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ourlordapollo · 10 months

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Okay well. Behold the products of the MvK brain rot that has consumed me these past few days.

(It's 3 oneshots.)

Hey it's about your straw villain. Yeah, a freak with ADHD hyperfixated on him and turned him into a twink. Yeah, they twinkified him. Yeah and theyre not sorry. No yeah you heard that right, they twinkified your straw villain. If it's any consolation, if you look really closely, you can see the monster he's destined to become.

Anyway @musashi thanks for the karma brainrot. It shows up a bit at the end there.

Rambling: Okay so the first oneshot is thematically distinct from the other two. The other two are all Twinkfred and some OCs.

Can't believe I have to say this but some of the characters in this work of fiction express views that I do not agree with and say things that aren't true. If that very concept blows your mind, this is not the fic for you.

Lastly, this is kind of a disjointed mess rn but I have an idea for a longer, more cohesive narrative i just don't have time for that kind of commitment rn. This is not the last of Twinkfred.

Content Warnings: one (1) very brief mention of hypothetical physical abuse, one (1) scene of not-upsetting dubcon kissing & grinding, alcohol use, non-graphic depiction of at-home ear piercing

Tea soaks into the napkins where Phoenix presses them down. It must be scalding him; it's still steaming, but he doesn't flinch. Not like Miles, who does nothing but flinch. It's not usually so obvious: a sharp glare, an unkind word. It doesn't usually produce a physical result.

"I'm sorry, Miles," Phoenix says, and his gaze moves from the damp napkins to Miles' eyes and Miles does not flinch. Does not allow it. Phoenix swallows. "Did..." The weight of his hesitation is so heavy that Miles knows what's coming next, the desperate cry for connection he's trained himself to anticipate and ignore. "Did he ever hit you?"

Slowly, Miles shakes his head.

—

Von Karma's hand has already begun to swell, the skin around the puncture wounds turning deep blue. His sharp cry still hangs in the air, heavy with the raspy authority he uses when training his dogs. Walther licks his palm and von Karma lets him, stilling his shaking hand.

But Miles sees, just for a moment.

"Sir?" Miles doesn't bother asking if he's alright. The answer to that will always be a stern 'of course.'

"Speak, Miles Edgeworth."

"Why..." Even the question feels unimaginably cruel, but Miles persists. "Why didn't you hit him?"

Von Karma raises an eyebrow. "Do you think I should have hit Walther?"

"No, sir. But I know that other people hit their dogs when they misbehave." He'd seen it, a little swat on the rear of a dog that yapped at passing cars, an open-palm strike to a dog that pulled on the lead.

"We're not 'other people'," Manfred replies, eyes flashing. His voice makes it clear exactly what he thinks of 'other people.' What Miles should think of them, too. "Do you know what happens when you strike a dog?"

"No, sir."

"You make it afraid."

He pauses, and Miles repeats the word: "Afraid."

"A fearful dog doesn't think. A fearful dog acts without concern for anything but its own immediate safety. It lashes out in irrational panic, mindlessly attacking anything that moves." Von Karma's eyes are far away. "It undermines itself. It destroys. I do not raise frightened dogs."

"I understand, sir," Miles says, trying not to let his voice quiver.

Von Karma looks right through him. "Good," he says, exhaling. "That is good, Miles."

And by his sides, his hands shake.

The neon lights blot out the stars, which is just as well, because Fredi navigates by them tonight, the blinking and the flashing. The music calls to him, the driving thud of deliverance on the promise he'd made to himself.

Berlin would be different.

Clouds of cigarette smoke hang low over the group of people— his people— lingering by the gaping mouth of the club. He goes right in. No identification, no pause. He just walks in.

The music crawls inside him and vibrates under his skin and a thousand bodies move in tandem, rocking him deeper and deeper into their midst.

The lights flash, illuminating intertwined couples of all genders, wearing all sorts of clothing. All the things he'd promised himself. But still, his heart stops when he sees two men pressed close, their lips locked. What would Father and Mother say?

Hands find him, anchor on his hips. He reaches out reflexively and catches the incoming kiss with parted lips. His back hits the wall. The stranger's tongue is cold against Fredi's own, his palms hot under Fredi's waistband. The strangers thigh slots in between Fredi's, touching him— he freezes.

