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Blixa Bargeld (*1959), Deutscher Musiker

Blixa Bargeld (heute im Jahr 1959 geboren), Deutscher MusikerLaden Sie die besten Noten aus unserer Bibliothek herunter.Please, subscribe to our Library.Best Sheet Music download from our Library. SolowerkeNick Cave & The Bad Seeds - The Weeping SongPersonnelBrowse in the Library:

Blixa Bargeld (heute im Jahr 1959 geboren), Deutscher Musiker

Blixa Bargeld (* 12. Januar 1959 in West-Berlin als Hans-Christian Emmerich) ist ein deutscher Musiker, Performance-Künstler, Komponist, Autor und Schauspieler. Er ist Frontmann der Band Einstürzende Neubauten und Gründungsmitglied der Band Nick Cave and the Bad Seeds, in der er bis 2003 als Gitarrist tätig war. Sein Pseudonym ist eine Reverenz an den dadaistischen Künstler Johannes Theodor Baargeld. Der Vorname stammt von einer Faserstiftmarke. Nachdem seine Frau Erin ihren Nachnamen offiziell von Zhu in den Künstlernamen Bargeld hatte ändern lassen, übernahm er diesen und heißt seither bürgerlich Christian Bargeld, verwendet aber öffentlich ausschließlich den Künstlervornamen Blixa. Bargeld wuchs im westlichen Teil Berlins auf, wo er im Ortsteil Friedenau das Paul-Natorp-Gymnasium besuchte. 1980 wurde er als Gründer und Sänger der Gruppe Einstürzende Neubauten bekannt. Von 1984 bis 2003 war er Gitarrist der Band Nick Cave and The Bad Seeds. Er galt auch als Mitorganisator des Festivals Genialer Dilletanten. Darüber hinaus veröffentlichte er zwei Soloalben. 1987 trat er als Mitglied von Nick Cave and The Bad Seeds in Wim Wenders’ Film Der Himmel über Berlin auf. 1988 spielte er in dem Spielfilm Nihil, oder alle Zeit der Welt von Uli M Schueppel eine erste Hauptrolle. Ende der 1990er Jahre spielte er einen pyromanischen Sadisten in einem RTL-Krimi mit Iris Berben. Weiterhin war er 1996 im Film Die totale Therapie in einer Hauptrolle als Psychotherapie-Guru zu sehen.

1996 entstand der Kurzfilm Blixa Bargeld Stole My Cowboy Boots mit Michael Imperioli in der Hauptrolle, in dem Bargeld allerdings nicht selbst auftrat. 1999 wurde Bargeld für den US-Spielfilm Die Mumie verpflichtet. In dem Film hat er als Teil des „sound-designs“ das „mummy growling“ übernommen, ist also für die Mumien-Äußerungen (Schreien, Zischen usw.) verantwortlich. Bargeld war auch in Werbespots für die Baumarktkette Hornbach tätig. 1990 führte er zusammen mit Wolfgang Rindfleisch Regie für das Hörspiel Hamletmaschine, basierend auf Heiner Müllers Stück Die Hamletmaschine, mit Regieanweisungen gesprochen von Heiner Müller, Ophelia: Gudrun Gut, Musik: Einstürzende Neubauten (Bargeld, Einheit, Unruh, Hacke, Chung).

Bargeld war an Theaterprojekten von Heiner Müller, Werner Schwab und Peter Zadek beteiligt. Seit Mitte der 1990er Jahre tritt Bargeld auch als Solokünstler mit den so genannten Rede/Speech Performances live auf. Dabei wird er oft vom Tonmeister Boris Wilsdorf technisch unterstützt. 2000 erarbeitete er zusammen mit Oliver Augst die Bühnenkompositionen zu Rosa Melonen Schnitt Freude nach Texten von Gertrude Stein und Rom, Blicke von Rolf Dieter Brinkmann, die sie auch gemeinsam live international aufführten. 2001 wirkte er als Sprecher an der Hörspielfassung von Michel Houellebecqs Roman Elementarteilchen mit und steuerte in gemeinschaftlicher Arbeit mit dem Komponisten Jan Tilman Schade die Musik bei. 2005 inszenierte er für die Salzburger Festspiele Warten auf die Barbaren von J. M. Coetzee.

Bargeld war 30 Jahre lang bekennender Vegetarier, bis er seiner Frau zuliebe wieder mit dem Fleischessen anfing. Er ist mit der Mathematikerin Erin Zhu verheiratet, das Paar hat einen Sohn. Eigenen Aussagen zufolge verwendet Bargeld seinen bürgerlichen Namen nicht mehr und wird selbst von seiner Mutter mit dem Künstlernamen Blixa angeredet. Er lebt heute hauptsächlich in Berlin und zeitweise in San Francisco. Im Film Tod den Hippies!! Es lebe der Punk (2015) wird er von Alexander Scheer dargestellt. 2016 und 2017 wurde Bargeld jeweils mit einem Preis für Popkultur für seine Mitwirkung bei Lang lebe der Tod (Casper) in den Kategorien „Lieblingslied“ und „Lieblingsvideo“ ausgezeichnet. 2024 beteiligt sich Bargeld als Komponist und Solist maßgeblich an dem Musiktheater-Projekt „Flammenwerfer“ über das Leben des Ausnahmekünstlers Carl Fredrik Hill. Inszenierung und Produktion durch „Hotel Pro Forma“, Mitwirkende unter anderem die namhafte dänische Vocal-Jazzgruppe IKI. Solowerke Recycled (CD), 2000, zusammen mit dem Tim Isfort Orchester Commissioned Music (CD), 1995 Rede/Speech (DVD), 2005 Blixa Bargeld liest Bertolt Brecht: Erotische Gedichte (CD), 2006 anbb: Mimikry (CD), 2010, Zusammenarbeit mit Alva Noto Still smiling (CD), 2013, mit Teho Teardo Spring (EP), 2014, mit Teho Teardo Nerissimo (CD/LP), 2016, mit Teho Teardo Fall (EP), 2017, mit Teho Teardo Live In Berlin (CD/LP), 2023, mit Teho Teardo Christian & Mauro (CD/LP) 2024, mit Teho Teardo

Nick Cave & The Bad Seeds - The Weeping Song

https://www.youtube.com/watch?v=TqhOVY58zIo "The Weeping Song" is a song by the Australian rock band Nick Cave and the Bad Seeds. It was released as a single from their sixth studio album, The Good Son (1990), on 17 September 1990 by Mute Records. The lyrics take the form of a dialogue between father and son, who alternate lines during the verses while singing together on the choruses. The father's part is sung by Blixa Bargeld of Einstürzende Neubauten, while Cave performs the son's part. Cave recalled the song "came out of nowhere with very little thought", one day while he lived in Brazil and walked from his home to a nearby bar he frequented. Personnel Nick Cave and the Bad Seeds Nick Cave – lead vocals; piano Blixa Bargeld – lead vocals; guitar Mick Harvey – bass guitar; vibraphone; shaker Kid Congo Powers – guitar Thomas Wydler – drums Read the full article

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The Library Of Easy Piano Classics, Vol.1 & 2

The Library Of Easy Piano Classics, Vol.1:Best Sheet Music download from our Library.The Library Of Easy Piano Classics, Vol.2:Please, subscribe to our Library. Thank you!

The Library Of Easy Piano Classics, Vol.1:

Contents: The Library Of Easy Piano Classics, Vol.1Download - Butterfly - Rameau: Le Tambourin - Georg Friedrich Händel: Air And Variations - Georg Friedrich Händel: Air - Scriabin: Album Leaf - Wolfgang Amadeus Mozart: Alla Turca Turkish March - Edvard Grieg: Anitra'S Dance Peer Gynt Suite Op.46 No.1 - Ludwig van Beethoven: Bagatelle - Jacques Offenbach: Barcarolle Les Contes D'Hoffmann - Pyotr Ilyich Tchaikovsky: Capriccio Italienne Op.45 - Claude Debussy: Deux Arabesques - Ludwig van Beethoven: Ecossaise - Frédéric Chopin: Fantasie Impromptu - Wolfgang Amadeus Mozart: Fantasy In D Minor - Johann Sebastian Bach: Four Pieces From The Little Notebook - Ludwig van Beethoven: Fur Elise Bagatelle In A Minor Woo 59 - Franz Joseph Haydn: Gipsy Rondo - Claude Debussy: Golliwogg'S Cakewalk - Dmitri Kabalevsky: Having Fun - Edvard Grieg: Humerosque - Antonin Dvorák: Humoresque - Johannes Brahms: Hungarian Dance - Franz Liszt: Hungarian Rhapsody No.1 - Claude Debussy: La Fille Aux Cheveux De Lin - Georg Friedrich Händel: Largo - Louis-Claude Daquin: Le Coucou - Franz Liszt: Liebestraum - Isaac Albéniz: Malaguena - Franz Schubert: March Militaire - Frédéric Chopin: Mazurka In B Flat - Claude Debussy: Minstrels - Minuet Blavet - Ludwig van Beethoven: Minuet In G - Franz Schubert: Moment Musicale Op.94 No.3 - Ludwig van Beethoven: Moonlight Sonata Op.27 No.2 - Fauré: Nocturne - Nocturne In E Flat Op.9 No.2 - Frédéric Chopin: Nocturne Op. 72 No. 1 - Sergei Prokofiev: Peter And The Wolf - Zdenek Fibich: Poem - Dimitri Shostakovich: Polka - Bach: Prelude And Fugue Book 1. No 2 - Bach: Prelude And Fugue Book 2 No. 12 - Frédéric Chopin: Prelude In A Op.28 No.7 - Frédéric Chopin: Prelude In B Minor Op.28 No.6 - Sergei Rachmaninov: Prelude - Bach: Prlude No. 1 - Rondinio Field - Ludwig van Beethoven: Rondo A Capriccio In G Op.129 - Hummel: Rondo - Wolfgang Amadeus Mozart: Rondo In D - Aram Il'yich Khachaturian: Saber Dance - Franz Schubert: Serenade - Ludwig van Beethoven: Six Variations - Franz Joseph Haydn: Sonata In D Major - Wolfgang Amadeus Mozart: Sonata K 543 - Sonate Au Clair De Lune Moonlight Sonata - Nicolay Rimsky-Korsakov: Song Of India Sadko - Isaac Albéniz: Tango - Johann Strauss Jr.: The Blue Danube Waltz Op.314 - Scott Joplin: The Cascades - Franck: The Doll's Complaint - Robert Schumann: The Happy Farmer Op.68 No.10 Album For The Young - Claude Debussy: The Little Negro - Anatol Lyadov: The Music Box - Edward MacDowell: To A Wild Rose Woodland Sketches Op.51 - Traumerei Kinderscenen Op.15 No.7 - Erik Satie: Trois Gnossiennes - Frédéric Chopin: Valse - Johannes Brahms: Waltz In A Flat Op.39 No.15 - Frédéric Chopin: Waltz In C Sharp Minor Op.64 No.2 - Carl Maria von Weber: Waltz

The Library Of Easy Piano Classics, Vol.2:

