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postsofbabel · 11 months ago

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#posts of babel #screenreader unfriendly #markdown posts of babel

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quang1234 · 4 months ago

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Week 4: TV REALITY

Reality TV captivates audiences by presenting unscripted and often dramatic content that viewers find relatable and engaging. Its appeal lies in the authenticity of real people navigating real-life situations, fostering a sense of connection and emotional investment (Hill, 2005). The unpredictable nature of reality TV, coupled with the drama and conflict inherent in the genre, keeps viewers hooked (Murray & Ouellette, 2009). Additionally, aspirational content in talent competitions and lifestyle shows inspires audiences to pursue their own dreams and make positive changes (Holmes, 2004). Reality TV has societal impacts, influencing cultural norms, behaviors, and perceptions (Hill, 2005). It provides a platform for underrepresented voices and diverse perspectives, promoting inclusivity and awareness (Murray & Ouellette, 2009). However, the genre faces criticism for prioritizing entertainment over ethics, manipulating situations to create sensationalized narratives, and causing psychological stress to participants (Andrejevic, 2004). Despite these controversies, reality TV remains a dominant force in the entertainment industry, constantly evolving to adapt to changing audience preferences and technological advancements (Murray & Ouellette, 2009). The rise of streaming platforms has expanded the genre's reach, introducing global audiences to new formats and concepts (Kavka, 2012). Social media has amplified the impact of reality TV, creating a sense of community and interaction among fans (Turner, 2006). Ultimately, reality TV's blend of relatability, drama, and aspiration continues to resonate with viewers, solidifying its place in modern entertainment.

Citation:

Hill, A. (2005). Reality TV: Performance, authenticity, and television audiences. A companion to television, 449-467. https://onlinelibrary.wiley.com/doi/book/10.1002/9780470997130#page=454

Murray, S., & Ouellette, L. (Eds.). (2004). Reality TV: Remaking television culture. NYU press. https://books.google.com.vn/books?hl=vi&lr=&id=4_W19oHGzZQC&oi=fnd&pg=PR5&dq=Murray,+S.,+%26+Ouellette,+L.+(2009).+Reality+TV:+Remaking+television+culture.+NYU+Press.&ots=3mLSn9z9qB&sig=MFLwdqFXtoWH5jY4_ikXIe2ir9Y&redir_esc=y#v=onepage&q=Murray%2C%20S.%2C%20%26%20Ouellette%2C%20L.%20(2009).%20Reality%20TV%3A%20Remaking%20television%20culture.%20NYU%20Press.&f=false

Kavka, M. (2012). Reality tv. Edinburgh University Press. https://books.google.com.vn/books?hl=vi&lr=&id=KZBvAAAAQBAJ&oi=fnd&pg=PP1&dq=Kavka,+M.+(2012).+Reality+TV.+Edinburgh+University+Press.&ots=N_h_ShN7gE&sig=2wLpuO4cczp2RcSc8UKpTzBhH0M&redir_esc=y#v=onepage&q=Kavka%2C%20M.%20(2012).%20Reality%20TV.%20Edinburgh%20University%20Press.&f=false

Holmes, S. (2004). “All you’ve got to worry about is the task, having a cup of tea, and what you’re going to eat for dinner”: Approaching Celebrity in Big Brother. https://kar.kent.ac.uk/9316/

Ouellette, L., & Hay, J. (2007). Better living through reality TV. Blackwell. https://d1wqtxts1xzle7.cloudfront.net/43551471/Ouellette_Hay__Introduction-libre.pdf?1457545316=&response-content-disposition=inline%3B+filename%3DIntroduction_to_Better_Living_Through_Re.pdf&Expires=1739698006&Signature=PejnL~nzgVw64NrrO7rUxygElFJvNxMgB5dmwQc7EAjpSC0IEs47T7RWEJho9QcP4-zxtPZtL7dS6xUHF8D7yuebAb6hZFYFIcON6PbVATJ6Wmx85uAfI4bI06IcSjq3~fzrlBJdHJlMMXNRw9ejFwfP88a-XpO0eR1K9ZGlWuhp3jW7lS9NulVOZmHmi8ZXTxALNHTS~us~4D4mwp7xeR8lkcJQWmgZP~s-U7~MVB0pkB7tOoOqzIvTqYkxqWaSN5Zqp3zIiTOniP2MdoovVdSMFKGLxDUiDRqyufAMkQ6kuq1hnfYcFqXyzsSjmo8scTupeiWrd5PjY88ko~RN8Q__&Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA

