#POP METAL

[jackfromthefairytale]

the pain in all the pretty things are yours if you can get it seated you are the risk, the reckoning if you're brave enough to lean in

POPPY - New Way Out [2024]

dir. Sam Cannon

[music-is-my-life-man]

Tupac & Kiss, 1996

Grammy Awards, February 28th

[the-song-of-the-day]

July, 15 2024

Song #158

Unskinny Bop by Poison

It was released in 1990 in their album Flesh & Blood

Fun fact: The meaning of "Unskinny Bop" has always been shrouded in obscurity. C.C. DeVille later confessed that the phrase "Unskinny Bop" has no particular meaning: he invented it as a temporary measure while writing the song, before vocalist Bret Michaels had begun working on the lyrics.

[dankalbumart]

Appetite for Destruction by Guns N' Roses Geffen 1987 Hard Rock / Heavy Metal / Hair Metal / Pop-Metal / Glam Metal

[yourfavealbumisgender]

Vicious by Halestorm is Bisexual!

requested by @inky-da-dinky

[randomvarious]

Today's compilation:

Monsters of Rock 1998 Hair Metal / Hard Rock / Arena Rock /Heavy Metal / Pop-Metal

Good lord, this had to have been one of the most heavily advertised albums of all time, man. I don't know how much ad money the Razor & Tie label shelled out for all of their 'As Seen on TV' comps back in the day, but the commercials for Monsters of Rock and Monster Ballads were fucking inescapable throughout the late 90s and early 2000s, especially. Like, you'd be watching something on cable, and the commercial for this album would come on, so then you'd change the channel, and the same commercial would be playing on there too! And then you'd just force yourself to sit through it, and eventually, through repetition, the entire sequence of little song snippets that gets played throughout the ad would become a permanently etched medley inside of your goddamn mind, destined to haunt your soul for the rest of eternity:

🎶Cum on feel the noize, girls rock ya boys…my, my, my, I'm once bitten, twice shy, babe…poison!…*synths from Europe's "The Final Countdown"*…round and round, what comes around goes around, I'll tell you why…she's my cherry pie, cool drink of water, such a sweet surprise…we're not gonna take it, no! we ain't gonna take it…she's only seventeen, seventeen…here I go again on my own…I'm no fool, nobody's fool, nobody's fool…so hold on loosely…🎶

Now, the hair metal era may have been the dumbest and most ridiculous period of mainstream rock that we've ever borne witness to—and it's very difficult for me to think of another commercially successful subgenre in which rank stupidity has been such an inherently defining trait—but thanks to a combination of my own nostalgia for these damn Razor & Tie ads and my sometimes weird and ironic affinity for bad shit, after listening to this album, there is really nothing more that I want to do than hitch a ride back to 1990 so I can live out a super corny fantasy as a badass suburban high school senior who cruises through town in a boxy, red sedan with the windows down as these silly songs blare out of my speakers 😎.

But like I said, I am also under no illusion here; I'm fully cognizant of just how patently absurd so much of this music was. And when it comes to the pinnacle of pure trash, I really don't think anything ever quite managed to top Warrant's signature 1990 anthem, "Cherry Pie," which is obviously on this album. Like, have you heard or thought about this tune recently? It really might be the single-dumbest song that's ever been recorded in human history. And as the single-dumbest song that's ever been recorded in human history, it has thankfully and, I guess quite fittingly, been memorialized in some way, since…*checks notes*…you can currently go see the pizza box that its lyrics were originally transcribed on at the Hard Rock Cafe in Destin, Florida… 😭.

🎶I scream, you scream, we all scream for her Don't even try, 'cuz you can't ignore her!🎶

Also, Winger's "Seventeen." Yikes; you can probably guess what that one's about! Talk about songs that haven't aged well at all 😩:

🎶She's only seventeen (seventeen) Daddy says she's too young, but she's old enough for me🎶

Yeah… This one's catchy and all, but, um…no. 👎👎👎👎👎👎👎👎👎👎👎👎👎👎👎👎👎 Really glad we've finally realized as a society that, at the very least, fully-grown adults singing lustily about minors is a very unacceptable thing to do. I mean, it took way too long for us to get here, but at least we've finally made it to this point, right? And I think "Cherry Pie" is probably about a minor too, by the way, but that's also up for debate 😑.