Everything stops, just for a moment.

In the colored lights, Fredi catches a look of annoyance as the stranger pulls back. "You have to say something if you don't want it," he spits, and staggers off.

The crushing weight of his failure dims the lights in Fredi's eyes— he'd done it wrong. Everyone here seemed to know how already, how to drink and dance. How to be queer.

His hands curl into fists but the stranger is long gone.

He's found again, later, by a bedraggled group who have created their own little atmosphere inside the club.

"How old are you?" someone shouts in his ear

"19," he lies.

This new person grabs his hand and drags him out a side door, where the air cools his skin and the music pulses with less violence.

"Let me ask you that again. How old are you, really?"

"I'm short for my age," Fredi says, glaring.

"17 at the oldest," says another member of the little group, and laughs. "What's your name?"

"Fredi." There's a pause, and he adds, "Fredi von Karma."

More laughter. She smiles. "Not your stage name, sweetheart."

"I like the sound of that," titters a third person. "Von Karma."

Fredi would roll his eyes if he wasn't so used to this conversation. Their family history had not been well-documented, and Father had never uncovered the reasoning for the strange name. "Did you want something?"

"Let us introduce ourselves first!" says the one who had first spoken to him. "Let's be polite, yes? My name is Timo. This is Maren, Zissi, and Wolf."

Wolf howls. Fredi only raises his eyebrows.

He stays quiet for a moment, examining them. Wolf and Timo wear earrings in their right earlobes. Maren and Zissi hold hands, their nails short and rounded. They all wear bright colors, Wolf's shirt unbuttoned low to reveal leather straps forming an X across his chest.

"What do you think?" Timo asks, flexing. Zissi laughs and leans over Maren to swat at him, her pupils impossibly wide.

"What do you want?" Fredi counters.

Timo's jovial manner drops. "To check on you, honestly. When you see a new face, a young face like yours..."

"With lipstick on his cheek," Maren adds.

"I'm fine," Fredi says at once.

"Where are you staying tonight?" Timo counters. "With Mama and Papa?"

Despite all his plans, Fredi hesitates for a second too long. And he'd made plans; he had a little money. It would be easy enough for someone like him to find a job and he'd always been frugal.

"Ah, Fredi, Fredi." Timo slings an arm around him, blowing whiskey-scented breath across his cheek. "Don't think we don't know what this is. You're a long way from Bavaria, you know."

"I know," says Fredi, looking from face to face. They really don't seem to mean him any ill; Wolf is dancing to the beat, Maren and Zissi are kissing.

"I'm just saying, we have a couch you can sleep on. We'll even feed you if you ask nicely."

Fredi swallows. His plan... His perfect plan. He'd spent so long picturing it, his little slice of paradise in Berlin.

His little slice of perfection.

But reality looms with sharper edges, slicing his fantasy to ribbons. He doesn't know what he's doing. He's young and alone in an unfamiliar city, and these people (his people!) have chosen to be kind to him.

Fredi looks at the hoop flashing in Timo's right ear. "I accept."

Zissi says, "Do you know what 'karma' means?"

"Lean your head on my chest" Timo says.

Fredi's head touches down just below Timo's collar bone. Vodka cools his earlobe. "It doesn't mean anything," he says. "There's no such place as 'Karma.'"

"Someone hasn't studied the Eastern religions," Zissi says, like she hadn't dropped out of university after less than a year.

Still, heat flares in Fredi's chest and he spits fire before he can even think of controlling it. "Why should I have?" And how dare she try to make him feel inferior? He has no reason to know anything about Asia.

His reasoning kicks in a second later and he catches her eye and softens his expression.

"This will feel cold," Timo murmurs, pressing ice to Fredi's earlobe.

"Karma is the sword of justice," Zissi says. "That which goes around comes around."

"Like the flu?" Fredi says drily.

"Very funny." Zissi rolls her eyes. "Timo, stab him."

A great pressure and a great release bore in and out of Fredi's numbed earlobe, then an uncomfortable wiggling sensation. A part of his body that had never been touched before is now open to the world.

It is the first piece of metal to pierce Fredi's flesh, but it won't be the last.