Turner, G. (2006). The mass production of celebrity: ‘Celetoids’, reality TV and the ‘demotic turn’. International journal of cultural studies, 9(2), 153-165. https://journals.sagepub.com/doi/abs/10.1177/1367877906064028

Andrejevic, M. (2004). Reality TV: The work of being watched. Rowan & Littlefield Publishers. https://books.google.com.vn/books?hl=vi&lr=&id=RcYdAAAAQBAJ&oi=fnd&pg=PR3&dq=Andrejevic,+M.+(2004).+Reality+TV:+The+work+of+being+watched.+Rowman+%26+Littlefield&ots=b56fkidXps&sig=mzGZdhBX0y6pPckCJqT6cUK6k6k&redir_esc=y#v=onepage&q=Andrejevic%2C%20M.%20(2004).%20Reality%20TV%3A%20The%20work%20of%20being%20watched.%20Rowman%20%26%20Littlefield&f=false

Nunn, H., Biressi, A., Nunn, H., & Biressi, A. (2005). Reality TV: Realism and revelation. Columbia University Press. https://www.degruyter.com/document/doi/10.7312/bire476405/html

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lvoplds · 8 years ago

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aye ! i’m d or dennis either is hideous. she/her and i’m a big ol’ Gay. my timezone is gmt but that means nothing bc i sleep like garbage & that’s pre much all the ooc info i got bcos i’ll ramble which makes sense considering i’m leo’s mun --- speaking the fuck of ! hit the readmore for a lil breakdown i’m trying to keep brief ( i lied barbara sue me ) + the like button if u wanna plot <3

☆ · ˚ . ✦ . ˚ { COLE SPROUSE, TWENTY-FOUR, HE/THEY } spotted! LEOPOLD FISK making their way down the streets of the ues. i swear, every time i hear WELCOME TO JAPAN by THE STROKES, i think of them. the DEMIBOY is currently a COLLEGE STUDENT. though everyone knows them for being HEEDFUL & WELL-ROUNDED, page six says they could be BITTER & PERIPHRASTIC. according to gossip girl, LEO BLACKMAILED THE ADMISSIONS DIRECTOR TO GET INTO UNIVERSITY, but that could be a rumor. { d, 20, gmt, she/her }

so, leo feat. some basics --- just turned twenty-four. demiboy with preference to either he or they pronouns.

he’s ny born and raised. a fact that’ll be fun later: his mother’s from scotland & he has family he visits there.

he’s demisexual/demiromantic. romantic and sexual attraction come hand in hand with emotional depth and since he’s so skeptic/extra about the first and uncaring when it comes to the latter, it makes it difficult for leo to be available, but not at all impossible bcos hey ! he’s very open to connecting with people. he just needs to reset some of his priorities and ideals on people. it’s been two years, cunt.

a continuation to the point upstairs -- he’s pretty social though not as much as he used to be in highschool ?? he says it’s bc of college which is partially true but u never know.... now it’s pretty much him being socially operating: extensive phonecalls, he likes talking. keep him updated. spill teas and ur feelings, hon. the wingman of his people; think caleb gallo from the gay and wondrous life of caleb gallo or cher horowitz got brutally murdered by amber and possessed josh lucas. will set you on a date on the spot which is IRONIC considering he *gasps* has cynical opinions on dating but that’s a preference not a fact. venting-friendly; he pays attention and takes mental notes and will be able to keep up. the catch is that you never see him during the week and if you do, it’s by planned accident. he’s a big Nerd and also lives in campus. td;lr: he’s the parental figure but mostly the aunt who lives five states away but knows your business because she cares and is also going through a rough divorce handled poorly by her budding alcoholism and needs the distraction.

THAT BEING SAID, it’s not a shocker to know that his mother is a therapist and he clearly takes a lot from her. known one to socialite moms all the way to governors’ wives in the upper east side --- and that’s how he managed to blackmail the admissions director of nyu.

as smart as he is, the one thing he’d worked for ( maybe not too hard, but he didn’t think he’d need to ? straight a’s should be more than enough ) somehow did nawt work ??? and he’s not ???? taking that ??? at all ?? WHAT ??? and in comes his moral ambiguity where he reasoned w himself that yea... he deserved this. and the director shouldn’t be diddling with their family friend -- no, her being a model is not an excuse. and yes leo had to investigate to know whom that was -- so this is karma. right ? right. and it happened. he ofc didn’t tell them he’s their therapist’s spawn -- his mom goes by her maiden name - but he knows the reveal would be #iconic on graduation day.

additional fuckshit he’s on about: he’s a famous local erotica romance novel writer in scottland and goes by pseudonym brenda j. thomson who wrote elicit confessions. it’s as extra and terrible as it sounds.