Contents: The Library Of Easy Piano Classics Vol 2Download - 1812 Overture op49 (Tschaikowsky, Peter Iljitsch) - Air (Bach, Wilhelm Friedemann) - Allegretto Scherzando (Bach, Carl Philipp Emanuel) - American The Beautiful (Ward, Samuel A.) - Anitra's Dance (Peer Gynt Suite op46,1) (Grieg, Edvard) - Aria (Verdi, Giuseppe) - Arietta - Prelude No1 In C From The Well-tempered Clavier (Js, Bach) - Ave Verum Corpus K.618 - Allegretto Scherzando (Cpe Bach) - Air (Wf Bach) - Bell Song From Lakme - Minuet In G - Sympathy No7 - Sympathy No 7 - Sympathy No3 'Eroica' - Sympathy No 6 'Pastoral' - Theme From Variations On A Theme From Paisello's La Molinara - Piano Concerto No4 - Ecossaises - Minuet Op 49 No 2 - Farandolce From L'Arlesienne Suite No2 - Hungarian Dance No 4 - Hungarian Dance No 6 - Lullaby - Waltz - Prelude Op 28 No 4 - Gavotte - Waltz Op 18 - Waltz Op 34 No 1 - Waltz Op 64 No 2 - Waltz Op 69 No 2 - Nocturne Op 9 No 2 - Polonaise Op 40 No 1 - Polonaise Op 53 - Fantasy Impromptu Op 66 - Funeral March From Sonata - Sonatina - Reverie - Bell Song From Lakme - Pizzicati From Sylvia - Slavonic Dance No 10 - Melody - Jeanie With The Light Brown Hair (Foster) - Mighty Lak A Rose (Nevin) - Entry Of The Gladiators - Waltz Fromfaust - Anitras Dance From Peer Gynt - Minuet - Piano Concerto - Bouree - Gavotte - Minuet No 1 - Bouree From Music Of The Royal Fireworks - German Dance - Saint Anthony Chorale - Gypsy Love Song (Herbert) - My Herat At Thy Sweet Voice (Samson And Delilah) - Danube Waves - Parade Of The Tin Soldiers - Maple Leaf Rag (Joplin) - Over The Waves - Parade Of The Tin Soldiers - Four Scottish Dances - Les Preludes - Fascination - Nocturne - Fingal's Cave (Mendelsshon) - Theme - Piano Concerto In C - Minuet From Don Giovanni - Minuet In F - Minuet - Ave Verum - Romance From Eine Kleine Nachtmusik - Rondo - Romance From Piano Concerto No 20 - Arietta - Menuetto - Sailor's Dance (Dido And Aeneas) - Mighty Lak A Rose (Nevin) - Caprice No 24 - The Whistler And His Dog - Themes From Madame Butterfly - Solvejg's Song - Sailors Dance - Rondeau - Minuet - Over The Waves - My Heart At Thy Sweet Voice (Saint Saens) - Minuet (Scarlatti) - Sympathy No 7 - Trout Quintet - Impromptu - Moment Musicale - Sympathy No 9 - Piano Trio In E Flat - The Happy Farmer - Blindmans Buff - Melody - Slumber Song - Traumerei - Canon (Sciabin) - The Stars And Stripes Foreveer - The Washington Post - Emperor Waltz - Tritsch Tratsch Polka - Vienna Blood - Wine Women And Song - I Am The Very Model Of A Modern Major General (Sullivan) - Themes From Madame Butterfly - Morning Prayer - Waltz - Waltz In E Flat - Tritsch Tratsch Polka - Sympathy No 5 - Sympathy No 6 - March From The Nutcracker - Waltz Of The Flower - 1812 Overture - Chanson Triste - Battle Hymn Of The Republic (Traditional American Hymn) - Waltz (Schlubert) - Waltz In A Flat Op.34 No.1 - Red River Valley (Traditional American Song) - Waltz In C Sharp Minor Op.64 No.2 - Chicken Reel (Traditional American Fiddle Tune) - Waltz In E Flat - Good King Wenceslas (Traditional English Carol) - Prayer Of Thanksgiving (Traditional Netherlands Hymn) - Auldlang Syne (Traditional Scottish Air) - Aria - Evening Star - Wine Women And Song - The Band Played On - American The Beautiful Read the full article

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Pat Martino - Days of Wine and Roses

Pat Martino - Days of Wine and RosesBest Sheet Music download from our Library.Please, subscribe to our Library. Thank you!

Pat Martino - Days of Wine and Roses

https://www.youtube.com/watch?v=YgwstDUSzJI&list=PLXcR-9ox4wSV9suMcKt2XrYmfVlL8LCcS&index=7 From the album "Exit". Read the full article

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Barcarole Les contes d'Hoffmann Offenbach Piano Solo sheet music

Barcarole Les contes d'Hoffmann Offenbach Piano Solo sheet music, Noten, spartiti, partition, 楽譜

https://youtu.be/r42Mr7nPAlI?si=aGVYM6CO8mT5Racl

About Jacques Offenbach

Jacques Offenbach (20 June 1819 – 5 October 1880) was a German-born French composer, cellist, and impresario. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Franz von Suppé, Johann Strauss II and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. The Tales of Hoffmann remain part of the standard opera repertory. Born in Cologne, Kingdom of Prussia, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire; he found academic study unfulfilling and left after a year, but remained in Paris. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical theater. Finding the management of Paris's Opéra-Comique company uninterested in staging his works, in 1855 he leased a small theater in the Champs-Élysées. There, during the next three years, he presented a series of more than two dozen of his own small-scale pieces, many of which became popular. In 1858 Offenbach produced his first full-length operetta, Orphée aux enfers ("Orpheus in the Underworld"), with its celebrated can-can; the work was exceptionally well received and has remained his most played. During the 1860s, he produced at least eighteen full-length operettas, as well as more one-act pieces. His works from this period include La belle Hélène (1864), La Vie parisienne (1866), La Grande-Duchesse de Gérolstein (1867) and La Périchole (1868). The risqué humor (often about sexual intrigue) and mostly gentle satiric barbs in these pieces, together with Offenbach's facility for melody, made them internationally known, and translated versions were successful in Vienna, London, elsewhere in Europe and in the US.

Offenbach became associated with the Second French Empire of Napoleon III: the emperor and his court were genially satirized in many of Offenbach's operettas, and Napoleon personally granted him French citizenship and the Légion d'honneur. With the outbreak of the Franco-Prussian War in 1870, and the fall of the empire, Offenbach found himself out of favor in Paris because of his imperial connections and his German birth. He remained successful in Vienna, London, and New York. He re-established himself in Paris during the 1870s, with revivals of some of his earlier favorites and a series of new works, and undertook a popular US tour. In his last years he strove to finish The Tales of Hoffmann, but died before the premiere of the opera, which has entered the standard repertory in versions completed or edited by other musicians.

The Tales of Hoffmann

The Tales of Hoffmann (French: Les contes d'Hoffmann) is an opéra fantastique by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Belle nuit, ô nuit d'amour "Belle nuit, ô nuit d'amour" ("Beautiful Night, Oh Night of Love" in French, often referred to as the "Barcarolle") is a piece from The Tales of Hoffmann (1881), Jacques Offenbach's final opera. A duet for soprano and mezzo-soprano, it is considered the most famous barcarolle ever written and described in the Grove Book of Operas as "one of the world's most popular melodies." The text, concerning the beauty of the night and of love, is by Jules Barbier. The Barcarolle does not originate in The Tales of Hoffmann; it was written in 1864 for Offenbach's Die Rheinnixen, where it is sung as "Komm' zu uns" by the chorus of elves in the third act. In Hoffmann, it appeared in the version of 1881; although the third act was cut at the premiere, the location of the second act (Antonia) was changed from Munich to Venice in order to retain the duet, which was sung by offstage chorus and soloists rather than characters. Read the full article

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Craig Armstrong sheet music

Craig Armstrong sheet musicBest Sheet Music download from our Library.Please, subscribe to our Library.Browse in the Library:Craig Armstrong: The Maestro of Modern Film CompositionCraig Armstrong - Piano Works (The Complete Film)

Craig Armstrong sheet music

Craig Armstrong Piano WorksDownload

Craig Armstrong: The Maestro of Modern Film Composition

Craig Armstrong is one of the most influential contemporary composers, known for his lush orchestral arrangements, electronic textures, and emotionally charged film scores. His work spans classical, electronic, and film music, blending genres to create a signature sound that has defined some of cinema’s most memorable moments. From collaborations with Baz Luhrmann (Moulin Rouge!, Romeo + Juliet) to his haunting score for The Great Gatsby (2013), Armstrong’s music transcends boundaries. This in-depth article explores: - Biography (early life, education, career) - Musical Style & Techniques (harmony, instrumentation, recurring motifs) - Influences & Inspirations - Legacy & Impact on Film Music - Major Works & Filmography - Discography & Key Albums - Documentaries & Video Links 1. Biography Early Life & Education Born on April 29, 1959, in Glasgow, Scotland, Craig Armstrong showed an early affinity for music. He studied composition and piano at the Royal Academy of Music in London, where he honed his classical training. Later, he attended the University of Glasgow, immersing himself in both traditional and experimental music. Career Beginnings Armstrong’s early career involved collaborations with pop and electronic artists, including: - Massive Attack (contributing to Blue Lines and Protection) - Madonna (orchestral arrangements for Bedtime Stories) - U2 (string arrangements for "Stay (Faraway, So Close!)") His ability to merge classical orchestration with modern production made him a sought-after arranger.

Breakthrough in Film Music Armstrong’s film career took off with Baz Luhrmann’s Romeo + Juliet (1996), where his reworking of "Balcony Scene" and "O Verona" showcased his gift for blending Shakespearean drama with contemporary soundscapes. This led to further collaborations with Luhrmann, including Moulin Rouge! (2001) and The Great Gatsby (2013). 2. Musical Style & Techniques Harmony & Chord Progressions Armstrong’s music often features: - Lush, Romantic Harmonies – Extended chords (9ths, 11ths) reminiscent of Debussy and Ravel. - Modal Interchange – Shifting between major and minor for emotional contrast (e.g., "Glasgow Love Theme" from Love Actually). - Minimalist Repetition – Simple motifs developed into grand crescendos ("Escape" from Plunkett & Macleane). Instrumentation & Textures - Orchestral Sweep – Full symphony arrangements with heavy use of strings and brass. - Electronic Fusion – Synth pads, trip-hop beats (influenced by his work with Massive Attack). - Piano as a Narrative Device – His solo piano pieces ("Weather Storm") are deeply introspective. Signature Licks & Motifs - Suspended Resolutions – Delayed cadences creating tension ("Balcony Scene"). - Leitmotifs – Recurring themes tied to characters (e.g., Satine’s theme in Moulin Rouge!). 3. Influences & Inspirations Armstrong’s style draws from: - Classical: Arvo Pärt, Henryk Górecki, Samuel Barber - Film Composers: Ennio Morricone, John Barry, Bernard Herrmann - Electronic/Trip-Hop: Massive Attack, Portishead - Pop/Rock: The Beatles, David Bowie 4. Legacy & Impact - Bridging Classical and Modern Music – Armstrong helped legitimize electronic elements in orchestral film scoring. - Influence on Contemporary Composers – Artists like Ólafur Arnalds and Nils Frahm cite his work. - Awards & Recognition: - BAFTA for Moulin Rouge! (2001) - Golden Globe for The Great Gatsby (2013) - Ivor Novello Award for Outstanding Contribution to British Music

5. Major Works & Filmography Notable Film Scores YearFilmDirectorKey Tracks1996Romeo + JulietBaz Luhrmann"Balcony Scene," "O Verona"2001Moulin Rouge!Baz Luhrmann"Come What May," "El Tango de Roxanne"2003Love ActuallyRichard Curtis"Glasgow Love Theme"2013The Great GatsbyBaz Luhrmann"Together," "Young and Beautiful" (co-wrote with Lana Del Rey)2019The Silent StormCorinna McFarlane"The Storm" Collaborations with Pop Artists - Madonna – Orchestration on Bedtime Stories (1994) - U2 – String arrangements for "Stay (Faraway, So Close!)" - Lana Del Rey – Co-wrote "Young and Beautiful" for The Great Gatsby 6. Discography Solo Albums - The Space Between Us (1998) – Featuring "Weather Storm," "This Love" - As If to Nothing (2002) – "Ruthless Gravity," "Wake Up in New York" - Memory Takes My Hand (2008) – "Hymn 2," "Piano & Cello" - It’s Nearly Tomorrow (2014) – "Glasgow," "Sun on You" Film Soundtracks (Select) - Plunkett & Macleane (1999) - Orphans (1998) - World Trade Center (2006) 7. Documentaries & Video Links Documentaries & Interviews - "The Making of Moulin Rouge!" (2001) - "Craig Armstrong: Composing for Film" (BBC, 2013) - Craig Armstrong - Piano Works (The Complete Film) - Please, watch it here below. Key Compositions (YouTube Links) - Glasgow Love Theme (Love Actually) - Balcony Scene (Romeo + Juliet) - Weather Storm (The Space Between Us) - Together (The Great Gatsby) Craig Armstrong’s music is a bridge between classical grandeur and contemporary innovation. His ability to evoke deep emotion through orchestral-electronic fusion has left an indelible mark on film and modern composition. Whether through the tragic romance of Romeo + Juliet or the jazzy decadence of The Great Gatsby, Armstrong’s work remains timeless. For further listening: Explore his solo albums and film scores—each reveals new layers of his genius.