"You're sure you want both ears?" Timo asks. "The right ear is the gay ear."

"Both my ears are gay ears," Fredi retorts. It's not quite true, but he's found it's easier to just be one thing at a time. He was straight in Gersthofen; he is gay in Berlin.

"Fine," Timo sighs. "Flip over, then."

Fredi keeps his neck stiff so his ear doesn't press into Timo's chest. The cycle begins again: ice, vodka, ice, vodka. "What do you mean by justice?" he asks to keep his mind off the throbbing pain.

"The things you do, the actions you take, they have a way of finding their way back to you," Zissi explains. "Bad things will happen to bad people and vice versa."

It's a funny coincidence, that some typographical error could align so neatly with Fredi's path. He will be a lawyer and school starts soon. "Karma is the sword of justice," he repeats contemplatively.

The needle drives into his ear.

He barely feels it.

Karma is the sword of justice.

You could make a religion out of that.

#annoying ppl will be blocked on sight and vaporized in my brain 🥰#that includes puriteens and 'um akshually' guys #manfred von karma #maybe delete later??? idk im shy #n-e-way im so serious about the um akshually thing i had 3 400-level classes about the philosophy and function of several religions #including b.uddhism ja.inism and hi.nduism. the inaccuracy is on purpose. it's on purpose.#the warped maniacal mind of wizard glick at work

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ghostcultmagazine · 3 years

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Ventruss Shares New Single and Video for "Serpent”

Ventruss Shares New Single and Video for “Serpent”

Melodic Modern Metal band Ventruss have shared a new single and video for their track “Serpent” via MVK Music Group. The track is heavy, catchy, and killer and the visuals compliment the track incredibly with shades of Tool, Trivium, and Lamb of God style creativity on hand! Check out “Serpent” now streaming at all DSPs and the clip below! (more…)

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#"Serpent”#MVK Music Group #Ventruss

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rivalsforlife · 5 years

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rank the prosecutor themes!!!

Okay!! I’ll do you one better and do all the main rival themes (meaning: I’m including Shi-Long Lang and Justine Courtney in here too. despite Lang probably being very displeased at being grouped in with prosecutors. sorry.) uuunfortunately I am going to get into spoilery territory with this one, but I’ll do this in reverse order, so you can skip the spoiler parts because they’re my favourite ones haha, and I will warn for them.

First, a disclaimer: All the prosecutor themes are fantastic. that is all.

12 - Great Revival - Franziska von Karma: I adore Franziska, but she needs her own leitmotif. This one is basically the same as Miles’ Great Revival, except higher and with a different intro, from what I could tell. and I’m not even sure if the sound gets revamped for the Investigation games…? I can’t quite remember. ANYWAYS, what really made this the lowest of the prosecutor themes for me is that they also use this theme for MANFRED VON KARMA in AAI2, because I guess they didn’t want to create a whole new theme for him when he only shows up for part of a flashback case. So they borrowed his daughter’s. This is a DISGRACE, because Miles Franziska and Manfred are all very different characters and deserve to have distinct leitmotifs. Especially since the whole idea of the Great Revival is that it’s them coming out from underneath Manfred’s shadow/unlearning his techniques, since this plays when Franziska comes in with the evidence to save everyone in Farewell, my Turnabout, I think. So having Manfred have the anti-MVK song is not good.

11- Zacharias Barnham - The Sword of Labyrinthia: things get difficult now because all the songs are good. I’m putting this one here for a couple of reasons, namely because I first listened to this song while going through PLvsAA on 2x speed on youtube because otherwise it would take too long, so I heard this song at 2x speed and now it just feels too slow to me. I said these rankings were going to be very subjective, right…? also it would have been great if they actually finished Barnham’s character arc, you know. Darklaw doesn’t really have a leitmotif so she’ll be missing from this list, by the way, I didn’t just forget that she existed.

10 - Nahyuta Sahdmadhi - The Last Rites Prosecutor: it’s a pretty song. I like how it actually uses what sounds like a human chorus in there, which is distinct from pretty much all AA music? I especially like the part near the end of the loop where it gets all kind of suspended in a sort of “floating in the void”-like feeling, at least to me. It’s down here though because I… don’t really get an “opponent” vibe from him. I don’t listen to this and think to myself “oh, this is the guy I’m going to fight”, you know what I mean?

