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alovelyburn · 2 years

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I was wondering who your top five favorite Berserk characters are and why you like them? My bad if you’ve gotten this ask before.

Not in a few years! 1-3 are easy for me, it just gets tough after that because at that point there are a lot of characters I like without any of them standing out as particularly more amazing than the others.

...this is very long.

Guts Despite I guess being more of a vocal Griffith advocate, Guts is actually my favorite character not just in Berserk but in Manga as a whole, and arguably in..... fiction. I mean I can't think of anyone I like more offhand, anyway. As for why... I'm generally fond of the kind of character that he is: a complex personality with a lot of heavy issues, rage and emotional struggles. If you look at any media with a Guts-like character I probably like them - Auron, Senji Kiyomasa, Jason Todd, whatever, they're just my kind of thing but Guts is really the granddaddy of that type and he's more nuanced and interesting than any of the other ones I've personally run across. Jason kind of skirts close sometimes but it depends on the writer... and Western franchise comics are just less consistent by nature. There's also the Punisher but he's a homicidal maniac.

So, even though I like this type in general, it's sort of rare that they're the actual protagonist right, like usually the protagonist is some teenager and the broody complicated guy is like the mentor, or a scary guy they have to deal with or, in the case of a romance usually the love interest. That doesn't stop them from being fun characters that I like, but it does tend to limit how much exploration they get.

I appreciate that he's a protagonist who isn't always a nice or admirable person - that he makes mistakes and hates himself for it, that he sees his own monstrousness and struggles to control it and sometimes gives in to it (or even makes use of it). And the coexistence of his sometimes seemingly contradictory traits - his protectiveness vs the way he hurts people, his desire to belong vs his tendency to abandon, his insecurity and his cocky swag, his uncertainty vs his steel will - also makes for a multifaceted personality. Miura said he designed characters with a mind toward what they'd bring out in Guts and as a result, Guts has a lot brought out in him, I guess. Generally speaking the more complicated a character is the more interested I'll be in them anyway. This is something that's going to come up with Griffith as well, but I also have an attraction to moral ambiguity. I genuinely believe he's capable of being just as cruel, just as monstrous, as Griffith ever was (and vice versa) - and in a lot of ways we've already seen him do that - it's just that I guess a lot of people don't register it that way because his specific priorities better align with their sympathies and also he's the protagonist so people will tend to side with him anyway. But that... doesn't change that he's a person who will use a child as monster bait, or that he sexually assaulted a woman he's supposed to be protecting, or that he let the pilgrim camps around the tower of conviction get sucked into hell in order to get his ex back. It doesn't change that he's selfish and cruel sometimes.

Traditionally I also tend to be drawn to characters who kind of defy I guess stereotypical gender...norms? Guts in a lot of ways is a classic masculine type, but I appreciate that he isn't the no-emo badass that, I guess, he gets perceived as by some people. I love that he cries more than most of the characters in the series, or that his primary motivation is heartbreak over Griffith betraying him. That his rage is more cope than anything else.

I always say he'd reconcile with Griffith if he had a chance, as we know, but if you think about it that's kind of a dick move, I mean Griffith did feed the Hawks to demons and rape Casca in front of him. But that doesn't mean I dislike that I feel he'd do it, on the contrary, that just makes his emotional workings more interesting to me because it's a little desperate and sad, and a little selfish and monstrous, and I think he'd... know that it was a dick move and that he's a little pathetic for being willing to do it. And I think he'd struggle with it and hate himself for it. But I still think he'd do it. Which is interesting to me.

I also love that he's not motivated by romance. It's a rare gem of a thing, and I mean I do obviously believe he has romantic feelings for both Casca and Griffith, but even with that being the case I don't think his romantic feelings for either are his true motivators - he's not attached to Casca just because she's the woman he was planning to be with, he's attached to her because she represents the Hawks in his head. And while his feelings for Griffith have a romantic component I do think it's just one color in a massive storm of feelings. I always think Griffith is in love with Guts, whereas Guts loves Griffith which includes also having romantic feelings for him but it's not necessarily the primary driving force in those feelings.