To be clear, though, not every song on this album is embarrassingly dumb and/or skeevy hair metal. I happen to think Living Colour's alt metal classic, "Cult of Personality," is a genuinely great banger. And I also dig the southern rock smoothness of a song like .38 Special's "Hold On Loosely" too; but most of the rest of these are just pure dunderheaded hair metal classics, and a key, overarching feature of this stuff was just how fucking maximally mindless it all was. It's hard to put a finger on what exactly allowed this madness to spread so widely and flourish for nearly a whole-ass decade in the first place, but thank goodness grunge came along when it did and dethroned this stuff from its perch as rock music's top subgenre in the early 90s, because, seriously, this shit was so excessive and outrageous.

All that being said though, and as good and necessary as grunge was back then, I can't help but imagine what a kick-ass time it would probably be to have almost any one of these Monsters of Rock songs come on at the bar while you and everyone else around you are in a highly intoxicated stupor; like, "Black Hole Sun," "Man in the Box," "Interstate Love Song," "Even Flow," etc., might be total jams in and of themselves, but songs like those are probably not gonna do the same trick as something like Alice Cooper's "Poison" can in that type of situation. I mean, when you're fully committed to annihilating some brain cells, it's good to have music that's way ahead of you in order to accompany your experience, right? 😅

Highlights:

Quiet Riot - "Cum On Feel the Noize" Great White - "Once Bitten Twice Shy" Alice Cooper - "Poison" Europe - "The Final Countdown" Ratt - "Round and Round" Warrant - "Cherry Pie" Whitesnake - "Here I Go Again" Winger - "Seventeen" Living Colour - "Cult of Personality" Twisted Sister - "We're Not Gonna Take It" Judas Priest - "You've Got Another Thing Coming" Cinderella - "Nobody's Fool" .38 Special - "Hold On Loosely" Autograph - "Turn Up the Radio"

[nu8ge]

[stuff-diary]

Forgot to mention it last week, but Dreamcatcher's new song is fantastic!

[metalsongoftheday]

Wednesday, July 3: Tokyo Blade, "Blackhearts and Jaded Spades"

Night of the Blade tried to have it both ways, with Tokyo Blade tempering the NWOBHM frenzy of their debut with a new, blonder singer and more than a few nods to Pyromania.  But with Blackhearts and Jaded Spades, the band went all-in on hair metal in a remarkably hapless attempt at becoming the British version of Ratt, and squandered whatever was left of the goodwill they garnered from their first album in the process.  The opening title track itself didn’t totally give the game away, opening the record with mostly the same level of energy as “Night of the Blade” or “Powergame”, and although Vicki James Wright’s whining immediately cast the tune in a pop-metal light there was still enough firepower from Andy Boulton to bring the juice.  That said, Boulton’s riffing took clear inspiration from Nikki Sixx and mostly stripped away any remaining traces of the New Wave of British Heavy Metal, so there was a strange aftertaste to “Blackhearts and Jaded Spades” even though it rocked pretty hard and didn’t quite signal the disaster to come.

[the-song-of-the-day]

July 1, 2024

Dance the Night Away by Van Halen

It was released in 1979 in their album Van Halen II

Fun fact: David Lee Roth (vocalist) originally wanted to call the song "Dance, Lolita, Dance", but Eddie Van Halen (guitarist) convinced him that "Dance the Night Away" was more suitable and the chorus was changed to reflect that.

[dankalbumart]

Appetite for Destruction by Guns N' Roses [cont'd] Geffen 1987 Hard Rock / Heavy Metal / Hair Metal / Pop-Metal / Glam Metal

[randomvarious]

Today's compilation:

Hard Rock Essentials 2000 Hard Rock / Blues-Rock / Arena Rock / Hair Metal / Pop-Metal / Heavy Metal / Adult-Oriented Rock / Progressive Rock / Pop-Rock

God, classic rock really has to be the most over-entitled and over-represented type of music in America, man. I mean, can you think of any other non-contemporary stuff that has a radio station solely dedicated to it in virtually every nook and cranny of this country? It's pretty obvious why it's managed to own so much radio real estate over the years, though—because it's pure catnip for nostalgic white boomers—but if you zoom all the way out and think about all of the music that's come and gone since the 50s, there's really no justifiable reason for this stuff to get so much more airtime than any other type of music from the past. I mean, classic rock is fine for what it is, but it's definitely not leaps and bounds better than everything else.

