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#Lenita Mary Lane
perfettamentechic · 6 months
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15 marzo … ricordiamo …
15 marzo … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2023: Marisa Traversi, all’anagrafe Marialuisa Traversi, attrice italiana. Milanese di nascita, si trasferì con la famiglia a Roma subito dopo la seconda guerra mondiale. Dapprima cantante nei night romani e reginetta di vari concorsi di bellezza,  ottenne una parte nel 1957 nel film Parola di ladro (1957) e fu l’inizio di una carriera cinematografica e televisiva. Nell’estate del 1972 ebbe un…
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fourorfivemovements · 11 months
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Films Watched in 2023: 102. The Mad Magician (1954) - Dir. John Brahm
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screamscenepodcast · 2 years
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Third time's the charm... your hosts tackle THE BAT (1959, Wilbur), a remake of the 1926 silent film and of the 1930 sound version.
This time 'round, we have Vincent Price, Agnes Moorehead and Gavin Gordon starring, but will it make a difference for this old fashioned flick?
THE BAT (1926, West) was previously covered in Episode 16. THE BAT WHISPERS (1930, West) was previously covered in Episode 23.
Context setting 00:00; Synopsis 28:24; Discussion 41:18; Ranking 57:10
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raynbowclown · 2 months
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The Mad Magician
In The Mad Magician, a creator of illusions snaps when his chance at stardom is taken away …. By the same man who stole his wife! And then one murder leads to another, to cover up his tracks … Continue reading The Mad Magician
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abs0luteb4stard · 2 months
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W A T C H E D
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brokehorrorfan · 2 years
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The Bat will be released on Blu-ray and DVD on October 25 via The Film Detective. Vince Price and Agnes Moorehead star in 1959 horror thriller.
House of Wax scribe Crane Wilbur writes and directs, based on the 1920 play by Mary Roberts Rinehart and Avery Hopwood. Gavin Gordon, John Sutton, Lenita Lane, and Darla Hood co-star.
The Bat has been newly restored from original 35mm archival elements. Special features are listed below.
Special features:
Audio commentary by film historian Jason A. Ney
The Case for Crane Wilbur featurette
9 radio episodes featuring Vincent Price
Booklet with an essay by film historian Jason A. Ney
The predator has steel claws and rips his victims to shreds! But who is he? Vincent Price thrills in this horror classic about a down­trodden country estate that becomes the site of a horrific murder.
Pre-order The Bat.
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mariocki · 4 years
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The Bat (1959)
"Well, Doctor, do you agree it was The Bat?"
"In my report I shall say that death was caused by the same technique used in the other killings: a paralysing blow to the throat, followed by severe lacerations of the jugular, resulting in excessive hemorrhage."
"In a layman's language, he didn't know what hit him."
"Oh, he knew - but he didn't have time to think about it."
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ozu-teapot · 4 years
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The Mad Magician | John Brahm | 1954
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coolhandlook · 7 years
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2017:201 — The Bat
(1959 - Crane Wilbur) ***
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tcm · 5 years
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Steel Guitars and Independent Women: The Retelling of The Bat by Jessica Pickens
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A group of people terrorized in a desolate house, cut phone lines and a faceless murderer; none of these elements are new to a horror film. They are all featured in the story of THE BAT (‘59), which by the time of its release, wasn't new to audiences either. However, the modernized 1959 version of the horror thriller has a new and refreshing feel today.
The story originated as a stage play that premiered in August 1920, written by Mary Roberts Rinehart and Avery Hopwood. Five film versions of the story were then released over the years: THE BAT (‘26), THE BAT WHISPERS (‘30), SH! THE OCTOPUS (‘37), THE GORILLA (‘39) and this version. Some of the stories change “The Bat” to a gorilla or another animal, but the premise is still the same in each — a group of people in a house terrorized by an animal-like murderer.
Agnes Moorehead stars in this version as mystery writer Cornelia van Gorder, who rents the Oaks mansion from a small-town bank president in order to write her next novel. But soon after moving in, all of her servants quit, and she and her maid Lizzie, played by Lenita Lane, are the only ones left in the house. Rumors of a murderer named “The Bat” circulate — a killer that slits throats with long talons and is said to have no face.
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Adding a complication to the plot, the bank president embezzles millions and he is killed shortly after. Only one person knows the bank president committed the crime, but a newly married bank clerk, Vic Bailey (Mike Steele), is arrested on suspicion.
Others involved in the plot include:
Local doctor, coroner and bat expert, Dr. Malcolm Wells (Vincent Price)
Chief detective, Lt. Andy Anderson (Gavin Gordon)
Cornelia’s house guests: Judy (Darla Hood), who can testify in the embezzlement case, and Dale Bailey (Elaine Edwards), the wife of Vic who is in jail
The mysterious chauffeur, Warner (John Sutton)
Mark Fleming (John Bryant), the nephew and heir of the bank president
With multiple characters all behaving suspiciously, THE BAT weaves a web of intrigue and keeps you guessing about who the murderer is.
By 1959, Vincent Price’s career was largely dedicated to horror films. But while Price stars here, he isn’t the main focus of the film — instead Agnes Moorehead is the star.
