Mamiya 330 and a very expired roll of Kodak Tri-X
The Mamiya 330 TLR is a beast of a camera – not a good walk-around piece, though I did haul it out for a walk about our waterfront.
Its bellows focusing system allows you to get really close to your subject. The TLR format lets you get low to the ground. The two combined gives you a perspective different from most cameras. The lens – the standard Mamiya Sekor 80mm f2.8 – is no slouch…
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CameraPorn No. 588- Millennia Tatic @artfilm.photo featuring the Pentax 67, Yashica Mat and the Mamiya 330 CAMERAPORN COMPETITION! JOIN NOW IT’s FREE! Judged by @japancamerahunter @camerafilmphoto ********************************************* Email us your cameraporn shot to
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The Orchard
By Laurence Binyon (1869-1943). Photo by Molly Jo Triplett Film Mamiya 330
Almond, apple, and peach,
Walnut, cherry, plum,
Ash, chestnut, and beech,
And lime and sycamore
We have planted for days to come;
No stony monument
But growing, changing things,
Leaf, fruit, and honied scent,
Bloom that the bees explore,
Sprays where the bird sings.
In other Junes than ours
When the boughs spread and rise
Tall into leafy towers
To grace and guard this small
Corner of paradise;
When petals red and white
Resign to warming air,
Without speech or sight
From our hands they will fall
On happy voices there.
Robert Laurence Binyon
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%^ Mamiya Sekor 180mm f4.5 TLR Lens for C3/330 18cm *PARTS* https://ift.tt/2H66VDZ
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Melanie Stidolph talk
Lives in St Ives
Works at Tate St Ives
History & fine art course Leeds uni
Masters uni of Colombia- funded to go
Doesn’t work in series, makes singular images
Tends to work in quiet remote places
Value of photo is about the value of place and people
Infertility- work explores this and frustration around it. Was a motivation behind her work
Medium format film- likes the way it slows things down
Jeff Wall- picture for women. Artist she most related to
Doesn’t like to be specific about who the people are
Single image she wants people to focus on and look at
Difference between showing things in a photograph and fine art way
Art way- more loose, people aren’t so critical of how the photo looks
Likes to go to places she had enough time to walk around with her camera before she takes an image
Images that are slightly dismissible but have a certain tension or romantic feeling to them
Harold Edgerton- bullet piercing an apple 1964
Wanted to interpret her artistic process so looked at new peoples work
Steven Pippin- mamiya 330 twin lens reflex shot with 25 calibre
Edward Muybridge – chickens scared by a torpedo. Some of his last images. Quietly reached end game and reaching for subject matters
Emma Hart- moths going towards light
Looking at people who use the camera in other ways
Started using camera triggers and capturing nature- infrared
Birds landing on feeder and setting off infrared on camera, taking photos of the inside
Apples falling off a tree and setting off the camera
The fall- digital-series-throwing balls around- see more detail in shadows
Moving image- 2 cameras, 1 for sound one for images
Started using studio more
Playful- less serious approach than planning shoots and going somewhere. Being creative in a different way
The conversation
Sound, narrative and transitions- new things to think about when doing film
New 3 part series- relationships with photography
Always preference jobs that were smaller hours or periods of time
Freelance- unpredictable but can meet lots of people and make connections
Ground work
Does a lot in the Tate- poetry, performances, every 2 months
This was another talk that wasn't very interested in as it was all about contemporary art and performance art. I learnt that its ok to work in singular images and not always a series. It was also interesting to see how her photography turned into video art.
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USED MAMIYA 330 W/105/3.5 ds (EX) [625548127&91;
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Price: $299.95
https://ift.tt/2GwULFl March 26, 2018 at 11:51AM
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