Take a song like Foreigner's "Hot Blooded," for instance, which is just one of multiple tracks to appear on this triple-disc compilation of so-called Hard Rock Essentials here that happens to deal with the complex subject matter of, *checks notes*, being extremely horny. "Hot Blooded" was a hit in its day, sure, but so were literally tens of thousands of other songs too. And I guess, at the end of the day, I just don't really understand why this song, and so many other ones that are featured on this comp as well, has earned its keep as a fixture of constant classic rock radio rotation. I mean, in the grand scheme of things, is "Hot Blooded" really all that remarkable of a song, so much so, that we need to keep continuously hearing it on our radios year after year? No way!

But, folks, I have to admit that it is actually far too late for me on this front. I am by no means a boomer, but I was, at one point, part of another segment that, like clockwork, fell prey to classic rock radio too: the insufferable tweenage boy subset who grew exasperated with the mindlessness of his own generation's contemporary top 40 fare and decided that "Smoke On the Water" and other songs of its ilk were actually the best shit in the world. Little did we know at the time, and some of us still refuse to see it, that a lot of this shit was actually every bit just as dumb as the stuff that we were trying to so actively avoid. God, how embarrassing.

But I really just cannot help it at this point. As much sense as I've tried to make at the top of this post, I really did have a substantial classic rock phase, and now that shit is just hard-coded into my own DNA. Quiet Riot's "Cum On the Feel the Noize" is not a song that deserves to ever be heard by anyone ever again—it's so fucking bad!—but God damnit, I can't stifle the smile that starts to plant itself on my face whenever that stupid thing comes on. And it's much the same for the vast majority of the other tracks that are on this comp too.

So, while Hard Rock Essentials might be revered as a biblical classic rock sampling for both a certain type of tweenage boy and white boomer alike, for me, personally, it's nothing but security blanket rock. This is music that served me well years ago, and I've clearly outgrown it too, but there are also times when I just love to go back and swaddle myself in it as well 😊. And if I'm with someone who swears by this kinda stuff, I'm obviously gonna fully rock out to it with them too, but then maybe, afterwards, I can make their heads explode with a piece of Philadelphia shoegaze from 1996 that only has 26 YouTube views 🤯.

And I'm not gonna really get too much into it here, but we also really need to have some kind of deep reckoning with this whole propped-up and closed-looped classic rock industry that serves itself with all these nearly identical radio station playlists, cheaply produced TV countdown shows, and countless 'greatest of all time' lists on tons of different websites. I'm not trying to do conspiratorial tin foil hattery, but this whole apparatus really needs to have a stick thrown into its spokes, because it's been dominant as an unchallenged authority on classic rock for far too long. Rather than yet another spin of "Rock You Like a Hurricane," a much more thorough exploration of this vast expanse is indeed possible; I can promise you that.

Highlights:

CD1:

Ted Nugent - "Cat Scratch Fever" Great White - "Once Bitten, Twice Shy" Kansas - "Carry On Wayward Son" Quiet Riot - "Cum On Feel the Noise" Warrant - "Heaven" Judas Priest - "You've Got Another Thing Coming" Loverboy - "Lovin' Every Minute of It" Blue Öyster Cult - "(Don't Fear) The Reaper" Scandal - "The Warrior" Living Colour - "Cult of Personality" Mountain - "Mississippi Queen" Argent - "Hold Your Head Up"

CD2:

Foreigner - "Hot Blooded" Bad Company - "Feel Like Makin' Love" INXS - "Need You Tonight" Damn Yankees - "High Enough" Ratt - "Round and Round" Skid Row - "I Remember You" Black Sabbath - "Heaven and Hell" The Doobie Brothers - "China Grove" White Lion - "Wait" April Wine - "Just Between You and Me" Twisted Sister - "We're Not Gonna Take It"

CD3:

Whitesnake - "Is This Love" Golden Earring - "Radar Love" Joe Walsh - "Rocky Mountain Way" Scorpions - "Rock You Like a Hurricane" The Allman Brothers Band - "Whipping Post" Uriah Heep - "Easy Livin'"

[nellarw95]

Happy Birthday Steven 🥳🎂🎈🎁🎉

March 26,1948

Buon Compleanno 🥳🎂🎈🎁🎉

26 Marzo 1948

[theelectricdreamsofddx]

A brand new groovy synth djent track for y'all!!

As always, this track is also available on my YouTube and Bandcamp!!