9 - Barok van Zieks - Grim Reaper of the Old Bailey: I like how ominous and haunting this song is, pretty fitting for a “Grim Reaper”. It’s nice to listen to, too. It just didn’t really stand out for me above all the rest, so it’s here.

8 - Simon Blackquill - Distorted Swordsmanship: similarly to van Zieks’ theme, this has a very ominous vibe to it. It’s pretty subtle for a lot of it, and it’s way less “in-your-face” than a lot of the other prosecutor themes. It suggests an opponent that isn’t going to face you head on but kind of work in the shadows and take you down without you even realizing it… which is fitting, considering Blackquill’s whole “twisted samurai” motif and the idea of psychological manipulation being his main thing. I like this one, like all of the prosecutor themes, and it’s only here because I… liked others more.

7- Miles Edgeworth - Great Revival: “Grace why did you say both Great Revivals are practically the same thing but put Miles five places above Franziska” OKAY LISTEN. There is only one “Franziska von Karma- Great Revival”. There are multiple “Miles Edgeworth - Great Revival”s, and this is about where I’d average them out. Great Revival 2002 would be ranked about the same as Franziska’s because, yeah, they’re practically the same thing. Great Revival 2013, however, has an even prettier intro, is more orchestral and therefore sounds even more regal and fitting for DD-era Miles. I am seriously considering making this my alarm to wake up to in the mornings because… it’s so pretty?

BUT I have to mention the actual orchestral versions of Great Revival, because they are phenomenal. There’s one for every Gyakuten Saiban Orchestra. The 2016 one is the first one I listened to, but it was tragically taken down… so listen to the 2019 one. All the orchestral editions are pretty much the same… but the orchestral Great Revivals have a new part around 1:30 that is just GOREGOUS. I ADORE it. That would probably shoot this one up a few rankings if they were in the games. I gasped out loud in a dead silent library upon first hearing it, it was very embarrassing. Great Revival imo sounds much prettier the more genuinely an orchestra it is. I love this song? … moving on.

6 - Shi Long Lang- Speak up, Pup: I said that Blackquill’s theme was very subtle – this is the opposite, this is about as “in-your-face” as it gets. It also sounds very cool. It has a sort of… I’m hesitant to use this term, because of how people abused it when I was in junior high, but it definitely has a sort of swagger to it. It pretty well encapsulates Lang’s character and him just… barging onto the crime scene with all his people and making hasty arrests and taking bullets, like, all that stuff I can see coming from a person with this as their leitmotif. But I just like listening to it, it’s one of those songs that has a similar effect to caffeine on my brain. It’s just very loud and cool and I enjoy it.

5 - Justine Courtney - Goddess of Law: I also really love listening to this song. It’s very regal. This song is very good in contrast with Sebastian’s First Class Farewell… like, Sebastian spends most of the time as a bit of a joke, with his light and airy theme… and then Justine comes in with this theme and you kind of feel like “oh, crap, now things are serious.” I like the use of the organ, obviously, giving it kind of a churchy feel which makes sense as she is referring to and worshipping the Goddess of Law, but I also love the faster parts of it too. It shows off her quick wit and intelligence that makes her a pretty formidable opponent for Miles in AAI2. It’s the song of someone you definitely would not want to cross… and is very pretty.

4 - Godot - The Fragrance of Dark Coffee: my feelings about Godot are… complicated and not entirely positive… but I adore his theme. He’s the first prosecutor to really have a proper leitmotif that’s all his own… and even though it’s not a “I’m so ready to fight this person” leitmotif or even a “this person’s particularly intimidating” leitmotif, it’s very laidback and relaxed. Honestly what gets this one so many points is, guess what, once again, the orchestral songs! Part of this is a lot of bias, because they replace the piano parts with the flute in the orchestral editions of this song and I played the flute for six years so I am partial towards it. But also it just… sounds extremely pretty? It’s very relaxing and… it just sounds gorgeous in the orchestra editions. I haven’t listened to the jazz version yet but I bet that would be gorgeous as well. Here’s the most recent 2019 orchestra version of this song, but the 2008 and 2016 ones are good too (my favourite being the 2016 one, which again got taken down bc copyright :( rip)