Craig Armstrong - Piano Works (The Complete Film)

https://www.youtube.com/watch?v=_O2Pgk0-Fps To accompany his 2004 album Piano Works, Craig Armstrong travelled to Paris cinema Studio Éclair, home to the New Wave of French film and a place where artistic history was made. Gradually, Armstrong enters into a reverie of his own creation as he plays original compositions and piano arrangements of much-loved tracks such as Weather Storm and Satine’s Theme. Craig Armstrong’s influences; the sea, the city streets, natural images and the rooftops of Paris are woven into the hour-long performance. Piano Works: The Film was directed by David Barnard and edited by Phil Richardson. The sound producer was Geoff Foster, director of photography Brett Turnbull and producer Jacqui Edenbrow. Sanctuary Records / Universal Records Read the full article

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Happy birthday, Bono (U2), born on this day in 1960!

Happy birthday, Bono (U2, Paul David Hewson), born on this day in 1960!Best Sheet Music download from our Library.Please, subscribe to our Library.Browse in the Library:Bono (Paul David Hewson): A Biography of U2’s Iconic FrontmanBono and U2: A Comprehensive Exploration of Their Biography, Music, and Legacy

Happy birthday, Bono (U2, Paul David Hewson), born on this day in 1960!

Bono (Paul David Hewson): A Biography of U2’s Iconic Frontman

"The best music is essentially there to provide you something to face the world with." — Bono Early Life and Background Paul David Hewson, known worldwide as Bono, was born on May 10, 1960, in Dublin, Ireland. He was raised in a working-class, mixed-religion household—his mother, Iris Rankin Hewson, was Protestant, and his father, Brendan Robert "Bob" Hewson, was Catholic. This dual heritage would later influence his views on unity and reconciliation. Bono’s childhood was marked by tragedy when his mother died suddenly of a brain aneurysm when he was just 14 years old. This loss deeply affected him and would later surface in his songwriting ("I Will Follow" from U2’s debut album is a tribute to her). As a teenager, Bono attended Mount Temple Comprehensive School, where he met his future wife, Ali Hewson (née Alison Stewart), and his U2 bandmates.

The Birth of U2 and Early Career In 1976, drummer Larry Mullen Jr. posted a notice at school seeking musicians for a band. Bono (then still Paul Hewson), guitarist The Edge (David Evans), bassist Adam Clayton, and Mullen formed a group originally called "Feedback", later renamed "The Hype", before settling on U2 in 1978. Bono earned his nickname from a friend who thought "Bono Vox" (Latin for "good voice") suited his vocal abilities—though he initially disliked it. His early stage presence was raw and unpolished, but his charisma and passion quickly made him the band’s focal point. U2 signed with Island Records in 1980 and released their debut album, Boy, that same year. Songs like "I Will Follow" showcased Bono’s emotive voice and poetic lyrics, setting the stage for their rise. Rise to Global Stardom The 1980s saw U2 evolve from post-punk newcomers to one of the biggest bands in the world. Albums like: - War (1983) – Featuring "Sunday Bloody Sunday" and "New Year’s Day", reflecting political turmoil. - The Unforgettable Fire (1984) – Introducing atmospheric sounds with "Pride (In the Name of Love)", a tribute to Martin Luther King Jr. - The Joshua Tree (1987) – A masterpiece blending American roots music with anthemic rock, including "With or Without You" and "Where the Streets Have No Name." Bono’s lyrics often explored faith, love, and social justice, making U2’s music both personal and universal. His dynamic stage presence—running into crowds, climbing scaffolding—made their concerts legendary. The 1990s: Reinvention and Experimentation In the 1990s, U2 radically shifted their sound with Achtung Baby (1991), embracing electronic and industrial influences. Bono adopted alter egos like "The Fly" (a leather-clad, sunglasses-wearing rock star parody) during the Zoo TV Tour, satirizing fame and media obsession. Despite the irony, Bono remained deeply engaged in activism, particularly in human rights and debt relief for developing nations. Bono the Activist: Beyond Music Bono’s humanitarian work is as defining as his music. Key efforts include: - ONE Campaign (2004) – Fighting extreme poverty and preventable disease. - (RED) (2006) – Raising funds for HIV/AIDS programs. - Debt relief advocacy – Successfully lobbying world leaders to cancel billions in African debt. His activism earned him Nobel Peace Prize nominations, a knighthood (2007, honorary British knighthood), and meetings with global leaders like Nelson Mandela, Pope John Paul II, and Barack Obama. Personal Life and Legacy Bono married Ali Hewson in 1982, and they have four children (Jordan, Elijah, John, and Eve). Despite fame, they’ve maintained a relatively private family life in Ireland. Though sometimes criticized for tax arrangements (U2 moved part of their business to the Netherlands) and perceived self-righteousness, Bono remains one of music’s most respected figures. Later Career and U2’s Continued Success In the 2000s–2020s, U2 released: - All That You Can’t Leave Behind (2000) – A return to rock anthems ("Beautiful Day"). - How to Dismantle an Atomic Bomb (2004) – Featuring "Vertigo" and "Sometimes You Can’t Make It On Your Own" (a tribute to his late father). - Songs of Innocence (2014) – A free iTunes release that sparked debate. - Songs of Experience (2017) – Reflecting on mortality and legacy. Bono also ventured into film scoring ("Mandela: Long Walk to Freedom") and broadway ("Spider-Man: Turn Off the Dark"). Bono and U2: The Voice of a Generation Bono’s journey—from a Dublin teenager grieving his mother to a global rock star and activist—is unparalleled. His voice, lyrics, and relentless idealism have made him one of music’s most enduring figures. Whether through anthems of love, protest, or faith, Bono remains a defining artist of his era. Key Quotes from Bono: - "Music can change the world because it can change people." - "As a rock star, I have two instincts: I want to have fun, and I want to change the world. I have a chance to do both." Further Reading/Watching: - Documentary: "Bono & The Edge: A Sort of Homecoming" (Disney+) - Autobiography: "Surrender: 40 Songs, One Story" (2022) Bono’s legacy is not just in U2’s music but in his unwavering belief that art and activism can make a difference.

Bono and U2: A Comprehensive Exploration of Their Biography, Music, and Legacy

U2 is one of the most influential rock bands in history, known for their anthemic sound, socially conscious lyrics, and electrifying live performances. At the heart of the band is Bono (Paul David Hewson), the charismatic frontman whose powerful voice and passionate activism have made him a global icon. Since their formation in Dublin in 1976, U2 has sold over 170 million records worldwide, won 22 Grammy Awards, and been inducted into the Rock & Roll Hall of Fame. This article delves into the band’s biography, musical style, signature licks and harmonies, influences, legacy, filmography, and discography, along with links to essential documentaries and performances. Biography: The Formation and Rise of U2 Early Years (1976–1980) U2 was formed in 1976 when four Dublin teenagers—Bono (vocals), The Edge (guitar, keyboards, vocals), Adam Clayton (bass), and Larry Mullen Jr. (drums)—responded to a school notice posted by Mullen seeking musicians. Originally called "Feedback" and later "The Hype," they settled on the name U2, inspired by the American U-2 spy plane and its connotations of ambiguity and intrigue. Their early sound was rooted in post-punk, influenced by bands like The Clash, Joy Division, and Patti Smith. After winning a talent contest in 1978, they signed with CBS Ireland and later with Island Records, releasing their debut album, Boy (1980), produced by Steve Lillywhite. Songs like "I Will Follow" showcased their raw energy and emotional depth. Breakthrough and Global Stardom (1981–1990) The 1980s solidified U2’s place in rock history. Their second album, October (1981), explored spiritual themes, while War (1983) delivered politically charged anthems like "Sunday Bloody Sunday" and "New Year’s Day." The live album Under a Blood Red Sky (1983) and the documentary "U2 Live at Red Rocks" captured their electrifying stage presence. Their fourth album, The Unforgettable Fire (1984), marked a shift toward atmospheric production with Brian Eno and Daniel Lanois, yielding classics like "Pride (In the Name of Love)." The monumental The Joshua Tree (1987) propelled them to superstardom, blending American roots music with expansive rock. Hits like "With or Without You," "Where the Streets Have No Name," and "I Still Haven’t Found What I’m Looking For" became timeless anthems. The subsequent Rattle and Hum (1988) film and album documented their exploration of blues and gospel. Experimentation and Reinvention (1991–2000) In the 1990s, U2 reinvented themselves with Achtung Baby (1991), embracing electronic and industrial influences. Produced by Eno and Lanois, the album featured "One," "Mysterious Ways," and "The Fly." The Zoo TV Tour (1992–1993) was a multimedia spectacle, satirizing celebrity culture. They continued experimenting with Zooropa (1993) and Pop (1997), incorporating techno and dance elements. Though Pop was initially divisive, its accompanying PopMart Tour was a visual extravaganza. Return to Rock and Activism (2000–Present) The 2000s saw U2 return to a more straightforward rock sound with All That You Can’t Leave Behind (2000), featuring "Beautiful Day" and "Walk On." How to Dismantle an Atomic Bomb (2004) included "Vertigo" and "Sometimes You Can’t Make It on Your Own." Their later albums—No Line on the Horizon (2009), Songs of Innocence (2014), and Songs of Experience (2017)—explored personal and political themes. Despite controversies (like the automatic iTunes release of Songs of Innocence), U2 remained a dominant live act, with groundbreaking tours like 360° (2009–2011), the highest-grossing tour ever at the time. Musical Style: Licks, Harmonies, and Innovations Signature Guitar Licks and The Edge’s Technique The Edge is renowned for his minimalist, delay-heavy guitar style. Instead of fast solos, he uses: - Echo and Delay Effects (e.g., "Where the Streets Have No Name," "Bad") - Arpeggiated Chords (e.g., "With or Without You") - Driving Riffs (e.g., "Vertigo," "Desire") His use of the Infinite Guitar (a sustain-enhancing technique) on "With or Without You" is iconic. Harmonic and Lyrical Themes U2’s music often features: - Open, Delayed Harmonies (e.g., "The Unforgettable Fire") - Gospel and Blues Influences (e.g., "I Still Haven’t Found What I’m Looking For") - Political and Spiritual Lyrics (e.g., "Sunday Bloody Sunday," "One") Bono’s voice ranges from intimate whispers ("All I Want Is You") to soaring cries ("Pride"). Influences and Legacy Musical Influences U2’s sound draws from: - Post-Punk (Joy Division, The Clash) - Classic Rock (The Beatles, Led Zeppelin) - Gospel and Soul (Bob Dylan, Marvin Gaye) - Electronic (Kraftwerk, David Bowie) Impact on Music and Culture U2 influenced bands like Coldplay, Radiohead, and The Killers. Their activism—addressing AIDS, poverty (via ONE Campaign), and human rights—has made them more than a band, but a cultural force. Filmography and Documentaries U2’s visual works include: - Rattle and Hum (1988) – A mix of live performances and studio recordings. - U2 3D (2008) – A groundbreaking 3D concert film. - From the Sky Down (2011) – A documentary on Achtung Baby. - Invisible (2014) – A short film for their Songs of Innocence single. Recommended Documentaries: - "U2: A Year in Pop" (1997) – Covers the Pop era. - "U2: The Joshua Tree – Classic Albums" (1999) – Behind-the-scenes of their masterpiece. Discography: Essential Albums - Boy (1980) – Raw post-punk energy. - War (1983) – Political anthems. - The Unforgettable Fire (1984) – Atmospheric rock. - The Joshua Tree (1987) – Their magnum opus. - Achtung Baby (1991) – Dark, electronic reinvention. - All That You Can’t Leave Behind (2000) – Return to form. - How to Dismantle an Atomic Bomb (2004) – Rock-driven anthems. Must-Watch Performances and Videos - Where the Streets Have No Name (Live at Slane Castle) - One (Official Video) - With or Without You (Live) - Sunday Bloody Sunday (Live at Red Rocks) U2’s journey from Dublin schoolboys to global rock legends is a testament to their innovation, resilience, and emotional resonance. Bono’s impassioned vocals, The Edge’s shimmering guitar, Clayton’s steady bass, and Mullen’s powerhouse drums create a sound that is both intimate and universal. Their music continues to inspire, proving that rock ‘n’ roll can be both art and activism. Whether through anthems of love, protest, or spiritual yearning, U2 remains one of the greatest bands of all time. Read the full article

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Contemporary Movie Hits Intermediate 6 Piano Solos

Contemporary Movie Hits Intermediate 6 Piano Solos arr. by Carol Klose, Jennifer Linn and Wendy Stevens.Best Sheet Music download from our Library.Please, subscribe to our Library.Browse in the Library:Jarrod Radnich - Pirates of the Caribbean Medley

Contemporary Movie Hits Intermediate 6 Piano Solos arr. by Carol Klose, Jennifer Linn and Wendy Stevens.

