alternative approaches. To this end, I first argue for the necessity of common knowledge for joint action in general due to the increased reliability of success it entails. I argue that one major reason why the definition of such collective actions is akin to the classical ones, is because it crucially relies on the concept of common knowledge. However, they cannot fit some perplexing cases of weak joint action, such as demonstrations, where agents rely on distinct epistemic sources and as a result have no first-hand knowledge about each other. Over the last three decades, joint action has received various definitions, which for all their differences share many features.

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Instagrammers are sucking the life and soul out of travel | Rhiannon Lucy Cosslett

My view of Sri Lanka was spoiled by the peachy backsides of tourists obsessed with their social media feeds, writes Rhiannon Lucy Cosslett

Instagram

Opinion

Instagrammers are sucking the life and soul out of travel

Rhiannon Lucy Cosslett

My view of Sri Lanka was spoiled by the peachy backsides of tourists obsessed with their social media feeds

Contact author

@rhiannonlucyc

Wed 17 Jan 2018 13.34EST Last modified on Wed 17 Jan 2018 18.07EST

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How many photos follow the format of a thin girl in a floaty dress, in a seemingly preordained beautiful location. Photograph: John Kellerman/Alamy Stock Photo

A recent trip to Sri Lanka reminded me of that well known Buddhist proverb: If you visit a temple but do not take a selfie, did it actually happen? At these sacred sites, tourists are free to take photographs as indeed I saw a delegation of enthusiastic monks doing at the Temple of the Sacred Tooth Relic in Kandy but you are asked to please not pose with statues of the Buddha, or be photographed with your back to him. Naturally, Iobserved several western tourists, most of them young, ignoring this request.

The Instagrammability of a destination is apparently now the number one motivation for booking a holiday for millennials. The eternal quest for social approval, which the platform was accused of taking advantage of this week by withholding likes from certain users to encourage them to log in more frequently a charge Instagram denies continues apace. I joined Instagram relatively recently, mainly to look at travel photos of places and people around the world, a cheering endeavour in these cold, dark Brexity times, but was disappointed how many of the photos seemed to follow a particular format. A thin, blonde, white girl stands in a floaty dress, her back to the viewer, in a seemingly preordained beautiful location. Off camera a queue of other influencers wait patiently to get the perfect shot.

Many of them are paid in brand endorsements and partnerships with luxury travel companies. Then you have the arses on tour bums with a backdrop, basically (and if there is a sunset peeking through your thigh gap, even better).At some hotels, you can now even pay extra for your very own Instagram butler, who will show you all the most picturesque spots and help you and your bum conduct your own photoshoot.

Passengers under 35 were interested only in obtaining the same photograph lifted right from Instagram of themselves hanging barefoot out of the open doors of the train. Photograph: David Levene for the Guardian

These Instagrammers are collectively sucking the joy and spontaneity out of travel photography, and for those unfortunate enough to bump into them abroad, possibly travel itself. We must pity the poor locals, who have to put up with them.

Consider the train I took last week from the mountain village of Ella to Sri Lankas cultural capital of Kandy. Widely regarded to be one of the most beautiful train journeys in the world, it traverses verdant mountain passes, waterfalls, and tea plantations. But many of the passengers under 35 were interested only in obtaining the same photograph lifted right from Instagram of themselves hanging barefoot out of the open doors of the train, with significant risk to life and limb. Meanwhile, in contrast, an older couple sitting in our carriage wondered aloud what on earth the young people were playing at and spent the journey watching the scenery go by through the window.

Tourists have always taken photographs. Like graffiti, its a very human way of saying I was here. But in the pre-digital age, because of the expense of film as well as high shooting ratios, you were lucky if you ended up with one usable picture. Now influencers can take as many photographs as they need, photoshopping and filtering until they are able to post the perfect advertisement (for that indeed is what these images are). The centering of the self to such an extent is new too, and at the expense of knowledge, exploration and adventure.

When most travel photographs on Instagram begin to look like fashion editorials you have to wonder whether anyone is learning anything. And when people are taking idiotic risks such as hanging out of fast moving trains or proffering food to tempt wild animals into shot, all for the sake of a photo that isnt even an original composition, you might start to think that were approaching the end times.

The easily influenced will flock to Tegalalang in Bali. Photograph: Suzanne Plunkett/AP

It all goes to show how ineffective the internet can be as a lens for human experience, especially within a capitalist system. You might think social media would diversify the range of images we see, yet the most popular users operate according to a strict schema that takes full advantage of the relevant algorithms (creative, fascinating accounts are still there, but said algorithms make them harder to find). And its not just travel its interiors, fashion, weddings, food, children. Social media encourages the memeification of human experience. Instead of diversity we see homogeneity. Its extremely boring.

There is, of course, an irony to being a tourist who is complaining about other tourists. And we all fall victim to the odd corny snap every now and again. Live and let live, you might say. We all just want to see the world. Some of us just want to see it without someones peachy backside blocking the view. On the plus side, while the easily influenced will see these pictures and flock to the lupin fields of New Zealand or Tegalalang in Bali, or to selfie-stick the sunset in Santorini, those of us too grumpy, paunchy and tired to travel fashionably might be left in peace.