COOL SO MOVING ON TO WANTED CONNECTIONS

FAMILY FRIENDS ? absolutely. they’d notice the shift in personalities maybe. he was extra before and he’s extra now but less and studying environmental law with a full blown depression. #grown

EXES ? just a major one. they’d been a Thing^tm throughout high school but dissolved as most relationships would after grad. i’d say it’s the most intense romantic relationship he’d had but that’s only because it was his first and while it hurt before, he knows that’s what it was now -- still refers to them vaguely and dramatically as his first love/experience by habit and for point delivery purposes but it means less to nothing now.

A NEIGHBOR ? has to come back home to someone next door on the weekends ! they could be close, absolutely despise each other, a little bit of both, etc.

HIS CLOSEST FRIENDS ? these people... are his life. literally wouldn’t go a day without talking to them. his lil web of lovely distractions. whether it’s who he met after grad or knew all his life, they’re important. if they all know each other ? kudos ! if they don’t ? he’d probably mention them in conversation or make it a point they would one day, no problem. ( i wanted to set a number aka five ppl but nah - a good starter number tho and the rest are budding friendships bc we stan those )

MOM’S FREQUENTERS ? yes. people who see his mom, whether it’s a muse or a muse’s parent. he’d probably run into them when he stops by his mom’s therapy office or knows of them. anything could be done and fleshed out more here !

DORM MATE ? yes. they share a dorm, they’re mates. they crash parties together and steal minivans for fun.

ENEMY ? rivalry is approved in this house. could be friends before and shit went left why not leo’s a shithead ?? im ready to go off !

FRENEMIES ? only talk when they’re forced to in social settings or in a group of people. heavy opinions of each other. passionate despising, maybe a little too passionate -- for everyone’s comfort.

FRIENDS HOW ??? they only ever talk on the phone/text. only. it’s weird, they don’t know how to explain it but that’s pretty much it and it works ! they’re comfortable enough to talk about fleshlights and communism.

PROBABLY MORE BC IM SURE I HAVE MORE IN MIND BUT THIS IS ALREADY SO FUCKING LONG BUT WE’LL SEE !

#ueshqsintro #✦ ❛ — ᴛʜᴇ ʟɪᴢᴀʀᴅ ʏᴏᴜ ʙʀᴏᴜɢʜᴛ ᴛᴏ sᴄʜᴏᴏʟ ꜰᴏʀ sᴏᴍᴇ ʀᴇᴀsᴏɴ › ooc.#there's wc i THWEAR im not this traumatizing 4 nothing #but uhh yeaH no.1 of tiny meat gang is present hmu 2 complete the skwa !

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fanhackers · 8 years ago

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New fan studies research - August 8th, 2017

A weekly list of new/recent fan studies research that’s just been added to the Fan Studies Bibliography. Works are divided into things that are open access (=immediately readable for anyone) and not open access (=behind a paywall or not yet public).

Most of the stuff in the “not open access” section this week is chapters from a new edition of Fandom: Identities and Communities in a Mediated World, a key fan studies book from 2007. Some of the chapters are new, so we’ve included them again. Click the links to Google Books to read at least a portion of the chapters.

If we missed anything or made a mistake, submit a correction and we’ll fix it in next week’s edition. Happy reading!

Open access:

Dyche, Caitlin. 2017. “Binging on Gilmore Girls: A Parasocial Exploration of Fans’ Viewing Behaviors.” MA thesis, The University of Alabama. http://search.proquest.com/openview/967beed642f597db6d5ce6e2209800f9/1?pq-origsite=gscholar&cbl=18750&diss=y

Gerrard, Ysabel. 2017. “‘It’s a Secret Thing’: Digital Disembedding through Online Teen Drama Fandom.” First Monday 22 (8). http://www.ojphi.org/ojs/index.php/fm/article/view/7877

Shuhail, Maitha, and Swapna Koshy. 2017. “The UAE’s Tryst with Anime: An Evaluation.” In International Conference on Education, Humanities and Management (ICEHM-17). University of Wollongong in Dubai. http://ro.uow.edu.au/dubaipapers/875/

