#Monotype and colors pencils on paper

[mart-singer]

I have been told several times that my preparatory drawings are interesting. But they are small and I don't want to part with them: they are part of my archives. I always wanted to redo them larger but how can I convey the messy and dirty spirit of the drawing without making a hyperrealistic and soulless copy. Here is an attempt with the help of monotype and colored pencils. Since for monotype, you have to draw upside down so that it prints right side up, I didn't always understand the numbers I was printing. It produces weird things, sometimes incomprehensible but it keeps the spirit of the original. Monotype and colors pencils on paper, 16,1 x 11,7 inches / 24 x 29,7 cm

[bizknapp]

Acrylic and colored pencil on paper.

2023

[blueiscoool]

Sam Francis Untitled

Signed in pencil Monotype printed in colors on heavy wove paper. Sheet: 24¾ by 29¼ in. 628 by 742 mm. Executed circa 1980.

[this-is-not-a-slow-burn]

This just cleared up some long held misunderstandings that I struggled with for a long time re: art. Well, at least, assuaged some confusing guilt and assigning of bad traits I had done.

For the longest time I thought that my lack of motivation to make art stemmed from not really being a creative person but a poseur just trying to be cool, and that if I really had an artistic creative soul that I would just make art no matter what. But that's not the case. At least not fully. It's this lack of brain plasticity that makes learning the skills much slower. Not that I'm slow, just that my brain takes longer to absorb the info. It lead me to believe that I can't draw because I just don't have the talent, which is partially true, but I also have the lack of brain plasticity to work through, I now know. I can work with that.

I am very guilty of buying scores of things that sit on the shelf unloved. So many colored pencils, paper, paints, brushes, glue, beads, pastels, fabric, embroidery, yarn, markers, etc etc. But I have a tendency to do a project and then never return to that media again, because it feels like a completed project. Like an essay you turn in for class. Goal reached. No need to revisit that again, you've done it, good job, move on. Even though emotion brain would like to keep doing it, logic brain says uh, what for, we tackled that already. Like I was only doing it to prove that I could, doing it for the validation that yes indeed I am "an artist". Getting that dopamine hit and then looking for the next high.

And in some ways that's still partially true. But I feel a little better armed at breaking past that.

There are a few mediums I still work in, knitting (when my shoulder isn't screaming), and if I have the time and space I could do gelliplate prints for hours. (I have boxes full of pulled prints that I've never done anything with, but they're so satisfying to make.) My current desire is to keep working with collage, both trad and digital, using some of the monotypes as backgrounds, and doing some monotypes that are collages.

Maybe one day I will get over the impatience and savor the learning.

[inaxinaxina]

a few texture details

more on ig: marvaldraws

[art-now-usa]

St Vincent, Somewhere Downtown, Fabio Coruzzi

Screen print, oil pastels, acrylic, liquid ink pens, pencil on Fabriano paper Original monotype "My artworks are made using printing technique mixed with other media such as oil pastels, acrylics, water colors, liquid ink pens, pencils on paper, canvas, wood, fabrics. During my working process, I never make any difference between artworks regarding size, client, price or timetable. Each single work is made with the same intensity, dedication, effort, commitment, passion and love. Each work is made covering the surface, millimeter by millimeter, with no rush and lots of patience. I touch and retouch the surface many times with my pens and brushes, making sure the artwork has its right composition of colors, shapes and textures. I want that my works make always the difference in terms of quality, price and value for money. I want that my art collectors must be fully satisfied and 100% sure that there is no art deal better than the one they’ ll have purchasing my art. I will always challenge anyone to offer a better product for a better price than mine. Thanks a lot for your trust and respect" Fabio Coruzzi has exhibited at galleries, museums, art fairs around the world he is represented by galleries in USA, UK, Italy

https://www.saatchiart.com/art/Painting-St-Vincent-Somewhere-Downtown/33545/2270915/view

[bm-contemporary-art]

The Transformer, Jeff Goodman, 1981, Brooklyn Museum: Contemporary Art

Size: sheet: 12 1/4 x 7 1/2 in. (31.1 x 19.1 cm) image: 7 3/4 x 5 in. (19.7 x 12.7 cm) Medium: Monotype and colored pencil on paper

https://www.brooklynmuseum.org/opencollection/objects/108796

[pwlanier]

FRANCIS LUIS MORA

Woman on a Sailboat at the Water's Edge.

