#Lady Danbury was outside of the room while Sarah was giving birth to Simon

[quotergirl19]

Part of me is convinced that we’re going to find out in the Queen Charlotte story that the love of Lady Danbury’s life was Simon’s mother.

[dinapaulson]

The Top Ten Times Bridgerton Titillated Me AKA Gave Life

After making haste to consume the series in a day, and the next rewatching Simon and Daphnes’ scenes only (highly recommend), at the crack of the following, I realized it was the magic of seemingly smaller moments, sometimes, in the form of behind-the-scenes and back story beauty, woven into the larger storyline expositions that really stayed with me—a storytelling feat Her Majesty, Shonda Rhimes, is known for. Here are the top ten times this happened, causing my cinephile soul considerable thought and feels. 

1. Simon’s bedside manner while Daphne is in labor

It struck me the first time while watching how—how shall I put it—calm Simon looked, while Daphne screamed and breathed her head off. No, calm is not quite the word—eerily still, without any emotion or exertion of his own. At first confounded by His Grace, I realized he was terrified; scarred and petrified into a place that had no emotion to rely upon. Would Daphne survive childbirth? Was he having an out-of-body experience, imagining, as I am sure he was told, his immense a**hole of a father pacing outside the room where the Duchess was giving birth to Simon, obsessed with the “outcome” and would not deign to be by her side, what that must have felt like, to be so cold and removed from life, feeling, humanity, and here Simon was, in perfect, firm love, at Daphne's side, being a whole part of their child’s birth? (When their son is born, his stock Simon-ness returns, as he, filled with emotion, gently holds their son from Daphne’s arms, then implies, impishly, because of the Bridgerton family tradition, their son’s name must begin with “A.”)

2. A chocolate will do just perfectly 

The perfection of friendship between Eloise and Penelope is well on display throughout the series. There was one moment that caught my breath for the sheer ease of what friendship is—truly relating without needing to fully understand the other but being, sitting, anyhow, in pure acceptance of the other and mutual situation. Such is what happens when Penelope tells Eloise, in gentle expository explosion, her path is and will be different, more difficult to navigate than hers, without having a sister who is a Duchess, and moreover, she thinks she wants a life different than the independent dream the two of them speak of. And, to that, Eloise offers a chocolate, and to that, Penelope's smile-inducing smile and simply reaching for one is friendship goals. 

3. “I beg your pardon?” 

As others have pointed out, there is plenty of hotness to Simon buttoning Daphne’s cuff as a clear metaphor for the sexual unbuttoning/buttoning to come. But, what gets me every time is Simon’s reaction to Daphne’s question, his face both gently confirming and sexily contorting, which seems to beg the idea that in a different house of language, not one for promenade but perhaps one a rake aka Regency f*ck boy would inhabit, this term had an, o, one might say, slightly less innocent meaning. 

4. The nighttime, swing chats between Eloise and Benedict

I dare say it was Eloise who checked her brother on his white man privilege that sent him (still) strolling to Henry Granville’s house to take a (completely protected, see white privilege) risk of himself as a potential new somebody, in this case, an artist. 

5. Were others hoping Henry and Benedict would have a go at it? 

I think I mistook their mutual intrigue for desire, though I dare say Benedict flinging himself with considerable umph into the ménage-a-trois with Madame Delacroix and her friend, may have been, in part, a turn-on from stumbling upon Henry with his love, Lord Willoughby, making love. I recognize this ponderance might be a stretch, but, if I may—remember that conversation A Happiest Season launched in queer Twitterverse about the likelihood, with multiple siblings, of at least one sibling being gay? Come on, there are eight of them! Tell me I am not the only queer fan who would love to see one Bridgerton explore a truthfully desired same-sex relationship on the show. 

6. “Simon” (**heart begins to ache**)

After Simon gives one of his best speeches, in episode five to the queen, in his and Daphne’s effort to persuade Her Majesty to assist them in getting a marriage license, so moved is Daphne by what he says, that she turns to him, as if no one else is in the room, with an emotive quiver, staring watery and straight into his eyes, and out comes a quaking: “Simon.” Indeed, Simon’s speech of the love from whom he cannot stay away nor let be the one who got away is the discursive, definitive foreplay to their physical consumption of each other. Later, he says quietly to her heart twisted back: “Everything I said to the queen was true.” 

7. “From the mornings you ease, to the evenings you quiet, to the dreams you inhabit, my thoughts of you never end...” 

Um. So, this is just one of the most perfect romantic things I have ever heard one human being utter to another. 

8. Also: this was a nearly all-female credited writer cast (with the exception of the series’ premiere and finale episodes, credited to showrunner Chris Van Dusen). I delightfully sighed as each woman writer’s name danced in Bridgerton font across my screen. What genius interplay of words that cut and bit and lobbed and heeled, then healed, revealed, and felt so completely—wonderful.  Here are the writing credits:

Janet Lin for episode 2, ”Shock and Delight”

Leila Cohan-Miccio for episode 3, ”The Art of the Swoon”

Abby McDonald for episode 4, “An Affair of Honor”

Joy C. Mitchell for episode 5, ”The Duke and I” Sarah Dollard for episode 6, ”Swish” Jay Ross and Abby McDonald for episode 7, “Oceans Apart” 

Additionally listed under writers are Jess Brownell as Executive Story Editor on “Shock and Delight” and “Diamond of the First Water,” Joy C. Mitchell also as Executive Story Editor on “Shock and Delight” and “Diamond of the First Water,” and Abby McDonald as Staff Writer on “Shock and Delight” and “Diamond of the First Water.” 

9. Simon goes down—a lot 

At least two times we know of, but we may assume more, that giving Her Grace pleasure between her legs is something that comes easily, perhaps even needily, to him. Just that. It is hot and wanting and you know, with various talk about men not wanting to go down on women, well, representation matters. 

10. Choosing present over past 

This is a Golden Age TV theme of late, strong in the final season of Jessica Jones and luscious The Queen’s Gambit, though, perhaps, choosing to be present is the overall life theme, always, and just manifests differently in all of our journeys. The fabulously eviscerate Lady Danbury says: “Pride, Your Grace: it will cost you everything and leave you with nothing.” What Simon gains by choosing to be in his present is not only the opportunity to feel and develop a love, and family, with Daphne, but he gives himself space—cleans out the leftovers, once and for all—to fully inhabit the now, which means anything could be ahead.