#Qiwei He

[kravicle]

making genshin ocs

because i was so angery the bell is such an useless weapon so i made an entire character capable of using it and now im waist deep here

[harperzhu-blog]

Photos by Qiwei Fang

This is what the photographer has been doing for years: taking different pictures at multiple times in the same place, then "cutting" them and putting them together, so that he can freeze different times in a single photo.

Qiwei, for his part, is interested in this kind of boundary intersection: science and art, technology and art, science and technology and so on.

[aiyunyingjj]

family life or how to buy tableware

For a person who appreciates the better things in life, the luxury and elegance of spoud and Minton is for you. Whether it\'s formal or relaxing, they have stylish dining options that are perfect for working with friends and family. If you want to make your home beautiful, be sure to add value to the home with beautiful Spode and Minton porcelain sets. Timeless-Elegant. High quality, never out of date, you will definitely get what you want. 1733-History of spod and Meton Josiah SPOD 1797 Josiah spoud, former apprentice of the great Staffordshire Porter, Thomas willerden, continued by his son, Josiah spoud II. Josiah spoud, I set up a factory in 1761 of Shelton and another factory in 1764 of Stoke. He established a very successful business, first of all cream products ( Delicate cream Color pottery)and later (from 1784)in pearl ware (fine white- Glazed Pottery)transfer-Printing in blue; His son runs the company\'s warehouse in London, and his son is also a potter. Josiah spod II led the development of bone porcelain, which became the standard British porcelain body from about 1800. Spoud\'s two major contributions to the pottery industry are the improvement of transfer printing in 1784 and the development of boutique bone porcelain in 1799. ( Although bone porcelain is porcelain, it has always been called bone porcelain) The Stokes wave factory successfully developed the Chinese bone --on-Trent (around 1770-present - Don\'t know the exact date the factory was staring) For the outstanding beauty and economic goods of the Regency style in the early 1800 s, it ensures its outstanding position among commercial producers. The nearest opponent of Spode is Minton (1796-present) During the Victorian period, it was distinguished by its \"art\" porcelain. Spoud has Davenport among the main followers of producing bone for the mass market in China (c. 1793-1887); Wedgewood in the short term between 1812 and 1822 ( Wedgwood later returned. Introduced the production of bone porcelain, continue production today); Li Qiwei, auditorium, Rockingham. Many smaller concerns serve the expanding middle class. class market. After designing in China, spoud created many patterns, and he developed a very effective method of glazed blue transfer printing. He also tried a transparent but durable bone porcelain to come up with a formula that is still in use. His son, Josiah spoud II, took over the pottery factory in 1797. He was praised for the introduction of stone in Spode vessels and the production of skilled pottery. Until 1833, spoud was at the forefront of Chinese production of bone porcelain and stone, when the factory was acquired by William Taylor Copeland and Thomas garlitte: until 1847, it has always been the only master of Copeland with them. Thomas mington 1765 1836 Thomas mington built his factory in Stoke 1793/6upon-Trent. Minton is the nearest opponent of Spode. He\'s famous for Minton ware. a cream- Color and blue Printed pottery of Majolica, bone porcelain and Parian porcelain; His factory was outstanding during the Victorian period because of its \"art\" porcelain. He also popularized the famous so- Called Willow pattern On the 17th, 93th, Herbert mington succeeded his father as the head of the company, and his development and reputation were attributed to him. He was served by artists and skilled craftsmen. The first product of the Minton factory is the blue transfer- But in 1798 bone china ( Porcelain with bone ash) Considerable success has been achieved. Until the death of Thomas mington in 1836, his son Herbert took over the industry, the main products of the factory include useful and unpretentious use of painted or printed pottery or bone porcelain to follow the typical styling and decorative patterns of the period; Since the 1820 s, there