#Lelia Goldoni

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Theatre of Death (1967)

AKA Blood Fiend

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Alice Doesn’t Live Here Anymore (1974) Martin Scorsese

June 8th 2023

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'Invasion of the Body Snatchers' in seventies San Francisco on Max and Prime Video

Invasion of the Body Snatchers (1978), Philip Kaufman’s remake of the 1956 classic, updates it from the homespun innocence small town fifties America to the busy urban modernity of San Francisco of the seventies and gives the metaphor a new context. Donald Sutherland takes the lead as Matthew Bennell, a field agent for the Department of Health, and Brooke Adams is colleague Elizabeth Driscoll, a…

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GOOD AGAINST EVIL (1977) Reviews and free to watch online in HD

GOOD AGAINST EVIL (1977) Reviews and free to watch online in HD

Good Against Evil is a 1977 American made-for-TV film directed by Paul Wendkos (The Mephisto Waltz) from a screenplay written by Hammer veteran Jimmy Sangster (Dracula; Paranoiac; Fear in the Night). The ABC film was a pilot for a TV series that was not subsequently commissioned. The movie stars Dack Rambo (Nightmare Honeymoon), Elyssa Davalos, Richard Lynch (The Premonition; Puppetmaster III;…

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RIP Lelia Goldoni (1936-2023)

Shadows, John Cassavetes, 1958) Director:

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Leonard Nimoy and Lelia Goldoni in Invasion of the Body Snatchers (1978)

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Ben Carruthers in Shadows (John Cassavetes, 1959)

Cast: Ben Carruthers, Lelia Goldoni, Hugh Hurd, Anthony Ray, Dennis Sallas. Tom Reese, David Pokitillow, Rupert Crosse. Screenplay: John Cassavetes. Cinematography: Erich Kollmar. Film editing: John Cassavetes, Maurice McEndree.

You probably have to like John Cassavetes's later movies more than I do to appreciate Shadows beyond its historical significance. Even the most-praised films in his oeuvre leave me feeling itchy and annoyed, wondering why he has to inflict his hysterical people on me. That said, there's an innocence about Shadows -- chaotic and scattershot as it is -- that I can relate to. It has some good moments: Lelia Goldoni's fresh beauty and the crushing scene in which her character's losing her virginity turns out to be painful and disappointing; Ben and his loutish friends cavorting in the MOMA sculpture garden; the painfully pretentious party-goers yattering on about existentialism; and almost any scene in which Rupert Crosse, playing Hugh's manager, is present, looming with amusement over the action. But though it captures something about the New York scene on the cusp of the 1960s that's as valuable as anything that Jean-Luc Godard and François Truffaut did for the Paris scene, I keep wishing it were like their films: more polished and focused. Maybe that's because Cassavetes was almost too much of an auteur, too self-conscious about being a rebel. Andrew Sarris, that connoisseur of auteurs, found him "an unresolved talent" who "hovers between offbeat improvisation and blatant contrivance. Somehow his timing always seems to be off a beat or two even when he understands what he is doing." There are those who think that Shadows misses the mark because it isn't about what it seems to be about: race and sex. But if I value the film for anything it's for its decision not to preach or postulate about those or any other topics. And because it loosened up American movies, foreshadowing the best of the early Martin Scorsese, like Mean Streets (1973) and Taxi Driver (1976).

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Cantinho do VHS

O Mistério do Invisível

Original:The Unseen

Ano:1980•País:EUA

Direção:Danny Steinmann

Roteiro:Danny Steinmann, Stan Winston, Thomas R. Burman, Michael L. Grace, Kim Henkel, Nancy Rifkin

Produção:Anthony B. Unger

Elenco:Stephen Furst, Barbara Bach, Sydney Lassick, Lelia Goldoni, Karen Lamm, Douglas Barr, LoisYoung

Sinopse

Três mulheres repórteres ficam isoladas numa velha casa habitada por um estranho e desconhecido ser maligno que habita no porão da casa quando acabam procurando por uma hospedagem, elas conhecem um senhor simpático porém de comportamentos estranhos que esconde um segredo em seu porão que sera relevado no decorrer da história.

