#Philly Joe Jones

[jt1674]

[jazzandother-blog]

Paul Chambers, Philly Joe Jones, Red Garland and Miles Davis.

A 1955 rehearsal shot with Miles giving Red some instruction while Chambers and Jones stand by.

Photo ⓒ Michael Ochs Archives

[the-garrincha-universe]

 Pianist Red Garland, trumpeter Miles Davis, drummer Philly Joe Jones and bassist Paul Chambers of the "Miles Davis Quintet" record during the "Cookin'" sessions on May 11, 1956 in New York City

[projazznet]

Miles Davis – Cookin’ With The Miles Davis Quintet (Full Album)

Cookin’ with the Miles Davis Quintet is an album recorded in 1956 by the Miles Davis Quintet in Rudy Van Gelder’s studio in Hackensack, New Jersey, and released in July 1957. As the musicians had to pay for the studio time (a result of a rather modest contract with Prestige), their recordings are practically live. Two sessions 11 May 1956 and 26 October in the same year resulted in four albums—this one, Relaxin’ with the Miles Davis Quintet, Steamin’ with the Miles Davis Quintet and Workin’ with the Miles Davis Quintet.

It was the first of the four LPs to be released. In response to the album title, Davis said, “After all, that’s what we did—came in and cooked”.

Miles Davis – trumpet John Coltrane – tenor saxophone Philly Joe Jones – drums Red Garland – piano Paul Chambers – bass

[jazzdailyblog]

Louis Hayes: The Pulse of Jazz Drumming

Introduction: Louis Hayes, born eighty-seven years ago today on May 31, 1937, in Detroit, Michigan, is a legendary jazz drummer whose career has spanned over six decades. Known for his dynamic style, impeccable timing, and ability to adapt to various jazz subgenres, Hayes has played a crucial role in the development of modern jazz drumming. This blog post delves into his early years, career…

[bainer]

Pianist Sonny Clark, with Philly Joe Jones’s arm in the foreground, at Clark’s "Sonny Clark Trio" session from October 13, 1957 (photo by Francis Wolff)

[takmiblog]

COOKIN'

WITH THE MILES DAVIS QUINTET

PRESTIGE 7094

recording: 1956/10/26

[jazzplusplus]

1958 - Jazz at Town Hall - New York City

Dizzy Gillespie, Miles Davis, Stan Getz, Sonny Stitt, J.J. Johnson, Don Elliott, Oscar Pettiford, Cannonball Adderley, Philly Joe Jones, Paul Chambers, Osie Johnson, John Coltrane

[sgurumiyaji]

今宵のディナージャズ「West Coast Conference」Bill Perkins '57

マイルスのリズムセクションがウエストコースト・ジャズを演ってる！またマニアックなのを買ってしまいました。500円ちょいで安かったし。

タイトルで分かる様に、西海岸のビル・パーキンス(ts)版「ミーツ・ザ・リズムセクション」(チェンバースとフィリー・ジョーのみ)。面白いのがジャック・モントローズ(ts)が参加して、思っ切り西海岸のアレンジものをこの二人のリズムセクションが折目正しく演ってるところ。でも、ソロになるとすぐに彼等だと分かります。

ザ・マイルス・バンド！っていう彼等らしさを前面に出したアート・ペッパーとのセッションと違って、ちゃんと西海岸ぽさを演出しながらの演奏で、なんか不思議な感じだけど違和感なく聴けるのが彼等の仕事人としての凄さだと思います。で、ソロで持って行くところも。

モントローズはイマイチ好きになれないテナー。やはりビル・パーキンス狙いで買ったのですが、いい感じでプレイはしてるものの、変態度合いが少ないのでちと残念。やはりリーダーだと真面目になるタイプ。折角の面白セッションだからもっと暴れて欲しかったな。

Affinityレーベルは数枚持ってたと思いますが、これは古い録音ですが音質はまぁまぁってとこです。

[jt1674]

[jazzandother-blog]

ROLLINS & TRANE

(English / Español)

Sonny Rollins John Coltrane Tenor Madness: listen here

It is a 12-minute duet between the saxophones of Rollins and Coltrane, and the bluesy melody of the piece has become, over the years, one of the best known in Rollins' repertoire. It is easy to distinguish the sound of the two musicians in the piece, Coltrane has a more ringing sound while Rollins sounds more relaxed and melodic. Despite the differences in 'sound' the two saxophonists complement each other, and the piece does not turn into a competition between the two.

In 1956 he recorded the album Tenor Madness, using Davis' legendary band, consisting of pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones. The title track is Rollins' only recording with John Coltrane, who was also a member of Davis' band.

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Se trata de un dúo de 12 minutos entre los saxofones de Rollins y Coltrane, y la melodía bluesy de la pieza se ha convertido, con el paso de los años, en una de las más conocidas del repertorio de Rollins. Es fácil distinguir el sonido de los dos músicos en la pieza, Coltrane tiene un sonido más sonoro mientras que Rollins suena más relajado y melódico. A pesar de las diferencias de "sonido", los dos saxofonistas se complementan y la pieza no se convierte en una competición entre ambos.

En 1956 grabó el álbum Tenor Madness, con la legendaria banda de Davis, formada por el pianista Red Garland, el bajista Paul Chambers y el batería Philly Joe Jones. El tema que da título al álbum es la única grabación de Rollins con John Coltrane, que también formaba parte de la banda de Davis.

[onryou-onryou]

Monk and Philly Joe - Nutty- Salle Pleyel, Paris, France - December 15, 1969.

[scoop16]

[projazznet]

Philly Joe Jones – Showcase

Showcase is the third album led by American jazz drummer Philly Joe Jones which was recorded in 1959 for the Riverside label. The Allmusic review called it “a particularly interesting hard bop-oriented set… well-conceived, diverse, and recommended”. Philly Joe Jones – drums, piano Blue Mitchell – trumpet Julian Priester – trombone Bill Barron – tenor saxophone Pepper Adams – baritone saxophone Dolo Coker , Sonny Clark – piano Jimmy Garrison – bass

[jazzdailyblog]

Red Garland: A Jazz Piano Master

Introduction: Red Garland was a jazz pianist known for his distinctive style and influential contributions to the genre. He was born one hundred and one years ago today on May 13, 1923, in Dallas, Texas. His musical journey began with the clarinet and alto saxophone, studying under saxophonist Buster “Prof” Smith, who had previously mentored the legendary Charlie Parker in Kansas City. Garland’s…

[tejedac]

Art Pepper

Art Pepper meets The Rhythm Section, 1957 · Play album

Art Pepper (alto saxophone), Red Garland (piano), Paul Chambers (bass) & Philly Joe Jones (drums)

Recorded at Contemporary's Studio in Los Angeles, January 19, 1957

· Lp info