Not open access:

Alalinarde, Marine. n.d. “The Popularization of Space – Link between Science, Policy, and Public Perception Star Trek as an Early Mind-Opener for Space Endeavors.” Space Policy. doi:10.1016/j.spacepol.2017.04.008

Bennett, Lucy. 2017. “Resisting Technology in Music Fandom: Nostalgia, Authenticity, and Kate Bush’s ‘Before the Dawn.’” In Fandom: Identities and Communities in a Mediated World, 127. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA127&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsILS&sig=Vjoad2iSt62u6tIeLFkE9TCl-V4

Bielby, Denise D., and C. Lee Harrington. 2017. “The Lives of Fandoms.” In Fandom: Identities and Communities in a Mediated World, 205. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA205&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsILS&sig=cy1nKV04YVDqcYzlNKdmLg_ZgUc

Brooker, Will. 2017. “A Sort of Homecoming: Fan Viewing and Symbolic Pilgrimage.” In Fandom: Identities and Communities in a Mediated World, 157. https://books.google.be/books?hl=en&lr=&id=rDsuDwAAQBAJ&oi=fnd&pg=PA157&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=CuQarDx1EI&sig=Xccp6mCNfGfcTTxShPHI5xEEwnQ

Busse, Kristina. 2017. “Intimate Intertextuality and Performative Fragments in Media Fanfiction.” In Fandom: Identities and Communities in a Mediated World, 45. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA45&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsLFO&sig=GlJYrevscM4zTT3mSzfUKQsc4Fc

Cavicchi, Daniel. 2017. “Loving Music: Listeners, Entertainments, and the Origins of Music Fandom in Nineteenth Century America.” In Fandom: Identities and Communities in a Mediated World, 127. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA127&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsILS&sig=Vjoad2iSt62u6tIeLFkE9TCl-V4

Chatman, Dayna. 2017. “Black Twitter and the Politics of Viewing Scandal.” In Fandom: Identities and Communities in a Mediated World, 299. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA299&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsLLR&sig=-gTLqGaSArUiSYWgAkw5P27mTbU

Click, Melissa. 2017. “Do All ‘Good Things’ Come to an End? Revisiting Martha Stewart Fans After ImClone.” In Fandom: Identities and Communities in a Mediated World, 91. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA91&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsLFO&sig=3H9pteYqFXJ1lacRu4kvyin3KfY

De Kosnik, Abigail. 2017. “Memory, Archive, and History in Political Fan Fiction.” In Fandom: Identities and Communities in a Mediated World, 270. https://books.google.be/books?hl=en&lr=&id=rDsuDwAAQBAJ&oi=fnd&pg=PA270&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=CuQarDx_KM&sig=y-3xCSPsF-1YPlrUVQVZ7vfs238

Duffett, Mark. 2017. “I Scream Therefore I Fan? Music Audiences and Affective Citizenship.” In Fandom: Identities and Communities in a Mediated World, 157. https://books.google.be/books?hl=en&lr=&id=rDsuDwAAQBAJ&oi=fnd&pg=PA157&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=CuQarDx1EI&sig=Xccp6mCNfGfcTTxShPHI5xEEwnQ

Gilbert, Anne. 2017. “Live from Hall H: Fan/Producer Symbiosis at San Diego Comic-Con.” In Fandom: Identities and Communities in a Mediated World, 354. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA354&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsLLR&sig=d8V6RovPT473iCxldV51UpS33CQ

Gray, Jonathan. 2017. “The News: You Gotta Love It.” In Fandom: Identities and Communities in a Mediated World, 91. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA91&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsLFO&sig=3H9pteYqFXJ1lacRu4kvyin3KfY

Gray, Jonathan, Cornel Sandvoss, and C. Lee Harrington. 2017. Fandom, Second Edition: Identities and Communities in a Mediated World. NYU Press.

