#Joe Michael Linsner

[nfcomics]

VAMPIRELLA BITES TPB • cover art • Joe Michael Linsner [Aug 2014]

In this collection of Vampirella's excursions into other vampire and horror worlds of popculture, Vampi attends a festival in a Pacific Northwest town that's the setting for a popular sparkly vampire series. Plus, she squares off against 'Fluffy the Vampire Killer,' uncovers the grotesque secrets of a southern town whose vampire residents subsist on 'Nu Blood,' and crosses paths with a serial-killer-with-a-code named 'Baxter.' Collects Vampirella Annual #2, Vampirella Annual 2013, Vampirella Vs. Fluffy, and Vampirella: Nu Blood.

Trade Paperback • 120 pages • $15.99 US

[ungoliantschilde]

some Joseph Michael Linsner.

[graphicpolicy]

Preview: Vampirella vs. Red Sonja #2

Vampirella vs. Red Sonja #2 preview. Hell on Earth has arrived. The sky is black, choked with smoke and fire on the horizon. #comics #comicbooks

[comicbookwomen]

Joe Linsner

[jokerharley2345]

Artist Joseph Michael Linsner

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[biggoonie]

CONAN CHRONICLES EPIC COLLECTION: THE BATTLE OF SHAMLA PASS TPB

Volume #4 in the Conan Chronicles Epic Collections Written by TIMOTHY TRUMAN & BENJAMIN TRUMAN Penciled by TOMÁS GIORELLO, JOE KUBERT, PAUL LEE & TIMOTHY TRUMAN Cover by JOSEPH MICHAEL LINSNER ON SALE JANUARY 2020 Conan leaves his trials behind for a new life — as a mercenary! Presenting all-action adaptations of classic Robert E. Howard tales, plus original adventures of everyone’s favorite barbarian! Howard’s “Black Colossus” sees Conan face his bloodiest battle yet, when the mercenaries of Amalric clash with the demonic hordes of Natohk! Then, Conan becomes the leader of Princess Yasmela’s Khorajan army! But another princess wants Conan for herself — the immortal and vampiric Akivasha! The Cimmerian spends a tumultuous time fighting and looting with the Kozaki, a wild group of fellow mercenaries also known as the Free Companions! Plus, Conan faces pirate politics and a centuries-old mystery in an adaptation of Howard’s “Iron Shadows in the Moon”! Collecting CONAN THE CIMMERIAN #8-25. 472 PGS./Parental AdvisorySLC …$44.99 ISBN: 978-1-302-92191-0

[dynamitecomics]

Tweeted

Limited-edition run of Joseph Michael Linsner's beautiful cover, from Dejah Thoris #1 - presented as an "ATLAS Comics Edition" cover. #DejahThoris @DynamiteComics pic.twitter.com/LMdjAhMVi6

— Joe McCartney (@joemccjoe) December 6, 2019

[lobocomicsandtoys]

RED SONJA VALENTINES SP ONE SHOT

Published by DYNAMITE Written by Bill Willingham Art by Giuseppe Cafaro Cover art by Joseph Michael Linsner

Red Sonja's Hyrkanian habitat is turned upside down as her greatest enemy becomes... her greatest admirer?!?!  You thought Kulan Gath being evil was frightful, wait until you see him head-over-heels in loooove!!!  Sonja will face her greatest challenge resisting the urge to kill a love that Can. Not. Die!!!!  Featuring the Shakespearian sonnets of Bill Willingham, the luscious lines of Giuseppe Cafaro and crush-ridden covers by Joe Linsner, Jimmy Broxton and cosplayer Savannah Polson, you'll feel like cupid's hiding in your pull list!

Available at Lobo Comics & Toys this coming Wednesday, 02/10/2021

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[recentanimenews]

Vampirella 50th Anniversary Poster Book Review

Warning : The following post contains nudity/adult content.

Vampirella is a superheroine created by Forrest J Ackerman and comic book artist Trina Robbins in 1969 for Warren Publishing’s black-and-white horror comics magazine. 50 years later, the sexy Vampirella has gained a huge following and her stories remains ever popular.