Contemporary Movie Hits Intermediate Piano Solos arr. by Carol Klose, Jennifer Linn and Wendy StevensDownload Six blockbuster movie favorites arranged for intermediate-level piano solo: - Bella's Lullaby * Breaking Free * Dawn * Georgiana * He's a Pirate * That's How You Know.

Jarrod Radnich - Pirates of the Caribbean Medley

https://www.youtube.com/watch?v=n4JD-3-UAzM Read the full article

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Andrew Lloyd Webber Memory from Cats Piano Solo sheet music

Andrew Lloyd Webber Memory from Cats Piano Solo sheet music, Noten, partitura spartiti partition, 楽譜Best Sheet Music download from our Library.Andrew Lloyd WebberBrowse in the Library:Lloyd Webber's CATS'Memory' Elaine Paige | Cats The Musical - Royal Albert Hall Celebration

Andrew Lloyd Webber Memory from Cats Piano Solo sheet music, Noten, partitura spartiti partition, 楽譜

https://youtu.be/47GgJs25xpk?si=AuDz0SkSyT7pqMUq

Andrew Lloyd Webber

Andrew Lloyd Webber is one of the most celebrated and influential composers in musical theater history. Born on March 22, 1948, in London, England, he has created some of the most iconic and successful musicals of all time, earning numerous awards, including Tony Awards, Olivier Awards, Grammy Awards, and even an Academy Award. Early Life and Education Lloyd Webber showed an early talent for music, studying at Magdalen College School in Oxford and later at the Royal College of Music. His father was a composer and organist, and his mother was a piano teacher, which greatly influenced his musical upbringing. Major Works & Career Highlights Lloyd Webber’s career took off in the late 1960s when he began collaborating with lyricist Tim Rice. Together, they created groundbreaking musicals such as: - "Joseph and the Amazing Technicolor Dreamcoat" (1968) – A pop-oratorio turned full-scale musical. - "Jesus Christ Superstar" (1970) – A rock opera that became a global phenomenon. - "Evita" (1976) – Featuring the famous song "Don’t Cry for Me, Argentina." In the 1980s and beyond, Lloyd Webber solidified his status as a musical theatre legend with: - "Cats" (1981) – Based on T.S. Eliot’s poetry, featuring "Memory," one of the most famous songs in musical theatre. - "The Phantom of the Opera" (1986) – The longest-running Broadway show in history until "Chicago" surpassed it in 2023. - "Sunset Boulevard" (1993) – A dramatic adaptation of the classic film. - "School of Rock" (2015) – A more recent hit based on the Jack Black movie. Awards & Achievements - Knighted in 1992 and later made a Life Peer (Baron Lloyd-Webber) in 1997. - Won an Academy Award for Best Original Song ("You Must Love Me" from Evita). - Multiple Tony Awards, including Best Musical for "Evita," "Cats," and "The Phantom of the Opera." - His musicals have been performed worldwide, grossing billions and becoming cultural landmarks. Personal Life & Legacy Lloyd Webber has been married four times and has five children. He is also known for his philanthropy, particularly in supporting arts education and theater preservation. His influence on musical theater is immeasurable, blending classical, rock, and pop styles to create emotionally powerful and commercially successful shows. Even today, his works continue to be revived and adapted, proving their timeless appeal.

Lloyd Webber's CATS

Certainly! "Cats" is one of Andrew Lloyd Webber's most iconic and revolutionary musicals, blending poetry, music, and avant-garde theatricality into a global phenomenon. Origins & Concept - Based on: "Old Possum’s Book of Practical Cats" (1939), a collection of whimsical poems by T.S. Eliot. - Inspiration: Lloyd Webber was fascinated by Eliot’s playful yet mysterious cat characters and set them to music. - Collaborators: - Trevor Nunn (director) helped shape the narrative. - Gillian Lynne created the groundbreaking choreography. - Cameron Mackintosh co-produced the show. Premiere & Success - First Performance: May 11, 1981, at the New London Theatre (West End). - Broadway Debut: October 7, 1982, at the Winter Garden Theatre, running for 18 years (7,485 performances). - Original Cast: Included Elaine Paige (Grizabella) and Wayne Sleep (Mr. Mistoffelees). - Legacy: - Became the longest-running musical in West End history (until overtaken by Les Misérables in 2006). - Won Olivier and Tony Awards for Best Musical. The Music & Key Songs - Style: A mix of jazz, pop, classical, and rock influences. - Most Famous Song: - "Memory" (sung by Grizabella) – one of the most covered songs in musical theater history. Originally performed by Elaine Paige and later by Barbra Streisand, Barry Manilow, and many others. - Other Notable Songs: - "The Rum Tum Tugger" (rebellious cat) - "Macavity: The Mystery Cat" (villainous number) - "Mr. Mistoffelees" (magical, upbeat dance number) Theatrical Innovations - Costumes & Makeup: - Actors wore tight unitards with fur patterns, elaborate makeup, and wigs to resemble cats. - Designed by John Napier, the look was revolutionary for its time. - Stage Design: - The theater was transformed into a giant junkyard, with the audience seated "inside" the cats' world. - Actors often interacted directly with the audience, breaking the fourth wall. - Dance-Driven: - Unlike traditional book musicals, Cats relied heavily on movement and choreography to tell its story. Controversies & Challenges - Plot Criticism: Some found it too abstract since it lacks a traditional storyline. - 2019 Film Adaptation: - Starring Taylor Swift, Judi Dench, Ian McKellen, and Jennifer Hudson (as Grizabella). - Used CGI fur effects, which were widely criticized as unsettling (“uncanny valley”). - Flopped at the box office but gained a cult following. Cultural Impact - Global Reach: Translated into 15+ languages, performed in over 30 countries. - Revivals & Tours: Continues to be staged worldwide, including arena tours and open-air productions. - Pop Culture: - Referenced in The Simpsons, Family Guy, and Saturday Night Live. - Inspired other dance-heavy musicals like Starlight Express and Hamilton (in terms of movement storytelling). Why Is "Cats" So Enduring? Despite its quirks, Cats remains beloved for: ✔ Spectacle – The immersive staging and costumes create a unique experience. ✔ Emotional Core – Grizabella’s redemption in "Memory" resonates deeply. ✔ Nostalgia – Many grew up with the music or saw it as their first musical. Certainly! "Memory" is the most iconic song from Cats and one of the most famous musical theatre ballads of all time. Here's a deep dive into its origins, meaning, and legacy: 1. Origins & Composition - Lyrics: Based on T.S. Eliot’s poems "Rhapsody on a Windy Night" and "Preludes" (not originally from Old Possum’s Book of Practical Cats). - Music: Composed by Andrew Lloyd Webber in a haunting, melancholic minor key, blending Broadway grandeur with operatic emotion. - Collaboration: - Trevor Nunn (director) helped adapt Eliot’s words into the final lyrics. - Elaine Paige (original Grizabella) shaped its emotional delivery. 2. The Song’s Role in Cats - Sung by: Grizabella, the "Glamour Cat" – an aged, shunned former beauty seeking redemption. - Context: - First Appearance ("Memory (Prelude)"): A short, sorrowful snippet when Grizabella first limps onstage. - Full Version: The climactic 11 o’clock number where she pleads for acceptance, singing: > "Touch me, it's so easy to leave me / All alone with the memory of my days in the sun." - Narrative Purpose: - Represents loneliness, regret, and longing for past glory. - Leads to her rebirth when the cats accept her into the Heaviside Layer (their version of heaven). 3. Musical Structure & Highlights - Key: E minor (verses) → G major (climax) – the shift creates a transcendent, hopeful resolution. - Notable Moments: - The soft, mournful opening ("Midnight, not a sound from the pavement"). - The belted climax ("To-o-ouch me!"). - The final whisper ("Daylight, I must wait for the sunrise"). 4. Famous Performances & Recordings - Elaine Paige (Original West End, 1981) – Defined the role; her recording remains iconic. - Betty Buckley (Original Broadway, 1982) – Won a Tony for her portrayal. - Barbra Streisand – Covered it in 1981, making it a pop standard. - Jennifer Hudson (2019 Film) – Criticized for over-singing but praised for raw emotion. - Others: Barry Manilow, Sarah Brightman, Susan Boyle, even Plácido Domingo (Opera version). 5. Awards & Legacy - Grammy Hall of Fame (2008) for its cultural significance. - Most Covered Showtune: Over 150+ recorded versions across genres (pop, jazz, classical). - Cultural Impact: - Featured in The Simpsons, Glee, and American Idol. - Used in memorials and tributes due to its themes of loss and remembrance. 6. Why Does "Memory" Resonate? - Universal Theme: Everyone experiences regret and nostalgia. - Musical Brilliance: The build-up to the climax is emotionally overwhelming. - Theatricality: A showstopper moment that leaves audiences in tears. Fun Fact: Lloyd Webber originally thought it was "too simple" – now it’s his most famous melody!

'Memory' Elaine Paige | Cats The Musical - Royal Albert Hall Celebration

https://www.youtube.com/watch?v=ScXZnXz_7mg From Andrew Lloyd Webber's Royal Albert Hall Celebration: The Royal Albert Hall comes alive to the passionate melodies and songs from the shows of Andrew Lloyd Webber, including The Phantom of the Opera, Cats, Evita, and Sunset Boulevard. With an all star cast including, Michael Ball, Antonio Banderas, Sarah Brightman, Glenn Close, Donny Osmond, Elaine Paige, Ray Shell, and Bonnie Tyler. Read the full article

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James Dillon - echo the angelus (sheet music)

James Dillon - echo the angelus (sheet music)Best Sheet Music download from our Library.Please, subscribe to our Library.Who is James Dillon?Browse in the Library:

James Dillon - echo the angelus (sheet music)

https://youtu.be/OAkI1r8Rtrg?si=KhPaKvZ-fM_lP-TS

https://www.youtube.com/watch?v=OAkI1r8Rtrg Performed by Noriko Kawai, piano 113 Twin Cities New Music Festival 2023

Who is James Dillon?

James Dillon (born 1950) is a British composer known for his complex, avant-garde music that pushes the boundaries of contemporary classical composition. His works often feature intricate structures, extended techniques, and a deep engagement with both modernist and postmodernist aesthetics.

Early Life and Education Born in Glasgow, Scotland, Dillon initially studied painting and architecture before turning to music. He is largely self-taught as a composer, though he later studied at the Royal College of Music in London. His early influences included modernist composers like Karlheinz Stockhausen, Pierre Boulez, and Iannis Xenakis, as well as jazz and non-Western musical traditions. Musical Style and Works Dillon’s music is characterized by its extreme complexity, dense textures, and rigorous structural approach. Some key features of his style include: - Microtonality and complex tuning systems – He often explores alternative tuning systems beyond traditional equal temperament. - Polymetric and polyrhythmic structures – His works frequently involve layered, conflicting rhythms. - Extended instrumental techniques – He demands highly virtuosic performances, often requiring unconventional playing methods. - Influences from literature, philosophy, and visual arts – Many of his pieces reference poetry, mythology, and abstract concepts. Notable works include: - Nine Rivers (1982–99) – A massive cycle of compositions exploring fluidity and transformation. - L’Œuvre au Noir (1990) – Inspired by Marguerite Yourcenar’s novel, this orchestral work is a meditation on alchemy and transformation. - The Book of Elements (1996–2005) – A series of solo piano pieces showcasing his intricate approach to form and gesture. - Philomela (2004) – A chamber opera based on the Greek myth of Philomela, blending avant-garde vocal techniques with dramatic storytelling.