Groot, Gerry. 2018. “Cool Japan Versus the China Threat: Does Japan’s Popular Culture Success Mean More Soft Power?” In Japanese Language and Soft Power in Asia, 15–41. Palgrave Macmillan, Singapore. doi:10.1007/978-981-10-5086-2_2

Hashimoto, Kayoko. 2018. “Cool Japan and Japanese Language: Why Does Japan Need ‘Japan Fans’?” In Japanese Language and Soft Power in Asia, 43–62. Palgrave Macmillan, Singapore. doi:10.1007/978-981-10-5086-2_3

Heljakka, Katriina. 2017. “Toy Fandom, Adulthood, and the Ludic Age: Creative Material Culture as Play.” In Fandom: Identities and Communities in a Mediated World, 91. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA91&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsLFO&sig=3H9pteYqFXJ1lacRu4kvyin3KfY

Hills, Matt. 2017. “Media Academics as Media Audiences: Aesthetic Judgments in Media and Cultural Studies.” In Fandom: Identities and Communities in a Mediated World, 91. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA91&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsLFO&sig=3H9pteYqFXJ1lacRu4kvyin3KfY

Ito, Mizuko. 2017. “Ethics of Fansubbing in Anime’s Hybrid Public Culture.” In Fandom: Identities and Communities in a Mediated World, 333. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA333&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsLFO&sig=_N9B3TOhIMUaec4XKopkUpSnK8Y

Jenkins, Henry. 2017. “‘What Are You Collecting Now?’: Seth, Comics, and Meaning Management.” In Fandom: Identities and Communities in a Mediated World, 91. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA91&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsLFO&sig=3H9pteYqFXJ1lacRu4kvyin3KfY

Johnson, Derek. 2017. “Fantagonism: Factions, Institutions, and Constitutive Hegemonies of Fandom.” In Fandom: Identities and Communities in a Mediated World, 369. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA369&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsILS&sig=MaB5iQsaaGzBEj6pfaxE54RKkQE

Kido Lopez, Lori, and Jason Kido Lopez. 2017. “Deploying Oppositional Fandoms: Activists’ Use of Sports Fandom in the Redskins Controversy.” In Fandom: Identities and Communities in a Mediated World, 315. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA315&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsLFO&sig=DViP_a-OxD9pQXNNBa10Rgse9RU

Linden, Henrik, and Sara Linden. 2017. “Text and Representation: The Community and the Individual.” In Fans and Fan Cultures, 61–83. Springer. http://link.springer.com/chapter/10.1057/978-1-137-50129-5_4

Lothian, Alexis. 2017. “Sex, Utopia, and the Queer Temporalities of Fannish Love.” In Fandom: Identities and Communities in a Mediated World, 238. https://books.google.be/books?hl=en&lr=&id=rDsuDwAAQBAJ&oi=fnd&pg=PA238&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=CuQarDx_KM&sig=rSfqe90jB2TPsYlURD_qnYBohIY

Morimoto, Lori Hitchcock, and Bertha Chin. 2017. “Reimagining the Imagined Community: Online Media Fandoms in the Age of Global Convergence.” In . https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA174&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsILS&sig=WcSJ9h5XSqpYVb3rvxzmD4LE5-s

Napoli, Philip M., and Allie Kosterich. 2017. “Measuring Fandom: Social TV Analytics and the Integration of Fandom into Television Audience Measurement.” In Fandom: Identities and Communities in a Mediated World, 402. https://books.google.be/books?hl=en&lr=&id=rDsuDwAAQBAJ&oi=fnd&pg=PA402&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=CuQarDx1KL&sig=iLdgmcNLWO_YeOls7sxpR582MEs

Punathambekar, Aswin. 2017. “Between Rowdies and Rasikas: Rethinking Fan Activity in Indian Film Culture.” In Fandom: Identities and Communities in a Mediated World, 285. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA285&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsLFO&sig=jK5Ag4AszyY3qjbjiwLziMbxGGs

Sandvoss, Cornel. 2017. “The Death of the Reader? Literary Theory and the Study of Texts in Popular Culture.” In Fandom: Identities and Communities in a Mediated World, 45. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA45&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsLFO&sig=GlJYrevscM4zTT3mSzfUKQsc4Fc

Scott, Suzanne. 2017. “The Powers That Squee: Orlando Jones and Intersectional Fan Studies.” In Fandom: Identities and Communities in a Mediated World, 387. https://books.google.be/books?hl=en&lr=&id=rDsuDwAAQBAJ&oi=fnd&pg=PA387&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=CuQarDx1KL&sig=uhuPWTDq1PNJKf1QtzwUv7T_TCg

Tushnet, Rebecca. 2017. “Copyright Law, Fan Practices, and the Rights of the Author (2017).” In Fandom: Identities and Communities in a Mediated World, 77. https://books.google.be/books?hl=en&lr=&id=qDsuDwAAQBAJ&oi=fnd&pg=PA77&dq=%22Fandom:+Identities+and+Communities+in+a+Mediated+World%22&ots=Sv-jQJsILS&sig=4dDAv2r9PvyAjY2rVjPs6Gz7I4M

