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mydisenchantedeulogy · 2 years

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Roots [Chapter One] Trust No One [Leon S. Kennedy]

A/n: I went back and rewrote this chapter a bit to fit the remake. Please enjoy.

Warning(s): Dark themes, spy OC, mentions of blood, close-quarters combat, threats, and violence.

No Minors Allowed!!

“Señorita (miss) Are you awake?” A baritone voice asked over the low roar of the car’s engine.

Eloise opened her tired eyes and peered over at the driver across from her, humming to show him that she was awake. It was not like she could go to sleep with him hitting every bump in the road; the area he was taking her to was far out in the countryside; a place called Valdelobos.

“We are almost to the village,” he mentioned.

The nametag on his shirt read Alverez, but Eloise remembered that he had introduced himself as Bernal back at the station. He was a stout man with a mustache and a beard, but he spoke very little unless he wanted to, which in the end made her job much easier.

Eloise sat up in her seat with a groan.

“Thank you. How much longer do you think it will be?”

“Not long,” Bernal uttered.

Eloise shook her head and dug through her pocket for her burner phone. She was under orders to check in once she reached the village, but she wasn’t aware of just how long the drive was. Humming in annoyance, she went into her gallery and took another look at the only two images she had in the saved file.

The first was a picture she took of a young woman with short blonde hair sporting a cute smile. Her name is Ashley; the kidnapped daughter of US President Graham; one of the reasons Eloise was in a car.

She wasn’t alone, however. US-STRATCOM, a unified combatant command in the US Department of Defense sent her and another agent; Leon Kennedy, only Eloise arrived in Spain before him and left him to babysit the extra backup.

Leon was meant to be the only agent sent since the Department of Defense believed someone from the inside kidnapped Ashley, but the Secretary disagreed and after a thorough background search, Eloise was put on the mission too. She had never met Leon before, but if the rumors about him were true, he was a damn good agent.

Too bad she didn’t have the time to wait around for him. This brought her to the most important reason she was in Spain and the second picture on her phone.

Luis Sera, a native of Spain and a biologist. He was recruited into Los Iluminados, a neopagan cult responsible for the kidnapping of Ashley Graham. According to the files Eloise read about them, Los Iluminados recruited Luis Sera into their research department to genetically engineer bio-weapons and Plagas, a genus of parasitic arthropod native to Spain and said to influence their host’s actions by latching onto the nervous system. Dr. Sera was able to steal a Dominant Plagas species and needed a way to escape the cult.

Eloise was that way.

She, unfortunately, worked for another master besides the US Department of Defense; a developer of illegal bioweapons known as the Organization. As a soldier with years of medical training, Eloise was the right choice for the mission; her commanding officer in the H.C.F. chose her in particular due to her connections in the Department of Defense, and though she was not eager to assist the Organization, there was not much she could do in terms of saying no. Their roots were buried deep in her; too deep to tear out.

Eloise was a stray dog and if ordered to, she’d sink her teeth into anyone. Even her country.

“We are here, señorita (miss),” Bernal declared as he slowed the vehicle to a stop.

Eloise shoved her phone back into her pocket and peered out at the stretch of a dirt road in front of her. There was no village as far as she could see, just trees on either side of her.

Hearing a peck on the window, she turned her attention to Bernal.

“This is as far as I can take you in the car,” he mentioned. “But there is a path leading into the forest that lets out near the village gate.”

Eloise hummed.

“I understand. Thank you for taking me this far.”

“It’s none of my business, señorita (miss), but isn’t there meant to be two of you Americans?” Bernal asked.

Yes, but she thought she explained at the police station that she was going ahead of Leon.

“He’s on his way with backup, and I plan to meet him and the two officers at the gate,” Eloise explained.

There was no more she planned to say about it. Opening the passenger side door, she got out of the unmarked car and leaned her head in.

“Gracias (thank you), señor (mister)."

“Estar seguro (be safe),” Bernal uttered in reply.