Reception and Influence Dillon’s music is highly respected in contemporary classical circles, though its extreme difficulty means it is performed less frequently than more accessible works. He has been associated with the New Complexity movement, alongside composers like Brian Ferneyhough and Michael Finnissy, though he resists strict categorization. Teaching and Legacy Dillon has taught at institutions such as the University of Minnesota and the Royal Academy of Music in London. His influence extends through his students and the performers dedicated to interpreting his demanding works. Awards and Recognition - Royal Philharmonic Society Award (1984, 1997) - Ernst von Siemens Music Prize (2015) – One of the highest honors in contemporary classical music. James Dillon remains one of the most intellectually rigorous and challenging composers of his generation. His music demands deep engagement from both performers and listeners, offering a rich, if often difficult, sonic experience. For those interested in avant-garde composition, his work is essential listening. Exploring The Book of Elements by James Dillon The Book of Elements (1996–2005) is a monumental cycle of five volumes for solo piano, showcasing Dillon’s intricate, highly structured, and virtuosic approach to composition. Each volume consists of multiple short movements (or "elements"), exploring different facets of musical language, from explosive gestures to delicate, pointillistic textures. Key Features of The Book of Elements - Structural Complexity: The pieces are built from dense, layered rhythms, microtonal inflections, and extreme dynamic contrasts. - Notational Innovation: Dillon’s scores are famously detailed, requiring the pianist to navigate intricate polyrhythms and unconventional techniques. - Abstract Narrative: Though not programmatic, the work has an almost literary quality—each “element” feels like a fragment of a larger, enigmatic discourse. - Influences: The music draws from spectralism, serialism, and even jazz improvisation, filtered through Dillon’s unique aesthetic. Recommended Recordings - Ian Pace – The Complete Book of Elements (Metier, 2018) - The definitive recording, as Pace is one of the foremost interpreters of Dillon’s piano music. His technical mastery and deep understanding of the work’s architecture make this essential. - Includes all five volumes, offering a comprehensive view of the cycle. - Nicolas Hodges – Volume 1 & Selections (Various recitals) - Hodges, another leading new music pianist, has performed excerpts in concert. While no complete commercial recording exists, live performances (some on YouTube) demonstrate his dynamic approach. Where to Start Listening If you're new to Dillon’s piano works, try these entry points: - Vol. I, Element 1 – A striking introduction, full of sharp attacks and sudden silences. - Vol. III, Element 6 – A slower, more atmospheric piece, revealing Dillon’s lyrical side. - Vol. V, Element 9 – One of the most virtuosic sections, with cascading clusters and rapid shifts in texture. Further Exploration - Compare with Brian Ferneyhough’s Lemma-Icon-Epigram or Michael Finnissy’s The History of Photography in Sound for similar complexity. - If you enjoy The Book of Elements, explore Dillon’s Nine Rivers* cycle** or his **violin concerto *Via Sacra for larger-scale works. Read the full article

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Duke Ellington It Don't Mean A Thing (If It Ain't Got That Swing) Piano Solo sheet music

Duke Ellington It Don't Mean A Thing (If It Ain't Got That Swing) Piano sheet music, Noten, spartiti.Best Sheet Music download from our Library.Duke EllingtonSophisticated Lady / Solitude (Live At The Whitney Museum/1972)Browse in the Library:Duke Ellington discography

Duke Ellington It Don't Mean A Thing (If It Ain't Got That Swing) Piano sheet music, Noten, spartiti.

https://youtu.be/0rAuLhP7TbI

Duke Ellington

Edward Kennedy "Duke" Ellington (April 29, 1899, Washington, DC, United States – May 24, 1974, New York, United States) was born into a family that never suffered financial hardship, as his father was a butler in a wealthy household and his mother came from a wealthy black family. In addition to an excellent bourgeois education, he received an air of aristocratic elegance that he would carry throughout his life, hence the nickname "Duke" given to him by his friends. His musical education began on his mother's piano, and although he received lessons from two teachers, it would take him a long time to learn to read music. In 1919, he abandoned his studies in design and decoration, decided to marry a childhood friend, and pursued music as his career.

It was in 1921 when Duke Ellington formed his first and own group with local musicians, which he would call "The Duke's Serenaders" first, and then the famous "The Washingtonians" with Elmer Snowden as bandleader. In 1923, they decided to move to New York. The experience was not very positive, but they managed to play for a few weeks in Wilbur Sweatman's band, which performed at the Lafayette Theatre. After some trips back and forth between Washington and the Big Apple, they landed a contract at the Hollywood club. One night, Bix Beiderbecke heard them play, who attentively observed the sound of the "wa-wa" mute produced by trumpeter Bubber Miley and trombonist Charlie Irvis. That particular sound would be decisive in shaping Duke Ellington's musical discourse. In 1924, with his musical knowledge greatly improved, WHN, a local radio station, broadcast the show from the Hollywood club, now renamed the Kentucky Club. The band began to gain recognition and began receiving contracts in other cities near New York. Between 1924 and 1926, key musicians from Ellington's orchestra joined the band, including, temporarily, clarinetist Sidney Bechet and baritone saxophonist Harry Carney, the first great specialist on that instrument in the history of jazz, who would remain with Ellington his entire life. This is the orchestra that in 1927, with a solid formation, well shot and with its own sound, would make the great leap to fame when they were hired to play in the 'Cotton Club' of Harlem, a place run by the Gangster Owney Madden, since 1923 and that had become fashionable in New York to the point that was frequented by public exclusively white, people of money, money people New York There he was four years and when he left in 1931, he was covered with glory. Between 1927 and 1945, after creating the “jungle style” for jazz, Duke Ellington and his orchestra reached the peak of their artistic and creative maturity. Duke Ellington's orchestra in the 1940s was undoubtedly the one with the best soloists and most virtuoso instrumentalists of the time, and Down Beat magazine repeatedly ranked him, by popular vote, even above Benny Goodman's. After the decline of big bands, Ellington was the only orchestra leader who never disbanded his own. In the absence of contracts, he paid his musicians with royalties and used his orchestra to compose with and hear their music. But some of his soloists left between the late 1940s and early 1950s to pursue solo careers. The departure of Ben Webster, Barney Bigard, Tizol, and others was followed by a definitive departure in 1951, that of his friend, Johnny Hodges. The press, which had previously lavished praise on the orchestra, announced the demise of the orchestra almost daily. In 1955, Johnny Hodges returned to the band, and Ellington breathed a sigh of relief. A number of musicians were added to the roster who would further expand the Ellington sound. Among the most notable additions were saxophonists Paulo Gonçalves and Jimmy Hamilton, clarinetist Russell Procope, trombonist Quenty Jackson, and trumpeters Cat Anderson and Clark Terry. With these musicians and a certain amount of skepticism, Ellington was invited to perform at the 1956 Newport Jazz Festival. What happened that night is written in the annals of jazz. Duke Ellington pulled two songs, composed in 1937, "Diminuendo in Blue" and "Crescendo in Blue," out of his creative hat and decided to play them together onstage, separating them simply with an interlude by Gonçalves. And then the miracle happened. The saxophonist's sweeping twenty-seven choruses, followed by pure jazz improvisation, driven by exemplary rhythms, turned the story on its head. Chairs flew over the heads of the astonished, roaring spectators, and the next morning, all the press headlined, "Ellington is back." From then on, the tours, concerts around the world, and recordings began. In the last ten years of his life, he dedicated himself to composing suites and sacred concerts. His life ended when cancer took his life on May 24, 1974. Ellington forever occupies the throne of the greatest creators of jazz, alongside Louis Armstrong and Charlie Parker. He is undoubtedly one of the greatest composers of the 20th century, regardless of the type of music one considers. His legacy is a cultural heritage that will always remain with us.

Sophisticated Lady / Solitude (Live At The Whitney Museum/1972)

https://www.youtube.com/watch?v=PKb2RAnA26Q Sophisticated Lady / Solitude (Live At The Whitney Museum/1972) · Duke Ellington Duke Ellington's Finest Hour. Almost at the end of his career, Duke Ellington was persuaded in three occasions to do a brief break with his big band and to give recitals in trio on that they were centering on his interpretation of the piano. The last occasion is included in this CD, which was thrown for the first time in 1995, and that gathers the teacher in a concert in Whitney Museum of New York. To one week of fulfilling his 73 birthdays, "Duke" keeps on being in full creative faculties.

Duke Ellington discography

From Wikipedia, the free encyclopedia This is the discography of recordings by Duke Ellington, including those nominally led by his sidemen (mainly in the 1930s and early 1940s), and his later collaborations (mainly in the 1960s) with musicians with whom Ellington had generally not previously recorded. Below are listed 96 studio albums (including 1 box set and 5 EPs), 65 live albums (including 1 box set), and 235 compilations (including 17 box sets and 5 EPs) by the Duke. Read the full article

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Remembering Albert King (1923-1992)

Remembering Albert King (1923-1992)Best Sheet Music download from our Library.Albert King: The Velvet Bulldozer of BluesBiography: From the Cotton Fields to Blues RoyaltyPlease, subscribe to our Library.Music Style: The Bent-Note BluesBrowse in the Library:Licks and Harmony: The Albert King BoxInfluences: Roots and ReverberationsLegacy: The Left-Handed ArchitectNotable WorksFilmography: Blues on ScreenDiscography HighlightsDocumentaries and Videos“In Session” with Stevie Ray Vaughan (1983), Live:Conclusion: The King’s Enduring Reign

Remembering Albert King (1923-1992)

Albert King: The Velvet Bulldozer of Blues

Biography: From the Cotton Fields to Blues Royalty Albert King (1923–1992), born Albert Nelson on April 25, 1923, in Indianola, Mississippi, emerged as one of the most influential blues guitarists of the 20th century. Raised in Forrest City, Arkansas, King grew up singing in a family gospel group but found his true calling in the blues. His early life was marked by manual labor—he worked as a bulldozer operator and even drove a tractor—earning him the nickname “The Velvet Bulldozer” for his raw power and smooth delivery. King’s musical journey began in the 1950s. Self-taught on a homemade guitar, he adopted a unique approach: though left-handed, he played a right-handed Gibson Flying V upside-down, with the low E string at the bottom. This unorthodox technique shaped his distinct bending style and tone. After minor success with early singles like “Bad Luck Blues” (1953), King’s career skyrocketed in the 1960s when he signed with Stax Records. Backed by Booker T. & the M.G.’s, he recorded timeless tracks like “Born Under a Bad Sign” (1967), cementing his status as a blues icon. Touring relentlessly into the 1980s, King influenced generations of rock and blues musicians, from Eric Clapton to Stevie Ray Vaughan. His towering presence—both physically (he stood 6’4”) and musically—left an indelible mark until his death from a heart attack on December 21, 1992.

Music Style: The Bent-Note Blues Albert King’s guitar style redefined blues phrasing and technique: - String Bending Mastery: King’s signature move was his dramatic, fluid string bends, executed with his thumb instead of fingers. This created a vocal, weeping quality, particularly in his minor pentatonic runs. - Call-and-Response: He intertwined his gruff, soulful vocals with guitar licks, mimicking conversational exchanges. - Economy of Notes: Unlike flashy players, King prioritized emotion over speed, using sustained notes and strategic silence to build tension. - Tone and Gear: His Gibson Flying V (“Lucy”) paired with a solid-state Acoustic Amplifier produced a sharp, cutting tone. He often tuned down a half-step and used a capo to transpose keys while retaining his signature licks.