have been more and more digital and decorative porcelain. He began to produce bone porcelain in the 1820 s; This early Minton was considered equal to the French Sèvres and was greatly affected. Minton\'s is the only British family in the 19th century to adopt the name pte-sur-pâte ( Ie: use white clay to slide in place of enamel decoration before glazing). Minton also gave Parian\'s data. In the 19th century, the Minton factory is the most popular source of supply of tableware ordered for embassies and heads of state, which, as part of the Royal Dalton group, is still being produced so far. Herbert mington, one of the 19th century outstanding entrepreneurs, introduced new production techniques and methods and was known for its industrial enterprise and artistic excellence. A. W. N. Lord Pukin, Sir Henry Cole and Prince Albert were their close partners and their designs were used by Meton. Painter and sculptor Alfred Stevens, French sculptor Hugo Mente and Eli jeanster and painter John Simpson also work there. In 1845, Herbert mington partnered Michael Daintree Hollins with the tile company Part of the business is called Minton Holborn & Co. Herbert mington succeeded in making color tiles in the 1840 s, which put him at the forefront of a huge industry, providing demand for institutions, churches and homes around the world. Later, he was in a leading position in the production of printed and painted tiles using industrial technology, and for the rest of the century, the company produced tiles of various styles, many of them were designed by famous artists such as Christopher Dreiser, Walter Crane, John Moyle Smith and William Wise. Relief- Molded tiles are introduced from the Minton series from 1860 s. Minton made some of the best examples of Parian ware, a marble- Like the unglazed porcelain body developed in the 1840 s, it was most successfully used in sculpture works. Hiram ball and Albert BELLUS are among the sculptors who make statues for Minton; scaled- Models of larger works made by contemporary and past sculptors are also made in Parian, and sometimes this material is used in conjunction with glazed and painted bone porcelain for the presentation of works. French pottery artist Leon anucks became the artistic director of Minton in 1849 and stayed until 1892. His achievements include the development of the Renaissance. Inspired ceramics, such as inlaid pottery, fragments drawn in the style of Limoges porcelain, as well as colorful Majoli cards, are on display for the first time at a large exhibition in 1851 for a wide variety of items, from large garden decorations and exquisite displays to dishes and water bottles on the table. Marc- Louis Solon introduced it. sur- Minton\'s pte technology was previously developed in Sèvres. This laborious process involves the creation of relief designs with layer-by-layer liquid sliding, each layer must be dried before the next application. Using this technique, Soren and his apprentice used a skill that could not be matched in any other factory to imitate the girl in gorgeous clothes and roll over the vase and plaque After Herbert mington\'s death in 1858, the company was run by his nephew, Colin mington Campbell, who was also a similarly dynamic and innovative director. From 1860 onwards, the Oriental decor takes Minton\'s attention. Pottery and bone porcelain are highly original works that have attracted the attention of Chinese cloisonne, Japanese lacquer and ivory products, Islamic metal products and Turkish pottery. In 1870, Minton\'s art pottery studio was established in Kensington, London, under the guidance of painter W. S. Coleman, to encourage amateur and professional artists to decorate China and tiles for Minton; Although popular and influential, the studio was not rebuilt when it was burned down in 1875. Until the end of the 19th century and beyond, the production of Minton\'s outstanding ornamental products has continued to increase. Starting from 1902, a series of slides The traditional marcholika merchandise represents Minton\'s contribution to the new art. Minton\'s ability to pursue these often expensive technical and artistic challenges is a tribute to the success of the tabloids that have been a financial pillar in the company\'s history. As part of Royal Dalton tableware Limited Today, Minton is able to perform luxurious special commissions while producing tabloids that ensure its economic success.

