Paul Chambers (with bass), Sonny Clark, Francis Wolff (background), Art Farmer (trumpet), and Jackie McLean (alto saxophone) during rehearsal for Clark's Cool Struttin' LP released 1958 (photos by Francis Wolff)
Paul Chambers in Manhattan on the way to the Whims of Chambers recording session, 21 September, 1956.
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Paul Laurence Dunbar Chambers, Jr. (April 22, 1935 – January 4, 1969) was a jazz double bassist.
A fixture of rhythm sections during the 1950s and 1960s, his importance in the development of jazz bass can be measured not only by the length and breadth of his work in this short period but also his impeccable time and intonation, and virtuosic improvisations.
He was also known for his bowed solos.
Chambers recorded some dozen albums as a leader or co-leader, and prolifically as a sideman notably as the anchor of trumpeter Miles Davis's "first great quintet" (1955-63) and with pianist Wynton Kelly (1963-68).
Paul Laurence Dunbar Chambers, Jr. (22 de abril de 1935 - 4 de enero de 1969) fue un contrabajista de jazz.
Un fijo de las secciones rítmicas durante las décadas de 1950 y 1960, su importancia en el desarrollo del bajo de jazz puede medirse no sólo por la longitud y amplitud de su obra en este corto periodo, sino también por su impecable compás y entonación, y sus virtuosas improvisaciones.
También era conocido por sus solos de arco.
Chambers grabó una docena de álbumes como líder o colíder, y fue muy prolífico como músico de acompañamiento, sobre todo como ancla del "primer gran quinteto" del trompetista Miles Davis (1955-63) y con el pianista Wynton Kelly (1963-68).Chambers recorded some dozen albums as a leader or co-leader, and prolifically as a sideman notably as the anchor of trumpeter Miles Davis's "first great quintet" (1955-63) and with pianist Wynton Kelly (1963-68).
Introduction:
Red Garland was a jazz pianist known for his distinctive style and influential contributions to the genre. He was born one hundred and one years ago today on May 13, 1923, in Dallas, Texas. His musical journey began with the clarinet and alto saxophone, studying under saxophonist Buster “Prof” Smith, who had previously mentored the legendary Charlie Parker in Kansas City. Garland’s…
It was the biggest selling jazz record of all time. Here are some of the musicians who played on the record, and some who didn't, with the story of how the opening track of the album, "So What," came to be. They players on the record: Miles Davis (trumpet), Bill Evans (piano), John Coltrane (tenor sax), Paul Chambers (bass) and Jimmy Cobb (drums).
Miles Davis Sextet - San Francisco Civic Auditorium, San Francisco, California, March 4, 1960
One of the more sought-after jazz holy grails is the 1961 tape of Wes Montgomery and Eric Dolphy sitting in with John Coltrane's band at the Monterey Jazz Festival. This ain't it — though I'm under the impression that it's not just a pipe-dream. Instead, we've got an acetate of Coltrane playing about a year earlier with Wes Montgomery's brother Buddy on vibes. Oh yeah, there's also some guy named Miles Davis onstage, too.
It's a 20+ minute audience tape of middling (but not terrible) quality that emerged on eBay sometime in the last few years. This is JC at the tail-end of his tenure with Miles, taking the then-fairly-new "So What" into the stratosphere. New sounds from Trane, but the SF audience seems pretty into it. How do the Montgomery vibes work? Pretty nicely, even in this abbreviated context. Though maybe the taper disagreed — he stops recording somewhere in the middle of Buddy's solo! Rude. Did Miles ever employ a vibesman after this? Not sure. But maybe he should have!