Licks and Harmony: The Albert King Box King’s improvisational vocabulary centered on a handful of licks that became foundational for blues and rock: - The Minor Pentatonic “Box”: He favored a specific fingering pattern in the minor pentatonic scale (e.g., the key of B minor using a capo on the 3rd fret for open G tuning). This “box” allowed him to bend strings effortlessly, as heard in “Crosscut Saw.” - Bend-and-Release Licks: His solos often featured slow, quarter-step bends followed by sudden releases, creating a sighing effect (“As the Years Go Passing By”). - Rhythmic Syncopation: King’s phrasing leaned heavily on off-beat accents, syncopating with the rhythm section to enhance groove. Harmonically, King stuck to 12-bar blues structures but infused them with: - 9th and 13th Chords: Adding jazz-like extensions for depth. - Unison Double-Stops: Playing two strings in unison for a fuller sound. Influences: Roots and Reverberations - Early Inspirations: - T-Bone Walker: King admired Walker’s smooth single-note lines and stage presence. - Blind Lemon Jefferson and Lonnie Johnson: Their Delta and urban blues styles shaped his melodic sensibilities. - Legacy of Influence: - Eric Clapton: Covered “Born Under a Bad Sign” with Cream, calling King “the greatest blues guitarist ever.” - Stevie Ray Vaughan: Emulated King’s bending technique and recorded “Texas Flood” in his honor. - Jimi Hendrix: Borrowed King’s thumb-based bending for songs like “Voodoo Child.” Legacy: The Left-Handed Architect King’s impact transcends genres: - Blues-Rock Bridge: His Stax recordings became a blueprint for 1970s rock guitarists, including Joe Walsh and Gary Moore. - Awards and Honors: Inducted into the Blues Hall of Fame (1983) and Rock and Roll Hall of Fame (2013). - Cultural Icon: His songs have been sampled in hip-hop (e.g., Kanye West’s “The New Workout Plan”) and featured in films like Office Space (“Born Under a Bad Sign”). - Educational Impact: His licks are studied in guitar curricula worldwide, epitomizing “less is more.” Notable Works - Signature Songs: - “Born Under a Bad Sign” (1967): Co-written by Booker T. Jones, this became a blues standard. - “The Hunter” (1967): A gritty anthem later covered by Free and Led Zeppelin. - “I’ll Play the Blues for You” (1972): A soul-blues masterpiece with aching vulnerability. - Essential Albums: - Born Under a Bad Sign (1967): The Stax debut that defined modern electric blues. - Live Wire/Blues Power (1968): Captures King’s fiery stage presence. - I’ll Play the Blues for You (1972): Blurs lines between blues, soul, and funk. - In Session (1983): A legendary collaboration with Stevie Ray Vaughan. Filmography: Blues on Screen Though not a film actor, King’s performances were immortalized in: - Wattstax (1973): Performed “I’ll Play the Blues for You” at the historic Watts festival. - The American Folk Blues Festival (1960s): European tours documented in DVD collections. - Austin City Limits (1976 and 1987): Televised performances showcasing his raw power. Discography Highlights - Early Career (1950s–1960s): - The Big Blues (1962): His debut LP on King Records. - Born Under a Bad Sign (1967): Landmark Stax release. - 1970s Peak: - I’ll Play the Blues for You (1972): Features the iconic title track. - Albert (1976): Includes the funk-blues hybrid “Chump Change.” - Late Career: - San Francisco ’83 (1983): Live recording with soulful renditions of “Stormy Monday.” Documentaries and Videos - Documentaries: - The American Folk Blues Festival 1962–1966 (2003): Features King’s early European performances. - Antone’s: Home of the Blues (2004): Highlights his influence on Austin’s blues scene. - Iconic Performances: - “Born Under a Bad Sign” (1967) - “I’ll Play the Blues for You” Live (1972) “In Session” with Stevie Ray Vaughan (1983), Live: https://www.youtube.com/watch?v=4-apz26BfHY&t=566s Track List: 1 - Born Under a Bad Sign - 01:15 2 - Texas Flood - 9:26 3 - Call it Storm Monday - 29:30 4 - Match Box Blues - 39:53 5 - Don't Lie to Me - 47:28 6 - Pride and Joy - 57:45 7 - I'm Gonna Movie to the Outskirts of Town & Outro - 01:03:40 Conclusion: The King’s Enduring Reign Albert King’s legacy lies in his ability to distill raw emotion into every bent note and growling vocal. His innovative techniques bridged Delta blues with rock modernity, inspiring countless musicians to embrace simplicity and soul. As Stevie Ray Vaughan once said, “Albert taught me how to make one note cry.” From smoky juke joints to international stages, King’s music remains a testament to the power of authenticity—a bulldozer of sound that forever reshaped the blues landscape.

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John Mayer Guitar Play Along Vol. 189 with audio MP3 tracks (TAB)

John Mayer Guitar Play Along Vol. 189 with audio MP3 tracks, sheet music songbook (with Tablature).Best Sheet Music download from our Library.Please, subscribe to our Library.Who is John Mayer?Browse in the Library:DiscographyJohn Mayer's musical style

John Mayer Guitar Play Along Vol. 189 with audio MP3 tracks, sheet music songbook (with Tablature).

John Mayer Guitar Play Along Vol. 189 with audio MP3 tracksDownload Songs List: - Daughters - Gravity - Heartbreak Warfare - No Such Thing - Slow Dancing In A Burning Room - Waiting On The World To Change - Who Did You Think I Was - Your Body Is A Wonderland

Who is John Mayer?

(Read the full article on Wikipedia) John Clayton Mayer (born October 16, 1977) is an American singer, songwriter, and guitarist. He attended Berklee College of Music in Boston, but he left for Atlanta in 1997 with fellow guitarist Clay Cook, with whom he formed the short-lived rock duo Lo-Fi Masters. After their split, Mayer continued to play at local clubs, refining his skills and gaining a minor following. He performed at the 2000 South by Southwest festival, and was subsequently signed by Aware Records, an imprint of Columbia Records through which he released his debut extended play (EP), Inside Wants Out (1999). His first two studio albums—Room for Squares (2001) and Heavier Things (2003)—were both met with critical and commercial success; the former spawned the single "Your Body Is a Wonderland", which won Best Male Pop Vocal Performance at the 45th Annual Grammy Awards, while the latter peaked atop the Billboard 200. By 2005, Mayer had moved away from the acoustic music that characterized his early records, and further delved into the blues and rock music that had originally influenced him. Forming the John Mayer Trio, he released the live album Try! (2005) and his third studio album, Continuum (2006). Both were met with positive critical reception, while the latter was nominated for Album of the Year, and won both Best Pop Vocal Album and Best Male Pop Vocal Performance for its single "Waiting on the World to Change" at the 49th Annual Grammy Awards. It was followed by Battle Studies (2009), which marked his return to pop. After having several controversial incidents with the media, Mayer withdrew from public life in 2010 and drew inspiration from the 1970s pop music of Laurel Canyon for the sound of his fifth studio album, Born and Raised (2012). Discovery of a granuloma on his vocal cords delayed the release of the album until May 2012, and forced him to cancel its accompanying tour. Despite favorable reception and becoming his second release to peak atop the Billboard 200, the album was less commercially successful than his previous work. Mayer recovered in January 2013 and released his sixth studio album, Paradise Valley in August of that year, which peaked at number two on the chart and incorporated country, folk, and Americana influences. His seventh album, The Search for Everything (2017) was a loose concept album based around themes of a romantic break-up. His eighth, Sob Rock (2021) was inspired by 1980s soft rock music. In 2015, three former members of the Grateful Dead joined with Mayer and two other musicians to form the band Dead & Company. It was the latest of several reunions of the band's surviving members since Jerry Garcia's death in 1995. John Mayer's secondary career pursuits extend to television hosting, comedy, and writing; he has authored columns for magazines such as Esquire. He supports various causes and has performed at charity benefits. He is a watch aficionado (with a collection he values in the "tens of millions" of dollars), contributing to the watch site Hodinkee, has been on the jury at the Grand Prix d'Horlogerie de Genève, and was appointed as the Creative Conduit of Audemars Piguet in 2024. By 2014, he had sold a total of over 20 million albums worldwide. Discography Main article: John Mayer discography - Room for Squares (2001) - Heavier Things (2003) - Continuum (2006) - Battle Studies (2009) - Born and Raised (2012) - Paradise Valley (2013) - The Search for Everything (2017) - Sob Rock (2021) John Mayer's musical style John Mayer's musical style is a blend of pop, blues, rock, and folk, with influences from jazz and R&B. His sound has evolved over his career, but key elements include: - Blues-Rock – Mayer is known for his exceptional guitar skills, particularly in blues-inflected solos and phrasing (e.g., "Gravity," "Slow Dancing in a Burning Room"). - Pop-Rock – Early hits like "Your Body Is a Wonderland" and "Daughters" showcase his smooth, radio-friendly pop sensibilities. - Singer-Songwriter/Folk – Albums like "Born and Raised" and "Paradise Valley" feature acoustic-driven, Americana/folk influences (think Bob Dylan, Neil Young). - R&B/Jazz Fusion – His work with the John Mayer Trio ("Try!") and songs like "Who Did You Think I Was" highlight his funk and jazz-inspired playing. - Soft Rock/Adult Contemporary – Tracks like "Waiting on the World to Change" and "The Heart of Life" lean into mellow, introspective songwriting. Mayer’s guitar tone (often using Fender Stratocasters) and soulful vocals tie his diverse styles together. Artists he draws from include Stevie Ray Vaughan, Eric Clapton, B.B. King, and Jimi Hendrix (blues/rock), as well as J.J. Cale and Paul Simon (folk/pop). Read the full article

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Contemporary Coffeehouse Songs Songbook

Contemporary Coffeehouse Songs Songbook.Best Sheet Music download from our Library.Please, subscribe to our Library.Browse in the Library:Coffee House Songs Playlist - Coffee Shop Music Playlist

Contemporary Coffeehouse Songs Songbook.

Includes: Budapest (George Ezra) • Chasing Cars (Snow Patrol) • Don't Know Why (Norah Jones) • Fallin' for You (Colbie Caillat) • Hallelujah (Jeff Buckley) • If It Makes You Happy (Sheryl Crow) • Let It Go (James Bay) • Lost Boy (Ruth B.) • Say You Won't Let Go (James Arthur) • Skinny Love (Bon Iver) • This Town (Niall Horan) • Who Will Save Your Soul (Jewel) • You Learn (Alanis Morissette) • and more. Contemporary Coffeehouse Songs SongbookDownload List of songs: - All I Want - Babylon - Banana Pancakes - Black Horse And The Cherry Tree - Budapest - Chasing Cars - Come On Get Higher - Constant Craving - Don't Know Why - Fallin' For You - Fast Car - First Day Of My Life - Hallelujah - Have It All - I Will Follow You Into The Dark - Ice Cream - If It Makes You Happy - If We Were Vampires - Least Complicated - Let Him Fly - Let It Go - Lost Boy - Lucky - Meet Virginia - The Night We Met - One Of Us - Put Your Records On - River - Round Here - Save Tonight - Say You Won't Let Go - Simple Song - 6th Avenue Heartache - Skinny Love - Stay - Steal My Kisses - Such A Simple Thing - Sunny Came Home - Sweet Creature - This Town - Tom's Diner - Torn - Trouble - The Way I Am - What I Am - Who Will Save Your Soul - Wonderwall - You Learn

Coffee House Songs Playlist - Coffee Shop Music Playlist

https://www.youtube.com/watch?v=2RKbS2khgEM Coffee House Songs Playlist: 00:00 Just Do It - Houses On The Hill 03:02 To The Fullest - Bird Of Figment 06:05 Not Ready for Love - Houses On The Hill 09:09 Best Kept Secret - Roots and Recognition 12:25 I'll Get Over You - Loving Caliber 15:38 Pressure - Candelion 18:41 Love Of My Life - Velvet Moon 22:01 Grown Apart - Victor Lundberg 25:11 We're All Runners - Craig Reever 28:48 I Want You Now - Loving Caliber 31:53 And Then I Wake Up - spring gang 35:03 Taking Off - Ramin 39:12 Not A Shade Of Mine (Tribute Version) - Mike Parr 42:30 Lie With a Heart of Truth - Katharine Appleton 45:34 Substitute - Windshield 49:09 Ball And Chain - Bird Of Figment 52:23 Live Your Life - Velvet Moon 55:15 Just Before Dawn - Solomon Elwes 59:04 Let It All out on Me - Houses On The Hill 01:01:53 Come To The Water - Go For Howell 01:04:50 Just Tell Me - Alexa Cappelli 01:07:42 Thinking of You - Yara Meyers 01:10:30 My Dear - Velvet Moon 01:14:01 Will You Come Around - Houses On The Hill 01:17:03 PhD In Love - Velvet Moon 01:20:18 Orchids - Velvet Moon 01:23:19 Know Me - Las Lunas 01:27:18 I Don't Wanna Close My Eyes - Loving Caliber 01:30:51 I Wish You Were Mine - Loving Caliber Read the full article

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Happy birthday, Michel Camilo, born on this day in 1954

Happy birthday, Michel Camilo, born on this day in 1954.Best Sheet Music download from our Library.Please, subscribe to our Library.Browse in the Library:TODOS LOS COLORES DEL PIANO Michel Camilo | Documental (2014)In English:MICHEL CAMILO . TOMATITO JAZZ VITORIA 2024 #jazz #flamenco

Happy birthday, Michel Camilo, born on this day in 1954.