Woods, Kelsey, Michael D. Slater, Jonathan Cohen, Benjamin K. Johnson, and David R. Ewoldsen. 2017. “The Experience of Narrative in the Permanently Online, Permanently Connected Environment.” In Permanently Online, Permanently Connected: Living and Communicating in a POPC World. https://books.google.be/books?hl=en&lr=&id=eJwuDwAAQBAJ&oi=fnd&pg=PT269&ots=59Z3Zx-OxB&sig=3KyamjrFVEP0D7AEA_-uPZiiXGw.

#fan studies #fan studies bibliography

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tuyetthienduong · 6 years ago

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0 notes

jazzworldquest-blog · 7 years ago

Text

USA: New Release "Malita-Malika" by Carol Liebowitz & Birgitta Flick

Carol Liebowitz Birgitta Flick MALITA-MALIKA New Release Leo Records

LEO RECORDS LR 838

Carol Liebowitz, piano, voice Birgitta Flick, tenor saxophone

1. Moon 5:19 2. Portrait 4:30 3. Visions 5:14 4. Malita-Malika (for Johanna) 6:46 (Birgitta Flick, GEMA) 5. Hummingbird 4:25 6. Marionette (Billy Bauer) / September in the Rain* (Harry Warren & Al Dubin) 5:04 7. Jasmine 2:15 8. You Don’t Know What Love Is* 8:15 (Gene de Paul & Don Raye) 9. Sehnsucht 2:45 10. Crossed Lines 4:52 11. Reflections 4:24 Total time 53:49 (*tracks 6, 8 with voice) All tracks by Carol Liebowitz and Birgitta Flick (GEMA), except where noted. Published by Alissa Publishing / PRS Recorded November 4 & 6, 2017 by Ryan Streber at Oktaven Audio, Mount Vernon, NY Mixed by Brian Montgomery Mastered by Jim Clouse, Park West Studios, Bklyn, NY Photography by Kate Koenig Produced by Birgitta Flick, Carol Liebowitz & Leo Feigin Supported by the Senate Department for Culture and Europe

Carol Liebowitz and Birgitta Flick originally met at a Berlin jazz club in 2010. When their paths crossed again in New York in 2014 they had the opportunity to play intensively for several months and since then have toured together frequently in Europe and the New York area.

Their playing creates an extraordinary soundscape — where freedom of expression connects with an intense lyricism in original compositions, spontaneous improvisations, and inspiring explorations into the Great American songbook.

Birgitta Flick, tenor saxophone

Birgitta Flick is a saxophonist and composer and lives in Berlin. She studied saxophone and Jazz at the Jazz-Institut Berlin (UdK) and the Royal College of Music, Stockholm. Current projects—besides her Duo with Carol Liebowitz—are her Berlin-based quartet and the German-Swedish-Finnish band Flickstick, with whom she won the 2012 Jazz Baltica Förderpreis and released the 2nd album in January 2018. Ms. Flick’s other work includes playing in the Nico Lohmann Quintet, and in drummer Sebastian Voegler’s Stockholm-based band Fluxmaschine and the German Women’s Jazz Orchestra.

In 2011–12 her research and composition project on traditional Swedish music was sponsored by the Elsa Neumann Scholarship of the state of Berlin. The resulting suite for the Swedish singer Lina Nyberg, Silke Eberhard (bass clarinet), Nico Lohmann (alto saxophone, flute) and the Birgitta Flick Quartet was released in April 2016 by Double Moon Records. The quartet’s debut CD, “Yingying” was released in 2013 by Jazz thing Next Generation. In autumn 2018 the new CD “Color Studies” will be published by Double Moon Records/Challenge, supported by the Initiative Musik gGmbH. Further CD productions include those with the Nico Lohmann quintet, Esther Kaiser and Z’lil schel bet Haskala, amongst others.

Her concert tours have taken her to several European countries, the USA and the Middle East, and in winter 2014–15, to New York for a three month stay including private studies with Connie Crothers. Festival concert appearances include XJazz Berlin, Elbjazz in Hamburg, JazzBaltica, Jazzwoche Burghausen, Jazzahead German Jazz Meeting and Cairo Jazz Festival. Since 2013 Birgitta also contributes to the monthly Psalmton Jazz Pop Services at Kaiser-Wilhelm-Gedächtnis-Kirche in Berlin—both as a performer, composer and coordinator. Since 2015 she also serves as the artistic director of the summer concert series “InSpirit“ at the Kaiser-Wilhelm-Gedächtnis- Kirche.