[ysc002-blog]

Perhaps the good senseOwn jeans

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[aiyunyingjj]

family life or how to buy tableware

For a person who appreciates the better things in life, the luxury and elegance of spoud and Minton is for you. Whether it\'s formal or relaxing, they have stylish dining options that are perfect for working with friends and family. If you want to make your home beautiful, be sure to add value to the home with beautiful Spode and Minton porcelain sets. Timeless-Elegant. High quality, never out of date, you will definitely get what you want. 1733-History of spod and Meton Josiah SPOD 1797 Josiah spoud, former apprentice of the great Staffordshire Porter, Thomas willerden, continued by his son, Josiah spoud II. Josiah spoud, I set up a factory in 1761 of Shelton and another factory in 1764 of Stoke. He established a very successful business, first of all cream products ( Delicate cream Color pottery)and later (from 1784)in pearl ware (fine white- Glazed Pottery)transfer-Printing in blue; His son runs the company\'s warehouse in London, and his son is also a potter. Josiah spod II led the development of bone porcelain, which became the standard British porcelain body from about 1800. Spoud\'s two major contributions to the pottery industry are the improvement of transfer printing in 1784 and the development of boutique bone porcelain in 1799. ( Although bone porcelain is porcelain, it has always been called bone porcelain) The Stokes wave factory successfully developed the Chinese bone --on-Trent (around 1770-present - Don\'t know the exact date the factory was staring) For the outstanding beauty and economic goods of the Regency style in the early 1800 s, it ensures its outstanding position among commercial producers. The nearest opponent of Spode is Minton (1796-present) During the Victorian period, it was distinguished by its \"art\" porcelain. Spoud has Davenport among the main followers of producing bone for the mass market in China (c. 1793-1887); Wedgewood in the short term between 1812 and 1822 ( Wedgwood later returned. Introduced the production of bone porcelain, continue production today); Li Qiwei, auditorium, Rockingham. Many smaller concerns serve the expanding middle class. class market. After designing in China, spoud created many patterns, and he developed a very effective method of glazed blue transfer printing. He also tried a transparent but durable bone porcelain to come up with a formula that is still in use. His son, Josiah spoud II, took over the pottery factory in 1797. He was praised for the introduction of stone in Spode vessels and the production of skilled pottery. Until 1833, spoud was at the forefront of Chinese production of bone porcelain and stone, when the factory was acquired by William Taylor Copeland and Thomas garlitte: until 1847, it has always been the only master of Copeland with them. Thomas mington 1765 1836 Thomas mington built his factory in Stoke 1793/6upon-Trent. Minton is the nearest opponent of Spode. He\'s famous for Minton ware. a cream- Color and blue Printed pottery of Majolica, bone porcelain and Parian porcelain; His factory was outstanding during the Victorian period because of its \"art\" porcelain. He also popularized the famous so- Called Willow pattern On the 17th, 93th, Herbert mington succeeded his father as the head of the company, and his development and reputation were attributed to him. He was served by artists and skilled craftsmen. The first product of the Minton factory is the blue transfer- But in 1798 bone china ( Porcelain with bone ash) Considerable success has been achieved. Until the death of Thomas mington in 1836, his son Herbert took over the industry, the main products of the factory include useful and unpretentious use of painted or printed pottery or bone porcelain to follow the typical styling and decorative patterns of the period; Since the 1820 s, there have been more and more digital and decorative porcelain. He began to produce bone porcelain in the 1820 s; This early Minton was considered equal to the French Sèvres and was greatly affected. Minton\'s is the only British family in the 19th