Michel Camilo (born April 4, 1954) is a Dominican pianist and composer. He specializes in jazz, Latin and classical piano work. Camilo was born into a musical family and as a young child showed aptitude for the accordion that his parents gave him. Although he enjoyed the accordion, it was his grandparents' piano that sparked his interest the most, so at the age of 9 he asked his parents to buy him one. Their response was to first send him to the Elementary Music School, part of the National Conservatory, and then a year later to grant his wish.

The formal system of the music school taught Camilo to play in the classical style, and by age 16 he was playing with the National Symphony Orchestra of the Dominican Republic. Michel Camilo comments on his first encounter with the sounds of jazz, in an interview with the All About Jazz website: "The first time I heard jazz was when I was 14 and a half. I heard the great Art Tatum on the radio playing his solo piano rendition of 'Tea for Two.' That immediately caught my ear. I just wanted to soak it in, to learn to play that style. Then I found out it was jazz." Camilo studied for 13 years at the National Conservatory, and whilst developing his strong classical abilities was also heavily influenced by the bebop tradition, and by the contemporary jazz of Herbie Hancock, Keith Jarrett, Chick Corea and Amilton Godoy (Zimbo Trio's pianist). His influences at this time also included Horace Silver, Erroll Garner, and the ragtime music of Scott Joplin.

When the Harvard University Jazz Band visited the Dominican Republic and heard Camilo at a jam session, the bandleader encouraged him, 'You should be in the States', and so the idea was planted. In 1979, Michel Camilo moved to New York to study at Mannes College and at The Juilliard School, and broke onto the international stage in 1983 when Tito Puente's pianist was unable to make a concert at the Montreal Jazz Festival. On a recommendation, without hearing him, Puente asked Camilo to play. Cuban reed man Paquito D'Rivera was in the audience and offered him a place in his band. For four years, Camilo toured internationally with D'Rivera and recorded two albums with him.

Camilo's emergence as a star in his own right began around 1985, the year he debuted with his trio at Carnegie Hall.

In that same year he toured Europe with Paquito D’Rivera's quintet, and recorded his first album, Why Not?, for Japan's King label. His album Suntan/In Trio had a trio with Anthony Jackson on the bass and Dave Weckl on the drums. In 1988, Michel Camilo debuted on a major record label, Sony, with the release of Michel Camilo, which became a bestseller and held the top jazz album spot for ten consecutive weeks. Special guests joined in with Camilo, such as percussionist Sammy Figueroa and tap dancer Raul. Other bestselling albums followed, and so did the accolades, including a Grammy and an Emmy. Camilo's collaborative 2000 album with flamenco guitarist Tomatito Spain won Best Latin Jazz Album in the first Latin Grammy Awards.

As well as being an outstanding performer, Camilo is a talented composer and has written scores for several Spanish language films including Los peores años de nuestra vida and the award-winning Amo tu cama rica. Michel Camilo tours extensively, and lectures in Europe, the US, and in the Conservatory of Music of Puerto Rico. He holds numerous honorary degrees, a Visiting Professorship and a Doctorate at Berklee College of Music, and has been honored in his home country by being named a Knight of the Heraldic Order of Christopher Columbus, and being awarded the Silver Cross of the Order of Duarte, Sanchez & Mella.

Camilo's regular trio lineup for many years had his long-term friends Anthony Jackson on contrabass guitar and Cliff Almond on drums. Charles Flores has occupied the trio's bass seat since their Grammy-winning album Live at the Blue Note. Lately Camilo has drummer Dafnis Prieto as part of his trio. This new trio released the album Spirit of the Moment in April 2007. Other musicians he has played with include Tito Puente, Paquito D'Rivera, Dizzy Gillespie, Katia Labèque, Toots Thielemans, Airto Moreira, Chuck Mangione, Stanley Turrentine, Claudio Roditi, Nancy Alvarez, Mongo Santamaría, George Benson, Eddie Palmieri, Jon Faddis, Gonzalo Rubalcaba, Lew Soloff, Tania Maria, Jaco Pastorius, Patato, Randy Brecker, Michael Brecker, Chuck Loeb, Giovanni Hidalgo, Guarionex Aquino, Wynton Marsalis, Dave Valentin, Flora Purim, Delfeayo Marsalis, Chucho Valdés, Joe Lovano, Herbie Hancock, Tomatito, John Patitucci, David Sanchez, Hiromi Uehara, Cachao, Marco Rizo, Marcus Roberts, Steve Gadd, Danilo Perez, Gary Burton, Billy Taylor, Dave Weckl, Hilton Ruiz, Roy Hargrove, Romero Lubambo, Niels-Henning Ørsted Pedersen, Leny Andrade, Bireli Lagrene, Marian McPartland, Leonard Slatkin, Arturo Sandoval, Frank Colón, Aisha Syed Castro, Béla Fleck, Lou Marini, Cliff Almond, Juan Luis Guerra 4.40, Mark Walker.

Michel Camilo is one of the ambassadors to Music Traveler GmbH, together with Billy Joel, Hans Zimmer, John Malkovich, Sean Lennon, Adrien Brody. Michel Camilo Discography (on Wikipedia) Michel Camilo: Official Website

TODOS LOS COLORES DEL PIANO Michel Camilo | Documental (2014)

https://www.youtube.com/watch?v=ZUbl32O2xCU “Desde niño he tenido mucha sensibilidad con la naturaleza, uno, no ve un verde, ve muchos verdes, todos esos tonos diferentes existen en el sonido y simplemente lo que tiene uno es que tratar de darse cuenta, hasta donde está la amplitud de un color, donde está el brillo, donde está lo más tenue, ahí uno empieza a bregar con la luz, con el color, y la luz y el color se puede traducir todo en música, eso es lo que yo trato de hacer en el piano” “Michel Camilo: todos los colores del piano. ” No podía haber un título más adecuado para este documental que protagoniza el pianista y compositor nacido en la República Dominicana. Y es que Camilo, en cada concierto, o nuevo proyecto discográfico, siempre sorprende a todo el mundo con una asombrosa capacidad para extraer del piano la más amplia gama de colores, texturas y sonidos. Su vertiente latina, por su origen caribeño, está presente la mayoría de sus composiciones, como el mismo afirma: “Mucha gente no entiende los colores ultra brillantes que existen en mi música, pero se olvidan de que yo vengo del Caribe y en el Caribe hay huracanes, hay una pasión fuerte en la vida…" “Cuando toco el piano, a veces, me dicen que parece que las teclas van a salir por los aires…” Michel Camilo es como una “fuerza de la naturaleza”, como un huracán. Es célebre por su técnica brillante y espectacular, su sentido del ritmo, y el virtuosismo en el piano, pero, también, es un músico muy delicado, que puede tocar baladas maravillosas o suaves melodías, escritas por él mismo, o por los grandes compositores del jazz y la música clásica. Acompañamos a Michel Camilo en sus giras que son vertiginosas y polifacéticas. Camilo compagina una auténtica “jam session” con su trío, en un club de jazz, una noche y al día siguiente ofrece un concierto junto a una orquesta sinfónica en un gran Auditorio o bien se presenta en un Festival a dúo con el guitarrista español “Tomatito”. Para Camilo, en la música se “rompieron ya las barreras”: siempre señala que Gershwin se encargó de “poner un traje de frac” al jazz, es decir “sacarlo de los clubs” y llevarlo a las grandes salas de conciertos. Pues bien, como podemos ver en este documental, y siguiendo con la misma metáfora, parece que Camilo se ha propuesto introducir la “camisa típica de músico de jazz latino” en los más “distinguidos” escenarios y junto a las más célebres orquestas de repertorio clásico. Siempre al final de los conciertos le piden un “bis” o “propina”, y él aprovecha para interpretar sus propios temas o clásicos del jazz con improvisaciones, de una forma tan poco usual, que provoca auténticas pasiones entre las audiencias más tradicionales. Pero además, con su eclecticismo y elegancia, Michel ha conseguido introducir ese “aroma” clásico suyo y muy personal, en los círculos o “refugios” de los incondicionales del jazz más selecto. Camilo nos explica lo que para él es “Un lugar en el tiempo”, título de una de sus composiciones y que hace referencia a la “magia” del directo en los conciertos: “El arte es el lenguaje más íntimo del alma“ “Al fin y al cabo, el arte es el lenguaje más íntimo del alma, que es poderosísimo, que es lo que hace que un público sonría, con los sonidos, y que se le acelera el pulso, que pueda llorar, que puedan recordarse a sus seres queridos, hay algo de misterio en todo esto…” “Cuando te vuelves artista, ya no músico, si no artista, tratas de dominar ese lenguaje, que es el lenguaje que nos une a todos, y que hace que todo el mundo vibre.” “Ese lugar en el tiempo, es una zona de encuentro, un aposento alto, donde todo el mundo entra, si logramos que se nos unan en ese momento, en base al sonido, que al fin y al cabo también es aire en movimiento, ahí se forma la magia, lo que llaman los gitanos el duende, o se aparece el ángel, y eso es lo que todo artista persigue, comunicar con su público, y que todo el mundo se vuelva uno solo, aunque, sea en ese momento y se encuentre en ese lugar en el tiempo.” Michel Camilo nació en la República Dominicana, hace sesenta años, en una familia con una gran afición por la música. Camilo ha dedicado toda su vida a la música, desde que era muy pequeño, empezó sus primeros “pinitos” en la composición de piezas sencillas. Tras sus estudios en el Conservatorio, formó parte de la Orquesta Sinfónica Nacional de su país. Más tarde, se trasladó a Nueva York donde completó su formación musical en la prestigiosa “Julliard School”, trabajando a la vez en los “fosos” de los grandes musicales de Broadway y en los famosos clubes de jazz de la ciudad. En 1985 debutó con su trío en el Carnegie Hall de Nueva York, un año más tarde aparece como líder en los carteles de los grandes Festivales de Jazz de toda Europa. Desde entonces, su carrera es imparable, cada temporada sus giras y presentaciones le llevan por los principales escenarios de todo el mundo, bien, en solitario, con su trío, o con una “big band”, o una gran orquesta. Además ese mismo año 1985 inicia una enorme carrera discográfica, con la que ha ganado varios premios Grammy, el último de ellos lo recibió el pasado año por su disco en solitario “Whats up”. “Yo creo que tuve la ventaja de cómo tocaba tan desde niño, desde los cuatro años y medio, y la familia siempre te celebraba… todos me celebraban desde niño… pues uno le pierde el miedo escénico, siempre tocaba delante de alguien. Y cuando me siento delante de un público no hay nervios, fíjate que ni me tiemblan los dedos, al contrario, me siento y conecto con la música y lo importante, ponerte al servicio de la música y de manera que no haya el ego, el ego es lo más difícil para un artista, si comienzas a pensar en otras cosas, ahí se pierde el hilo musical y el discurso musical, el mensaje del compositor.”

