To Have My Sister Back - Mir Mahfuz Ali - Bangladesh
Deeba, did you know
I went to your room yesterday
looking for you?
The room was so dark
I thought you were sleeping.
I tiptoed,
whispered your name in a hanged man’s voice
– Deeba – Deeba – Deeba.
But you did not reply.
I drew the curtains
to catch your eyes in the light,
only to be disappointed.
You were not there
only everything else that was yours:
saris in the alna
lipstick, hair clips, hair brush
on the dressing table,
finger marks on the mirror,
shadowy, without intent,
tablas on the almira
tanpura and sitar leaning
on the side of your bed.
It looked as though
nothing visits your room
but the pungent dust
of the growing city
that is trying to claim
hold of your belongings.
An overpowering silence in the room,
so overpowering in fact that
I could hear your invisible hands
still tapping the tablas you revered,
so I picked up the tanpura
and pulled its string
to bring back
a little melody
to the room
that died with you.
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Midnight, Dhaka, 25 March 1971 by Mir Mahfuz Ali
I am a hardened camera clicking at midnight.
I have caught it all: the screeching tanks
pounding the city under the pressing heat,
searchlights dicing the streets like bayonets,
Kalashnikovs mowing down rickshaw pullers,
vendor sellers, beggars on the pavements.
I click on, despite the dry and bitter dust
scratched on the lake-black water of my Nikon eye,
at a Bedford truck waiting by the roadside,
at two soldiers holding the dead by their hands and legs,
throwing them into the back, hurling
them one upon another until the floor
is loaded to the sky’s armpits. The corpses stare
at our stars’ succulent whiteness
with their arms flung out as if to bridge a nation.
Their bodies shake when the lorry chugs.
I click as the soldiers laugh at the billboard on the bulkhead:
GUINNESS IS GOOD FOR YOU
SIX MILLION DRUNK EVERY DAY.
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I will walk the sunset
that loses itself
in your plum-black water.
Mir Mahfuz Ali, When Bangladesh Floats in a Water-Hyacinth
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