Eloise grinned and shut the door, then retrieved her black grab bag from the backseat. It had everything she needed for the mission in it: gel patches, adrenaline shots, two rolls of gauze, first aid spray, and a sewing kit. Sliding the straps over her shoulders, she adjusted her tactical vest and walked over to the left side of the car where the path was located.

The forest was dark and eerie, but Eloise ignored the ominous feeling she got and hesitantly walked passed the tree line. The temperature instantly dropped a few degrees. She put some distance between her and the unmarked car, enough to see it, and retrieved her phone from her pocket, making a quick video call to her commanding officer.

The said man answered on the second ring, appearing in a dark room. The sunglasses on his face were illuminated by a computer screen in front of him; its contents Eloise could not make out.

“Miss Warren,” Albert Wesker greeted her.

“I’ve arrived in the forest outside the village,” Eloise declared.

Wesker hummed.

“Promptly I assume.”

“As promptly as possible. My cover is already being looked into, I imagine,” Eloise uttered bitterly.

She caught Bernal watching her through the window and waved at him before walking down the path towards the village gate, according to the extensive map Wesker quickly loaded into her phone. He must have been looking for her with the satellite.

“As long as your father does as he is ordered to then you can rest assured that all things will go according to plan,” Wesker mentioned.

Eloise took an uneasy breath. She hoped he was as on board as she was. The consequences were too great a risk.

“It shouldn’t be too hard for the US Secretary of Defense.”

“So long as he remembers that his son – your brother – is in jeopardy,” Wesker stated.

It turned her stomach how easily he could say this. Regardless, he was reminding her to be a good dog and do her part as well.

“My father knows the consequences. As do I,” Eloise retorted, sharp as a whip.

Wesker grinned.

“Proceed down to the village gate. The agent I sent will meet you at the safehouse marked on your map.”

Eloise nodded in understanding.

“But remember, her goal may be the same as yours; to retrieve a sample of the Dominant Plagas, but she is not to be trusted. Entertain the STRATCOM agent, but do not let her make off with that sample,” Wesker ordered.

“I understand,” Eloise uttered.

Once she confirmed, Wesker ended the video call. Eloise retrieved one of her Smith and Wesson M&Ps from its holster and made sure it was loaded. But as soon as she took a step, her phone vibrated with an upcoming message. Checking it, her breath caught in her throat.

It was a short video of her brother Ansel, albeit older than she remembered. It had been a few years. He was submerged in a clear tank of water with tubs and a breathing mask attached to his body; the steady sound of his heartbeat on the monitor brought angry tears to Eloise’s eyes.

How dare he. Wesker was an egotistical bitch. There was no need to show her whatever evil thing he was doing to Ansel. She hoped so long as she obeyed that Wesker would hurt him.

Eloise shoved the phone into her pocket and held her gun close as she cautiously walked towards the village gate. She continued along the path until she noticed another guidepost beside the road, or what appeared to be one. This marker was crudely made; the wood was stained in red and decorated with human skulls; a warning perhaps. Eloise grimaced and yanked her checkered scarf up over her mouth and nose. The locals were not friendly, she reckoned.

The path eventually took led her to an old and decrepit house, but she ignored it, knowing neither of her targets was inside.

Cutting around the side through the woods since the path was blocked, she hurried to the back of the house, having to navigate around piles of trash, then continued, crossing a wooden bridge that had her stomach in knots; dried blood stains were splattered across the rotting wood.

A few minutes in and already I hate this place.

As she walked on, she noticed the naked trees seemed to close in on her; their branches reached down as if they were trying to yank her from the path and consume her. Not to mention an eerie fog had begun to settle in, making the forest seem much darker. Eloise groaned and kept walking until she spotted a broken structure that Wesker had marked on the map; the safe house.

What's so safe about it?

Eloise turned up her eyes and walked inside, seeing a vintage typewriter on the table. But where was the agent? She reached into her pocket for her phone to confirm the location but a loud and distant pop shook the trees.

What was that? An explosion.

Eloise widened her eyes and rushed outside. Could Leon or Bernal have been hurt? She opted to backtrack, but someone pressed the barrel of a gun against her back.