Also, I really love a stone-cold badass. I've never been a person who automatically gloms onto the underdog, I guess; I know a lot of people are inherently turned off by overpowered characters or characters who rarely lose or whatever, but that just doesn't bother me, I love watching a character cut through an army solo, it's just fun for me.

Along the same lines, I love that he's relentless and can't and won't be stopped. This is kind of an interesting one because I feel like for a lot of people a big chunk of his appeal is that he is always kind of struggling against larger forces and he gets fucked up and he takes hits but keeps going. Whereas for me, the part that appeals to me is just... that he keeps going, whether that means fighting and fighting and never taking a hit or taking hits and getting back up is less important to me than the fact that he's always continuing to go.

And I like the way he mouths off to gods and demons.

Griffith Even though Guts is my favorite, I do actually think Griffith is Miura's master creation. The subtlety of his characterization, the ambiguity that sometimes ripples back just enough to reveal the edge of this vast and complicated personality and the way the reader is left to connect the dots is really fascinating to me - though I do wish people were better about connecting the dots instead of drawing over them.

I say this a lot, but Griffith is the one who actually embodies the reasons I love Berserk the work itself, the world, the philosophy behind it, etc. That someone like him can break is evidence that anyone can break. That someone as good as he is can be cruel is evidence that anyone can be cruel. That someone as terrible as he is can be kind is evidence that anyone can be kind. He encompasses the breadth and depth of humanity in Berserk's world, in all its beauty and all its hideousness.

I love every Griffith, though I do think all of them are distinct in their own ways.

During the Hawks Era, there is a certain innocence to him that persists despite the things he sees and does. He is... childish, I mean honestly, when I think about Griffith in the Golden Age this is maybe the main thing that comes to mind? Because he can be the adult in the room, he can be the genius strategist, the brilliant combatant, he can be serious when he needs to but these are all roles, and when his guards are down (mostly around Guts) his reserve melts and he's expressive and silly and playful and ultimately his self-image is literally that of a barefoot child.

That kind of informs a certain earnest purity that comes through in the way he sees the world and the feelings he has about things or people, and the specifics of the ambitions he holds. Even some of the things that people use against him - the piles of corpses you could say - are things that by the standard of the day really aren't anything he needs to feel bad about, but he's tormented by them to the point where guilt ultimately becomes arguably the driving force behind his actions more than the original ambition that created those corpses to begin with.

I think in the end, what drove Hawks Griffith was still a kind of kid looking at the castle kind of idealism - the dream of self-discovery intermingled with the yearning to build the kind of world that wouldn't make people go through the things he did. The issue is that in a more realistic world, as Berserk has tended to be (magic and stuff aside), that is hard to sustain.

You know what he reminds me of? For anyone familiar with Fate/ there's a thing about Artoria/Saber where she became a martyr to her own Kingdom because she ended up living for the country and sacrificing for the country which made her increasingly dehumanized and Gilgamesh, charmer that he is, realizes she's trying to carry the world on her shoulders he basically determines that she's inevitably going to be crushed under the weight of her own self-imposed burden, which he thinks is hot. Aside from the hotness of it, that always reminded me of Hawks Griffith - the way he tried to carry the Hawks on his back and never let them see that he was imperfect, the way he lived to maintain that image so they had something to believe in, and the way it strained the man underneath.

And that! Is! FASCINATING, look as much as I love Guts for being basically made of steel, I also love Griffith for not being as mentally resilient as Guts is - in fact so many of the reasons I glommed onto Griffith are the direct opposite of reasons I love Guts - so much of Griffith's character is driven by his feelings for Guts, especially during the Golden Age, and I find that to be just as fascinating as Guts' romantic ambivalence. In so many ways Griffith seems larger than life and inhumanly perfect - invincible like he can withstand anything, but all that strength can't hold him up when his heart breaks. In the end its his fragile human heart that is his downfall every time. And the breakable interior underneath his epic hero exterior makes for an interesting cocktail.