In English: 'Michel Camilo: all the colours of the piano. 'There could not be a more appropriate title for this documentary starring the pianist and composer born in the Dominican Republic. Camilo, in each concert, or new recording project, always surprises everyone with an amazing ability to extract from the piano the widest range of colors, textures and sounds. His Latin side, due to his Caribbean origin, is present in most of his compositions, as he himself states: 'Many people do not understand the ultra-bright colors that exist in my music, but they forget that I come from the Caribbean and in the Caribbean there are hurricanes, there is a strong passion in life…' Michel Camilo is like a 'force of nature', like a hurricane. He is famous for his brilliant and spectacular technique, his sense of rhythm, and virtuosity on the piano, but he is also a very delicate musician, who can play wonderful ballads or soft melodies, written by himself, or by the great composers of jazz and classical music. We accompany Michel Camilo on his tours that are dizzying and multifaceted. Camilo combines an authentic 'jam session' with his trio, in a jazz club, one night and the next day he gives a concert with a symphony orchestra in a large auditorium or performs at a Festival in duo with the Spanish guitarist 'Tomatito'. For Camilo, in music 'the barriers have already been broken': he always points out that Gershwin was in charge of 'putting a tailcoat suit' on jazz, that is, 'taking it out of the clubs' and taking it to the big concert halls. Well, as we can see in this documentary, and continuing with the same metaphor, it seems that Camilo has set out to introduce the 'typical shirt of a Latin jazz musician' on the most 'distinguished' stages and with the most famous orchestras of classical repertoire. Always at the end of the concerts they ask him for an 'encore' or 'tip', and he takes the opportunity to interpret his own songs or jazz classics with improvisations, in such an unusual way, that it provokes real passions among the most traditional audiences. But in addition, with his eclecticism and elegance, Michel has managed to introduce that classic and very personal 'aroma' of his, in the circles or 'refuges' of the most select jazz stalwarts. 'Since I was a child I have had a lot of sensitivity to nature, you don't see a green, you see a lot of greens, all those different tones exist in the sound and simply what you have is to try to realize, how far is the amplitude of a color, where is the brightness, where is the dimtest, there you begin to struggle with light, With color, and light and color you can translate everything into music, that's what I try to do on the piano.' 'When I play the piano, sometimes, they tell me that it seems that the keys are going to go up in the air…' Camilo explains to us what for him is 'Un lugar en el tiempo', the title of one of his compositions and which refers to the 'magic' of live performances in concerts: 'Art is the most intimate language of the soul' 'After all, art is the most intimate language of the soul, which is very powerful, which is what makes an audience smile, with the sounds, and that their pulse quickens, that they can cry, that they can remember their loved ones, there is something of mystery in all this…' 'When you become an artist, no longer a musician, but an artist, you try to master that language, which is the language that unites us all, and that makes the whole world vibrate.' 'That place in time, is a meeting area, an upper room, where everyone enters, if we manage to get them to join us at that moment, based on the sound, which after all is also air in movement, that's where the magic is formed, what the gypsies call the duende, or the angel appears, And that is what every artist pursues, to communicate with his audience, and for everyone to become one, even if it is at that moment and is in that place in time.' Michel Camilo was born in the Dominican Republic, sixty years ago, into a family with a great fondness for music. Camilo has dedicated his whole life to music, since he was very young, he began his first 'steps' in the composition of simple pieces. After his studies at the Conservatory, he was part of the National Symphony Orchestra of his country. Later, he moved to New York where he completed his musical training at the prestigious 'Julliard School', working both in the 'pits' of the great Broadway musicals and in the famous jazz clubs of the city. In 1985 he made his debut with his trio at Carnegie Hall in New York, a year later he appeared as a leader in the posters of the major Jazz Festivals throughout Europe. Since then, his career has been unstoppable, every season his tours and presentations take him to the main stages around the world, either alone, with his trio, or with a 'big band', or a large orchestra. In addition, that same year 1985 he began a huge recording career, with which he has won several Grammy awards, the last of which he received last year for his solo album 'Whats up'. 'I think I had the advantage of how I played so much since I was a child, since I was four and a half years old, and the family always celebrated you… everyone celebrated me since I was a child… because you lose your stage fright, he always played in front of someone. Read the full article

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Bill Evans - Quiet Now sheet music transcription sheet music, Noten

Bill Evans - Quiet Now sheet music transcription sheet music, Noten, partitura, spartiti 楽譜

https://youtu.be/sWF0KcpNxgc?si=isrmUX8IFviEOwej

Quiet Now is an album by jazz pianist Bill Evans, recorded in 1969. It was released in 1981 on the Affinity label. The same recordings were officially released in 2021 in cooperation with the Bill Evans estate as part of the album Behind The Dikes. In 1999, Polygram issued a compilation titled Quiet Now: Never Let Me Go which, aside from the title track, has a completely different track listing. Track listing - "Very Airy" (Evans) - 5:11 - "A Sleepin' Bee" (Harold Arlen, Truman Capote) - 4:49 - "Quiet Now" (Denny Zeitlin) - 5:26 - "Turn Out the Stars" (Evans) - 4:56 - "Autumn Leaves" (Jacques Prévert, Joseph Kosma, Johnny Mercer) - 4:18 - "Nardis" (Miles Davis) - 5:48 Personnel: - Bill Evans - piano - Eddie Gómez – bass - Marty Morell – drums Main article on Wikipedia: Bill Evans discography Read the full article

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Ennio Morricone La Califfa (Piano Solo arr.) sheet music, spartiti

Ennio Morricone La Califfa (Piano Solo arr.) sheet music, Noten, partitura, spartiti, partition, 楽譜Best Sheet Music download from our Library.Please, subscribe to our Library.Browse in the Library:Who was Ennio Morricone?Ennio Morricone: The Maestro of Film MusicMusical Style and InnovationsMajor Works and FilmographyInfluences on MorriconeMorricone’s Influence on OthersAwards and RecognitionAndrea Morricone: The Legacy of a Musical Dynasty

Ennio Morricone La Califfa (Piano Solo arr.) sheet music, Noten, partitura, spartiti, partition, 楽譜

https://youtu.be/OhhSR-KpdLs?si=S10rE3vK5cvG05F4

Who was Ennio Morricone?

Ennio Morricone: The Maestro of Film Music Introduction Ennio Morricone (1928–2020) was an Italian composer, orchestrator, conductor, and trumpeter who revolutionized film music. With over 400 scores for cinema and television, he is considered one of the greatest and most influential composers in history. His work spans multiple genres, from spaghetti westerns to dramas, thrillers, and horror films. Morricone’s unique style—blending orchestral arrangements, unconventional instruments, and haunting melodies—left an indelible mark on cinema. Biography Early Life and Education Ennio Morricone was born on November 10, 1928, in Rome, Italy. His father, Mario Morricone, was a professional trumpet player, which influenced Ennio’s early musical training. By the age of six, he was composing simple pieces. At 12, he enrolled in the National Academy of Santa Cecilia, where he studied trumpet, composition, and choral music under Goffredo Petrassi, a leading figure in Italian classical music. Morricone graduated in 1954 with a diploma in trumpet and later in composition. Early Career (1950s–1960s) Before composing for films, Morricone: - Worked as a studio arranger for RCA Victor. - Wrote pop songs under pseudonyms (e.g., "Dan Savio"). - Composed avant-garde classical music (e.g., "Suoni per Dino"). His breakthrough came when he reunited with Sergio Leone, a childhood friend, to score A Fistful of Dollars (1964). This marked the beginning of their legendary collaboration. Musical Style and Innovations Morricone’s compositions are known for: 1. Unconventional Instruments and Sounds - Whistling (The Good, the Bad and the Ugly) - Electric guitar (Once Upon a Time in the West) - Jew’s harp (For a Few Dollars More) - Wordless vocals (The Mission) - Whip cracks, gunshots, and animal cries 2. Minimalism and Repetition - Simple, memorable motifs (e.g., "The Ecstasy of Gold") - Layered textures with gradual builds 3. Fusion of Genres - Classical (influenced by Bach, Stravinsky) - Jazz (his early work in Rome’s jazz scene) - Rock and pop (experimental use of electric guitars) - Italian folk music (especially in The Good, the Bad and the Ugly) 4. Emotional Depth - From melancholic (Cinema Paradiso) to intense (The Untouchables) Major Works and Filmography Spaghetti Westerns (Sergio Leone Collaborations) - A Fistful of Dollars (1964) – Main Theme - For a Few Dollars More (1965) – Watch Here - The Good, the Bad and the Ugly (1966) – The Ecstasy of Gold - Once Upon a Time in the West (1968) – Harmonica Theme Dramas and Historical Epics - The Mission (1986) – Gabriel’s Oboe - Cinema Paradiso (1988) – Love Theme - The Legend of 1900 (1998) – Playing Love Thrillers and Horror - The Thing (1982) – Main Theme - The Untouchables (1987) – Main Theme Later Works - Malèna (2000) - The Hateful Eight (2015) – Tarantino’s only original Morricone score Influences and Legacy Influences on Morricone - Classical: Igor Stravinsky, Béla Bartók - Jazz: Miles Davis, Chet Baker - Italian folk music Morricone’s Influence on Others - Hans Zimmer, John Williams, and Quentin Tarantino cite him as a major inspiration. - His techniques (e.g., mixing diegetic sound with score) are now standard in film music. Awards and Recognition - 2 Oscars (Honorary in 2007, Best Score for The Hateful Eight in 2016) - 3 Grammy Awards - 6 BAFTAs - Golden Globe for The Hateful Eight Final Years and Death Morricone remained active until his death on July 6, 2020, in Rome. His final concert was in 2019, conducting his works at the O2 Arena in London. Summary Ennio Morricone redefined film music, blending innovation with deep emotion. From the deserts of spaghetti westerns to the operatic heights of The Mission, his work transcends cinema, standing as timeless art. Further Listening - Ennio Morricone’s Greatest Hits (Spotify) - BBC Documentary: Ennio Morricone – The Maestro His music remains a testament to the power of creativity—forever echoing in the halls of cinematic history.

Andrea Morricone: The Legacy of a Musical Dynasty

Andrea Morricone (1964–2022) was an Italian composer, conductor, and orchestrator, best known as the son of the legendary Ennio Morricone. While he lived under the shadow of his father’s immense legacy, Andrea carved out his own successful career in film and classical music, collaborating with major directors and earning critical acclaim. Biography Early Life and Education Andrea Morricone was born on October 22, 1964, in Rome, Italy. Growing up in a household filled with music, he was deeply influenced by his father, Ennio Morricone, who encouraged his musical education. He studied at the Santa Cecilia Conservatory in Rome, specializing in composition, conducting, and piano. Unlike his father, who initially focused on trumpet, Andrea leaned more toward classical and contemporary orchestration. Career Beginnings Andrea started his career as an assistant to his father, helping with orchestrations and conducting. His first major independent work came in the 1990s, when he began composing for Italian and international films. Musical Style and Influences 1. Classical and Orchestral Foundations Andrea’s music was deeply rooted in classical traditions, with influences from: - Romantic composers (Tchaikovsky, Mahler) - 20th-century modernists (Stravinsky, Shostakovich) - Film composers (Bernard Herrmann, John Williams) 2. Collaboration with Ennio Morricone While Andrea sought to establish his own identity, he often worked alongside his father, contributing to: - Orchestrations for The Legend of 1900 (1998) - Additional music for Malèna (2000) 3. Film Scoring Approach Andrea’s style was more lyrical and symphonic compared to Ennio’s experimental minimalism. His scores often featured: - Sweeping orchestral themes - Rich string arrangements - Intimate piano solos Major Works and Filmography Notable Film Scores - "Canone inverso – Making Love" (2000) – A romantic drama featuring one of his most famous themes. - "Fateless" (2005) – A Holocaust drama with a haunting, emotional score. - "The Double Hour" (2009) – A thriller showcasing his versatility. - "The Invisible Boy" (2014) – A fantasy film with a magical orchestral score. Collaborations with Ennio Morricone - The End of a Mystery (1998) – Conducted by Andrea. - 72 Meters (2004) – Co-composed with Ennio. Classical Compositions Andrea also wrote symphonies, concertos, and chamber music, including: - "Concerto for Violin and Orchestra" (2005) - "Sinfonia per Archi" (2010) Legacy and Influence Comparison to Ennio Morricone While Ennio was a revolutionary who redefined film music, Andrea was more of a traditionalist, focusing on lush orchestral storytelling. Critical Reception Andrea was respected in the industry but never reached the same level of fame as his father. However, his works were praised for their emotional depth and technical mastery. Final Years and Death Andrea Morricone passed away suddenly on February 20, 2022, at the age of 57. His death shocked the music world, coming less than two years after his father’s. Andrea Morricone may not have achieved the same global recognition as Ennio, but his contributions to film and classical music were significant. He carried forward the Morricone name with dignity, blending tradition with his own artistic voice. Further Listening - "Canone inverso" Main Theme - "Fateless" Suite Though overshadowed by his father’s legend, Andrea Morricone’s music remains a testament to his talent and dedication. Read the full article