#Selinute

[archaeologicalrecords]

'Selinute' video installation [AR L.06], Vignola/Roma, 2021. Excerp ~

[violeblanche]

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[michael-svetbird]

: • Herakles and the Amazon • One of the Metopes from Eastern frieze of Temple E [Temple of Hera] at Selinus | Selinute, Sicily en.wikipedia.org/wiki/Temple_E_(Selinus) Limestone, Marble 460-450 BC. . Museo Archeologico Regionale “Antonio Salinas”, Palermo | August 2019 @museosalinas facebook.com/Museo.Archeologico.Antonino.Salinas.Palermo . Museum Tag: “The hero, son of Zeus and Alcmene, is depicted while fighting against the queen of the Amazons” . . #museosalinas #museoarcheologicopalermo #archaeologicalmuseum #metopes #selinus #marbleslabs #frieze #ancientsculpture #relief #ancientart #antiquity #archaeology #greekmythology #ancient #archaeologyphotography #museumphotography #ancientamazons #amazons #amazonomachy #amazon #amazone #amazzone #amazonka #αμαζόνα #амазонка #amazonwarrior #amazonqueen #antiope #historyofart #michaelsvetbird 08|19 ©msp @michael_svetbird (at Museo archeologico regionale Antonio Salinas) https://www.instagram.com/p/B8yWIMgoDzH/?igshid=1jpkw3uv2983t

[musingsofclio]

Some Plaster Casts at the University of Manchester

I look at Some Plaster Casts at the University of Manchester @UoMCAHAE @UoMSALC #classicalreception #art #architecture

The Samuel Alexander building is a home to the School of Arts, Languages and Cultures (SALC), it has a wonderful collection of plaster casts of Ancient Greek Art. In this short post I am going to discuss three of the casts and talk about the history and symbolism of the originals and why plaster casts were made of them.

Perseus, Medusa and Athena | Temple C in Selinute | c.550 BCE

Temple C at…

[archaeologicalrecords]

On Saturday 11 December 2021, at the Fabbri Theater in Vignola, the Circolo Bononcini – in association with the Betty B Festival and Archaeological Records – organized an evening dedicated to the artist Roberto Baldazzini entitled MUSIC IN ACTION. For this event the artist decided to present the preparatory studies for the 'Tempio di Selinute'.

The 'Tempio di Selinute' is a collective performance with original music written and performed by composer Tiziano Popoli and curated by Archaeological Records which should have debuted at the beginning of 2020 in the spaces of the Circolo Ribalta (Vignola), but which was canceled due to the onset of the pandemic. Roberto Baldazzini, in order to reconnect himself and us with the 'Selinute' project, therefore proposed to Tiziano Popoli and to the Circolo Bononcini's conductor Alicia Galli, to arrange pieces by Erik Satie and Philip Glass inspired by his drawings of the abstract characters 'Selinute', 'Orvellina' and 'Nemudato'. The Archaeological Records collective has developed, starting from those same drawings, an animation laboratory that has produced several video installations. During the MUSIC IN ACTION evening the characters of the 'Tempio di Selinute' finally emerged through two live drawing sessions by Roberto Baldazzini and the projection of two animations curated by Archaeological Records, on the notes of the Orchestra dei Castelli conducted by the directors Popoli and Galli.

Roberto Baldazzini + Archaeological Records lab, 'Selinute' video installation [AR L.06], Vignola/Roma, 2021.

[archaeologicalrecords]

On Saturday 11 December 2021, at the Fabbri Theater in Vignola, the Circolo Bononcini – in association with the Betty B Festival and Archaeological Records – organized an evening dedicated to the artist Roberto Baldazzini entitled MUSIC IN ACTION. For this event the artist decided to present the preparatory studies for the 'Tempio di Selinute'.

The 'Tempio di Selinute' is a collective performance with original music written and performed by composer Tiziano Popoli and curated by Archaeological Records which should have debuted at the beginning of 2020 in the spaces of the Circolo Ribalta (Vignola), but which was canceled due to the onset of the pandemic. Roberto Baldazzini, in order to reconnect himself and us with the 'Selinute' project, therefore proposed to Tiziano Popoli and to the Circolo Bononcini's conductor Alicia Galli, to arrange pieces by Erik Satie and Philip Glass inspired by his drawings of the abstract characters 'Selinute', 'Orvellina' and 'Nemudato'. The Archaeological Records collective has developed, starting from those same drawings, an animation laboratory that has produced several video installations. During the MUSIC IN ACTION evening the characters of the 'Tempio di Selinute' finally emerged through two live drawing sessions by Roberto Baldazzini and the projection of two animations curated by Archaeological Records, on the notes of the Orchestra dei Castelli conducted by the directors Popoli and Galli.

Roberto Baldazzini + Archaeological Records lab, 'Selinute' video installation [AR L.06], Vignola/Roma, 2021.

[archaeologicalrecords]

“Mutazione” exhibition at Palazzo Cavallerini Lazzaroni, cureted by Archaeological Records - Roma, 2018. Images from the “Mutazione. Roberto Baldazzini: epifania di un genotipo” exhibition catalogue [AR P.01] by AR. pt 7/8

[archaeologicalrecords]

“Mutazione” exhibition at Palazzo Cavallerini Lazzaroni, cureted by Archaeological Records - Roma, 2018. Images from the “Mutazione. Roberto Baldazzini: epifania di un genotipo” exhibition catalogue [AR P.01] by AR. pt 6/8