Mais uma dica de filme para os amantes do gênero, existem vários filmes aos quais muita gente desconhecem, meu objetivo é trazer eles aqui, não só sendo terror, más sim qualquer tipo de filme que vale apena ver de novo ou conhecer.

Eu sou o Fan e quero desejar um maravilhoso domingo a todos vocês hoje, passe o dia em casa, descanse e veja um filme.

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Theatre of Death (1967)

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Shadows (1958) John Cassavetes

May 11th 2023

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Lelia Goldoni (October 1, 1936 – July 22, 2023)

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THEATRE OF DEATH (1967) Reviews of Christopher Lee 'vampire' movie

THEATRE OF DEATH (1967) Reviews of Christopher Lee ‘vampire’ movie

‘Where acting can be murder’ Theatre of Death is a 1967 British horror film involving killings centred around a Parisian theatre company with a tyrannical director. Naturally, he initially becomes the main murder suspect. Also known as Blood Fiend Directed by Samuel Gallu (Arthur? Arthur!; The Limbo Line; The Man Outside) from a screenplay co-written by Ellis Kadison and Roger Marshall. Produced…

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The Unseen

Make-up specialist Stan Winston is credited as one of the story writers on Danny Steinmann’s THE UNSEEN (1980, Shudder, YouTube), though that credit doesn’t turn up on the IMDb or Wikipedia. He’s not credited with the make-up either, but the unseen-until-the-end creature is a solid piece of work. It’s the mutant child of incest confined by his father-uncle and mother-aunt to the basement of their Victorian home in rural California. When he finally turns up, Stephen Furst does a great job with the role. Without a line of dialog, he creates a hulking character stuck in childhood and unaware of how frightening or potentially dangerous he is. Yes, it’s the horror film version of Lenny in OF MICE AND MEN, but he elevates the rip-off (it would have to be a better film to call it an homage). His role in the horror — he kills by accident while trying to play with people — is also reminiscent of the Steinbeck character. Unfortunately, there’s little else in the movie that reaches that level. Catherine Bach is a tele-journalist on the outs with her husband (Doug Barr), a football star sidelined by a knee injury. When the station’s travel department screws up her hotel reservation to cover the Danish festival in Solvang, she and the two women on her crew wind up at the Victorian mansion, which isn’t a safe place for women or chickens (animal lovers may want to avoid this one). Bach is such a bad actress, it’s hard to care about what happens to her or her character. It’s a shock that after an hour of acting with a frozen face, she manages to come up with a second expression. Barr is good, however, and doesn’t deserve the slow-motion running scene that makes him look silly. And Sidney Lassick and Lelia Goldoni as the incestuous couple deserve lots better material than this. He has to live through a memory scene, playing lines to the disembodied voice of his dead father in a clumsy bit of exposition. She has to play the victim of his physical and sexual abuse and commits to it wholeheartedly, even though her lines are utter drek. The picture looks like a mediocre television movie — lots of creamy, inexpressive cinematography and a wall-to-wall score — except for the gore and one nude scene Oddly, Steinmann’s later film, FRIDAY THE 13TH: A NEW BEGINNING (1985), looks lots worse. It’s as if he had devolved as a director, but then, he didn’t start out all that great to begin with.

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Circus Of Horrors + Theatre Of Death (DVD) Anchor Bay Entertainment Double Feature - Anchor Bay

FOR SALE!!! FIND THIS ITEM AND MORE AT screaming-greek.com Anchor Bay Entertainment Double Feature: Circus Of Horrors - 92min. 1960 - Featuring Anton Diffring, Erika Remberg, Donald Pleasence Theatre Of Death - 1h 31min. 1967 - Featuring Christopher Lee, Julian Glover, Lelia Goldoni Used DVD Anchor Bay 2003 Read the full article