3 - Klavier Gavin - Guilty Love: out of the mainline games, AA4 has the best soundtrack imo, which is justifiable considering who the prosecutor is. Okay, this one is a huge contrast from Godot’s theme… it’s actually a huge contrast from all the prosecutor themes. The only one who comes close to this level of Rock is Lang’s theme. It’s fun, it’s upbeat, it’s soooo much fun to listen to. It really does set Klavier apart from all the other prosecutors - this isn’t the song of your enemy, this is a song of a person who’s here to find the truth and have a good time doing it. You go into the courtroom getting ready to face off against the dreaded Second Case Prosecutor, the most insufferable version of every prosecutor until now, and you get ROCK MUSIC. … literally, he apparently actually plays it in the game. which, pun intended, rocks.

This gets bonus points, of course, for being made into an actual song with lyrics that you could hypothetically sing, made by Shu Takumi. If you haven’t listened to this one yet you totally should, it’s a good time. listen to Klavier Gavin ditch his date to go to court. PARTICULARLY for the parts where Apollo’s theme gets in there. like, uh, Klavier. pining much?

– OKAY NOW SPOILER WARNING. I’m going to go into a bit of AAI2 spoilers here, nothing too major like the mastermind or anything, but if you don’t know what the deal is with Sebastian then I’d just recommend avoiding this for now. And then after that are major DGS2 spoilers, so if you haven’t played either of those games and don’t even want to look at anything remotely spoilery you can probably just skip out on the rest of this post.

2 - Sebastian Debeste’s Themes: okay, so. First Class Reasoning is just such a… light, airy, bouncy song. It sounds kind of absent, like it’s running off chasing butterflies instead of investigating a crime scene. It’s not the song of a formidable opponent (which makes the contrast with Justine Courtney’s leitmotif much better). This plays pretty notably in the one argument you have with him that’s so nonsensical it doesn’t even justify the traditional confrontation music, you have this instead.

And then in the final case you get First Class Farewell.

This sounds infinitely more mature than First Class Reasoning. The two instruments kind of do a… back and forth with each other. I think I read somewhere it’s like a tango? Whatever it is, it is something where you need to keep up with the argument and the logic, something Sebastian hasn’t been able to do… until now. It has him standing up to his father, standing on his own, and showing that he truly has the potential to be a great prosecutor. If we ever somehow see Sebastian as a prosecutor in future games, I want this to be his leitmotif. Individually these two songs wouldn’t take this spot, but put together and showcasing Sebastian’s character growth – and that First Class Farewell plays in one of the most emotional AAI2 scenes – is what brings it up here. It’s a really good use of leitmotifs.

Speaking of great use of leitmotifs…

1 - The Masked Disciple’s Leitmotif. I… cannot say anymore than this without spoiling the entirety of DGS2, so I’m actually going to put the rest under a “keep reading” if you’ve finished DGS2. So, uh, if you haven’t, just… when DGS2 is translated, play it, it’s really good. And this leitmotif might actually be my favourite song in the entire series, for reasons that are under the cut. I… really hope this works, if it doesn’t, scroll as fast as you can and don’t look back.

…

…….. so. Asougi, huh.

The Revived Prosecutor is! INCREDIBLE. At the time I’m writing this, the only way to really experience DGS2 as someone who does not know Japanese and only knows English is by watching these twitch streams, and you might notice that when this first starts playing the streamer actually pauses so we can listen to it. it’s that good.

It starts off as such an intimidating, imposing song. It’s a song of your enemy. It’s so strange, so different from the Asougi we’re used to, and you’ve really got to wonder if he’s the same person.

AND THEN SAMURAI WITH A MISSION KICKS IN. It felt like an actual, physical gut punch.

It has lacks that familiar, Japanese-y kind of feel to it, though. It’s Asougi, but it’s different. Asougi is the Samurai With A Mission, and he’s fulfilling his very murdery prosecute-y destructive mission, which is so different from the Asougi that Ryuunosuke idolized in DGS… and even though this person is so different from the Asougi we knew, it still is Asougi. It also has a few hints of the Professor’s Theme in there, which is also incredibly good considering… well.