In 2017 she received a scholarship of the City of Berlin to realize a new improvisation project and the CD recording for “Malita-Malika" together with Carol Liebowitz.

“An excellent tenor-saxophonist based in Berlin, Birgitta Flick has an original sound on her horn, not sounding like any of her historical predecessors.” —Scott Yanow

“The large scale of Flick’s music is testimony to her rich orchestral experience, and this album first of all surprises the listener with her outstanding talent as a composer.” —Kayo Fushiya, JazzTokyo

Carol Liebowitz, piano/voice

Pianist Carol Liebowitz brings a uniquely expressive and personal sound to the jazz and free improvisation scene. After focusing on classical repertoire at the High School of Performing Arts and NYU, her musical direction turned to improvisation and she began studying with Connie Crothers. Other influential teachers have included Sal Mosca, Jay Clayton and Sheila Jordan. She has performed in Europe and throughout the New York City metropolitan area in venues such as Roulette, The Stone, Cornelia Street Cafe, IBeam, The Firehouse Space, Arts for Art, Spectrum, and Birdland. In addition to frequent solo concert appearances, Carol has worked in various groups with musicians including Tom Blancarte, Adam Caine, Daniel Carter, Claire de Brunner, Maryanne de Prophetis, Andrew Drury, Ken Filiano, Andy Fite, Birgitta Flick, Ratzo Harris, Ron Horton, Louise D.E. Jensen, Adam Lane, Eva Lindal, Nick Lyons, Ryan Messina, Kevin Norton, Bill Payne, John Pietaro, Lorenzo Sanguedolce, John Wagner, Michael Wimberly, and Andrea Wolper.

Her CD “Payne Lindal Liebowitz” on Line Art Records with clarinetist Bill Payne and violinist Eva Lindal was voted one of the Top Ten Jazz CDs in the 2015 NPR Jazz Critics Poll by Art Lange. Also on Line Art Records are “First Set” (a duo with alto saxophonist Nick Lyons), “Poetry from the Future” (To Be Continued, a quartet with Claire de Brunner, Daniel Carter, and Kevin Norton), and most recently in 2018, “Spiderwebmandala,” a duo with Bill Payne, featuring poet Mark Weber. Carol has two releases on the New Artists label: “Waves of Blue Intensities,” a duo with tenor saxophonist Bob Field, and “Time on My Hands,” a voice/guitar duo with Andy Fite.

“...three-dimensional kaleidoscopic displays.” —Mel Minter (musically speaking),melminter.com

“...chords that brim with ardent energy and hypnotic beauty.” — All About Jazz

Malita-Malika is available from leorecords.com, cdbaby, carolliebowitz.com For more information: carolliebowitz.com birgittaflick.com

via Blogger https://ift.tt/2oZ4SbB

0 notes

rosenworld · 8 years ago

Video

vimeo

BROOKLYN MAKES MISTAKES ON PURPOSE-THE WORKSHOP 2016 from laurie rosenwald on Vimeo.

mistakesonpurpose.com

MISTAKES ON PURPOSE WORKSHOP 2017

The “Mistakes” workshop- it can be open to all. That’s the best scenario, in fact.

Two hours or two days. 10 people or 100.

Erik Spiekermann, Ellen Lupton and Kurt Andersen all thought it was a worthwhile thing, and I think your school would be a great place to do this-

Please look at the attached pdf and text, if you would be so kind-feel free to share it with others.

Cheers from LR

The How to Make Mistakes on Purpose Workshop

One day Georges de Mestral went for a walk in the woods. He got some burrs stuck on his pants. He played around with ‘em. He thought, “What could this be?” And now we have Velcro. Here’s what he didn’t do: He didn’t sit down at an empty desk and think, “What this world needs is a better way of sticking stuff together! I’m going to be creative-right now!” Trying to be creative is just deadly. It works about as well as trying to be charming. What we actually do in the workshop is top secret. There can be no syllabus. Workshop alumni are requested to respect "omertà", the Mafia code of Silence. It's all about surprise, so it must be one. Sometimes I call it “What to do when it's too late to get burrs stuck on your pants and invent Velcro all over again.”