Color monotype in oil on Japan paper, 1912. 335x277 mm; 13 1/4x11 inches. Signed and dated in pencil, lower left recto.

Swann Galleries

[mentaltimetraveller]

Esther Kläs, BA///, 2013 monotype, colored pencil on paper, 72 3/4 x 59 inches

[belindadelpesco]

Light Field Monotype: Countenance

Light Field Monotype: Countenance

Countenance 10.5 x 8.25 Monotype with Colored Pencil on paper (sold) What is a Light Field Monotype?

Monotypes are a hybrid between painting and printmaking. The name monotype has the root “mono” meaning one. Monotype printmaking results in a single image. These beautiful prints cannot be printed in quantity or an edition, like other, repeatable printmaking methods (woodcuts, etchings,…

[mart-singer]

Monotype and pencils color on paper

[wordartprints1-blog]

Printing Processes for Art Prints

You've finally bought that art print you've been eyeing and are looking forward to showing it off to your visitors and friends, but before you start hanging it on the wall, you might want to spend a minute or two to consider how these prints were made. That piece of art that you bought is certainly not the original. It is a reproduced print made from the original art work. Art prints are created using different printing processes, and you may have come across these different terms as you were making enquiries and shopping for your print. Before making your purchase, it would be helpful to know the printing process by which your art print was made. Below is a brief description of some of the more common printing methods for art prints: Giclee Print pronounced as zhee-klay, it is a French word which means a spray or spurt of liquid. The name is descriptive of the way in which the print is created. A giclee is basically a digital printout of the original art work, created from digital scans of the original. Once the scan is made and the image digitally archived, a sophisticated printer then makes a high resolution printout with high quality inks. The printer does this using a fine stream of ink, resulting in vivid, pure color with exceptional detail. A giclee can be printed in various sizes and onto various mediums like canvas and photo paper. An advantage of giclee printing is the high level of accuracy and richness in color. Another advantage is that it enables artists to make easy reprints of their work to be sold, as and when required, or in bulk. It also avoids the heartache of selling off the original painting. Lithograph A lithograph works on the principle that water and oil do not mix. A hand-made lithograph is a print made by drawing with an oily substance such as crayons and pencils on porous stone or metal plates. An Oil-based ink is then applied to the moistened stone that adheres only to the lines drawn. The plates are then pressed onto a sheet of paper to produce the final print. Serigraph Serigraphy, or screenprinting, is a stencil printmaking process in which high quality paper is placed beneath a screen (or stencil). Ink is then applied over the screen using a squeegee. The screen has certain portions cut out so that the ink can be transferred onto the paper below. This process is then repeated for different screens and color until the final picture is complete. Screenprinting can be used on a variety of surfaces such as textiles, ceramics, metal, wood and paper and is commonly used in industries from clothing to product labeling. If you have any queries with regards to where by and how to use dog word art, you can get hold of us at our webpage. Monoprint A monoprint or monotype is a printing process whereby the artist paints a design onto a plate using a low drying ink. The image is then printed before the ink dries. One characteristic of monoprints, as the term "mono" implies, is that only one unique impression can be made using this process. That is, no two prints will ever be alike. Canvas Transfer A canvas transfer is a process of transferring an art work from a print onto a canvas. A special chemical is applied onto the art print, which when dried, can be separated from the paper and transferred onto a canvas. The canvas is then stretched across a frame and an artist will then apply brushstrokes to create the texture found on the original art work. The end result is artwork on the canvas that looks very much like the original.

[blueiscoool]

Sam Francis Untitled

Signed in pencil. Monotype printed in colors on heavy wove paper. Sheet: 24¾ by 29¼ in. 628 by 742 mm. Executed circa 1980; this work is unique.