Rhiannon Lucy Cosslett is a columnist and author

Read more: https://www.theguardian.com/commentisfree/2018/jan/17/instagrammers-travel-sri-lanka-tourists-peachy-backsides-social-media-obsessed

from Viral News HQ http://ift.tt/2G4JiJ7 via Viral News HQ

[trendingnewsb]

Instagrammers are sucking the life and soul out of travel | Rhiannon Lucy Cosslett

My view of Sri Lanka was spoiled by the peachy backsides of tourists obsessed with their social media feeds, writes Rhiannon Lucy Cosslett

Instagram

Opinion

Instagrammers are sucking the life and soul out of travel

Rhiannon Lucy Cosslett

My view of Sri Lanka was spoiled by the peachy backsides of tourists obsessed with their social media feeds

Contact author

@rhiannonlucyc

Wed 17 Jan 2018 13.34EST Last modified on Wed 17 Jan 2018 18.07EST

Share on Facebook

Share on Twitter

Share via Email

View more sharing options

Share on LinkedIn

Share on Pinterest

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Close

How many photos follow the format of a thin girl in a floaty dress, in a seemingly preordained beautiful location. Photograph: John Kellerman/Alamy Stock Photo

A recent trip to Sri Lanka reminded me of that well known Buddhist proverb: If you visit a temple but do not take a selfie, did it actually happen? At these sacred sites, tourists are free to take photographs as indeed I saw a delegation of enthusiastic monks doing at the Temple of the Sacred Tooth Relic in Kandy but you are asked to please not pose with statues of the Buddha, or be photographed with your back to him. Naturally, Iobserved several western tourists, most of them young, ignoring this request.

The Instagrammability of a destination is apparently now the number one motivation for booking a holiday for millennials. The eternal quest for social approval, which the platform was accused of taking advantage of this week by withholding likes from certain users to encourage them to log in more frequently a charge Instagram denies continues apace. I joined Instagram relatively recently, mainly to look at travel photos of places and people around the world, a cheering endeavour in these cold, dark Brexity times, but was disappointed how many of the photos seemed to follow a particular format. A thin, blonde, white girl stands in a floaty dress, her back to the viewer, in a seemingly preordained beautiful location. Off camera a queue of other influencers wait patiently to get the perfect shot.

Many of them are paid in brand endorsements and partnerships with luxury travel companies. Then you have the arses on tour bums with a backdrop, basically (and if there is a sunset peeking through your thigh gap, even better).At some hotels, you can now even pay extra for your very own Instagram butler, who will show you all the most picturesque spots and help you and your bum conduct your own photoshoot.

Passengers under 35 were interested only in obtaining the same photograph lifted right from Instagram of themselves hanging barefoot out of the open doors of the train. Photograph: David Levene for the Guardian

These Instagrammers are collectively sucking the joy and spontaneity out of travel photography, and for those unfortunate enough to bump into them abroad, possibly travel itself. We must pity the poor locals, who have to put up with them.

Consider the train I took last week from the mountain village of Ella to Sri Lankas cultural capital of Kandy. Widely regarded to be one of the most beautiful train journeys in the world, it traverses verdant mountain passes, waterfalls, and tea plantations. But many of the passengers under 35 were interested only in obtaining the same photograph lifted right from Instagram of themselves hanging barefoot out of the open doors of the train, with significant risk to life and limb. Meanwhile, in contrast, an older couple sitting in our carriage wondered aloud what on earth the young people were playing at and spent the journey watching the scenery go by through the window.

Tourists have always taken photographs. Like graffiti, its a very human way of saying I was here. But in the pre-digital age, because of the expense of film as well as high shooting ratios, you were lucky if you ended up with one usable picture. Now influencers can take as many photographs as they need, photoshopping and filtering until they are able to post the perfect advertisement (for that indeed is what these images are). The centering of the self to such an extent is new too, and at the expense of knowledge, exploration and adventure.

When most travel photographs on Instagram begin to look like fashion editorials you have to wonder whether anyone is learning anything. And when people are taking idiotic risks such as hanging out of fast moving trains or proffering food to tempt wild animals into shot, all for the sake of a photo that isnt even an original composition, you might start to think that were approaching the end times.

The easily influenced will flock to Tegalalang in Bali. Photograph: Suzanne Plunkett/AP

It all goes to show how ineffective the internet can be as a lens for human experience, especially within a capitalist system. You might think social media would diversify the range of images we see, yet the most popular users operate according to a strict schema that takes full advantage of the relevant algorithms (creative, fascinating accounts are still there, but said algorithms make them harder to find). And its not just travel its interiors, fashion, weddings, food, children. Social media encourages the memeification of human experience. Instead of diversity we see homogeneity. Its extremely boring.

There is, of course, an irony to being a tourist who is complaining about other tourists. And we all fall victim to the odd corny snap every now and again. Live and let live, you might say. We all just want to see the world. Some of us just want to see it without someones peachy backside blocking the view. On the plus side, while the easily influenced will see these pictures and flock to the lupin fields of New Zealand or Tegalalang in Bali, or to selfie-stick the sunset in Santorini, those of us too grumpy, paunchy and tired to travel fashionably might be left in peace.

Rhiannon Lucy Cosslett is a columnist and author

Read more: https://www.theguardian.com/commentisfree/2018/jan/17/instagrammers-travel-sri-lanka-tourists-peachy-backsides-social-media-obsessed

from Viral News HQ http://ift.tt/2G4JiJ7 via Viral News HQ