To celebrate the 50th anniversary of her creation, Dynamite publishing has assembled some of the comic world’s best talents to put together this beautiful poster art book – the list of incredible artists featured include Frank Cho, Alex Ross, Stanley “Artgerm” Lau, Adam Hughes, Joe Jusko, Joseph Michael Linsner, Joshua Middleton, J. Scott Campbell, Billy Tucci, and more.

Each poster is printed on heavy cardstock paper at 12”x16” and easily removed from the body of the book.

Enjoy these large Vampirella art prints in its original book form, or detach them to decorate your walls. I also recommend checking some other Vampirella art books like The Art of Vampirella – The Warren Years, Masters Of Spanish Comic Art, which features art work by Enrich, and also The Art Of Jose Gonzalez, who has painted some stunning images of Vampirella.

Also, one of the featured artists Stanley Lau has an art book in a similar large print poster format for his illustrations of DC superheroines/villains.

Vampirella 50th Anniversary Poster Book details :

– Dimensions – 11.9 x 0.6 x 15.7 inches – thin cardboard cover, 42 pages – Full color, in English

Buy From Amazon CA | Buy From Amazon UK | Buy From Amazon Japan

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The post Vampirella 50th Anniversary Poster Book Review appeared first on Halcyon Realms - Art Book Reviews - Anime, Manga, Film, Photography.

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The Art of Vampirella : The Warren Years Book Review

DC Poster Portfolio : Stanley “Artgerm” Lau Art Book Review

Masters Of Spanish Comic Art Book Review

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By: yonghow

[uncomicmas]

Reseña de #Vampirella Roses for The Dead TPV, a la venta mañana por @dynamitecomics Dynamite Comics reúne a la pareja de esposos Kristina Deak-Linsner y Joe Michael Linsner  para crear una miniserie de 4 capítulos donde Vampirella regresa a sus orígenes, este proyecto forma parte de la celebración del 50 aniversario de este personaje en el 2019. Vampirella (principal exponente del cómic de terror y erótico) fue creada por Forrest J. Ackerman, Archie Goodwin con el artista Frank Frazetta, ella proviene del planeta extraterrestre Drakulon, donde los Vampiri viven de beber sangre de los ríos. Este es un cómic para lectores adultos . . ¿De qué viene? Vampirella y Evily (bruja) unen fuerzas para atrapar a un depredador sexual que deja una rosa en la escena del crimen. Este cómic sucede después de los acontecimientos del Volumen 1 (cómics #0 al #11). . . ¿Qué sucede? Vampirella y Evily  reciben ayuda Claire, una de las sobrevivientes del ataque del malvado Blake,que les permite tener el paradero de este asesino. El cómic posee una temática de investigación,  que las lleva hasta el edifico donde vive Blake y empiezan una batalla campal por las escaleras de los 12 pisos que deben subir. Blake finalmente muestra su verdadero ser, es el demonio ASTAROTH, Evily ahora sabe a qué se enfrenta mientras Vampirella pondrá su vida en riesgo para alcanzar la victoria. Esta miniserie es espectacular, con una trama llena de acción, terror, suspenso y apoyada de un arte lleno de detalles, donde cada página es un deleite visual, esperamos pronto se reúna este equipo creativo/pareja Kristina Deak-Linsner y Joe Michael Linsner Resumen Esta miniserie es una excelente manera de celebrar el 50 aniversario de Vampirella, con mucha acción, sangre, sensualidad y terror. Calificación 5 de 5 Créditos Escritor: Kristina Deak-Linsner Ilustrador: Joe Michael Linsner Colorista: Ceci de la Cruz Fecha de lanzamiento: 4 de septiembre Publicado por: Dynamite Comics Fuente de imagen @dynamitecomics . . . #comics #maturewomen #vampire #dccomics #hotmilfs #damonsalvatore #damon #sexymature #marvel #iansomerhalder #comicbooks #tvd #delena #realmature #paulwesley #vampirediaries https://www.instagram.com/p/B188gvwH_v7/?igshid=1ao6ggnx6pc61

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Director’s Cut Material #5- Playtime with J. Scott Campbell

J. Scott Campbell is known the world over for his stylistic take on comics' most famous characters but before his time as a cover artist, he breathed life into the hit books, Gen 13 and Danger Girl. Both titles were fortunate to expand out from comics into licensing opportunities that Campbell was a part of.