Her body tensed up in response.

“Raise your hands and put the gun on the ground,” a calm feminine voice ordered.

Eloise didn’t know who the woman was, but she knew that she could not have been from the area, or else she already would have been dead. Perhaps she was the agent Wesker told her about. Raising her hands slowly, she leaned down and put her gun on the ground, but as she was leaning back up, Eloise quickly turned, stepping in and under her arm. She tore the weapon from her hand, but the woman quickly recovered and grabbed Eloise’s arm at the wrist, turning the gun away from her.

“I heard you were well-trained,” she mentioned with a grin.

Eloise noted that she was rather beautiful. She had short black hair that framed her face and wore a red wool turtleneck dress. Her grip was nothing to scoff at considering her size. She too was well-trained.

“Four years in the army,” Eloise retorted.

She let go of the gun and swung her left fist at the woman in red, but she in return blocked with her right arm. Throwing a right hook just as soon, Eloise groaned as the woman evaded and slid beneath her arm, yanking her close to catch her in a headlock. Eloise used her momentum against her and swung to the side, tossing the woman off and away from her.

Yanking her other gun from its holster, the woman in red brought up her hands.

“Are we not allies?” She asked.

Eloise curled up her nose.

“I thought so until you pulled a gun on me.”

“Just as a precaution,” the woman said with a grin. “You can never be too sure.”

No kidding.

Eloise holstered her gun and leaned down to retrieve her other S&W, then handed the agent back her own.

“Wesker didn’t give me your name,” Eloise brought up.

“It’s Ada, and I already know who you are,” she stated.

Of course, she did.

“Then there is no––”

Before Eloise could finish her sentence, Ada walked forward and put her hand over her mouth, hushing her. Eloise was confused, but once she heard footsteps approaching, she understood. Ada ushered her off the path where they hunkered down in the tall grass as two older men carrying a man in a familiar uniform came into view. Eloise widened her eyes. Was he a police officer? She wondered if Leon was OK; the officer was part of the backup he was supposed to bring.

Eloise watched the two elders carry the unconscious man past the safehouse and down the path toward the village. Once it was clear, she and Ada stood up.

“Damn, that isn’t good.”

“Is he someone you know?” Ada asked.

Eloise shook her head no.

“My partner from STRATCOM was supposed to bring help from the station, but I guess something must have happened.”

Was her mission already compromised? What was she going to do now?

Hearing a gunshot, she wondered if one of them was alive. Perhaps her partner.

“Looks like the powers that be know that your partner is here,” Ada uttered with a sigh. “He has never been the subtle type.”

Eloise raised a brow.

“Do you know Leon?”

“We’re old friends,” Ada answered.

Did Wesker know about this? Eloise took an uneasy breath.

“I was hoping not to be caught so soon.”

“I can assure you that Los Iluminados knew you were coming before you even arrived,” the woman in red mentioned.

Eloise wondered how, but she reckoned it didn’t necessarily matter now.

“Do you have a location on Dr. Sera?” She asked.

“At the moment no,” Ada answered. “Leave him to me. Once I find him and get the sample, I’ll let you know. Your priorities are elsewhere.”

She had a point.

It would have been easier if Eloise had not been assigned to the retrieval mission, but since she was, she had to maintain her cover. How she was going to slip Leon, in the end, was still in the air, however.

Another gunshot echoed across the forest, sounding nearby. Eloise shook her head in annoyance and peered over to Ada to notice that she was gone. In her place, hanging from a nail was an earpiece. She grabbed it with a grunt and placed it in her ear.

“Real cute,” she uttered as she pressed the talk button.

Ada didn’t respond.

“And now she’s slipped me.”

Eloise pinched the bridge of her nose, then took off in the direction of the gunshots. She hoped that Leon was easier to deal with. So far, both of them were becoming an annoyance.

[Chapter 2: Village of Wolves] Coming soon.

#leon kennedy x oc #resident evil fandom #resident evil 4 #leon kennedy #resident evil fanfiction

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tenaflyviper · 4 years

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Hispanic and Latin- American Horror Films:

I wish I could have finished this list for Hispanic Heritage Month, but at least I could still get it done for October.