Honestly, one of the reasons I’d want a remake of the original trilogy – like a full-on remake – is so that they’d do something like this with Miles’ themes. His “Great Revival” is good… but it doesn’t suit AA1 Miles. If we had an actual “Demon Prosecutor” theme, which was mostly replaced by DL-6 when talking about Miles’ trauma, and then get to something like Great Revival for his… well, Great Revival, that would be fantastic. That’s the one regret, that Miles came too early for ace attorney to get around to making proper leitmotifs like this.

Also again this song is just really fun to listen to. And that’s probably what’s most important here, right?

#asks #soundtrack rankings #prosecutor leitmotifs #(a separate tag so I can advertise it without adding the spoiler)#ace attorney

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joelroadie · 2 years

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Darrin Perry "Mayhem Jesus", Phil Krohn "Transient" - From Ron Jeremy to Kittie!

Phil Krohn is the drummer of the band, hailing from New Orleans, called Transient. Phil also has a podcast called History Buffs. Darrin Perry, AKA Mayhem Jesus, is a tour manager with MVK music group. His show Beauty and the Beast plays on Rock Rage Radio.

Check out this episode!

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validonanon · 3 years

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I did it. I may be too shy and scared to tag it under what I made them for, and I know no one is going to see these under it.

These are my 'AA Babies'

As I explained it under me being a nice Anon, I will do it again. Important to know is that I made these characters for me to feel some kind of 'perfect life', as Jenelle and Sophie are supposed to be me projecting parts of myself into a character that I can 'self ship' with existing characters. Flora and James are just the children I made for Sophie. Everlee falls out of that one.

Let's start with the oldest of all of them, Jenelle(the 2 from left)

Jenelle Fairbairn is a woman in her late 20/early 30 (thinking about 29/30). Born as the daughter and grandchild of bakers, this lady sells flowers and sometimes helps out her family.

She has an older brother named Henry and loves spending time with her cousin, a single father, helping him raise his daughter.

Jenelle is a shy and soft person who loves to help people. She hates conflict and would rather curl up in a ball and cry if someone shouts at her.

As she grew up in a bakery, Jenelle learned how to bake and makes great cakes and other Sweets... While her bread is... Edible. She loved and still loves Sweets, thus having put all her energy into making Sweets I stead of learning how to make good bread.

Jenelle would be my TGAA Oc I specifically made for my love for Herlock and thus her being his partner.

The next in line would be Sophie (middle) . I was a bit too creative with her, but feel like, since I made her for Edgy I was always questioning what I wanted to do. So this will get weird. Sorry

Sophie here is shown as her older self around 33 years old(her face is a bit too.... Young... My mistake)

Sophie was born as the youngest of three children, her oldest sister Vanessa and her older mute twin brother Emil. Her mother, Alyssa Meyer is a successful German business owner and her father, Anthony Sholmes was a British police detective.

Since her older sister denied their mothers wish to take over the company after her and became a world known scientist, Sophie was supposed to be the next in line, since only woman in the family took over the company. But from early age Sophie wanted to be just like her father, training and studying to become a great police detective.

Her mother, trying to get Sophie to change her mind by framing her father for murder and corruption got MvK to take over a 'great case that would uncover a bunch of corrupt politicians and police officers' for him to take as a 'great Victor and another streak in his win record'. Sophie did not change her mind, believing the old tales that the woman in that side of her family got rid of their husbands to secure their company under their own name and refused to become like them.

Her mother got frustrated with Sophie and exchanged her in an arranged marriage for more corrupt cases, even stating that 'if she went with it, she could be the' oh so great detective she always wanted to be''.

She only accepted this, because she couldn't stay with her mother and it gave her the opportunity to become a detective.

Sophie is a head strong(?) person, who, especially in her younger years wanted to do whatever he wanted. While seeming like a perfect young woman at family events, Sophie hated big events and loved to spend time with her friends, a group of young rebellious teens, who made music and spend the time lounging around doing nothing. While she had to learn a few instruments because of her mother, Sophie loves the Violin and loved listening to her father play it.

She was the one who wanted to keep her marriage a secret, since she was not a fan of being a big presence in the media.