J. Scott Campbell (Artist): With Gen 13, I didn’t have as much to do with it as much as Jim would say, “We’re going to do an action figure of Fairchild.” “Oh, we are?” “Could you do some turnarounds for it?” and “We’re going to do some 12" fingers for KB Toys, and I’m like, “No way! Really?” They would just kind of happen in a weird way. I was already trying to get the book done and I was already missing a bunch of-- I told you that was around the time when I was going to take my eye off the ball and losing that motivation towards the end of Gen 13  and, strangely enough, that was when a lot of the products were starting to happen. There was also a video game in development for a long time that never came out. I remember doing load screens for something.           Very quickly into Danger Girl, I would say within the first issue or two, Jim Lee approached me and said, “Todd McFarlane wants you to call him,” and I just felt like, “He does?” and at that point I never met Todd; I knew he was always around, but you wouldn’t see him, he was not in California. He was based out of Arizona. But we all knew he had a toy company and a lot of us had already been buying some of his action figures. So, sure enough, I had a conference call with him. He had a very energetic way of talking. He never picked up the phone; it was always on speaker phone. You got the sense that he was doing 20 other things, but he pitched me the idea that he was doing these different comic book properties. He was going to do a Sin City Marv, he was going to do a Dawn for Michael Linsner and he said he was interested in a few other comic book properties, and mine was one of them, and I did want to do some toys with him. And I was like, “Oh my god, yes.” I would have done it for nothing. It actually turned out to be a pretty nice financial windfall actually. I literally said whatever he wanted to pay me; I was cool with. The only thing I said was, at that point some of those Gen 13 toys that came out, I wasn’t super thrilled with how they looked, so I was like, “I really want to be involved in these toys,” and he said, “That’s cool, you can have a direct contact with the designers.” There was actually two brothers who worked in the design area of it and we would have conference calls once a week, and at that time we had email, but for some reason, there was a lot of packages being sent back and forth with printouts, and I remember drawing over the printouts to say like, “No, no, the nose has to be a little bit more like this,” and I was very hands-on with those action figures and, to this day, they’re probably some of my favorite things I’ve ever done. Those action figures, when they came out it was a like a dream come true. I’ve actually been fortunate enough to have done a lot of 3D stuff; I’ve done statues for Spider-man, I’ve done other statues of things that I’ve worked on, but those were probably my absolute favorite things I ever did, as far as 3D representations of what I drew. They just really, really came out well.          And a funny story to that too is: Joe Madureira was approached as well, and Todd wanted to do Battle Chasers toys, and I remember talking to Joe, and Joe was really like, “I don’t know, I’m really more into these Japanese toys. I’d really much rather have them made from this Japanese company etc.” Joe Mad always had these very specific thoughts about what he liked, what he didn’t like; he was always a little bit off the mainstream; he always wanted something very specific. Just like his influences were always very eclectic and, sometimes, things none of us knew. In the end, he just dilly-dallied, and Todd moved on, and the toys were never made. Somewhat recently Joe told me, “Man, I really should have done these toys.” He really, actually, has regrets about it to this day. I think, ultimately, he feels that that slipped through his fingers, because I think he would’ve loved to have had the toys, and I know he loved how mine came out, so it’s a shame that he missed out on that. I remember too that really legitimized the whole thing very quickly too.           Right off the bat after the first issue we were flown out to Florida by a company, a video game developer named n-Space. They were an up-and-comer; they had contracts with THQ, which was, of course, a much bigger name in video games and we very quickly signed on the dotted line to have a video game produced. That was one of the very first things we did. Right after the first issue so many things were happening- we got a video game going, we were approached by Hollywood to get a movie produced.          A guy by the name of J.C. Spink who continues to be a pretty big deal in producing movies, and another guy named Warren Zide approached us to, basically, pitch Danger Girl as a movie. And we got pretty far along in that process too; we ended up, in fact, selling it to New Line Cinema at the time, and it was for a pretty big amount. It was over six figures the amount that we optioned Danger Girl for. We were looking pretty good there for a while until, all of a sudden, out of the blue, they brought back Charlie’s Angels, and it was that Drew Barrymore re-launch of Charlie’s Angels. I knew that there was a noticeable comparison visually to Charlie’s Angels, although I always thought the tone of Danger Girl was nothing like Charlie’s Angels. But that movie came out, did really well, and that pretty much, sunk us, because, I think, it was Mike De Luca was head of New Line at the time, and the way it was told to me, he walked out of the premier of Charlie’s Angels and just said, “Danger Girl is dead.” And it was just literally like that. And again, we had a pretty nice payday, but that was, pretty much, what killed Danger Girl from moving forward. And since then we’ve had it  optioned and re-optioned a few times, once for a TV show and another time for a movie again, but it never really-- That was when it was most on fire, because it was the new thing; the comic book and the preview, we always pictured it to look like it was a movie in comic book form, and that really worked; people really responded that way.          Right off the bat we were just having tons of success with Danger Girl. The toys, the video game. The video game, ultimately, ended up coming out in a weird bubble. It started off very strong; we really were pushing for all these things; by the end, I think, the money was put in weird areas and I feel it didn’t show up on the screen of the video game. I actually did little run test of things that actually ended up in the Danger Girl sketchbook where you flip the corners and you see Abby running and stuff. That was actually meant for the video game, to show how Abby should run, and there was a part where you see Sidney whipping, and that was me, animating flip form, so I could show them how she should whip in the game. Those were little bits. There’s actually quite a bit in the Danger Girl Sketchbook, concept-wise, that was designed for the game that never ended up in the game. That actually made up quite a bit of the Danger Girl Sketchbook. In the end, PlayStation 2 was announced, and our game was almost nearing completion for PlayStation 1, so already we looked passé before the game even came out, because “Oh my gosh, it’s a game for PlayStation 1? Gross! Why isn’t it for PlayStation 2?” and that kind of thing. That was a shame, because I like to think of Danger Girl as this thing that should look cutting edge in every way, and instead it looked like it was old before it even came out, because, again, everybody wanted PlayStation 2 games; those were the exciting things.          The other thing, I remember, Tomb Raider came out around that time, and we had an Indiana Jones element to the game as well, so, by comparison, Tomb Raider was just the hot commodity at that time, so if you weren’t going to be as good as that, you know you’re already looking second best. Years later, I have people come up to me and tell me they generally like the game, and a lot of people did have pretty fun memories of it. I drew load screens for all the chapters, and we made these funny titles for each of the chapters, Andy wrote dialogue for the game- a lot of that stuff ended up in the Danger Girl Sketchbook.