Sadly, this year marks the passing of beloved Brazilian horror icon José Mojica Marins (aka Zé do Caixão, or "Coffin Joe").

So, I hereby dedicate this list to his memory.

Please note: Permanent link availability is NOT GUARANTEED. I wish I could have had more links to offer, but I’ve tried to rely only on free streaming sites (and Youtube, for short films). Tubi TV requires signing up, but it is still 100% free (and it’s also available as an app on IOS, Android, Xbox Live and the Playstation Network). I will do my best to update links when there are changes.

Part 2

Part 3

Spanish Horror:

11-11-11 (2011) - Darren Lynn Bousman (Spanish production)

28 Weeks Later (2007) - Juan Carlos Fresnadillo

The Abandoned (2006) - Nacho Cerdà

Acción mutante (1993) - Álex de la Iglesia

Aftermath (1994) - Nacho Cerdà (CONTENT WARNING: Necrophilia)

The Ancines Woods (1970) - Pedro Olea

Ataúdes de luz (2002) - Nacho Cerdà

Anguish (1987) - Bigas Luna

Apartment 143 (2011) - Carless Torrens

The Appeared (2007) - Paco Cabezas

Arachnid (2001) - Jack Shoulder (Spanish production)

Arrebato (1979) - Iván Zulueta

The Art of Dying (2000) - Álvaro Fernández Armero

Atrocious (2010) - Fernando Barreda Luna

Atrocious (2015) - Lex Ortega

The Awful Dr. Orloff (1962) - Jesús Franco

The Baby's Room (2006) - Álex de la Iglesia

The Beast and the Magic Sword (1983) - Paul Naschy (Jacinto Molina Alverez)

The Beasts' Carnival (1980) - Paul Naschy (Jacinto Molina Alverez)

The Bell from Hell (1973) - Claudio Guerín; Juan Antonio Bardem

Beneath Still Waters (2005) - Brian Yuzna (Spanish production)

The Blancheville Monster (1963) - Alberto De Martino

Blind Alley (2011) - Antonio Trashorras

The Blood Spattered Bride (1972) - Vicente Aranda

The Bloody Judge (1970) - Jesús Franco

Bloody Moon (1981) Jesús Franco

Blue Eyes of the Broken Doll (1974) - Carlos Aured

Cannibal (2013) - Manuel Martín Cuenca

The Cannibal Man (1972) - Eloy de la Iglesia

Un Chien Andalou (1929) - Luis Buñuel (CONTENT WARNING: EYE GORE)

Childish Games (2012) - Antonio Chavarrías

Cold Skin (2017) - Xavier Gens

The Corpse of Anna Fritz (2015) - Hèctor Hernández Vicens (CONTENT WARNING: Necrophilia; r*pe)

The Corruption of Chris Miller (1973) - Juan Antonio Bardem

Cosmética Terror (2017) - Fernando Simarro

Count Dracula’s Great Love (1974) - Javier Aguirre

The Crimes of Petiot (1973) - José Luis Madrid

La cruz del diablo (1975) - John Gilling (Spanish production)

Cthulhu Mansion (1990) - Juan Piquer Simón

La ciudad maldita (1978) - Juan Bosch

Dagon (2001) - Stuart Gordon (Spanish production)

Darker Than Night (2014) - Henry Bedwell

Darkness (2002) - Jaume Balagueró

The Day of the Beast (1995) - Álex de la Iglesia

Deadly Manor (1990) - José Ramón Larraz

Decapoda Shock (2011) (short film) - Javier Chillon

Demon Witch Child (1975) - Amando de Ossorio

Devil Hunter (1980) - Jesús Franco

The Devil's Backbone (2001) - Guillermo del Toro

The Diabolical Dr. Z (1965) - Jesús Franco

Down a Dark Hall (2018) - Rodrigo Cortés

Dr. Jekyll y el Hombre Lobo (1972) - León Klimovsky

Dracula 3D (2012) - Dario Argento (partial Spanish production)