This is not a creativity workshop. It's not about accepting your mistakes. We all know that's good, sure. Here we really make them on purpose. But how can you plan those happy accidents? You create a bit of chaos. You bring in the random. In the workshop, things will happen that will make you ask, “Hey- What could this be?” People invent new things, and have unexpected ideas. That is what htmmop is for.

Who has hosted the workshop?

Google, Starbucks, AIGA New York, Eden-Spiekermann (Berlin), Art Directors Club, IDSA, AIGA National Conference, RISD, Moore College of Art, Brighton University, Parsons School of Design, Camberwell (UK) Tyler School of Art, NYU, ArtCenter (LA), School of Visual Arts, Pratt Institute, 72 and Sunny, SEED, AIGA Minnesota, American Greetings, AIGA Nebraska, AIGA Pittsburgh, Grafill (Norway), Iceland Academy of Art, Beckmans, Konstfack and HDK in Sweden. Anyone can do it. I guarantee you will surprise yourself, and everybody else. Also, it's just plain fun.

Here are some well-chosen words about it:

"playing with the studio 360 staff for an afternoon under laurie rosenwald's yoda-ish supervision was, like eating a certain candy bar, indescribably delicious. and unlike eating a candy bar, it was also sublimely useful.” -kurt andersen host of the peabody award-winning public radio show studio 360

“by encouraging me to make mistakes on purpose, laurie showed me how to embrace my inner failure. in so doing, she introduced me to her own special kind of “failure judo,” turning a perceived weakness into something personal, unique, and powerful. woe shall befall my pathetic enemies now. thanks, laurie!” -alexander isley, creative director and partner alexander isley inc.

“this experience loosened up my uptight intellectual mindset like nothing else.” -ellen lupton director, graphic design mfa program maryland institute college of art

“fun, cool, a wrong-thinking, crazy, intuitive, inspiring, top brain, collaborative, bottom brain, and definitely not business as usual.” -john bielenberg co-founder and managing member, c2 project m

DATES:

New York City, April 11 societyillustrators.org/ Stockholm, April 26 illustratorcentrum.se Milan May 14-19 mimasterillustrazione.com/home Michigan, June 1 windquest.com/

Bring Chaos to your Order.

laurie rosenwald

0 notes

lrsnyu · 9 years ago

Photo

APPEARING AT NYU SHANGHAI WITH XU XI, TUESDAY SEPTEMBER 20, 7PM, ROOM 1505

Seattle-based poet Jane Wong is the author of Overpour, forthcoming in the fall of 2016 from Action Books.

She is a former U.S. Fulbright Fellow and Kundiman Fellow and the recipient of The American Poetry Review's 2016 Stanley Kunitz Memorial Prize, with poems appearing in Best American Poetry 2015, Best New Poets 2012 and The Arcadia Project: North American Postmodern Pastoral as well as in numerous literary magazines, journals and three chapbooks: Dendrochronology, Kudzu Does Not Stop, and Impossible Map. Currently, she is a Visiting Assistant Professor at Pacific Lutheran University.

PRAISE FOR JANE WONG

“Wong’s poems speak to me with a dark urgency [and] the clarity of truth.….”

– Sueyeun Juliette Lee

#LRS@NYU #THE LITERARY READING SERIES AT NYU SHANGHAI #JANE WONG #XU XI

4 notes · View notes

rosenworld · 8 years ago

Video

vimeo

MISTAKES ON PURPOSE WORKSHOP MILAN 2017 from laurie rosenwald on Vimeo.

mistakesonpurpose.com

MISTAKES ON PURPOSE WORKSHOP 2017

The “Mistakes” workshop- it can be open to all. That’s the best scenario, in fact.

Two hours or two days. 10 people or 100.

Erik Spiekermann, Ellen Lupton and Kurt Andersen all thought it was a worthwhile thing, and I think your school would be a great place to do this-

Please look at the attached pdf and text, if you would be so kind-feel free to share it with others.

Cheers from LR

The How to Make Mistakes on Purpose Workshop

Who has hosted the workshop?

Here are some well-chosen words about it:

“this experience loosened up my uptight intellectual mindset like nothing else.” -ellen lupton director, graphic design mfa program maryland institute college of art

DATES:

New York City, April 11 societyillustrators.org/ Stockholm, April 26 illustratorcentrum.se Milan May 14-19 mimasterillustrazione.com/home Michigan, June 1 windquest.com/

Bring Chaos to your Order.

laurie rosenwald

mimasterillustrazione.com

0 notes