#Ray Cassarino

[jazzdailyblog]

Unraveling the Nuances of Ran Blake's "All That Is Tied"

Introduction: Ran Blake, a distinguished figure in the world of third-stream jazz, has left an indelible mark on the genre with his cerebral and evocative piano compositions. His album “All That Is Tied,” released in 2006 on the Tompkins Square label, stands as a testament to his unparalleled artistry and musical depth. In this blog post, we delve into the intricacies of this remarkable album,…

[machalatte]

Heaven on No Man’s Land

(A VashWood, Trigun fanmix)

~

Bury those skeletons deep beneath the sand.

(Vash and Nicholas carve out a piece of happiness for themselves. Forget the world and all it's burdens for a moment.)

LISTEN: [SPOTIFY] / [YOUTUBE]

Art credit: oniro_ro. Thank you!

~

Tell me our story: are we impetuous, are we kind to each other, do we surrender to what the mind cannot think past? Where is the evidence I will learn to be good at loving?

Let me come back whole, let me remember how to touch you before it is too late. (Summer solstice, by Stacie Cassarino)

Track list under the cut!

"I will not ask you where you came from. I will not ask, and neither would you."

Like real people do - Hozier

Sleep on the floor - The Lumineers 

Hold you in my arms - Ray Lamontagne

My lover - Birdtalker

Call it dreaming - Iron & Wine

Real love baby - Father John Misty

Mystery - Tom Odell

London's song - Matt Hartke

Aging out of the 20th century - Trash Panda

What do it mean - Lord Huron

Lyric selections: here.

[llovelymoonn]

favourite poems of january

tony hoagland note to reality

henri cole middle earth: “myself and cats”

minerva s.m. kamra chronic

stacie cassarino zero at the bone: “in the kitchen”

bonnie jo stufflebeam barking dog nocturnal

ron silliman the alphabet: “you, part i”

sara borjas a heart can only be broken once, like a window

karen an-hwei lee song of the oyamel

louise glück afterword

kai nham follow the moon

elisabeth houston standard american english: “re-peat! re-verse! re-hearse!”

victoria stitt the carolina quarterly: “autumn convalescence”

noor ibn najam you smelled like an animal

ben still concept pest control

ray dipalma obediant laughter: “after midnight”

sasha pimentel cats

thanh-tam nguyen a lit match to burn what your country doesn’t remember

sarah abbas collecting words in attempt to keep them the same

julia wong kcomt (tr. jennifer shyue) woman eaten by cats

lisa jarnot ring of fire: “the bridge”

torrin a. greathouse i am beginning to mistake the locust’s song for silence

siaara freeman when i speak of hunger

vandana khanna train to agra: “evening prayer”

ouyang jianghe (tr. austin woerner) mother, kitchen

kayleb rae candrilli sand & silt

antony hecht an offering for patricia

sara ellen fowler shed project notes, august 30, 2019 - la madera, nm 

vincent hiscock voice in the air: afterthought

margie piercy mars & her children: “the cat’s song”

eva chen how to bleed a ghost

sayuri ayers cordella magazine: “in the season of pink ladies”

buy me a coffee

[rhetthammersmithhorror]

Destination Inner Space | 1966

Were two suits used or just one (that began to deteriorate during filming)?

Examine the two gifs. Note the differences in the dorsal fins, chest and arm scales, and overall color patterns.

We need answers! A remastered dvd/Blu-ray release of this film is long overdue. 

Have cast member James Hong (now in his 90s) do an audio commentary. If creature designer Richard Cassarino* and stuntman Ron Burke (who did the suitmation) are still alive and able, include their commentaries as well.

*Richard Cassarino also designed the monster suit for The Hideous Sun Demon