Edge of the Axe (1988) - José Ramón Larraz

Empuso (2010) - Paul Naschy (Jacinto Molina Alverez)

Escóndete (2013) - Roque Madrid

Eskalofrío (2008) - Isidro Ortiz

Evolution (2015) - Lucile Hadzihalilovic (partial Spanish production)

Exorcismus (2010) - Manuel Carballo

Extinction (2015) - Miguel Ángel Vivas

Faceless (1987) - Jesús Franco

Fangs of the Living Dead (1969) - Amando de Ossorio

Faust: Love of the Damned (2000) - Brian Yuzna (Spanish production)

Fausto 5.0 (2001) - Àlex Ollé

Fist of Jesus (2012) - Adrián Cardona; David Muñoz

Fragile (2005) - Jaume Balagueró

From Dusk Till Dawn (1996) - Robert Rodriguez

The Fury of the Wolfman (1970) - José María Zabalza

The Ghost Galleon (1974) - Amando de Ossorio

The Glass Ceiling (1971) - Eloy de la Iglesia

H6: Diary of a Serial Killer (2006) - Martín Garrido Barón

Hannah, Queen of the Vampires (1973) - Julio Salvador

Hatchet for the Honeymoon (1970) - Mario Bava (Spanish co-production)

The Haunting (2009) - Elio Quiroga

Hell of the Living Dead (1980) - Bruno Mattei (Spanish co-production)

Hooked Up (2013) - Pablo Larcuen

Horror en el museo de cera (1990) - Paul Naschy (Jacinto Molina Alverez)

Horror Express (1972) - Eugenio Martín

Horror Rises from the Tomb (1972) - Carlos Aured

The House That Screamed (1969) - Narciso Ibáñez Serrador

Howl of the Devil (1988) - Paul Naschy (Jacinto Molina Alverez)

Imago Mortis (2009) - Stefano Bessoni

In a Glass Cage (1986) - Agustí Villaronga (CONTENT WARNING: Just... All of it)

The Influence (2019) - Denis Rovira van Boekholt

Inquisición (1977) - Paul Naschy (Jacinto Molina Alverez)

Intruders (2011) - Juan Carlos Fresnadillo

Julia’s Eyes (2010) - Guillem Morales

Kidnapped (2010) - Miguel Ángel

Land of the Dead (2005) - George A. Romero (partial Spanish production)

The Last Circus (2010) - Álex de la Iglesia

Léonor (1975) - Juan Luis Buñuel (partial Spanish production)

Let Sleeping Corpses Lie (1974) - Jorge Grau (Spanish co-production)

Leviatán: El Juego De La Muerte (2018) - Oscar López

Licántropo (1996) - Francisco Rodríguez Gordillo

Lisa and the Devil (1974) - Mario Bava (partial Spanish production)

Lobos de Arga (2012) - Juan Martínez Moreno

The Loreley's Grasp (1973) - Amando de Ossorio

La Maldicion de la Bestia (1975) - Miguel Iglesias Bonns

Megamuerte (2014) - J. Oskura Nájera

Malenka (1969) - Amando de Ossorio

Mama (2013) - Andy Muschietti

Maneater of Hydra (1967) - Mel Welles (Spanish co-production)

Mansion of the Living Dead (1982) - Jesús Franco

The Mark of the Wolfman (1968) - Enrique López Eguiluz

Marrowbone (2017) - Sergio G. Sánchez

Mientras duermes (2011) - Jaume Balagueró

Mondo Cannibale (1980) - Jesús Franco

Monster Dog (1986) - Claudio Fragasso

Los Monstruos del Terror (1970) - Tulio Demicheli, Hugo Fregonese and Eberhard Meichsner (partial Spanish production)

Muñecas Rotas (2018) - Oscar López

Murder in a Blue World (1973) - Eloy de la Iglesia

Muse (2017) - Jaume Balagueró

The Nameless (1999) - Jaume Balagueró

Nightmare City (1980) - Umberto Lenzi (partial Spanish production)