century to adopt the name pte-sur-pâte ( Ie: use white clay to slide in place of enamel decoration before glazing). Minton also gave Parian\'s data. In the 19th century, the Minton factory is the most popular source of supply of tableware ordered for embassies and heads of state, which, as part of the Royal Dalton group, is still being produced so far. Herbert mington, one of the 19th century outstanding entrepreneurs, introduced new production techniques and methods and was known for its industrial enterprise and artistic excellence. A. W. N. Lord Pukin, Sir Henry Cole and Prince Albert were their close partners and their designs were used by Meton. Painter and sculptor Alfred Stevens, French sculptor Hugo Mente and Eli jeanster and painter John Simpson also work there. In 1845, Herbert mington partnered Michael Daintree Hollins with the tile company Part of the business is called Minton Holborn & Co. Herbert mington succeeded in making color tiles in the 1840 s, which put him at the forefront of a huge industry, providing demand for institutions, churches and homes around the world. Later, he was in a leading position in the production of printed and painted tiles using industrial technology, and for the rest of the century, the company produced tiles of various styles, many of them were designed by famous artists such as Christopher Dreiser, Walter Crane, John Moyle Smith and William Wise. Relief- Molded tiles are introduced from the Minton series from 1860 s. Minton made some of the best examples of Parian ware, a marble- Like the unglazed porcelain body developed in the 1840 s, it was most successfully used in sculpture works. Hiram ball and Albert BELLUS are among the sculptors who make statues for Minton; scaled- Models of larger works made by contemporary and past sculptors are also made in Parian, and sometimes this material is used in conjunction with glazed and painted bone porcelain for the presentation of works. French pottery artist Leon anucks became the artistic director of Minton in 1849 and stayed until 1892. His achievements include the development of the Renaissance. Inspired ceramics, such as inlaid pottery, fragments drawn in the style of Limoges porcelain, as well as colorful Majoli cards, are on display for the first time at a large exhibition in 1851 for a wide variety of items, from large garden decorations and exquisite displays to dishes and water bottles on the table. Marc- Louis Solon introduced it. sur- Minton\'s pte technology was previously developed in Sèvres. This laborious process involves the creation of relief designs with layer-by-layer liquid sliding, each layer must be dried before the next application. Using this technique, Soren and his apprentice used a skill that could not be matched in any other factory to imitate the girl in gorgeous clothes and roll over the vase and plaque After Herbert mington\'s death in 1858, the company was run by his nephew, Colin mington Campbell, who was also a similarly dynamic and innovative director. From 1860 onwards, the Oriental decor takes Minton\'s attention. Pottery and bone porcelain are highly original works that have attracted the attention of Chinese cloisonne, Japanese lacquer and ivory products, Islamic metal products and Turkish pottery. In 1870, Minton\'s art pottery studio was established in Kensington, London, under the guidance of painter W. S. Coleman, to encourage amateur and professional artists to decorate China and tiles for Minton; Although popular and influential, the studio was not rebuilt when it was burned down in 1875. Until the end of the 19th century and beyond, the production of Minton\'s outstanding ornamental products has continued to increase. Starting from 1902, a series of slides The traditional marcholika merchandise represents Minton\'s contribution to the new art. Minton\'s ability to pursue these often expensive technical and artistic challenges is a tribute to the success of the tabloids that have been a financial pillar in the company\'s history. As part of Royal Dalton tableware Limited Today, Minton is able to perform luxurious special commissions while producing tabloids that ensure its economic success.