Now to Sophies children and Flora being the older twin, she will be next.

Flora is the daughter I made for Sophie and Edgy. She is the first born twin and takes a bit more after their father than her younger brother James. Here she is 24 years old and takes after her father as a prosecutor.

Through out her childhood Flora spend most her time with her brother, protecting him from mean kids and watching their father in court. She walys was interested in law and decided to study it. With James choosing to be a defense attorney, she choose the side of the prosecution, not only help her brother in finding the truth, but also fulfilling her own desire and admiration for her father.

At first glance, Flora seems like her father, strict and not knowing what humor is, but this picture does not hold up for long... In some situations.

The young woman is actually a pretty calm and friendly person, who spends a lot of time around other people, just because she loves company. I court and at work she is known to be very strict, but does not mind spending her break with colleagues or even ordering weird food someone has seen online, testing it out. Her close friend is also her assistant (who I am still working on), a more silly woman, who loves dragging Flora into weird movies, theaters and even comedy shows.

She can play the piano, but does not own one, since she enjoys listening to the radio more than anything else. Flora loves modern music, a hidden favourite of her is rock and alternative rock.

And now James(like...the only guy here guys... But if it is not obvious the one on the right)

Like Flora, James is 24 years old and choose to be a defense attorney, mostly because he saw how cool Phoenix looked while in court.

James calls himself a simple man. He has his few interests - art, games and music - and spends time with his friends Hiroyasu Okumura, a spirit medium he meet while studying law and Morgan Parson(renamed him, also to be funny and on point with the pun names), a nice detective that James can always count on and a guy James calls his best friend.

James was bullied in his school time, because he is blind on his left eye and wears a patch over it(forgot it here T.T) and let's his hair cover that part of his face. But with his sister and his two high school friends Elisabeth Volt and Eckhart Wardrobe, James was able to ignore these people.

While he was still in school James was in a relationship with Elisabeth and in somewhat of a relationship with Eckhart (Elisabeth was fine with this), but kept it on the low, since neither of them thought having the whole world (besides family and friends) was needed. The three spend a lot of time on the schools stage, making music and even starting a group for after school activities, making the schools own band.

But one day, close to the end of their time in High school Eckhart was murdered and Elisabeth suddenly moving away, ending any contact to James.

James does his first case with his mentor and his next three on his own in court, with Morgan as his detective friend. But before his fifth case James wakes up to a young woman inside his bedroom, begging him to help her find her murder and solve her case. James was scared and surprised at first, being the only one who was able to see the young woman, but end up taking her case.

He and the ghost of the young woman Everlee Blue(next to James) get close and decide to take on cases that get them closer to uncovering her death, even solving the murder of Eckhart after Elisabeth, who ended up marrying James bully, needed to be defend in court, after her husband accused her of murder.

James takes a bit after his ancestors Jenelle in looks and seems to have some of Herlocks personality in him, being a silly man who seems to get things wrong at first, but being able to turn the tides in moments he needs (with help from Everlee). James tends to doubt himself and not expect much from himself. After learning the truth about Eckharts death he needs reassurance, going to his father to talk about these things. But he is also an outgoing person, who loves to spend time outside taking strolls through the park or even play his violin. He especially loves playing his violin for Everlee, Hiroyasu and Morgan.

And the last Everlee.

Everlee Blue was a young woman who died at the age of 22. She was born around in the early 2000 and has lost most of her memories. She tried to find someone to help her and solve her murder, since one of the only things she remembers are her name, in simple details who she is and that she was murdered on the 15. March 2005.

After she found out James could help her, she followed him and ask him for help.

Everlee is a care free person who loves to put her non existing weight on James, especially hands on his shoulders and look over his head. She lobes repeating things other people say and repositioning James little figures and books, helping James clean and making sure he takes care of himself.

She help him in court and tries to contact the spirits of the victims. Sometimes they learn the name and have to find evidence, sometimes the victim does not know who murdered them and sometimes the victim will lie to protect the murderer.

Everlee loves listening to James playing his violin or listening to his stories about her family and his ancestors, especially after she learned he is a descendent of the great Herlock Sholmes. She was a fan of him when she was still alive and sometimes feels his ghost watching over his descendents.

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