The Night of the Devils (1972) - Giorgio Ferroni (Spanish co-production)

Night of the Rat (2015) - David R. Losada

Night of the Seagulls (1975) - Amando de Ossorio

The Night of the Sorcerers (1974) - Amando de Ossorio

The Night of the Virgin (2016) - Roberto San Sebastián

Night of the Werewolf (1981) - Paul Naschy (Jacinto Molina Alverez)

La Noche de Walpurgis (1970) - León Klimovsky

Las Noches del Hombre Lobo (1968) - René Govar

The Nun (2005) - Luis de la Madrid

Oasis of the Zombies (1982) - Jesús Franco

Omnivores (2013) - Óscar Rojo

Open Graves (2009) - Álvaro de Armiñán

Open Your Eyes (1997) - Alejandro Amenábar

The Orphanage (2007) - J.A. Bayona

The Others (2001) - Alejandro Amenábar

Painless (2012) - Juan Carlos Medina (partial Spanish/Portugese production)

Pan's Labyrinth (2006) - Guillermo del Toro

Panic (1982) - Tonino Ricci (Spanish co-production)

Panic Beats (1983) - Paul Naschy (Jacinto Molina Alverez)

Paranormal Xperience 3D (2011) - Sergi Vizcaino

Pieces (1982) - Juan Piquer Simón

Planet Terror (2007) - Robert Rodriguez (Mexican co-production)

The Platform (2019) - Galder Gaztelu-Urrutia

Presence of Mind (1999) - Antoni Aloy (Spanish co-production)

Pyro… The Thing Without a Face (1964) - Julio Coll; Luis García

[REC] (2007) - Jaume Balagueró

[REC] 2 (2009) - Jaume Balagueró

[REC] 3: Genesis (2012) - Paco Plaza

[REC] 4: Apocalypse (2014) - Jaume Balagueró

Red Lights (2012) - Rodrigo Cortés (Spanish co-production)

Red Summer (2017) - Carles Jofre

El Retorno de Walpurgis (1973) - Carlos Aured (Spanish/Mexican co-production)

The Returned (2013) - Manuel Carballo (partial Spanish production)

Return of the Evil Dead (1973) - Amando de Ossorio

Revenge in the House of Usher (1983) - Jesús Franco

Romasanta (2004) - Paco Plaza

Rottweiler (2004) - Brian Yuzna (Spanish production)

The Sadist of Notre Dame (1979) - Jesús Franco

Sadomania (1981) - Jesús Franco (Spanish co-production)

Die Schneider Krankheit (2008) - Javier Chillon (Spanish co-production)

Scream of the Demon Lover (1970) - José Luis Merino (Spanish co-production)

The Sea Serpent (1985) - Amando de Ossorio

Seven Murders for Scotland Yard (1971) - José Luis Madrid (Spanish co-production)

Sexykiller (2008) - Miguel Martí

The Shallows (2016) - Jaume Collet-Serra

She Killed in Ecstasy (1971) - Jesús Franco (Spanish co-production)

The Skin I Live In (2011) - Pedro Almodóvar

The Sky Is Falling (1979) - Silvio Narizzano

Sleep Tight (2011) - Jaume Balagueró

Slugs (1988) - Juan Piquer Simón

Sound of Horror (1966) - José Antonio Nieves Conde

The Spanish Chainsaw Massacre (2017) - Manolito Motosierra

Summer Camp (2015) - Alberto Marini (Spanish co-production)

Superstición (2014) - Esteban Calderín

Terror in the Crypt (1964) - Camillo Mastrocinque (Spanish co-production)

Tesis (1996) - Alejandro Amenábar

They Will All Die in Space (2015) (short film) - Javier Chillon

The Traveller (1979) - Paul Naschy (Jacinto Molina Alverez)

To Let (2006) - Jaume Balagueró

Tombs of the Blind Dead (1972) - Amando de Ossorio

The Tower of the Seven Hunchbacks (1944) - Edgar Neville

Tuno negro (2001) - Pedro L. Barbero and Vicente J. Martín

The Vampires Night Orgy (1972) - León Klimovsky

Vampyros Lesbos (1971) - Jesús Franco (Spanish co-production)