[aiyunyingjj]

family life or how to buy tableware

For a person who appreciates the better things in life, the luxury and elegance of spoud and Minton is for you. Whether it\'s formal or relaxing, they have stylish dining options that are perfect for working with friends and family. If you want to make your home beautiful, be sure to add value to the home with beautiful Spode and Minton porcelain sets. Timeless-Elegant. High quality, never out of date, you will definitely get what you want. 1733-History of spod and Meton Josiah SPOD 1797 Josiah spoud, former apprentice of the great Staffordshire Porter, Thomas willerden, continued by his son, Josiah spoud II. Josiah spoud, I set up a factory in 1761 of Shelton and another factory in 1764 of Stoke. He established a very successful business, first of all cream products ( Delicate cream Color pottery)and later (from 1784)in pearl ware (fine white- Glazed Pottery)transfer-Printing in blue; His son runs the company\'s warehouse in London, and his son is also a potter. Josiah spod II led the development of bone porcelain, which became the standard British porcelain body from about 1800. Spoud\'s two major contributions to the pottery industry are the improvement of transfer printing in 1784 and the development of boutique bone porcelain in 1799. ( Although bone porcelain is porcelain, it has always been called bone porcelain) The Stokes wave factory successfully developed the Chinese bone --on-Trent (around 1770-present - Don\'t know the exact date the factory was staring) For the outstanding beauty and economic goods of the Regency style in the early 1800 s, it ensures its outstanding position among commercial producers. The nearest opponent of Spode is Minton (1796-present) During the Victorian period, it was distinguished by its \"art\" porcelain. Spoud has Davenport among the main followers of producing bone for the mass market in China (c. 1793-1887); Wedgewood in the short term between 1812 and 1822 ( Wedgwood later returned. Introduced the production of bone porcelain, continue production today); Li Qiwei, auditorium, Rockingham. Many smaller concerns serve the expanding middle class. class market. After designing in China, spoud created many patterns, and he developed a very effective method of glazed blue transfer printing. He also tried a transparent but durable bone porcelain to come up with a formula that is still in use. His son, Josiah spoud II, took over the pottery factory in 1797. He was praised for the introduction of stone in Spode vessels and the production of skilled pottery. Until 1833, spoud was at the forefront of Chinese production of bone porcelain and stone, when the factory was acquired by William Taylor Copeland and Thomas garlitte: until 1847, it has always been the only master of Copeland with them. Thomas mington 1765 1836 Thomas mington built his factory in Stoke 1793/6upon-Trent. Minton is the nearest opponent of Spode. He\'s famous for Minton ware. a cream- Color and blue Printed pottery of Majolica, bone porcelain and Parian porcelain; His factory was outstanding during the Victorian period because of its \"art\" porcelain. He also popularized the famous so- Called Willow pattern On the 17th, 93th, Herbert mington succeeded his father as the head of the company, and his development and reputation were attributed to him. He was served by artists and skilled craftsmen. The first product of the Minton factory is the blue transfer- But in 1798 bone china ( Porcelain with bone ash) Considerable success has been achieved. Until the death of Thomas mington in 1836, his son Herbert took over the industry, the main products of the factory include useful and unpretentious use of painted or printed pottery or bone porcelain to follow the typical styling and decorative patterns of the period; Since the 1820 s, there have been more and more digital and decorative porcelain. He began to produce bone porcelain in the 1820 s; This early Minton was considered equal to the French Sèvres and was greatly affected. Minton\'s is the only British family in the 19th century to adopt the name pte-sur-pâte ( Ie: use white clay to slide in place of enamel decoration before glazing). Minton also gave Parian\'s data. In the 19th century, the Minton factory is the most popular source of supply of tableware ordered for embassies and heads of state, which, as part of the Royal Dalton group, is still being produced so far. Herbert mington, one of the 19th century outstanding entrepreneurs, introduced new production techniques and methods and was known for its industrial enterprise and artistic excellence. A. W. N. Lord Pukin, Sir Henry Cole and Prince Albert were their close partners and their designs were used by Meton. Painter and sculptor Alfred Stevens, French sculptor Hugo Mente and Eli jeanster and painter John Simpson also work there. In 1845, Herbert mington partnered Michael Daintree Hollins with the tile company Part of the business is called Minton Holborn & Co. Herbert mington succeeded in making color tiles in the 1840 s, which put him at the forefront of a huge industry, providing demand for institutions, churches and homes around the world. Later, he was in a leading position in the production of printed and painted tiles using industrial technology, and for the rest of the century, the company produced tiles of various styles, many of them were designed by famous artists such as Christopher Dreiser, Walter Crane, John Moyle Smith and William Wise. Relief- Molded tiles are introduced from the Minton series from 1860 s. Minton made some of the best examples of Parian ware, a marble- Like the unglazed porcelain body developed in the 1840 s, it was most successfully used in sculpture works. Hiram ball and Albert BELLUS are among the sculptors who make statues for Minton; scaled- Models of larger works made by contemporary and past sculptors are also made in Parian, and sometimes this material is used in conjunction with glazed and painted bone porcelain for the presentation of works. French pottery artist Leon anucks became the artistic director of Minton in 1849 and stayed until 1892. His achievements include the development of the Renaissance. Inspired ceramics, such as inlaid pottery, fragments drawn in the style of Limoges porcelain, as well as colorful Majoli cards, are on display for the first time at a large exhibition in 1851 for a wide variety of items, from large garden decorations and exquisite displays to dishes and water bottles on the table. Marc- Louis Solon introduced it. sur- Minton\'s pte technology was previously developed in Sèvres. This laborious process involves the creation of relief designs with layer-by-layer liquid sliding, each layer must be dried before the next application. Using this technique, Soren and his apprentice used a skill that could not be matched in any other factory to imitate the girl in gorgeous clothes and roll over the vase and plaque After Herbert mington\'s death in 1858, the company was run by his nephew, Colin mington Campbell, who was also a similarly dynamic and innovative director. From 1860 onwards, the Oriental decor takes Minton\'s attention. Pottery and bone porcelain are highly original works that have attracted the attention of Chinese cloisonne, Japanese lacquer and ivory products, Islamic metal products and Turkish pottery. In 1870, Minton\'s art pottery studio was established in Kensington, London, under the guidance of painter W. S. Coleman, to encourage amateur and professional artists to decorate China and tiles for Minton; Although popular and influential, the studio was not rebuilt when it was burned down in 1875. Until the end of the 19th century and beyond, the production of Minton\'s outstanding ornamental products has continued to increase. Starting from 1902, a series of slides The traditional marcholika merchandise represents Minton\'s contribution to the new art. Minton\'s ability to pursue these often expensive technical and artistic challenges is a tribute to the success of the tabloids that have been a financial pillar in the company\'s history. As part of Royal Dalton tableware Limited Today, Minton is able to perform luxurious special commissions while producing tabloids that ensure its economic success.