[sacriscibum]

looted from Bleeding Cool

Red Sonja (Vol.5) #1 writer: Mark Russell artist: Mirko Colak covers: Amanda Conner (A), Joseph Michael Linsner (B) Christian Ward (C), Frank Cho (D), Cosplay (E) “Seduction” (RI), Amanda Conner (RI-B/W) Joseph Michael Linsner, (RI-B/W), Frank Cho (RI-B/W) “Seduction” (RI-B/W), Joe Jusko Painted Sneak Peek (RI) FC | 32 pages | Sword and Sorcery | $3.99 | Teen+ No man knows the place of her birth, nor where she learned to wield a sword to shame many a male. They know only that she is called The She-Devil of The Hyrkanian Steppes. That, and RED SONJA. MARK RUSSELL (The Flintstones) and MIRKO COLAK (Conan) bring a savage tale of metal and blood. A world conqueror possesses a massive army and a fatal prophecy. A bastard sorceress craves revenge. And a fearsome red-haired warrior is made wartime ruler of a homeland set for decimation. 

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Preview: Vampirella vs. Red Sonja #3

Vampirella vs. Red Sonja #3 preview. It is a vampire's playground. It is more even than the most courageous superhero could bear. But Red Sonja is no superhero…she is a She-Devil with a Sword! #comics #comicbooks #redsonja #vampirella

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Joseph Linsner

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Dynamite Entertainment launched VAMPIRELLA by Joseph M. Linsner

Dynamite Entertainment launched VAMPIRELLA by Joseph M. Linsner

Check Out the Great Series by Kristina Deak-Linsner and Joseph Michael Linsner! 

Today, Dynamite Entertainment announces the launch of their latest Kickstarter campaign, benefitting fans of Kristina Deak-Linsner and Joseph Michael Linsner’s recent work on Vampirella, with a limited edition, collectible box set. Joe’s artwork continues to be sought after among fans and Dynamite has heeded…