Vengeance of the Zombies (1973) - León Klimovsky

Verónica (2017) - Paco Plaza

A Virgin Among the Living Dead (1973) - Jesús Franco

Who Can Kill a Child? (1976) - Narciso Ibáñez Serrador

The Witch Affair (2003) - José Miguel Juárez

Witching and Bitching (2013) - Álex de la Iglesia

Zombie Lake (1981) - Jean Rollin and Julian de Laserna (Spanish co-production)

Mexican Horror:

24 Frames of Terror (2008) - Cristian González

El alimento del miedo (1994) - Juan López Moctezuma

Alucarda, Daughter of Darkness (1975) Juan López Moctezuma

The Bermuda Triangle (1978)

Black Circle (2018) - Adrián García Bogliano (Mexican co-production)

Blacker than the Night (1974) - Carlos Enrique Taboada

The Black Pit of Dr. M (1958) - Fernando Méndez

The Body Snatcher (1956) - Fernando Mendez

The Book of Stone (1969) - Carlos Enrique Taboada

The Brainiac (1961) - Chano Urueta

Cemetery of Terror (1985) - Rubén Galindo Jr.

Crimson Peak (2015) - Guillermo del Toro (partial Mexican production)

Cronos (1993) - Guillermo del Toro

Curse of the Crying Woman (1961) - Rafael Baledón

Curse of the Doll People (1963) - Benito Alazraki

Don’t Panic (1987) - Rubén Galindo Jr.

The Door (1968) - Luis Alcoriza

The Exterminating Angel (1962) - Luis Buñuel

El extraño hijo del sheriff (1982)

The Ghost of the Convent (1934) - Fernando de Fuentes

Hasta el viento tiene miedo (Even the Wind is Afraid) (1968) - Carlos Enrique Taboada

Here Comes the Devil (2012) - Adrián García Bogliano

The Invasion of the Vampires (1963) - Miguel Morayta

Kilómetro 31 (2006) - Rigoberto Castañeda

La Llorona (1991) - Cesar Miguel Rondon

The Mansión of Madness / Dr. Tarr’s Torture Dungeon (1972) - Juan López Moctezuma

The Man Without a Face (1950) - Juan Bustillo Oro

Mary, Mary, Bloody Mary (1974) - Juan López Moctezuma

México Bárbaro (2014) - Aarón Soto, Lex Ortega, Isaac Ezban, Laurette Flores and Jorge Michel Grau

México Bárbaro II (2017) - Christian Cueva, Ricardo Farias, Carlos Meléndez, Abraham Sánchez, Michelle Garza

Mystery of the Pale Face (1935) - Juan Bustillo Oro

Night of 1,000 Cats (1972) - René Cardona Jr.

Night of the Bloody Apes (1969) - René Cardona

Poison for the Fairies (1984) Carlos Enrique Taboada

Quiere Jugar (2020) - Adrián García Bogliano

The Revived Monster (1953) - Chano Urueta

Santa Sangre (1989) - Alejandro Jodorowsky

Satánico Pandemonium (1975) - Gilberto Martínez Solares

Scherzo Diabolico (2015) - Adrián García Bogliano

La segua (1985) - Antonio Yglesias

The Similars (2015) - Isaac Ezban

La tía Alejandra (1978) - Arturo Ripstein

Two Monks (1934) - Juan Bustillo Oro

The Vampire (1957) - Fernando Méndez

The Vampire’s Coffin (1957) - Fernando Méndez

La Verdadera Historia De La Llorona (2006) - Aurora Martinez

We Are the Flesh (2016) - Emiliano Rocha Minter (Mexican co-production)

We Are What We Are (2010) - Jorge Michel Grau

The Witch (1954) - Chano Urueta

The Witch’s Mirror (1961) - Chano Urueta

World of the Vampires (1961) - Alfonso Corona Blake

#horror #list #links #Hispanic #Latin-American

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