[clairescreativeadventures]

New Post has been published on https://clairescreativeadventures.com/happy-valentines-day/

Spread love with FUN HEART PRINTS & recyclable materials today: Make your cards with Bubblewrap Prints!

Happy (Pre) Valentine’s Day !

Enjoy this super easy (and free!) card-making project with Bubble wrap makes cool prints on cards with paint! (or any recyclable material with texture)

Kids LOVE popping bubbles in bubblewrap! Keep them busy & their fingers strong with this fun printing activity- while using up packaging to boot! (or get a sheet from UPS or Staples.) Don’t have bubblewrap handy? Look around the home for textured materials to cut into hearts! Materials: Scissors; marker, white or colored paper; paint brush, paint or ink pad, paper towels or newspaper + bubble wrap

Pop all the bubbles first on the bubble wrap! Fold a piece of paper in 1/2 or in 1/4. On a flat surface, lay down newspaper or paper towels. Then, with a marker, draw a (large) heart shape onto the bubble wrap that will fit your folded paper. Cut the bubble wrap heart shape. Next, place layer of paint on the bubble wrap with a brush, and then lay it carefully face-down onto the paper, press with out moving and lift. (Set aside for more prints of various colors!) Finally, Write Happy Valentine’s Day! To: ___________ From __________  on the front or the back. Add stickers, glue and glitter or a message as to why you LOVE them!

PC: The Best Ideas for Kids

We can’t wait to see you live in the classroom! One of our favorite V-Day projects was creating beautiful works of art like Jim Dine: Monotypes et Gravures! “Did you know that a monotype is the proof of a painting made on a metal, glass or plexiglass plate?

-artland.com

Click here to check out our more Jim Dine art projects!

Check out ARTSTORY ADVENTURES!

Enjoy cold winter days with this creatively comprehensive monthly series: Story-Based Travel & Cultural Exploration via Virtual or Live Artistic Development in Drawing, Crafting, Sculpting and Building. Direct endless energy… as Movement & Dance bonus videos enrich the adventure!

Take your 1st Trial Week of ARTStory Adventures! and receive one of our comprehensive ART KITS delivered to your home! (Watercolor pencils, crafts, dry erase and more!)

[inaxinaxina]

mixed media experiment

more on ig: marvaldraws

[art-now-usa]

Calitri, South Italy #5 - MONOTYPE SOLD, Fabio Coruzzi

"This town is a magic town, walking through its streets is like climbing the rocks to discover something beautiful hidden behind them... this town is a gem, regardless unknown to most of us. The houses of this town are built stuffed together as if they were ready to for the end of the world, and the windows from where I am giving the last look over this weird, human landscape." 

F.C. Laser print from artist's own photo, oil pastels, acrylics, liquid ink pens, pencil on paper "My artworks are made using printing technique mixed with other media such as oil pastels, acrylics, water colors, liquid ink pens, pencils on paper, canvas, wood, fabrics. During my working process, I never make any difference between artworks regarding size, client, price or timetable. Each single work is made with the same intensity, dedication, effort, commitment, passion and love. Each work is made covering the surface millimeter by millimeter, with no rush and lots of patience. I touch and retouch the surface many times with my pens and brushes, making sure the artwork has its right composition of colors, shapes and textures. I want that my works make always the difference in terms of quality, price and value for money. I want that art collectors must be fully satisfied and 100% sure that there is no art deal better than the one they’ ll have purchasing my artworks. I will always challenge anyone to offer a better product for a better price than mine. Thanks a lot for your trust and respect" F.C. Laser print from artist's own photo, oil pastels, acrylics, liquid ink pens, pencil on fine paper Original monotype Fabio Coruzzi has exhibited at galleries, museums, art fairs around the world. He is represented by galleries in USA, UK, Italy.

https://www.saatchiart.com/art/Printmaking-Calitri-South-Italy-5-MONOTYPE-SOLD/33545/2178199/view