This is getting too long so I'm going to try to be brief with Neo - obviously he embodies the larger cosmic themes of Berserk even more than Hawks Griffith does - but I also find him fascinating as the fallout from everything that went on with Hawks Griffith. Because Griffith tried so hard to be a person who lived for his dreams and wasn't battered about by his emotions but he couldn't manage it and so when he's remade in the image he desires he becomes the thing he wanted to be, and its beautiful and epic and inspiring but also kind of hollow and sad. Griffith lives in the fallout from making the wish with the consequences he didn't expect, and it's interesting because it's not wholly clear how much he realizes what he's lost - how much he feels it - until the external imposition of factors that bring his emotions back full force for those shreds of time between transformations.

Farnese She's been my third favorite for... ages. That said, she's not Guts or Griffith so I don't have as much to say about her. I just think she's an interesting character - the changes that take place in her as she tries to reinvent herself are really cool to me.

If you line the events we know up chronologically you get a pretty cohesive story about this emotionally abandoned girl who cycles through various forms of trying to locate herself and her place in the world and forming kind of frantic dependencies on various copium flavors until she is ultimately forced to face the lie that her life had been, at which point she has to start over from nothing. I think that's a cool and very human story. Also, it's interesting to me to see this person who, when we first meet her, seems so powerful (in a political sense) and determined have all those masks torn down until you see the terrified lost person inside all the trappings... and then to see her build herself back up, but in the way she chooses and through the means she desires, having finally been untethered from the obligation and demands of her family or the church.

Farnese is kind of a normal person to me, you know? Like Guts and Griffith are Epic Heroes - they're Made Differently in that heroic form. And people like Serpico are kind of skirting the edges between normal and epic - I'd call him kind of a normal hero as opposed to an epic hero and then there's Farnese who is very cool yes, but ultimately also a basically normal person. And watching her grow and adjust in this world that is deeply hostile to normal people - not just the Berserk world as a whole but the specific path that she goes onto by following Guts - is A+ entertainment for me. It also makes her admirable, because she was born to such extreme wealth and could have had such an easy life if she decided to put her tail between her legs and run home, but she didn't.

So... yeah I mean I think it's a good arc.

From here the short list was Charlotte, Serpico, Zodd and Rickert.

Charlotte I talked a lot about why I like her so much pretty recently, but to quickly recap... I enjoy watching her develop from a sheltered shy shrinking violet into someone who is, while still very gentle and quiet, far stronger and more resilient than one would have expected. I love that she has these progressive views - I assume she got most of them from her father who was quite progressive as well before he lost his damn mind, but it means she and Griffith are aligned on a lot of political views.The risks she takes to save Griffith, the way she loves him even when he's lost everything and can't talk anymore, the way she's able to fight off the King without assistance and protect herself for the year that follows... it works for me. She's a different type of character than someone like Guts or even someone like Farnese, and of course she doesn't get a lot of screentime since she's a relatively small character, but I've seen a lot of growth in her. I also think she's adorable and her romantic fantasy version of the world is kind of... just. Interesting. It's interesting when one character is in a different genre of story than everyone else, I don't know.

Rickert He stole Zodd's spot. Mostly because I always like that "last of the old Guard" type of character, and I find his emotional struggle where Griffith is concerned really interesting. In a lot of ways it echoes Guts' struggle, albeit without the UST. The bit where he smacked Griffith - that whole scene and everything leading up to and after it, is one of my favorite parts of the series - I love that despite knowing what Griffith has done, he still wavered on the edge of whether to stand with him or not. I also love that he decided not to, and that at the same time he still holds his reverence and love for the Griffith who used to be, even though he can't accept the Griffith who is. Even then after that, he's still reluctant to believe Griffith would have him killed - which I think he's right to doubt, because I'm so sure it was Locus who did that. Anyway, he doesn't do much - rather he does a fair amount but he does it in spurts and then vanishes for years at a time - but I'm always glad to see him when he shows up.

Serpico is still on the edge for me right now, but I've been warming to him more during the current reread, I guess because I had to think about him more than I normally do. So I wouldn't be shocked if he eventually overtook Charlotte or Rickert - not sure which. I just need to see more of him/think more about him to get a sense of where he falls for me.

I also think that if we get the full backstory on Skull Knight and Void there is a high chance that they'll just knock the bottom two off entirely and give me a legitimately solid Top 5 instead of, honestly, a Top 3 + extras.

#ask #hawkfawun #ariel talks about berserk

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