Chameleon-like in the versatility of her film roles, some of Moorehead’s characters have included the glamorous but catty best friend in SINCE YOU WENT AWAY (’44); the fragile Aunt Fanny in THE MAGNIFICENT AMBERSONS (’42); and the strange, sloppy maid to a reclusive Southern belle in HUSH…HUSH, SWEET CHARLOTTE (’64). Even at the time THE BAT was being filmed, Moorehead was preparing for her role in Disney’s POLLYANNA (’60) and a Broadway musical co-starring Ginger Rogers called The Pink Jungle.
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Her varied performances have made Moorehead well-remembered, and her image lives on today, particularly because of roles like Endora in the television show Bewitched. Because she could adapt to any character or personality type, many of Moorehead’s film roles were supporting character actors. THE BAT was one of Moorehead’s few leading lady roles. Her character of Cornelia van Gorder is a smart and savvy writer, who doesn’t have a love interest, nor does she need one. The men Cornelia calls on to help solve the crime are barely useful and she takes matters into her own hands. While Cornelia and her maid Lizzie may be frightened by the idea of the Bat, they take charge of the situation and uncover the secrets that break the case.
The maid in this film, Lizzie, is portrayed by Lenita Lane, who was also the wife of Crane Wilbur, who directed and wrote the screenplay for THE BAT. Lane was a supporting actress in the 1930s and early 1940s, and by the time THE BAT was released, her film career had slowed. This was Lane’s first film in five years as she was already in semi-retirement and this was Lane’s last film. While Lane’s character of Lizzie is Cornelia’s maid, she is treated as Cornelia’s equal and is the only other levelheaded individual in the case. Audiences will also see former child star of the Our Gang series, Darla Hood, in the role of Judy.
Though this isn’t a new story, I feel like the modernized, 1959 version of THE BAT is more noteworthy than its predecessors. Film reviews from 1959 and today aren’t always complimentary of THE BAT, saying it lacked momentum or scares. But the dry wit and humor brought into the story give the movie an offbeat, quirky feel and its overall more fun than the other versions.
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The characters also set this 1959 film apart. In many horror films of the 1950s and early-1960s, women are terrorized and a man saves the day. But the men in THE BAT are either killed, suspicious or useless. There are certainly a few damsels in distress in this film, but it’s the women — particularly Cornelia and Lizzie — who solve the crime and wrap up the case.
Adding to the quirky vibe is a score featuring jazz guitarist Alvino Rey with his steel guitar. Each time the Bat enters, we hear a twang of the unique sounding instrument, which has a sinister Hawaiian guitar sound to it.
But what really makes this movie is Agnes Moorehead. The film left me wishing that Agnes Moorehead had her own film or television detective series.
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CALIFICACIÓN PERSONAL: 6 / 10
Título Original: The Mad Magician
Año: 1954
Duración: 72 min
País: Estados Unidos
Director: John Brahm
Guion: Crane Wilbur (Historia: Crane Wilbur)
Música: Arthur Lange, Emil Newman
Fotografía: Bert Glennon (B&W)
Reparto: Vincent Price, Mary Murphy, Eva Gabor, John Emery, Donald Randolph, Lenita Lane, Patrick O'Neal, Jay Novello
Productora: Columbia Pictures
Género: Horror, Mystery, Thriller
https://www.imdb.com/title/tt0047200/
TRAILER: 
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Lenita Lane
Lenita Lane
Lenita Mary Lane (December 16, 1901A aEU” March 15, 1995) was an American stage and film actress. She appeared in several Broadway plays before turni..
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screamscenepodcast · 4 years
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From director John Brahm comes (right at you) THE MAD MAGICIAN (1954) starring Vincent Price, Mary Murphy, and Eva Gabor! This 3D picture from Columbia Pictures excites and thrills, but is its horror just an illusion?
Context setting 00:00; Synopsis 15:25; Discussion 38:03; Ranking 49:49
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mariocki · 4 years
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The Mad Magician (1954)
"Gallico, you'll get the chair for this!"
"They'll give me the same voltage for killing four as they would for killing three."
#the mad magician#Horror film#american cinema#vincent price#films i done watched#1954#John Brahm#Crane Wilbur#Mary Murphy#Eva Gabor#John Emery#Donald Randolph#Lenita Lane#Patrick O'Neal#Jay Novello#Corey Allen#George Eldredge#Tom Powers#Price's follow up to House of Wax (the film which would catapult him into horror legend) is an uneven affair. By turns brilliant and#Frustrating. The decision to film in black and white isn't one that has ever bothered me in the past (some films are much better for it; I#Can't imagine Les Diaboliques having half as much impact in colour) but for once I think it was the wrong choice here: this is a brash#Garish horror story set in the world of theatres and magicians workshops. It just.. Feels like it should be in sickly technicolor. That#Loud poster art isn't helping either. It's also kind of slow for a 70 minute film...but there is good too. The final fiery showdown is#Brilliantly realised and really shows what this film could have been. Price is wonderful of course but in those final moments he goes full#Ham for perhaps the first time (his House of Wax performance is surprisingly understated). Also brilliant is Lenita Lane who somehow#Manoeuvres herself from minor supporting role into the centre of the narrative. I don't know how she did it but she's one of the best#And most fully rounded supporting players I've seen in a horror flick from this era. Eva Gabor (younger sister of Zsa Zsa) has little more#Than a cameo as Price's wicked ex wife (who isn't really very wicked at all actually). And hell even the magic show is entertaining even if#The tricks are painfully obvious by a 2020 standard. Also a relief: less obvious 3D nonsense compared to HoW (tho thiswas a 3D release too)#Well worth a look even if only for that final ten minutes
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