[amnonjakony]

Alibaba redraws retail fault lines with bricks-and-mortar push

HANGZHOU, China: In a small village shop near the eastern Chinese city of Hangzhou, store owner Lu Qiwei uses his smartphone to place orders to refill stocks of instant noodles, rice and drinks.

Lu, 61, says he didn’t own a phone two years ago, but he’s now one of 600,000 people using a supply chain app made by e-commerce giant Alibaba Group Holding Ltd , aimed at drawing millions of Chinese…

[yoyoyangaiai-blog]

Swift action urged after Yunnan quake

Top leaders have told rescuers to race against time to save lives and do their best to resettle survivors following the earthquake in Yunnan province as the death toll from Sunday's disaster rose to nearly 400.

President Xi Jinping said on Sunday that saving lives is the top priority. He also called for the aftermath of the tragedy to be monitored.

Premier Li Keqiang walked for 5 km on muddy roads in Ludian county on Monday before arriving in Longquan, a village in Longtoushan township and the epicenter of the quake.

He stood in silent tribute to the victims, guided rescue efforts and comforted residents.

Sunday's magnitude-6.5 quake, which struck at 4:30 pm, killed at least 398 people and injured more than 1,900 others.

Heavy overnight rain made the mountainous county more difficult to reach, and Li slipped while walking along a muddy road.

On the flight to the disaster area on Monday morning, he said it was the most serious quake in the region in recent years.

The premier stressed that rescue efforts must progress in a scientific manner and urged rescuers to make full use of the "golden period" - the 72 hours since the quake took place - in their search efforts.

"With each life saved, there will be one more happy family," Li told soldiers in the township.

He told provincial authorities to keep access to the epicenter clear for rescue teams.

Shen Taikuan, a villager in Longtoushan, said, "My son was only found at midnight, but thank goodness he was not seriously injured." Shen carried his son on his back while talking to Li.

The premier asked Shen, as well as other injured people, to go to clinics and hospitals for checkups.

Liu Qiwei, an official at the county hospital, said it had treated at least 269 people, 10 of whom were seriously injured.

"Nearly 350 medical workers and 113 ambulances have been devoted to the rescue and additional beds have been provided," Liu said.

He added that supplies of relief materials and medicine to the disaster area must be speeded up to avoid the risk of disease posed by bodies lying in the debris. Liu also said that the safety of drinking water should be guaranteed.

Ma Wenxu, a Longtoushan resident, said the tiles on his house began to fall as the quake struck and he was afraid to stay at home.

"I slept in a car with my father. Ambulances' sirens were sounding throughout the night," Ma said.